Indianapolis Times, Indianapolis, Marion County, 18 November 1946 — Page 8

Michael Cunning declared today,

doesn’t have to worry about the

Jay you can sft in your parlor and ‘gt a whole gyening's ertertainMent for free. It's the movie‘makers who'll have to pitch in and buck stiff competition. There'll always be a place for radio, our expert thinks. But that magical hocus-pocus that lets you look in a little box and watch performers doing their stuff 50 miles away is going to upset that snug monopoly film studios have built up. When you get right down to it, according to Mr. Cunning, television 1s just “split-second movie production” and nothing else. “It has nothing to do with radio,” he explaified, “except in the way

it's transmitted. Everything else is) indianapolis,

dramatic production.”

| HOLLYWOOD, Nov. 18 (U. P).— iS ut, television expert Patrick

Tost of Shen

Hand Meter Registers Good, Bad Parts of Show

{ By JACK GAVER United Press Staff Correspondent NEW YORK, Nov. 18.—"Every customer a critic” might well become the slogan of Al Sindlinger, a veteran public opinion sampler, and [Walter E, Heller, a Chicago finan‘cer, For their new enterprise 1s designed to lift show business investment a. notch above the guessinggame stage, Their ideas to have representative audiences. pre-test dramas in their tryout stage by use of small hand meters which register reac-

Large Crowd Hears Duey tions from “very bad” to ‘very ood.”

8 | Jordan Faculty Member | The combined result would be | Has Voice, Technique

jor

Dorothy McGuire, in “Till the End of Time,” now at the Indiana,

registered on a graph which shows

Betty Bruce, star of “Up in Central Park,” the Todd-Romberg-Fields musical which will start

| a week's run at English’s Dec. 2.

THE INDIANAPOLIS TIMES Star of Musical

just what parts of a play were liked By HENRY BUTLER and which were not liked. | Philip Duey, bass-baritone of the! These meters have been used with Jordan conservatory faculty, has| film audiences—part of Mr. Sind- | evidently built up a large following | linger's work when he was with the {in the few months he has been in | Gallup organization—and another | {outfit is preparing a device along! For the English theater, where he | the same lines for testing radio

"Come the day when every wage- | appeared in recital yesterday after-|shows.

earner can afford one of those] {ittle boxes, the movie makers bet-|

inoon, was filled nearly to capacity. Mr, Duey’s program was one of | the most satisfying musical events!

What About Critics? “There is one thing I'd like to

look out. hi don’t mean television will ever | Jordan has presented to the public

replace the motion picture,” Mr. in recent seasons. The man has| Cunning said. “But it's gonna give | voice, technique, intelligence and | 'em a lot of competition. People imagination. won't go to the bother of driving] Scholarly and Inspired downtown to see a bad movie when | His first group of three Handel! they know they can find half a arias revealed the full measure of dozen good television shows on their (his vocal powers and musicianship. |

own radio.” Handel is. a test. Certainly the | ans oo ——— ‘Furibondo Spira il Vento” from | 424 State Life Bldg. LI-1673 || “Partenope,” even more florid than “Every Valley” or “Sound an HERMAN F. WILD } i + {Alarm,” showed that Mr. Duey has Platin ith and Designee first-rate ability as an oratorio! a boa Bape rience Seine and {5 nger, - ny | - Parenthetically, I'd like to hear! Rih to the Beauty || Bu SHEE Attention. him sing the “Et in Spigitum Sanc- |

tum” {from the Bach B minor mass.

the B minor mass in this commu- | nity.

ATI

al SAVINGS

ROLL-A-WAY 1 9

$1.25 a Week

Brahms and Wolf was both schol-| {arly and inspired. His diction in|

{authentic—"echt deutsch,” {And he made the most of his vocal resources with the changing moods of those varied songs. A Good Workman I'm sorry 1 could hear only the | | first two groups, owing to another! |assignment. For I'm sure that Mr. Duey sang Duparc, Debussy, de Falla |

OUR BHMSTMAS LAY-AWAY PLAN |classic and romantic. compositions. | Tilt Back Chair a4 50 with roan.

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| kind of intelligent, musical work‘'manship any lover of oratoriosinging instantly recognizes. He has the vocal and musical equipment which should help this city in any big musical projects some of us like to dream of. {| Admirably accompanied by Dor- | othy Munger, also a Jordan faculty

HUB FURNITURE CO 414 E. WASH —FR-0314 SHELBY FURNITURE CO

lovable program.

