Indianapolis Times, Indianapolis, Marion County, 29 October 1945 — Page 16

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Connette's Debut Hailed by Critic.

By ROBERT BAGAR (Musie Critie, Néw York World-Telegram)

Young and personable Constance Connette made a favorable impression on:a sizable audience in the

Miss

town hall yesterday afternoon, The

tall and smiling dramatic soprano

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had given one previous New York recital at the Carnegie Chamber Music Hall last season, Yesterday's event, however, formally represent ed her debut on what some are pleased to call the “Big Time.” In private life, Miss Connette is Betty Vanderbilt, daughter of Mr, and Mrs. V. C. Vanderbilt, 7302 N. Pennsylvania st. Mr, Vanderbilt is head of the L. 8S, Ayres & Co. bakery department. From the looks and sounds of things I would say that the young

woman is probably heading for

grand opera, whether she is plan-

Is

THE INDIANAPOLIS TIMES Music on the Disc

ings.

it full of appeal for every musical taste.

MENDELSSOHN: CONCERTO in E Minor for violin and orchestra (op. 64), played by Nathan Milstein, violinist, with "the Philharmonic Symphony orchestra of New York conducted by Bruno Walter. (Columbia, M-577, four 12-inch records.) During the more than 100 years of its existence, this brilliant and beautiful concerto has been a top favorite with concert audiences, It now receives the benefit pf modern recording technique applied to performance by a great violin virtuoso and a great orchestra, and the result is superb. On the final record

sohn’s “A Midsummer Night's D

ream.” LILY PONS: PROGRAM (Columbia, M-582, three 10-inch records.), This album contains three arias that

side, the orchestra plays Mendels-|

are favorites of Miss Pons’ concert | s

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ning that or not. For her voice, particularly in the middle register, is big and lovely and sensuous as you would ° expect Tosca's or . perhaps Sleglinde’s voice to be, besides which it has that indefinable grand opera quality about it, Shows Flexibility Yesterday the very top tones, on occasion, were constricted. They! Jacked the substance and the luster of the center anes, and once or twice, a particularly low note quavered uncertainly, Whether these are ever-present qualities of her singing I am not prepared to say. Chances are that the situa-| tion was temporary, since Town] Hall debuts have been known to| freeze the corpuscles of veteran performers. Miss Connette has a gracious appreciation of styles, as she made; evident in a varied and-—let's be grateful interesting program. Moreover, she had flexibility to encompass rather easily the florid! passages of “Ibel Raggio Lusinghier” from Rossini's “semiramide,” which-—as Mr, Arbuthnot might say--"is no ,sinecure that.” did she find at all taxing the taxing (yes, taxing) drama that is, effect, the “Ah, Perfido” Beethoven,

Rich Talents Brahms “Liebestreu,”

Schubert's

“Wohin” (especially well sung), i Wolf's “Er Ists,” Chausson’s “Le Temps De Lilas,” Debussy’s “Fan-

toches” and other numbers com-| prised Miss Connétté's program, In| some of these she showed a tendency to be insécure rhythmically, though this, “ldue to such

nervousness as at-

[tends a debut performance.

All in all, the soprano gave ample

{| Indication of rich talents which are

‘| yet to be exploited. | Her able accompanist was Giu- || seppe Bamboshek,

FIRE TRUCK HITS TREE TERRE HAUTE, Oct. 29 (U. P.).

tiriding crashed intp a tree at the Ollie [| Reed, 53, was driving.

