Indianapolis Times, Indianapolis, Marion County, 28 January 1946 — Page 12

JUDY GARLAND

In M-8-M's Tune-Swapt Musical

THE HARVEY GIRLS

IN TECHRKICOLOR

Coming Soon Loew's

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What | i. x Hareront Sighs ay Whistler”

Tonight: 5:85 1» 6—30¢ Robert Reetan WALKER

Whit Next, Col. argr Hargrove? Voics of the Whistler

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Brad Tayler—Jane Frazee

_Swinging on Rainbow

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LINCOLN if TONITE & TOMORROW

Ed Gardner “DUFFY'S TAVERN" Lynn Merrick “A GUY, A GAL & A PAL"

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Sist and N

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or Tonight dha WALKER

| What Next, t, Cpl. Hargrove!

Dix—~Lynn Merrick

Voice ¢ of the Whistler

Lioyd Nolan—Wm, Eythe

“House on 92nd St.”

Jon Hall—Peggy Ryan 9

te h Her Dia

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“MR, BUG Q0ES ToT TOWN”

IN TECHNICOLOR

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L Voice of the Whistler

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;| TACOMA + tigen

Noah ON » Rosalind on

/ N. Noble Laraine Day ‘THOSE ENDEARING YOUNG |B. Bogens “LIGHTS OF OLD Santi Ti n N. ’

“Lune.” He plays Night.” He plays Bach or anything |

mrp | + Robt, Young

sion of the two, without cuteness, and strides on and off the stage with the dignity of the athlete he

His extraordinary talent seems to run in the Draper family. Like his aunt, Ruth Draper, who in her monologues can ‘people a Stage with imaginary characters, herself remaining neutral and unobtrusive, Mr. Draper conveys a sense of hav|ing a whole troupe with him. It's not just one man dancing and seeming to say, “Look at me; I'm dancing.” It's rather a man austerely and impersonally going through motions that suggest. “This is the way dancing human beings might interpret the Brahms E flat minor intermeszzo." Merges With Art Like other great performers in the arts that unfold before your eyes, Mr. Draper merges himself with the art and loses his individuality (the everyday characteristics that make him Paul Draper, citizen) in what he" is creating. Maybe that sounds a little heavy. But you can't just write superlative adjectives or, aided by a stopwatch, say he did so many taps per second. In his “Dance without music,” the audience applauded some feats of tap virtuosity, just as an audience applauds hoofers in vaudes ville. But hoofing is not Mr. Draper’s art. What he does might take a book to explain. Music Encyclopedia With a more youthful and shy version of Eddie Cantor's personality (eyes, grin), Mr. Adler is a living and active encyclopedia of music. . The marvel is not that he plays the lowly harmonica superbly. The thing that makes your soul want to cast off its tax-ridden, job-driv-en body and shout ‘with’ the angels

“|is' that Larry Adler knows what

music is and what it does. He plays Debussy's “Clair de | “Blues in the

| you want, to mention.

ON STAGE

THURSDAY

AND HIS ORCHESTRA

:

SPE OT

ll IIS, ———

% ran suiTH’s HYD PARK” In Technicolor

I

.|That's worth a lot more than the

an ambitious guy who decided ‘to do something unusual and make a pile of money. No. He understands music and he knows how music hits people, The harmonica is incidental. If he had a musical’ saw or banged

still get the effect across. If you were lost in, the jungles of Burma and suddenly met a brother Elk from Kokomo, you'd get that sense of appreciation of human beings that Larry Adler conveys. That's what makes Mr. Adler great. Two artists in lonely fields give us new insights into human nature,

Byrne-Page price of admission.

BIG SEARCHLIGHTS PUT ON SALE BY U. S.

And why? Not just because he's|

on his teeth with a pencil, he'd

Murat Friday, F

planes were put on public sale today by the War Assets Corp. Built at a cost of $15,000 each, their, strength runs up to 800,000,000 candlepower,

Fr i

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And Facility in Recital Here Zorn of the Jordan conservatory grind begins just when the future plano faculty, appeared in a recitai| 100KS rosiest. | Mise Joy should get a lot of the st, Saturday night. | best advice available—H. B Well known locally as the solo- | Advertisement Indianapolis Symphony. orchestra | Lemon Juice Recipe at the Nov. 24 children's concert | rare aptitude and facility. She has| uered most of the elementary Pain Quickly Saturday night she did well with| It you suffer from rheumatic, arthritis o Beethoven's sonata in C, op. 2 no. | tedpe, that inodsandh a Fo pecially in the adagio, some pro- | Jules of & len temong. Ted ey. No trouble of found moments. It's emphatically | obtained. 11 the pains g not or Citak loans leave | sections of the rest of the Bee- | you do mot feel better, return the thoven sonatas, could profit by a ing ®t In her second group, revealed what I would call the | it 1s now. She needs training in | tone production so that the treble | by the bass. In the Grieg concerto, Miss Joy instead of shoulder motions. Pade- | rewski used to do the same thing, a lot safer to get the hands in | place on the keys and then come A word of caution, not just to | Miss “Joy, but to all Indianapolis | local success are just the beginning.

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Miss Patty Joy, pupil of Marie reer, hard to sustain it. The tough at Jordan's Odeon, 106 E. a A promising young musician ike, | LD ist with Fabien Sevitzky and the| | in Oadle tabernacle, Miss Joy shows | Checks Rheumatic technical difficulties. neuritis pain, try this simple Inexpensiye bom: * ReEx Co a3 ms. 3, an early work containing, es- | ay Som rt or fuls two times a day. eu vita 48 Sous a student's piece and, like vast Reader's Digest condensation. jab chief weaknesses of her playing as! will sing and not be drowned out hit the heavy chords with elbow | with less accuracy. It's easier and | down with shoulder-weight. | young musicians. Early facility and | _Ivs easy to start a _ musical ca-

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