Indianapolis Times, Indianapolis, Marion County, 11 March 1946 — Page 6
By HENRY BUTLER
“Some of the Indianapolis Symphony ‘orchestra staff was worried
yesterday's third municipal concert.
py
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y/in advance about the success of
IS.R.O. Sign Out as Symphony] Holds 3d Municipal Concert
".For the turnout yesterday afternoon beat most of the season's records, with extra chairs in the orchestra pit and the back of the main floor, and with a lot of S. R. 0. customers. " As the pleasantly chatty program notes explained, yesterday's municipal concert as designed for the people “who, they say, like only the kind of music they can whistle.” It was a good program of that sort. It reminded me of the time,
chestras as Victor Herbert's used to tour amusement parks in the| summer. Same kind of music, with plenty of exciting effects in the! percussion section—chimes,: glockenspiel and snare drum, and enough brass for big, climactic effects.
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"| The March 24 Lenten concert is
A kind of subdued thrill went through yesterday's audience during the playing of.selections from “The Fortune Teller,” by Victor Herbert, when Concertmaster Israel Baker started playing “My Little Gipsy Sweetheart.” The better your .orchestra, the better your popular programs. bien Sevitzky does a marvelous job with this light stuff, as the applause yesterday afternoon indicated. At the risk of seeming repetitious on the subject, I'd like to say that
Indianapolis Symphony could make | a very good thing out of “pop” concerts. The auditorium itself, prop- | erly engineered, with a mammoth | underground parking garage and | | other money-making features, eould | | be a profitable drawing card for! | conventions here in the geograph-! | ical center. Present Biruta Ramoska The fourth municipal concert, as | yesterday's programs reminded the | audience, will be at 3 p. m. Sunday, | March 24. It will present Biruta | Ramoska, soprano, and James Pease, baritone, as soloists with the! {orchestra and = the Indianapolis | | Symphonic choir in a Bach-Bee- | {thoven-Brahms program, including |the great Brahms “Requiem.”
|open to-the public without charge. Applications for free reserved seats will be received at the Murat box office beginning Monday, March 18.
SQUELCH
Payments shown in table incinde principal and charges. At our monthly | rate of 3% a $50 loan repaid in 6 | monty instalments as shown, a total | of $35.44, costs only $5.44. House- | hold has no other ¢ You pay no | fees or other extras. ( ns for cer-
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you repay the less your loan costs. - ready when you call at the office. FIND HERE THE CASH LOAN YOU NEED |... duleallcma Choose your monthly payment here if gaymenty an ppd 4) Pape par p R.A - Payments reduce the total charges and later or smaller $50 [$924 [$643 [8503 saat te. RGR 75 | 1386 | 965 | 7558 6.308 547 i the monthly rate of 3% on / ” t ol 100 | 1848 | 1287 | 1007 | 840| 7.29 |! EE 4 bilanee non SIS AOL #2. 125 | 2311 | 1608 | 1259 | 1050] 9.12 balance in excess of 150 | 2273 | 1930 | 1500 | 1260] 1094 | ic figured on actual un, nd 200 | 36.78 | 25.57 | 19.98 | 16.64 14.42 | Payments. There are no fives 250 | 4573 | 31.72 | 24.73 | 20.55] 17.77 | lees, discounts or other 300 | 5463 | 37.81 | 2042 | 24.40| 21.06 pea,
TWO INDIANAPOLIS OFFICES
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Merchants Bank Bidg., 3rd F1., Washington & Meridian, Phone: RIley 1471 Illinois Bldg., 3rd F1., 17 W. Market St., Cor. Illinois St., Phone: Riley 5404
tain purposes still limited by Govern- | ment Regulations to shorter periods.) | APPLY BY PHONE! Next time you're | “short of cash, phone or visit House- | | Mig'd. and Seld under the Red Cross trade mark | “John Peel,” finishing with Saar’s
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Porcchy
Edmund Dorsay and Marian Stevens in “Blossom Time,” Schu-bert-Romberg operetta opening at 8:30 p. m. today at English’s. The operetta will also play tomorrow
.| sSometimes {, would be handy to
and Wednesday, with a matinee’
Wednesday.
