Indianapolis Times, Indianapolis, Marion County, 19 November 1945 — Page 8

THE INDIANAPOLIS TIMES apell’s Piano Contribution Adds to Success of Concert

By HENRY BUTLER

Some concerts have to be rollic ian described. Such a concert was Saturday night's program at the Murat by {Fablen Sevitzky and the Indianapolis , with William Kapell

peated, yesterday afternoon.

: thrifty - millio ) | “St. Joseph Aspirin” millions do—say. | \inued with Beethoven's Seventh |’ | (1) Pure as money éan buy (2) Fast ac- symphony and, after the intermis- ably be embarrassing to Mr. Kapell.

{tion (3) Real economy: 8t- sion, the Brahms D Minor piano| It would certainly be pointless. For| bl Mor! 00 sire *pesaty: Aden | faseph Aspirin, woke Inrunt ache: 280 | concerto, with Mri, Kapell doing|Mr. Kapell's performance was not $ 0 . Beste « of or supert 2 | a8 you get nearly 3 tablets for only le. magnificent work as soloist. the kind of thing that used to wow \OD ee EE ar ened ie taste 5 he ~ |0 season's were - maT quality class | - . . ettled by its splendid pla in|certo, with the conductor as a sort | penn Ting, poe ~Use Our LOMON JUICOROCIPE 55 Fes compaitions. To siing] of lackey. With great dignity and fm Convenient Christmas _. __, section dug into the Brandenburg|great ability, Mr. Kapell, Dr. Se- : Layaway Plan! Checks Rheumatic concerto with energy and evident|Vitzky and the orchestra made

enjoyment—eager voices of fiddles music. answered by cellos and basses in| The Brahms concerto was enunison, lively 16th-note passages|Semble music on a grand scale. Ae-|

| Pain Quickly

’ oa et IN tet Ne emuritls ot |, unctuated by 8th-note counter-{CUrate reporting .i1s. the highest 3 age"ot Bux Comps Compouny, ing Get 8 Deck point. That 18th Century “Holiday praise of Mr. Kapell's i Sher a today. Mix it with & quart of water. sad the for Strings” has a great range of musicianship. Here was a young = Juice of '¢ lemons. It's ess Ne Soubls 8 gynamic effects, from massive to|man with all kinds of pianistic reL$ ris aay, Often within 48 tiny, as in the extraordinary long sources, modestly, a ny eagerly : obtained. If the paine do nok quick “leave diminuendo in the first movement, | Watching the condu

lend If you do not better, return intent u the total on { the} [em c x or in the sudden and startling pon t o i pe lhe ou cama a changes from velvet softness to Music, and not concerned about in-| | Compouna 1s for sale and" recommended by 4'MOS abrasive loudness. dividual display. That concerto, | drug stores everywhere. They ‘Made Music’ opening with a sort of cosmic ex- ———— = ; pectancy heightened by the elecBeethoven's Seventh symphony I8| tritying trills, was consequently 10 years a True Story reader — Mrs. Adams says: | |one of his works most congenial to given a marvelous performance. modern taste. It is not infested, as Avoided the Ob : RTI Sp 40 TE 2 are somé of Beethoven's earlier vious works, with early 19th Century Brahms’ avoidance of the obvious tricks and conventional, . long-|Dothers some people. Nobody could winded musical devices. ~It's|®Ver transcribe a “Tonight We economical and cleanly written [LOVe” Or a “Concerto for Two” out And though some of the orchestra-|0f the D minor concerto, even tion—notably the primitive use of |though one theme of the first move-| brass instruments (unreliable in|Memt starts out like “Home on the

Beethoven's time) may seem out of | Range.” date, the writing for strings and| Conversely, however, nobody woodwinds is superb. could ever transcribe back from ’ Saturday night's performance of| 112 Pan Alley, no matter how 3 a Et) . that great work—one of the best|Many Hollywood arrangers he em- . YS AN Zi “SE recommendations of the clear, bright |Ployed, anything like the second oe d % : key of A major ever written—com- movement of the D minor concerto. pared well with any this reviewer For that second movement has the has heard. Although the solo flute, | ™Ystical religious fervor of Bacn oboe and clarinet were occasionally|2nd Of Brahms’ own German Re- |} drowned out, that was the sort of Gulem In this, as in the other § defect that can be easily corrected.) movements, Mr. Kapell made the

Conventional flattery would prob- Plano sing, sometimes thunder— always with understanding, tact and

a sense of co-operation with other

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