Also parenthetically, I'd like to hear |

'that second group was precise. and | in fact. |Perwnental tests of plays, including |several in countryside stock theaters {last summer and two that came to| {| Broadway

and even Gershwin with the musical | understanding he displayed in the |

Mr. Duey backs his voice with the

| member, Mr. Duey presented a mem- |

1113 SHELBY—MA-0453 Thurs, Fri, Sat, Hov. 21.22.23

E N G LI S MATINEE SATURDAY

"Glows with the Warmth of a Mother's Kiss"

~—Walter Winchell 16/Scedes, 20 Piece Orchestra, Ballet MACHAEL MYERBERG presents .

THE OUTSTANDING OF O M

y RAYMOND SCOTT -Lyrics by BERNARD HANIGHEN

DOLLY HAAS -- YUL BRYNNER

Scenery, Costumes and Lighting by ROBERT EDMOND JONES

SEATS Eves, $1.20, $1.80, $2.40, $3.00, $3.60 INCLUDING NOW Sat. Mat, 60¢, $1.20, $1.80, $2.40, $3.00 TAX

ENGLISH 3 Days Beg. Thurs., Nov. 28 Jai

“A Hit! Laughs, 10 a Minute” — Chicago Herald-American

THE In

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ENGLISH ONE WEEK. BEG, MON., Dec, 2 Mats. Wed.

and Sat.

Michael Todd's Original N. Y. Production of His Musical Hit!

Book by MERBERT & DOROTHY FIELDS

Lyrics by DOROTHY FIELDS Music by SIGMUND ROMBERG THE MUSICAL HIT THAT BROKE ALL RECORDS IN

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) wo J LUI TAX—F NCLOSE SELF -ADDRY SSE Dn TAMPED ENVELOPE WITH REMITTANC

make clear,” Mr. Sindlinger said at his Hopewell, N. J., home. | “I understand Variety is kidding |

lus a bit about the typical audience !

{reaction meaning nothing if it doesn’t coincide with that of the | | majority critics.

“Well,

of the New York drama |

we're not trying to show

{up the critics or anything Iie that. |

In fact, generally are nearly Wes right,

Times Amusement

Clock

ENGLISH

Mack Harrell, Metropolitan baritone, in Martens Concerts series, at 8:30

. CIRCLE Lovis Prima and “orchestra, on stage, 1:12, 4: h,% 106 and 9:40 “Rr, with Johnny Weis. midler and Virginia Frey. at 11:28, 2:30, 5:32, 8:06 and 1Q:4

INDIANA™

“Till the End eof Time” starring Dorothy McGuire and Guy Madison, at 11, 1:10, 3:20, 5:35, 7:45 and 10. KEITH'S “The Dark Mirror,” with Olivia de Havilland and Lew Ayres, at 11:50, 1:80, 3:56, 6, 8 and 10. LOEW'S ‘““No Leave, No Love,” with Van Johnson and Keenan Wynn at 10:45, 12:57, 3:12, 5:27, 7:42 and 9:57 LYRIC “The Big Sleep,” with Humphrey Bogart and Lauren Bacall, at 11:10, 1:15, 3:20, 5:25, 7:35 and 9:40.

Igy ba Avot

"MONDAY, NOV. 18, 1046

TIMES TODAY

EXTRA! ARMYNOTRE

Open 10:80 A. M.

t Spook Show, urs.~Dec, 4 & §

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EN 10 A, M.—30c TO I, TAX ° First ab SRaINIApeUA Showing

LAST TWO DAYS!

And we think our tests will co-| incide pretty well with their de-| cisions, “The . important thing. to deter-! {mine is the interest of audiences in {the subject matter of a play—the { theme.

Mr. Sindlinger was a little an-

Mr. Duey's singing of Schubert,|noyed at news of the operation

breaking about a {maturely,

He already

month pre-

has made some ex-

this fall and became quick failures, His tests of these | {last two forecast a quick demise. | The pre-testing will be tied in with an investment program whereby Mr. Sindlinger and Mr. Heller plan to have about $400,000 avail{able to invest in Broadway productor ons.

Murat Tomorrow 8:15 P. M. |

BURTON HOLMES

Beautiful Color Films of | | HAWAII

slorious Scenes of LUSH LOVELINESS ph at G ladys Alwes Musle Shoppe, 12 Pennsylvania Pi $1.60, $1.25, 835¢

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with GEORGE CLEVELAND erred Harry Segall Screenplay by Hairy all and Roland Kibbee Music Composed and Diracted by Dimitri Tiomkin

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Released thru United Artists

LMU EMILY

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