Indianapolis Times, Indianapolis, Marion County, 18 February 1946 — Page 14

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packed a much bigger hall than. Murat for the week-end's

Sevitzky and the. Indianapolis orchestra. '

Presumably Saturday night’s audience day's. And sitting on as many extra. folding chairs as the Fire department allows. An aura of greatness surrounds Mr. Menuhin, What's more, having built his career from child prodigy to mature virtuoso in our time, he is the violinist par excellence of this generation. . ! Simple Melodies If I say more about Beethoven than about Mr. Menuhin, it is be cause Menuhin’s performance wotild make superlative adjectives seem & dime a dozen. The Beethoven violin concerto is the least irritating of the Béethoven concertos — certainly less trying than the piano concertos. It also reaches some of the highest a. of Beethoven's genius in constructing simple melodies, short, musically true statements Sthat have never been equalled. If old Ludwig had been less prolix, and if the conventions of his time had not influenced him into driving home his ideas with a sledgehammer, a lot more people, including jive-addicts, would like him better. Boom-boom (deep down in the

diminished - to - dominant seventh progression), (way up in the woodwinds comes the same thing). Not just twice, but maybe three or four times, and then, for variety, done quicker, done in syncopation or in some way

humor, give me “Pilgrim's Progr Music Goes Aground 1t seems to me one of the great tragedies of musical history that Beethoven should have stuffed his writing with so much development. The beginning of the“Egmont” overture, which the orchestra played first, is one of the best examples 1 know of portentous or expectant music (like the opening of the

First thing you know, the music goes aground, like a Mississippi flat boat, and then there's a big churning of stern-paddles until old Ludwig figures he’s done enough with one idea and can go on to the next. But any composer whose range goes from the ugly “Ecossaises” or the dreadful “Lost Penny” rondo for piano to, say, the minuet of the

conceptions of the Ninth symphony,

A Heritage

to Remember

New York Stage Armiving at Black Horse Inn, Philadelphia

t has something never surpassed since.

Dr. Sevitsky and the orchestra

A, sweet -and - poignant fischmaltz — the kind that makes

Unfortunately, the symphony, save for such moments as the one-three-five-seven-eight-six theme of the adagio, repeated in the-final allegro vivace, has less in it than the piano concertos. It certainly has less than the Paganini rhapsody. . And like the eastern listener who sent Dr. Sevitgky a pencilled request for “Happy Birthday To You!” (it was the girl d’s birthday) I want to put in 8 request for the

.| Paganini rhapsody next season.

LODGE WILL MEET Indianapolis lodge 137, Ladies Society to B. of L. P, & E, will meet at 2 p. m. tomorrow in Trainmen’s hall, 1002% E. Washington st. Mrs. Sarah Mieskell, newly elected president, will preside.

BLENDED WHISKY

Kua — li a bd by the ryt Ad cnt itd mately ™

in which he was soloist with Fabien |

Then tweedle-eedle|s

Eighth symphony or the tremendous "

Blackstone, the magiclasi, who re 8 how St Bache’ tonight for a seven-day fun.

: o be Ra Flere Jo,

Ih tone and deve and unde. |

Isang a Mr. VAGog of 4000 dle trom Ernest Bloch’s “Jewish Life,” started ihe subject of Hebrew music and ts meaning. That subject is pretty close to the "|subject of what any music means. . But Mr, Arkatov's performance of Stutschewsky’s transcription of

meaning.

“EH, EN!” revealed some of the

MURAT |Z 0:30 1.4. |

ROLAND HAYES{L

Tenor : Benefit Barnes Methodist Churoh Murat Box Office—HI-0154 $1.20, $1.80, $2.40, $3.00

: Selection Ts Significant Everybody knows “EM, Eli!” Harry James (and hats off to him for it)

‘Wilderness’ Is Well Done

Turners’ Performance Worthy Of Wider Audience.

