Indianapolis Times, Indianapolis, Marion County, 24 October 1946 — Page 11

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THURSDAY, OCT. 24, 1046 ___-

OFF THE RECORD—

- Appreciation of Good Music ~~ Grows by Leaps and Bounds

Appreciation of good music is growing by leaps ‘and bounds, if the expanding sale of classical recordings can be accepted as a criterion.

It is reflected in the announ Southard, Columbia's vice president

works albums and single records are now being- released on a regular

Lily Pons’ “Paris Album” (M-638) which contains. arias and songs about her native city.

@® instead. of monthly, basis.

Whether freshly released or not, her record debut with this beautiful however, any album is intriguingly song cycle by Gustav Mahler. She

new to the music-lover when he first stacks its dises on his player. We'vé been “catching up” on a number of them ourselves, and can recommend the following as being well worth hearing. ! BRAHMS: SYMPHONY No. 1, in C Minor, (Op, 68), played by the Philharmonic-Symphony Orchestra of New York, conducted by Arthur Rodzinski, 12-inch records). Whether - heard for the first or the 300th- time, this great—and some -say greatest symphony never fails to thrill. It has been .repeatedly recorded by ‘ top orchestras and eonductors, and this latest by Rodzinski and his men. is equal to the best. Their reading i$ ‘true to the score and sane about tempi and shading, while the recording is clear and free from disturbances. It took Grhams fourteen years to write this symphony, but you can hear it in 45 minutes,

MAHLER: SONGS OF A WAY-

FARER, sung by Carol Brize, con- |

tralto, with the Pittsburgh Symphony ~ Orchestra conducted by

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- v “THE INDIANAPOLIS TIMES ___ on —

cement made this month by Paul in charge of sales, that new Master-

The first of these releases Yeatures | t— — gh -

two 12-inch records.) The gifted Negro contralto, Carol Brice, made

has -a warm, sonorous, fully-de-veloped voice, and undoubtedly is a new star among leider. singers. The melodies have the air of simple folktunes, but are beautifully embellished with Mahler's character istically rich and delicate orchestration. Reiner’s orchestra provides much more than mere accompaniment, and does a splendid job. WAGNER: DIE WALKURE, duet from act I, scene 3, sung by Helen Traubel, soprano, and Emery Darcy, tenor, with the Philharmonic-Sym-phony orchestra of New York con-

ducted by Arthur Rodzinski, (Co-| ords.) Opera fans will be sure to! welcome this album, which is a companion one to the previously re- | leased Columbia recording of the entire third act. This one contains [the scene in which Siegmund and | Sieglinde, not knowing they are |brother and sister, declare their | love for each other. Traubel than {whom there is none better as a | Wagnerian soprano, is in magnificent voice, as usual. But Darcy, { young Met tenor who makes his | record debut in this album, doesn’t have to take a back seat, by any means. Rodzinski does equally well,

making this set a “lust” for Wagnerites, DON COSSACKS: RUSSIAN

| FAIR, conducted by Serge Jaroff. (Columbia, M-619, four 12-inch records.) That robust chorus of¢ big (and little Russians sings, in char- | acteristic a capella fashion, a bal- { anced selection of lesser known [tunes and old standbyes such as “Dark Eyes” and “Two Guitars.” Some we liked, some we didn't, SIX DANCES: Philadelphia Or[chestra “Pops,” conducted by Eu(gene Ormandy and Saul Caston. | (Columbia, M-588, three 12-inch |records.) Lighter music that is in lexcellent taste. Included are such {favorites as Strauss’ “Wine. Women and” Song,” Dvorak's “Slavonic |Dance” and Smetana’s “Comedij{ans’ Dance.” | PROKOFIEV: SONATA in D Maljor, for violin and piano (Op. 94), [played by Joseph Szigeti, violin, |and Leonid Hambro, ‘piano. (Co{lumbia, M-620, three 12-inch rec{ords.) Four pleasant, tuneful, |dance-like movements, impréssively {played by the accomplished Mr. |Szigeti, with precise yet unobtru{sive accompaniment by Mr. Ham{bro. The music is not quite what fone expects of Prokofiev, but the able artists make it sound impor-

SINGLE RECORDS: 12-inch.) Weinberger's delightful |“Schwanda — Polka and Fugue” played by the Philadelphia Orches[tra under Ormandy, Stravinsky's “Four Norwegian Moods,” played {by the New York Philharmonic, with the composer conducting. —H. W. M.

(Columbia,

VA SEEKS ATTORNEY The Veterans Administration sub-regional office in Evansville is seeking a qualified individual to fill the position of associate attorney. The * position carries a salary of $4149 a year. Applications should be made in writing to James P. Taff, personnel officer, Veterans

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