Indianapolis Times, Indianapolis, Marion County, 6 August 1946 — Page 6

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“Tm Hannah Dembrow. . outlaw vos and I follow my man...

COLUMBIA PICTURES

PRESENTS

"HEN (BES WILLARD PARKER LARRY PARKS - EDGAR BUCHANAN 2

Produced by MICHEL KRAIKE - og by ' GEORGE SHERMAN

1: STARTS

TOMORROW ©

a] “TALK ABOUT A LADY” Jinx Falkenburg ® Forrest Tucker

LES

SSE A ORY

® ENDS TODAY © |

“EASY TOWED” VAN JOHNSON Esther Williams Lucille Ball IN TECHNICOLOR

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Film to Mark

Anniversary

Cole Porter Show Honors 20th Birthday of Talkies

Local observance of the 20th anniversary of talking pictures will be highlighted tomorrow with the’ opening of Warner Brothers’ “Night and Day” at the Indiana theater. The film version of Hoosier Com=poser Cole Porter's career, chosen by Warners to mark the first fifth of a century of sound, stars Alexis Smith and Cary Grant, and, involves such notables as Monty Woolley in its technicolor progress. With plenty of opulent orchestration of Mr. Porter's song hits, the] film may serve as well as any to signalize technical progress in the sound-film industry. As plenty af | columnists on metropolitan dailies] have agreed, we've come a long way from the scratchy unpredictability of early sound films with their synchronized disk records or their troublesome sound tracks. | Flicker Drama Recalled Metropolitan commentators have mentioned early sound features, | such as “Don Juan” and “Thé Jazz Singer.” No writers that I've seen have referred to still earlier efforts to liven movies with sound effects. | In pre-world war I days, Lyman | Howe, forerunner of Burton| Holmes, who used to tour the coun- | ° try with programs of lectures, miscellaneous short subjects and travelogues, had at least one two- -reel | flicker drama with a synchronized phonograph dialog. I saw it in the! Garrick theater in Philadelphia, but don't ask me what year it was, since I was still being taken around more or less on a leash. Talkies Once Debated Authorities tell us that successful sound had to wait on the invention of the vacuum-tube amplifier, A big question 20 years ago (and{ plenty of péople debated it seri-| ously) was: “Are talking pictures, here to stay?” One thing is for sure: Sound has made movies gen-| erally a lot better than they used! to be, as you'll agree when you see! | specimen sequences from average told flickers.—H. B.

Times Amusement

Clock |

CIRCLE “Janie Gets Married.” with Joan Lesite and Robert Hutton, at 12:06, 51¢ 6:56 and 10:01. “The Glass Alibi,” with Paul Kelly and Anne Gwynne, at 11:38, 2:43, 5:48 and 8:53. INDIANA “Smoky,” with Fred MacMurray, » a 1:35, 3:35, 5:35, 7:50 and 10:00.

LOEW'S

“Easy Te Wed,” with Van John. | son,” Ball,

at 11, 1:10, and 10:02,

3:23, 5:36, 7.49

| i LYRIC “Deadline at Dawn,” with Susan | | Hayward and Paul Lukas, at 11, | 1:53, 4:46, 7:39 and 10:32. { “Bedlam,” with Boris Karloff, at | | 12:30, 3:23, 6:16 and 9:00. | |

