Indianapolis Times, Indianapolis, Marion County, 7 October 1946 — Page 8

|Guizar's s Forgotion Charm Revived in Murat Opening

_, By HENRY BUTLER

No use trying to describe Tito Guizar. You've got to see and hear him. The Guizar show at the Murat Saturday night seemed, in advance, a kind of chore. Another perennial coming back, and what could you write about it? What I'd forgotten from last year is the charm that guy has— the genuine, kindly, Latin- American, I-hope-you're-having-a-good-time-folks attitude. When he sings, it's not for show; it's to please the| audience. Saturday night's | audience wasn't |

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| ence was small,

| year-old son of the Ojeda dance

[ baby-sitter from the company in | a right-hand box. Training in show

| Louis was applauding with pre-

| cocious skill. { A medium-sized grey cat, property

| a few supercilious steps behind the|

| “'salterio”

as large as fit might have been. People who stayed away missed a lot. The show isn’t a big deal, It isn't the sort of thing customers pay fantastic black-market prices for on Broadway. It's mostly Tito, but not in an arrogant, egotistic sense.

He spotlights his performers, like|-

Estelle Mallon, soprano, Latin from Kansas City,

a good He has

that wonderful manher of being],

or appearing surprised that people applaud Him, With a sort of Tito-Schipa voice (lots of power, but plenty of croon-ing-oomph), and with that umpity flags handed stuff on the guitar, e puts a SONg across, The show was neighborly SaturDownstairs, the audi~ but an important member was Louis Ojeda Jr., two-

day night.

team, who sat with a volunteer

business begins. early, and little

of “Woody,” the Murat janitor, did | footlights the | number. Back stage, everyone was swell. [1 talked with Paco Velasquez (“No | relation to the painter,” he said), {who plays what he calls the in ‘the little hand. ‘The | salterio is a modern version of the ancient psaltery, mentioned in the Bible, and sounds like the Hungarian cembalom. Mr. Velasquez { handles that with great skill, { The program was divided into, two parts—romantic and modern Mexican music. As he did last year, Tito carried most of the show, adding plenty of encores. | Final plug for this delightful of- | fering: Miss Mallon, who first appeared in an upper box for a serenade number, has a fine voice and an excellent sense of dramatic values. .

during opening

PLANE HITS SCHOOL APELDOORN, Holland, Oct. 7 (U. P.). A ‘Dutch milifary plane crashed into an. Apeldoorn high school today. Burning fuel set the building on fire. Children fled in panic. Early reports said there were about 20 casualties.

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Rubinoff At Miirat

THE- INDIANAPOLIS TIMES -

Kapell: World's Best Music for 100 Years to Come From u. S.

By ERNIE HILL Times Foreign Correspondent BUENOS AIRES, Argentina, Oct. 7~William = Kapell-——America's 24-

| year-old genius of the .pilano—has

shell-shocked a select segment of Argentina's musical set. Mr. Kapell, who likes to think of himself as just another guy named Bill from lower Manhattan, lieves that the United States will

| produce better music during the

Dave Rubinoff, popularly famed violinist, who will appear at the Murat theater Nov. 1 under the sponsorship of the Indianapolis Junior Chamber of Commerce.

complicated zither | -

At English's

Virginia Belmont, in the stage farce, “Mary Had a Little,” opening at English’s next Monday night.

Ballet Gets Critics' Nod

"Theater Scores in Ist Week of Competition

By JACK GAVER United Press Staff Correspondent NEW YORK, Oct. 7—The dance critics.on the local newspaper gave an emphatic nod to the Ballet Theater over the “original” Ballet Russe in the first week of a month's competition for business between the two companies. Both came up with some new ballets, and Ballet Theater fared best in this respect with its introduction of “Les Patineurs” (The Skaters), which was designated as most likely to become popular. The big premiere of the Ballet Russe was a dance version of “Ca-

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i! business,

mille,” in which Markova and Do- | lin were commendable although the | ballet itself was none too impressive. Cain, Abel to Music A retelling of the Cain and Abel |story to music by Wagner seemed [to leave the critics on the fence as | | to its merits.

Quite easily the fairhaired boy of |

the week was Cecil Beaton, erstwhile British photographer of royalty and society, who is now working both sides of the ballet street. He designed the sets and costumes for Ballet Russe's “Camille”

next 100 years than Paris, Berlin and Vienna put together. And he has the Yemerlty to go around saying so. In Buerios Aires, this is heresy of the worst sort. Mr. Kapell's concerts at the starchy Colon theater have played before capacity houses. Reviews have been enthusiastic. The music crowd has Honized Mr. Kapell.

Everyone a Little Amazed Everyone, of course, seems a little amazed that the uncultured United States has actually produced a piano player who does more than render Chopsticks and perform scales with both hands. So “Bill” celebrity among the effete Swiss; French, German, Austrian, Hungarian and assorted transplanted Europeans here in culture-conscious Buenos Aires. “All you need is a year in Paris,” Mr. Kapell has been advised. “In Paris in the spring ‘you will play as you never played before. You owe it tg the music world to go.” “Paris, what?” asks Mr. Kapell. “Paris, France, of course.”

“The _bes music of the next 100 years &in come from the U. S. Germany is dead. musically bankrupt. through. There are at

U. 8. and+~20 more in Russia who will become the Beethovens and Bachs of coming generations.”

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fact remains that the two best dancers in the business are Markova and R. Dolin in the Ballet | Russe.

Times Amusement Clock

CIRCLE “Young Widow,” with Jane Rus. sell and Louis Hayward, at 12:39 3 56 7.03 and 10:10 “Deadline for Murder,” with Paul Kelly Ken pyior i Sheila Ryan; at 11:34, 2:51, 5:58 and 9.08 an “Centennial Summer,” with Jeanne Crain, Cornel Wildé and Linda Darnell, at 13:30, 3:40, 6:50 and 10. “Rendezvous 24.” with William Gar gan, Pat O'Moore and Maria Palmer, at 11:20, 2:30, 5:40 and 8:50. LOEW'S

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Mr. Kapell

People are redfaced and speechless. This is treason. Then fury, descends on his head. But Mr. Kapell remains unshaken. “There isn’t a place in the world like the United States,” says Mr, Kapell. “There aren't any people in the world like the Americans. Nowhere are there as many fine music schools. Nowhere are there so many fine drugstores.” An hour later, people living two apartments away called on the telephone to complain about the shouting and screaming. Mr. Kapell managed, however, to escape from Buenos Aires with his life. Qopyrigny, 1946, by The Indianapolis Times d The Chicagd Daily News, Inc. BULGAR BLACKLISTS ERASED SOFIA, Oct. 7 (U. P.).—Britain and the United States have abolished their wartime blacklists of Bulgarian firms, it was announced today.

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