Indianapolis Times, Indianapolis, Marion County, 23 October 1945 — Page 18

PAGES = Viennese Pianist To Perform Here

ROBERT GOLDSAND, Viennese pianist, will give a recital in Indiana: Central college guditorium at 8:15 p. m. Friday. Second of a series, the program will be co-sponsored by the Indiana ‘Cen~ tral college music club and the American War others of University Heights, Mr. Goldsand, who came to this country to live several seasons ago, is now an American citizen. He lives in Cincinnati, where he heads the piano department of the Cincinnati conservatory of music,

Mr. Goldsand

AUXILIARY TO MEET The ladies auxiliary to the Military Order of the Purple Heart, chapter 32, will meet at 8 p. m. today in the World War Memorial build-

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Rigoletto Is Hailed Here

(Grand

In Local Debut.

By BARBARA SCHAEFFER Grand opera, resplendent with excellent voices, lovely setting and an equally fine orchestra, came to Indianapolis last night. “Rigolettd,” Verdi’s magnificent tragedy, was presented on the Martens series at English’s with the professional qualities that Charles L. Wagner's company has shown in past performances, Rigoletto, the jester.of the Duke of Mantua’s court, is the dramatic lead in the captivating opera, and with the fine performance of Jess Walters, was portrayed with hold the strings of the tightly woven story together. Voices Young, Vivacious The voices were young and vivacious and transported the audience into a land of courts and dukes and extravagant living with depressed and down-trodden classes, subject to the whims of Verdi's royalty. With settings of unsurpassed qual- | ity the scenes were realistic and | in the night scenes the darkness | of the blue lights only added to] the intensely dramatic atmosphere | of the story, Doris Marinelli, leading soprano!

[of La Scala Milana, gave a superb |

{ performance as the victim of the! tragedy, Rigoletto's daughter, Gilda. Her breath-taking performance of! “Caro Noma,” as she exulted in the love of the treacherous duke was ethereal. Sparafucile, the assassin, and Maddelena, his sister, were performed with finesse and strength by | John Gurney, bass-baritone of the, Metropolitan, and Mona Bradford, making her third appearance with the Wagner company. All of the cast contributed clearness in their] voices and the ability to present’ the! opera with the smoothness and coordination that the tragedy must have, The dramatic inflection of Rigo- | letto’s love for Gilda who is killed because of his revenge against the Duke of Mantua is poignant. As

the complete cast carries on separate performances of ridicule ori

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anger without the confusing or dis«| turbing conflict of voices or story. As Indianapolis thrilled last night | to a professional performance of grand opera, a performance that laymen understood, liked, it] will thrill to the opportunity to sce] more of music and drama so well presented.

‘This Is the Army’ Plays Its Finale

HONOLULU, Oct. 23 (U. P.).—| The last nickel of $19,000,000 raised | for the army eremgency relief fund! clinked into a little steel box at] Honolulu stadium last night and | Irving Berlin's “This Is The Army” | played its world finale before 25,000 | civilians. The dark, bespectacled Berlin himself —flown here from New York at the last minute—sang “O How I Hate to Get Up in the Morning" and the 160-man G. I. cast applauded.

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The performance ended a 170, 000- | { mile, 39-month tour of the show! | Which appeared before 2,500,000 | servicemen in almost every theater “ operation “I've always wanted to be in on be final curtain” Berlin said. “Nat~ urally I'm grateful to play in the {last show.’ | The soldier cast took the final bows with the composer. All members of the show have been overseas for at least two years and mipst of them are eligible for discharge but

| volunteered to give a last, extra performance for a civilian audience to, earn extra proceeds for charity. The troup salls Wednesday aboard the carrier Petrof Bay and will disband after reaching the mainland.