Times. Amusement Clock

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and radio audiences. They are “Caro Nome” from Verdi's “Rigoletto,” Theme and Variations by Proch, and “Charmant Oiseau” from the opera “La Perle du Bresil.” You'll feel like shouting “brave” after each one,

RIMSKY-KORSAKOV: LE coQ D’OR, suite, played by the Minne- | apolis Symphony orchestra, con{ducted by Dimitri Mitropoulos. (Columbia, X-254, two 12-inch records.) Oriental-flavored music from a fairy tale opera. Mitropoulos turns ion his dramatic style of interpretation full force, and his orchestra {achieves great tonal brilliance in |this, their first, post-ban recording, |

| FRENCH OPERATIC ARIAS: | Sung by Martial Singher, baritone, with the Metropolitan Opera or- | chestra, conducted by Paul Breisach. (Columbia, M-578, four 12-inch records) Singher, one of the newest additions to the small group of Met opera stars, is currently quite the rage in American musical circles. His voice is exceptionally smooth, powerful but effortless, and distinguished by great warmth and beauty of tone. He has recorded {eight fine operatic arias in this album, among them the Toreador Song from “Carmen,” Dapertutto’s {air from “Tales of Hoffman,” Drink {ing Song from “Hamlet,” and the Serenade from “The Damnation of { Faust.”

| THOMSON: FIVE PORTRAITS, {played by the Philadelphia orchestra, conducted by the composer, Vir{gil Thomson. (Columbia, X-255, |two 12-inch records.) Something new and unusual in music. Thomson, who is music critic of the New York Herald-Tribune, says that these “musical portraits” are drawn from life; the subject sits for his likeness, as he would for a painter, ‘and the music is composed in front of him, usually at one sitting. That's

The world's tavoiite violin concerto heads the list of film - -albums which make up the October release of blue seal masterworks recordA Lily Pons program, a suite ffom “Le Coq d'Or,” a group of French operatic arias, a modern composition by Virgil Thomson, “Songs for the Boys” by Marjorie. Lawrence, Chopin's Polonaise No. 6, and several baritone arias from “Tannhauser” round out the list and mdke

33 Monument Ci (Tax Inel,).

“Auld Lang Syne.” SINGLE RECORDS:

its original form by Egon Petri, dis~ tinguished pianist. (Columbia, 10inch.) Also the “Sorig to the Evening Star” and “Wolfram’s Entry” from- Wagner's “Tannhauser,” sung by Herbert Janssen, baritone, ac-

companied by the Metropolitan Opera orchestra. (Columbia, 12-in.) — H.W.M,

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Franck—D Minor Symphony Stravinsky—Firebird Suite Barrymore—Fugue-Fantasia Kreisler-8evitzky-—Praeludium

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COLISEUM - INDIANAPOLIS

the idea; but you listen, and form your own opinion,

MARJORIE LAWRENCE SINGS | FOR THE BOYS: Soprano, with male quartet and orchestra, (Colum-~ bia, M-679, three 12-inch records.) Marjorie Lawrence is the optratic! star who has won much attention | for her courageous battle against in- | fantile paralysis, singing from a wheel chair on concert and opera stages. In this album she has put such favorites as “Waltzing Matilda,” “Annie Laurie,” “The Lord's

“Man of Conquest,” wilh Gail Pate rick, Joan Fontaine and Richard Dix, at 1:21, 4:51 and 8:21

12:45, 3:50, 7 and 10 “Radio Stars en Parade, 2145, 5:50 and INDIANA

“Duffy’s Tavern,” with Bing Crosby, Beity Hutton and Paulette Goddard, at 12:35, 3:40, 6:50 and 10

" at 11:35,

‘A Guy. a Gal and a Pal” with Lynn Merrick and Ross Hunter, at 11:30, 2:40, 5.45 and #.55. LYRIC “Along Came Jones,” with Loretta Young sand Gary Cooper, at 12:50 3:58. 7:06 and 10:14 “Steppin in society,” with Edward Everett Horton, at 11:40, 2:48, 5:56 and 9:04

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HOLLYWOOD STARS | HONEYMOONING|

HOLLYWOOD, Oct. 20 (U, P).— Screen Actress Lois Andrews, 21, and Singer David Street, 27, were honeymooning today following their marriage in Las Vegas Saturday, | | Miss Andrews was married to] { Comedian George Jessel at 16 and |

THURSDAY — ON STAGE -— HAL McINTYRE AND HIS ORCHESTRA FRED LOWERY Added Attraction MARCY McGUIRE

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