nam "or, mn

THE INDIANAPOLIS TIMES

Faults of Hoosier Singers

Vacationing Critic Reviews

By HENRY BUTLER | Parents, relatives and friends, not | A vacation gives you time to to mention voice teachers, can do think. | young singers a lot of harm by enUp there on Ottawa beach, near |COUraging: premature performance | Holland, ‘Mich., I got to thinking lof brilliant and flashy numbers. I| about young Hoosier sigers and | wouldn't want to be tod specific the mistakes a lot of them make. here, since I can vaguely recall For in the past year or so. I've [some pretty bad: examples of this heard a long series of young Indi. [exploitation of untrained voices. ana vocalists trying out for various Don't Try Flashy Numbers - | competitive events, and I've repeat- | You find the same sori of thing edly wished there were some Way i; pigno-playing, with kids working to caution them tactfully against - errors in judgment. on Liszt's “Liebestraum” before At this distance in time, I've for- theyre able to tackle Bach's Two gotten names and faces and spe. | and Three-Part Inventions. But in cific instances; so nobody need feel|Piano-playing, it's easier to undo hurt. as) caused by this kind of thing : {than it is in singing. - Correcting Sing Beyond Training 'bad habits in piano technique is What I do remember is that far something like correcting bad habits too ‘many youngsters sing beyond’ in typing. their training and their voices. The| A good young voice, however, can reason for that seems to be social be permanently ruined by the | pressure and the almost irresistible| strain of singing big things with- | desire to sing difficult compositions | out sufficient training. In numerous after a eomparatively few lessons. Young sopranos, dazzled by colforatura work, try desperately to] [sing Victor Herbert's “Italian Street Song,” which would tax the re- | sources of Frieda Hempel in ter} prime. Youngsters in every voice range attempt Malotte’s “Lord's Prayer,” which demands not only a big voice, but also technique of a sort you can't acquire over night, Indeed, the Malotte deserves par. ticular comment. It's enormously popular in church solo work, and the demand for it has probably led a lot of youngsters to struggle with its difficulties long before they're prepared for it.

| A Lifetime of Romance ...in One Night of LOVE!

Esther Williams and Lucille ;

‘DANCE

ANTE \ ALS

[3 W 12

EVERY = WEDNESDAY AND THURSDAY atop the coolest

spot in" town—the skyline roof of the SEVERIN HOTEL—view the city at your feet while dancing amid cool breeezes. Music by

Andy Anderson, the sweetest and hottest band in town. See the newest and most talkedabout show in “Indianapolis; 30

minutes of fast-moving entertainment, including howling audience participation with CHAMPAGNE for prizes. Beverages to your taste.

Starring

Hore

Oi zz. BEY |

GO WITH THE CROWD TO || THE SKYLINE ROOF OF THE |, SEVERIN HOTEL. DANCING,

9:30 TILL 1:00 A. M. A UNIVERSAL PicTurt win | ||

THOMAS GOMEZ GALE SONDERGAARD iE RAY COLLINS 3K , ERNEST TRuEx A, GEORGE DoL EN? JEROME COWAN

3 \ cb

LAST DAY! NOW

SsaeiA HAR a | m Youn’ Davis | {il Jack Oakie i

| “She Wrote The Book"

| | nique.

| Betty Grable

nia, TUESDAY, AUG. 6, 1016

auditions, I've heard some fairly! tragic examples of potentially fine! TRADE IN voices. seriously damaged by too PUR Roar much ambition and too little tech- |

LO WANCE IN AvGUST"

Here's a tip to the young singer: If you're trying wo learn some dif- | neult, song or aria, geu a recordmg of it, by a first-rate artist. Listen to it until you've practically memorized it. Note the technique, the phrasing, the diction, the breathcontrol—all the things that go into fine singing. And remember that every first-rate vocal artist has! gone through years of carefull. training, beginning with simple, easy things, and gradually working| up-to the more showy. Maybe this cadtion is common- | place, but it ought to be in neon, lights: In music, as in other arts,| there is no short cut.

& WHO-0-0 i) steals your heart =»=0= away in M-G-M’s

"THREE WISE FOOLS?

Plus great stars. LIONEL BARRYMORE + LEWIS STONE tr!

EDWARD ARNOLD « THOMAS MITCHELL Walch, pr

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Franeiz Lederer “MADONNA'S SECRET”

CONTINUOUS CoOL MATINEE TOMORROW AT THE FOUNTAIN SQUARE THEATER

' Neighborhood Theater Directory

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__ TOMORROW!