—— | ATTLEE DENIES REPORT |

LONDON, Oct. 23 (U, P.).—The| | ministry of information announced! {last night that Prime Minister |

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Hazel Scott Prefers Home Life to Theater, Night Club

By HENRY BUTLER

That's how Hazel Scott explains her decision to give up night-club and theater work in favor of less gruelling, less time-consuming concert

Heard in recital by a more-than-capacity audience at the Murat last night, the celebrated Bach-to-boogie pianist gave an interview yesterday

Opera Is Welcomed |

e | ester, strength and clearness necessary to

{vided into two sections, classical and

[Ravel's

{erratic interpretations, it is well

the jester sings of his bitterness \\the gun.

a home life.”

afternoon, , Sitting at the nine- foot Steinway on the vast, bare stage of the Murat while electricians experimented with spotlights, Miss Scott alternately talked and strummed on the plano ybrief quotations from the second movement of Cesar Franck’s

Sympaiony in D minor] Too Strenuous “Night club work is terribly strenuous. Of course, I did enjoy

playing at Cafe Society Uptown in New York, because people came there to listen, But I want to enjoy:my home, and I can’t do that with a night-club or theater schedule.” Asked about movies, Miss Scott sald. “I'm giving up the idea’ of appearing in movies, too, unless something really important comes along—say, angther ‘Rhapsody in Blue." ” Her current tour is the first of two she will do this season. On Nov. 4 she is appearing in RochN. Y., with the Rochester Philharmonic orchestra, playing the Grieg plano concerto. Says It's ‘Bigotry’ é On the subject of the recent cancellation by the D.A.R. of her scheduled appearance at Constitution hall in Washington, D. C., Miss Scott said, “It did me no harm, but it did make them look like perfect fools. Such bigotry!”

Tenor at English’ s

Richard Oharles, tenor, sing a leading role in “The Desert Song,” which opens at English’s next Tuesday.

will

Times/J Amusement

Clock

CIRCLE “The Great John L..” with Linda Darnell, Barbara Britton and Gre McClure, at 12:19, 3:30, 6:45 and 10, “Bedside Manner,” with John fan roll and Ruth Hussey, at 11, 2:15, 5:30 and 8:40.

: LOEW'S “The Southerner,” with Zachary Scott and Betty Feld, at 11:30, 2:50, 6:28 and 10,

“Mr, Emmanuel,” at 11, . td

8:12 INDIANA “Along Came Jones,” with Cary Cooper and horstia Young, at 12:39, 3:48, 6:57 and 10:12. “Steppin’ In Society,” with Edward Everett Horton and Gladys George, at 11:27, 2:36, 5:45 and 9:02,

4:40 and

LYRIC “Rhapsody in Blue,” with Robert Alda, Joan Leslie and Alexis Smith, at 11, 1:33, 4:08, 6:50 and 9:34,

KEITH'S “Invitation to Happiness,” at 11:30, 3:08, #:40 and 10:15 “Rulers of the Sea,” at 1:20, 5:04 and 8:39,

CHANGE BOOKINGS FOR INDIANA ROOF

Changes in bookings affording

Interpreted as a gesture of racial | | discrimination, that cancellation has { brought Miss Scott ‘a lot of new! friends, she says. “People have cer | tainly been sympathetic. I've had] {hundreds of letters and telegrams from all parts of the country.” Still continuing piano study in |New York, Miss Scott has ambitious plans for future concert appearances, both in recital and as soloist | with symphony orchestras. Her program last night was di-| modern, In the first group, she 'did especially well with two Scarlatti sonatas and a bit later in the group, with the Forlane from “Tombeau de Couperin” suite. Considering her occasionallys to record that she played the vel {with evident understanding of its | intended elegiac quality, instead of ! making it a scherzo, as many | | pianists do. In the familiar Bach C minor! Prelude and Fugue from Book I of | the “Well Tempered Clavichord,” Miss Scott had a tendency to jump She also rushed somewhat in the well known Fantasy (“I'm Always Chasing Rainbows") Impromptu of Chopin, Alded by Trio ? Not to be too technical, Miss Scott should devote time in her study to pedalling, tone and the bringing out of inner voices. Her powerful left hand tends to obscure the right hand in classical music. And she should check back with the scores for numerous minor inaccuracies that have crept into her memory. Part two of her program provided her with the rhythmic support of an instrumental trio. Her rippling { piano fantasias on Kern and Gershwin classics led regularly { into jive chamber music heightened by the shrugs, gestures and expres- { sive glances of drummer Willmore “Blick” Jones. The audience got a huge wallop tout of this part of the program, | including Miss Seott's swing versions of the classics, It might be sald that Miss Scott's version of the Second Hungarian Rhapsody is worth adding! |to anybody's Liszt.