ughter J da aughter sid wa. iv brother, a repo

Lily eller, "Nat's sister David McComber, dry

orchestra you hear it, maybe a ¥r

In another ambitious venture, the Athenaeum Turners theater Satur-

Or (day night put on O'Nefi's “Ah,]|-

Wilderness!” The mellow and sympathétic dramatization of small-town life in 1006 séems even more poignant now than it did back in the 1933-34 season, when the play first appeared in New York. For the cloud, then no bigger than a man’s hand, has become an allengulfing smog of confusion. No

they knew what they were talking about. Unlike some of O'Neill's experiments that seemed so daring ad modern in thé 1920's, “Ah, Wilderness!” is straightforward and devoid of crotchets. On that account, it will probably live longer

reflected theater and their excellent director, Norman Green. As I observed in reviewing the Turners’ “Arsenic and Old Lace,” it does seem a pity that 50 much work should go into a single performance for & necessarily limited audience, Maybe in some future season, the Turners will be able to stage a few attractions for a wider public. Lots

wife, and Fred Linke, as Sid Davis, Essie’s brother, also gave outstand-

evening's entertainment.

STUDENTS LISTED ON HONOR ROLL

There were 47 students on the honer rolls of Crispus Attucks high school for the first semester, Students on the high honor roll are: Anna Anderson, _Gloria DuBinson, Louise Galbreath, Elinor James, Charlotte Malone, Winifred Parker, Tabitha Valentine, Walter Watts and Eddye Willingham. The regular honor roll includes: Sadye Alexander, Mary Benton, Gail Bertram, Harriett Blythe, Marlene Broyles, William Cliff, Ruth Davis, Willa Esters, Eleanor Grissom, Rosemary Hearn, Alma Helms, Earl Hollman, Patricia Lewis, Bette Ann MeOlure, Marian McIntyre, Mabel Martin, Shirley Maxley, Millicent Mitcham, Maxine Nizer, Joycelyn Nolcox, Mary Louise Ogburn, Vernella Oldham, Anna Lee Owens, Frieda Parker, Lillian Pope, Marvin Richardson, Mildred Shaw, Shirley Shaw, Shirley Thomas, Ethel Trice, Ester Turner, Patricia Turner, Ethel Mae White, Evelyn White, Rosmarie Wilson, Vernetta Wonisidge, Lila Wright and Sylvia

—H. B.

) V7, LOCATION WiLKING Music Co.

118 ~ 120 N,. PENN. SY

doubt many in Saturday night's | Brahms D minor piano concerto.) [sudience wished they could be back (Davis,

Something great 8 going $0 happen. |in 1906 when people at least thought |fich, Edward Hinkle, Bernard Bloom, Paul McNamara, Helen Mor-

ENGLISH $Me, the magicten, at 8:30.

“A Walk of the Sun,” with Dans } at 13:16, 3:2, 6:42 and dea at 11:16, 2:99, 5:42 ang yy INDIANA

aa Sun of St Maire with at 11:18, TRA aay

ary #00 and 8 be

sage Home,” st Be,

LOEW'S ea i’ tehee 4 a Wile,” ih June Allyson, al 12:96, 9 y 0:68 00 “One a dave DB Nin 4 apman, pprker and Masguer and 8:36. . LYRIC ! Foren,” ith Ig Loa Brenda Nb Tide, 2 oh 6:08, 3 and 10:16,

an Sette I Live In” short, with ae Ts, at 11:95, 1:39, 3:43, 7:81 oe 9:68.

pi 11:40, 2:39,

$ 02% od

did a recording of ft. And everybody has some dim notion that the music is profoundly significant. It is. Some people have the idea that music should always be accompanied by mental plctures—at least one picture per measure, like the old Edison penny-provie machines, where you looked and listened. “HM, BI!” is a sort of condensation the Old Testament. That wonderful oriental scale (not by any means as old as the Old Testament, but still, whatever its age, impressive) sums up a lot. The conventional ending on the dominant, &s if to say, “I have more to say later” is stirring. A reference to the Old Testament might puzzle some younger readers. To put it briefly, the Old Testa-, ment is where a great people gradually learned to do justly. Cellist in Good Performance That's not all of it. Last night's music still expressed uncertainties all of us feel, You just go and listen to those

CAST IS SELECTED

Eugene

ton and Bess Wright.