} 2 STARTS THURSDAY | zie pie Tey RCLE — Marat. “Beyond i Frontier i KARLOFF ; deol | | C \ Dick Powell. Corn | wn ANNA LEE | LAST DAY! Fred MacMurray—Anne Baxter “SMOKY”

NIGHT AND DAY Youll talk about N HAND Diy! ’

ITS THE LAST ‘Be Br d WORD IN rte

vu} In THE STL ©, of THe Might a

INDIANA

tp i A LBB A

a3 LINE | Eddie Bracken “ "SWEATER GIR |

28th and Central HELD OVER—FINAL NIGHT Jas. Cagney—Ann Shendan “CITY FOR CONQUEST” Jas. Stewart—Rosalind Russell “NO TIME FOR COMEDY”

CINEMA 16th and 5:45 t06

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“DEVOTION”

Martha Stewart—Richard Crane

“JOHNNY COMES FLYING HOME” Th

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Wm. Powell—Esther Williams

| “HoODLUM SAINT” | Sim Career “NIGHT EDITOR”

Janis Carter

Alan Veronica LA!

LADD “BLUE DAHLIA” Richard Dix—Barton McLane

L Mysterious Intruder

CARL NIESSE SUGGESTS TODAY |

WOOLLEY HAVER

\| ‘IRISH EYES ARE SMILING’

| an Technicolor Program! | | Pana Pick Jeanne ! . . rey i asprews maymes craiy || RECESSED { Lod | niche | FEE | Monty June

S500 E. WASH. 5:45 6 6- 25 AND TAX

JAMES ROSALINE | . { STEWART RUSSELL » —— m= | “Ng Time for Comedy FERED em || ifr conti Free Parking CAGNE HDA? 4 mJ Open 6:15 “City for Conquest”

Ronald Colman-—Madeleine Carroll “PRISONER OF ZENDA Tommy Kelly—Walter Brennan Mark Twain's | “ADVENTURES OF TOM SAWYER” { WED “POSTMAN RINGS TWICE” { ' “JOE PALOOKA”

“THE BRIDE WORE BOOJS" “MAN FROM OKLAHOMA"

#78 CLAIR

WED:

____SOUTH SIDE - LADD LAKE “BLUE DAHLIA”

Richard Dix—Barton McLane

, Mysterious Intruder’

Ralph MORGAN

ayne HAZARD

| ‘Black Market Babies’

Kane Richmond—Barb. Reed

“Shadow Returns”

7 WEST SIDE

my . M

AVALON .''. '\ SOEEDWAY Foie

‘MAYOR OF 44TH ST.” “SCATTERBRAIN"

Geo, Murphy * Judy Canova “TOKYO ROSE”

John Loder “JEALOUSY”

oo GARFIELD wi ga D A ISY e540 W. Michigan + Fdmund Lowe—Brenda Joyce BE-0820 “ENCHANTED FOREST” in Color Barbara Stanwyck—Robt. Cummings Veroniea Lake—Bonny Tufts “BRIDE WORE BOOTS" “MISS SUSIE SLAGLE'S” Erie von Stroheim “MASK OF DLIOHN : CAN ERE 1106 Prospect 10th & Bette Davis SANDERS MA-011 STATE Holmes Miriam Hopkins

“OLD ACQUAINTANCE”

x t Blair “TARS & SPARS" I Wm. Gargan “FOLLOW THAT WOMAN"

Chas. Coburn ‘SHADY LADY "

OLD TRAIL "* Foar™ EA DE Ti kms P08, Comm: Bette Davis | Frances Lederer p , MECCA 0% “oir Belmont i Wash,

“THE CORN IS GREEN" Wm, Gargan * ‘FOLLOW THAT WOMAN"

Chrysler Air-Conditioned Claudette Colbert—Orson Welles

SUBURBAN — Is Forever” | —

us Selected Shorts x IF A YWOO D «AL ) dar Air Theater Jas. Craig—Frances Gifford

‘SHE WENT TO THE RACES’ Brace caver DIVORCE”

BELMONT Barbara Stanwyck

“BRIDE WORE BOOTS” Sonja Henle “WINTERTIME”

Tonight 5: AB to 6—a00 yi

Veronica LAKE

WBLUE DAHLIA"

Richard Dix—Barten McL ane

. Mysterious Intruder

Seeres OPENS 7:30

JOHN HODIAK | Anne Baxter

“SUNDAY DINNER FOR A SOLDIER” .

TACOMA 2442 FE. Washington MAYI03R Gary | Cooper—Ingrid Bergman ARATOGA TRUNK" he Balacted Short Subjects

TUESD

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Op Satur 9 A to 5