Times Amusement
Clock
civic “Alice Adams,” play, at 8:30. ENGLISH “Blossom Time,’ operetta, at 85:30. CIRCLE
“Cornered,” with Dick Powell, af 11, 2:35, 6:20 and 10.05 4 “People Are Funny,” and 8:35,
!
at 1, 448
INDIANA
“Doll Face,” with Vivian Blaine, Dennis O'Keefe, Perry Como and Carmen Miranda, at 11, 1:45, 4:30, 7:15 and 10:08. “The Strange Mr. Gregory,” with Edmund Lowe, at 12:45, 3:30, 6:15 an
KEITH'S
“One Million B, C.," at 11:30, 2.39, 5 3 and 8:39, “Winter Carnival,” at 12:50, 3:59,
6:59 and 9.50 LOEW'S
“The Bandit of Sherwood Forest, with Cornel Wilde and Anita Louise, at 11:03, 1:46, 4:29, 7:12 and 9:58 “A Close Call for Boston Blackie,” withChester Morris, at 12:40, 3:23 6:06 and 8:52
LYRIC
Walt Disney's “Pinacchio,” 1:42, 4:33, 7:24 and 10:15. “A Guy Could Change,” with Allan Lane and Jane Frazee, at 13:37, 3:28, 6:19 and 9:10,
at 11,
Large Audience
The Indianapolis Maennerchor packed a good crowd into the Athenaeum ballroom Saturday night. A large audience came to hear the usual sturdy singing by Clarence Elbert's Maennerchor,. who opened {with Beethoven's “Nature's Praise of God,” Shaw's “An Evening's Pastorale” and the Brahms “Lullaby.” Principal soloist of the evening was Leona Flood, violinist, who was heard in two groups, accompanied by Rudolph Gruen, With a good deal of affectation, Miss Flood plays spiritedly. She has the advantage of youth and charm. The Maennerchor pleased the
| audience with such favorites as
“Swing Low, Sweet Chariot” and
“The Singers.” In the final number, Betty Oakes,
{ Indianapolis soprano, did a beautiful job as soloist with the chorus,
Organist to Play Here Tomorrow
Robert M. Stofer,
THE INDIANAPOLIS TIMES | In Operetta
‘HearsMaennerchor
| personality.
Pay Tribute
To Soprano
Music Lovers Pleased With Mrs. Burroughs.
‘have what psychiatrists call a split
For when you have to cover two
| concerts in one afternoon, you can’t! !
Ido justice to either. : And I should have liked to hear all of the recital by Jane Johnson Burroughs, Indianapolis soprano, at English's yesterday afternoon. Despite competition from the third municipal symphony concert at the Murat, Mrs. Burroughs, sponsored by the Delta Delta Delta sorority, managed to draw a gratifyingly ‘large audience. Proceeds from the recital will be devoted by the “tri-Delts” to musical scholarships for Indiana women students. Mrs, Burroughs has a clear and pleasing voice, with plenty of range and volume when she needs them. She has style; she has personality. Floral Tributes
Yesterday she was fortunate in having so-capable-and-sympathetic an accompanist as Walter Whitworth, music critic of the News. Mr. Whitworth did as fine a job with the accompaniments as Indianapolis audiences have heard this season. Mrs. Burroughs sang Italian, German, French and English groups. I was able to hear only the two last. Lully’s “Bois epais” and Debussy's “La mer est plus grande” were especially effective in group III. In group IV, Mrs. Burroughs showed her powers in Rachmaninoff’s “Do Not Depart,” a song demanding plenty of control and technique. Arensky's “A Revery”’ a simpler song, she did with skill and understanding. Mrs, Burroughs was generous with encores, to the delight of her, audience. What's more, the number and variety of floral tributes indicated a large and deserved local popularity. —H, B.
VETERAN TAKES POST AT JORDAN
Weymouth Fogelberg, discharged army veteran, has been appointed collegiate representative of Arthur Jordan Conservatory of Music, according to G. V. Carrier, conservatory business manager, A native of Spencer, Ind, Mr. Fogelberg attended Wright Junior college in Chicago, Hanover college, and was graduated from Indiana university. He enlisted in the army August, 1942, serving as field instructor and information and education specialist in the medical branch.
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