'QUADRUPLETS BORN TO CARPENTER’S WIFE

DUBLIN, Oct. 23 (U. P.) —~Quadruplets—three, boys and a girl— were born in National Maternity hospital today to Mrs. Kathleen Sayers, wife of a carpenter, but one of the boys died an hour later, A hospital spokesman said the three remaining babies were “very small” and had only a slight chance of survival,

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sity of Arizona, was “out of the

three different dance- tempos for Indiana Roof dancers were announced today, After tomorrow night, Bob Strong and his orchestra will make way for Tommy Tucker and-his band; who will play a one-nighter Friday. They will be followed by Barney Rapp and his New Englanders Saturday and Sunday.

CARTOONIST MAULDIN ASKS FOR DIVORCE

HOLLYWOOD, Oct. 23 (U, P.) ~— G. 1. Cartoonist Bill Mauldin, creator of “Willie and Joe” filled a divorce suit yesterday against his pretty blond wife, alleging that she had been unfaithful. He named Elmer Gaines, a for-

He asked custody of his 2-year-old son Bruce, born while he was { in the Italian campaign, and a di-

Gaines, 27, an upholsterer who knew Mrs, Mauldin at the Univer-

THE INDIANAPOLIS TIMES"

Musicale®ls Set Friday

Rachmaninoff, and In the Silence of Night by Rachmaninoff. Mae Engle will acccmpany her. Pianist Imogene Pierson will play Ballade G Minor op. 23 by Chopin; Prelude C Major op. 12, No. 7 by Prokofieff, and L'isle joyeuse by

4 Soloists to Appear at Ayres Auditorium.

Four soloists will' take part in the Indianapolis Matinee Musicale program at 2 p. m. Friday in the L. 8S. Ayres auditorium, Mrs, Jane Burroughs Adams, program chairman, i has announced. Mildred A. Baumgart, contralto, will sing: Cavatina (from “Donna Caritea') by Mercadante; Allerseelen by Strauss; Sou Les Oranges BY Holmes, and Dawn in the Desert by Ross. Her accompanist will be Christine Houseman White, A flute program will be presented by Nellie Jones, including Suite in A Minor . .. and Allegretto by Tele~ mann; Fantasie by Faure, and Habanera by Ravel. Dorothy Munger will accompany her. Kathleen Somers Wallace, soprano, will sing Aria di Polissena (from “Radamisto’”) by HandelBibb; Danza, danz, fanciulla gentile by Durante; Pleurez, pleurez, mes yeux! (from “Le Cid”) by Mas-

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The vangu teachers who city for their ley tomorrow filtering into The Hoosie wer for pre-conve battle for ti rooms, Tardy teacl reservation$ pected to fi facilities over A special | been set up (Phi private home cannot get housing divisi Convention ¢ setting up a the Claypool to private ho One of The concla? going on sin state in whit tHe Indiana S tion are parti State officis association th tion and ball morrow night Because of in the Hoosie reception will pool hotel, 1 celed. A number sions and mee cational grou] City, county tendents will and element: will meet at The School sor a dinner pool. 44 Mee

Although t sion is. not sck night, 44 depa occupy the throughout t« The ‘meetin experts in all address instr various meetit Outstanding for this parle Henry C. Wo respondent, v vention tomo tabernacle; Friday at OC: by Mit. Ray paperwoman tor, and a presentation f Gilbert, singe choral presen and a talk by Ogburn Frida L. T. Buck sumes the pi general sessio ‘meetings,

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