GRANADA GETS

FOR "ALICE ADAMS"

Out of 39 candidates, Jack Hat~

SOUND DEVICE

Jewish melodies. You'll begin to understand. Mr. Arkatov filled the small hall with resonance from the cello that enriches the Indianapolis orchestra. He's a fine musician, like Evelyn Borofsky Roskin, his accompanist. These good local performances should have a lot more publicity. —H. B.

> FRANK SINATRA IN “THE HOUSE I LIVE IN”

MURAT THEATER

x Feb. 21

S.hu80% 3:30 P. M. Olid

IN MGM's

S7%e SAILOR TAKES A WIFE

scans PEE cin INE WAY TO LOVE”.

CIRCLE | oN. THURSDAY!

STAGE AND

RAY KINNEY marmondh risoars PATRICIA MORISON

FABIEN SEVITZKY Conductor

Saturday and Sunday Feb. 23,0:30p.m. Fob. 24 3pm,

SIMON BARERE

Sst

Seatac Filo do

ALL THRU THE YEARS

DIONNE ‘QUINT CHEST COLDS

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Suivre Coun sckieg will cert Mule serie for hor niu Iv - : -— uintuplets’ chests, bed on backs whenever they eatch

~ Musterole i to relief It actually

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ENGLISH

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THE HARVEY GIRLS IN TEGHNICOLOD

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BETTY HUTTON

With Barry Fitzgerald

“STORK CLUB”

Wm. Gargan “Follow That Woman”

: “DUFFY'S TA TAVERN

Nina Fo¢h “PRISON SHIP”

“Neighborhood Theater Directory

NORTH SIDE

i — i —— et

28th St. and Central

Ann Sheridan_Hum vam ALL CAME THROES Van Johnson-Fa Mg

alter Lom LL MeALLISTER “HOME IN INDIANA sek Haley—Aun Savage

“SCARED STIFF”

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ce Faye—Dans Andrews

“FALLEN ANGEL”

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sist and Northwestern WOULDN'T SAY YES" “CAPTAIN KID DD”

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TA-1400 Teress DAVIS MARSHALL WRIGHT “THE LITTLE FOXES” Barbars Gary

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Lon MeALLI STER

“HOME IN INDIANA” |

ley—Ann Savage

“SCARED STIFF" J

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LLOW THAT WOMAN

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“THE 8 Wm. Gargan EPOLLOW THAT WOMAN"

SOUTH SIDE

ASTAY The

Laetle MORGAN : olania & the & the Thief” o= Per

Hum Zasu BOGART SERA PITTS CAME TRUE”

SHERID Wash.

Grable—June Haver

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AVALON in, Mi

J Jeanne Oraln “STATE * in or Tom Neal “TWO-MAN .

Ww 4

“BORN FOR TROUBLE”

ae Se Tels

Leaders R

BERLIN, a bore, He is sti tertained sol and his hea: This low dump in son does to servi istrative wor cially if the big communi Berlin, And it nat

‘men in the

ing impatien teen-age rec

Mr. Morg lowest possil ber of dull tion involve task remain Fa That is a being what servers are and more at keeping the terested. C tougher to k convinced tl Germany is Smart arn going to be economies o of the taxps It is rep ease its bud its occupati The French than the An is bound to icans ask, “

of 300,000 n

Shas

The army to blame f troubles. Pressure personnel a cers literal; Today we which show government advantage. The majo ing forces over. The | tion force ! And in plenty of i with the a be sold wit the soldier. As organ operation sc disappear. What do the comba chances ar rent guard roadblocks, closures, di ammunition tion dumps fuel depots. Pla -Duty vari 24 hours of six . to nin Armor, mi units mus equipment being used As time ammunitior nated, Oth German po! ex-prisoner: American i The orga lary to poli an experim interest. Patterned line of the will be a force of be handpicked mand of M a veteran t If the p eliminate t large con pinned dov should prov to keep the it high, All dull But the du soldier's d quently,

YOUR €

Find

WASHIN stantial ps housing pr have to be Here are s

part cities Q—Until had any ki to do anyt situation, pointed a committee ernment’s ) housing. to serve ‘on basis of w done? A~—Most composed the city labor, buile producers, Chambers « interested § Q—-Our ¢ organized t veterans,