Indianapolis Times, Indianapolis, Marion County, 20 October 1943 — Page 21
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xander Kipnis, baritone, Is soloist for the second pair of regular concerts Nov, 20 and 21.
aie Beatty cour oF the Burlington, Ia, Jan. 19; Daven- |. oo by Mr. Sevitzky and Indiana Jrchestra. port, In, Jan. 20; Dubiave, 1a.) Tata, 30 Mr. Seviiaky and a i het he Sx laa, 21; Peoria, TI, Feb. 1; In-|13, at Cadle Tabernacle, with the will enjoy od diana university, Feb, 29; Chicago, choral assistance of the Indianapolis ful season in recent years ad |March 5; LaPorte, Ind, March 6; Symphonic choir, the choral section | | [promises to give Indianapolis varied og, 4 uv 0. March 7; Richmond.|of the Indianapolis Matinée Mu{and interesting programs. 1nd, (date not set), and Lafayette, |sicale and the Indianapolis MaenAlthough Spprosimately 85 periind, March 17. In addition to these concerts the
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By DAN GORDON
“Faust,” the opera by Charles Gounod, was the work ‘chosen to open the Metropolitan opera house on Oct, 22, 1888. Last night at English’s, it was presented as the first of the new Martens concert series. The S R.O. sign that was hung out as early as last week seemed to be an indication of the promised success of the Charles L. Wagner company's production. The portent turned out to be correct. Although it was a condensed ver{sion of the original, the audience theard some fine singing. Par-
{ticularly outstanding was John
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Gurney as Mephistopheles. While at times his sense of showmanship tended to override the operatic role, Mr. Gurney succeeded in making his Mephistopheles human. The audience laughed with him many a time ‘at his antics and sardonic glee in witnessing the misfortune of others. The customers were delighted with his interpretation of the devil as a character with .a sense of humor,
Potentialities Realized
In this production of the opera, based on Goethe's immortal poem, and which mirrors the eternal struggle between good and evil, ail of the potentialities seemed to have been realized. With the exception of William Hain as Faust, the philosopher who sold his soul to the devil, the singers were well suited to their respective roles. Mr, Hain failed to make his char- { acter come alive; his Faust was a
dia ii | dull fellow, nothing like the vibrant
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{and ardent characterization that was probably intended by the] composer, Mack Harrell as Valentin, Mar-| { guerite’s brother, was in excellent { voice, and Maxine Stellman sang i the role of the sister In a competent manner. The chorus was weil received by the audience, especially for the famous “Soldiers’ Chorus” The orchestra was conducted by Giuseppe Bamboschek. The costumes were colorful and the settings realistic,
MOVIES' BOND SALE Final returns on -the motion picture industry’s participation in the | third war Joan drive tallied $1,900,880,196 in bond sales, accord= ing to word received by Don Rossiter, state chairman of the film war activities committee, from L. C. Grifiith, general chairman of ‘the campaign.
CIVIC THEATER
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kovsky—Mr. Sevitzky said that, in keeping with his custom, he will present at least one composition by an American composer on every program: ~The orchestra turned down more than twice as many tour dates as it accepted, due to transportation facilities, according to Howard Harrington, manager. The tours and dates are as follows: 4 Quincy, Ill, Jan. 16; Keokuk, Ia. Jan. 17; Ottumwa, Ia, Jan, 18;
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OPENING TODAY ’ INDIANA
#Let's Face I,” with 3 Ho and Betty Hutton, at . 4:12, 6:48, 0:4, 11:32 nd "on “Good Fellows," at 12:34, 3, 5:36, 8:12, 10:40 and 1:)6,
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“Pincess O'Rourke,” with Glivia de Havilland, Robert Cummings and Jack Carson, at 12:40, 3:84, 7:08 and 10:12 “Nobody's Darling,” with Mar Lee and Glades orgs, at 11:3 2:46, 6 and $
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“Arsene and OM Lace,” with Sarah Lauter, Piorente Hazen and Richard Eisenbach, at 8:30
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“Salute te the Marines,” with Wallace Beery, ¥fay Bainter and Reginald Owen, at 12:30, 3:46, 7:03 and 10:18,
“Footlight Glamour.” with Penny Singleton and Arthur Lake, at 11, 2:16, 5:32 and 8:48. :
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