Indianapolis Times, Indianapolis, Marion County, 13 May 1946 — Page 9
to 6—30¢ 1g Crosby
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Central Ger. Fitzgerald ANGERS" ester Morris '0 LOVE” 1 & Edmund Lowe lege Brenda Joyce EST” in Color ort Subjects st and WA. hwestern 0259 , TAKES A WIFE" )F WATERFRONT” Talbott at 224 Judy Garland RLS” in Color
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LL. Miriam ] HOPKINS
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F Dorothy Lamour Art’o de Cordova IN MEXICO” ~~ CAUSE OF HIM” 0 W. Michigan BE-0820 PINOCCHIO” KYO ROSE” Burgess Merideth Bob Mitchum G. 1. JOE” qort Subjects 5700 W. Wash, BE-0004 “3 STRANGERS” ) GREEN LIGHTS”
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MORROW NG CAME JONES" NGER SIGNAL”
jack Haley
Scandals
IBAN WOOD
Alr Theater ylvia Sidney
THE SUN”
—Lorna Grey
Clementine’
'ENOLETON PIKE "
OPENS 7:3
vonne DeOnrle Rod Cameron
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eo Show 10 P.M.
AVIATOR COMPILES
| safer over the Rocky Mountains, thé higher elevations and other bits
MONDAY, MAY 13, 1946 cany filers with their treacherous ir currents.
BEST -FLYING ROUTES" Curry is compiling information oh
DENVER (U. P).—Maj. Gen. the best routes over the mountains, John F. Curry, Colorado state avia-| weather peculiarities in @ertain retion director, aims to make flying gions, prevailing wind conditions in
The Indiana chapter of the American Guild of Organists has presented some excellent music in its Scottish Rite cathedral concerts, Yesterday's program was an interesting combination of organ, vocal and chamber music. Too bad the audience wasn't larger. Y The - program opened with a group of organ solos by Edwin Bilt cliffe, Indianapolis Symphony pianist and Second Presbyterian (church organist.
| With his usual good musician|ship, Mr. Biltcliffe exploited the full dynamic and tonal resources {of the Scottish Rite organ—a splen|did instrument. His well-chosen [group included such contrasts as
which annually claim the lives.of|of “know-how” of mountain flying.
Indiana Organi
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they. are, and if you start a mite too slow, ‘you're sunk. You can't speed up, any more than you can \run from the ravenous lion in your nightmare. But {t was good to hear that fine quintet again. The Second Presbyterian church quartet (Helen Kendall Crandall, soprano; Mary Godfrey Kreiser, controlo; Daniel W. Shattuck, tenor, and Bernard Constable, bass, fol lowed. With Mr, Biltcliffe’s capable direction and accompaniment, they did® some - sonorous and difficult stuff, including Lefebvre's ‘12th Century Latin Hymn,” with modu-
call for aspirin, That quartet is well blended. Sy Concluding the program was the Irvington group's performance of
| that between Karg-Elert's eerie and | softly dissonant “Claire de lune” and Widor's brilliant and powerful | Toccata from the Fifth organ sym- | phony. The Widor winds up with some rafter-shaking, teeth-chatter-| | ing blasts. So far, the coal shortage hasn't caused rationing of power to the Scottish Rite organ. | Next on the program was the, Irvington quintet (Kelvin Masson, | [first violin; Thelma Helkema, second violin; Richard Orton, viola; Mildred Shultz, violoncello; and Roger Cushman, piano). They played the first two movements of Cesar Franck’s F minor quintet (listed on the program as being in
_ THE INDIANAPOLIS TIMES __
sts Give Fine Concert
lations ‘enough to make most singers |
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two movements of the Schumann First quintet.
The next program scheduled hy | the Organists’ guild local chapted |
will be at 8 p. m." Wednesday, May 22, at Broadway Methodist church. Oswald G. Ragatz, Indiana university organ department head, will bring his 60-voice Bloomington First Methodist church choir up here for an evening of choral music. z «=H. B.
-
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A flat, but it doesn't really matter, since the piece rambles through all the keys). The big, Times-ly fact about the Irvington quintet is that they're all amateurs, with. the exception of Mr, Cushman,’ Jordan conservatory piano department head, who substituted at the last minute for Marian Laut. As amateurs, they're one of the best outfits I've ever heard. Yesterday, they tackled a really tough composition in the Franck. Old Papa Franck, up there in the Ste. Clotilde organ loft in ‘Paris, loved to improvise and noodle from key to key, sometimes with daring results. It takes good musicians to get all those enharmonic changes and shifts from major to minor without messing up the pitch. I want to report that the Irvington group were technically fine, My chief criticism 1s that they. got off to a slow start in both
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