Indianapolis Times, Indianapolis, Marion County, 2 December 1946 — Page 13

10. 2, 1946

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|Jazz Concert Noisy and Hep

Woody Herman Music Wilts Wallflowers

Maybe Hermann Rinne's Indian|apolis Philharmonic couldn't have |been - heard from Cathedral ‘high | school to the Murat last night, but [T'll bet Woody Herman's band was | darn near vice versa. | For when that brass section cut loose, with trumpets trying to play {higher than the top notes on the plano, they could have wilted the | wallflowers in Jericho. Mr. Herman and his group of virtuosi put on an informal, pro-gram-less concert whose most se-| rious moment was the performance | of Igor Stravinsky's “Ebony Concerto,” especially composed for the Herman band. Musicians Make Jazz On one hearing, I shouldn't care | to render a verdict (or should I say diagnosis) of the Stravinsky. It seems of moderate interest with

| (again I say, on the first hearing) some of the vices European com-

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positions for jazz band always seem [to have. Serious compbsers, when | they dabble in jazz, try too hard. It's the instrumentalists them- | selves who make jazz. Melodic “hot licks” and rhythmic quirks are | probably best evolved in jam sessions, although composers and arrangers can set up fundamental harmonic patterns and work out strategy. The arranger who works with and knows his band, like Mr. Herman's Ralph Burns, is likely to achieve more impressive results than an outsider can, Wartime Good Deed Before space gets short and | Charley Weddle saws a few para- | graphs off this review, I want to give (Mr, Herman belated praise for at] |least one wartime good deed. | In the spring of 1045, Mr, Her-| {man brought his Band out to Bill{ings hospital for a concert in the newly - completed gymnasium. He had a huge audience, and he and his band gave a lot of pleasure to. [the boys in the wheel-chairs and | the maroon bathrobes. Last night he had a biggér band than he had at Billings. I like a’ {lot of brass, except on hats, and so {I liked the weird, dissonant chords and the sharp, ear-splitting brazen | punctuation marks in the music, as {in Mary Ann McCall's vocals. t Let's hope Indianapolis will be an (annual stop in Mr. Herman's itinerary. —H. B. |

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Hermann H. Rinne and the Indianapolis Philharmonic

George Newto

teur-music history last night. In a concert at Cathedral high gatos. I was sorry school auditorium, sponsored by. the the vocal portion Cathedral Boosters club, the Phil- program, owing to harmonic played an ambitious pro-|ment, gram - which included Beethoven's Symphony No. 2 in D:

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THE INDIANAPOLIS TIMES Indianapolis Philharmonic Orchestra Plays Anbifiods Program

Mr. Rinne's group of earnest amateurs are playing more

n, Indianapolis, than they did last season—so much tra, with confidence. [thusiasm he has generated in his | | musicians, he'll eventually have one phrasing. {of the best organizations of the sort to have to miss| There's no doubt that Mr. Rinne|in the Middle West, of last night's knows far better than I could pointy The Philharmonic strings, esanother assign- | out here, certain defects af the kind | pecially the first violins, were reit's difficult to eradicate in amateur markably clear, both in Nicolai's orchestras, But Mr, Rinne Inspires me, as he evidently does his orches-

maturely

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With enough and phrasing were admirable. orchestra bass-baritone, was soloist, with Jane|so that stretches of the Heethoven| support, and with the kind of en-

added another item to local ama-| Hampson as accompanist and Rob- | had big-time professional tone and | erta Trent, violinist, playing obli-

The big job of training an amateur orchestra goes beyond the mere planning and execution of programs. It's an educational project that helps the whole community toward keener appreciation of musie, In a country less hesitant about

‘Merry Wives of Windso:” overture! bestowing such honors, Mr. Rinne

would certainly get a Hedal—H. } B.

Downstairs } Wasson’

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