Indianapolis Times, Indianapolis, Marion County, 21 October 1941 — Page 15
PERILOUS JOURNEY
© ENDS IN FILMLAND||
HOLLYWOOD, ‘Oct. 21 (U. P).— Actress Claire Piccard is in Hol-|:
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MACDONALD BRIAN AHERNE
tiki
RAYMOND HUNTER
“DR. KILDARE'S WEDDING DAY”
STARTS FRIDAY!
“OUR WIFE” MELYVN DOUGLAS—RUTH HUSSEY
no sense at all. The shoes (
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“BOYS AND GIRLS TOGETHER'— A musical revue produced, staged by and starring Ed Wynn; music by Sammy Fain; lyrics by Jack Yellen and Irving Kahal; book by Mr. Wynn and Patrick OC. Flick; settings by Oden Waller; costumes by Irene Sharaff; musical direcior, Fred R. Hoff; costumes executed by . Veronica; choreography by Albertina Rasch; presented at English’s Oct. 20. .In the cast: Mr. Wynn, Dave Apollon, Marjorie Gainsworth, the ‘D’Ivons, Jaye Martin, Walter Long, La Varre Brothers, Dot and Dick Remy, Lucienne and Ashlour,§ Ronnie Cunningham, Carol Parker, the Six Willys, Davenie Watson, Helen Bennett.
i GIRLS
WIN MOVIE JOBS
| HOLLYWOOD, Oct. 21 (U. P.).— Home-town girls have made good at 20th Century-Féx. Three Hollywood residents—two blonds and a brunet—won screen contracts and went to work at the studio. They were blond Violet Church, 19, graduate of Hollywood High School, and Virginia Maples, 20, former secretary at Earl Carroll’s theatre - restaurant, and brunet Mary Scott, 19, former cigaret girl at Ciro’s, movietown night spot.
WHEN DOES IT START?
CIRCLE “SERGEANT YORK,” with Gary Cooper, John Leslie and Walter Brennan, at 11, 1:40, 4:20, 7 and 9:40. A ‘single feature. CIVIC “BURLESQUE” (on stage), 1a by George Manker Watters and nay thur. Hopkins; directed by Richard Hoover; starring Jean Rider and Ray Robinson, today and tomorrow
ENGLISH’S.
“Boys and Girls Together,” duced, staged by an yon, at 8:30. nd 8:30,
INDIANA “NEW YORK TOWN,” MacMurray, Mary Martin Robe Preston and Akim Tamiroft, at 12:43. 4:02, 7:11 and 10:2 HENRY ALDRICH FoR PRES DENT,” with Jimmy Lydon Ba une Preisser, at 11:39, 3:48, 5:57 and 9:00. LOEW'S “SMILIN’ THROUGH,” with Jea nette MacDonald, Brian Aerne, Gene Ra mong and Jan Hunter, at 12:30, and 10:15. “DR. KiLD, DARE'S WEDDING DAY,” with Lew Ayres, Lionel Barrymore, Larraine Day and Red Skelton, at 11, 2:15, 5:30 and 8
ni. “A YANK IN THE R. ne Tone Ava nd Betty a. UGHARLIE CHAN I Sidney Toler, Mary Be Cob ua YorEnt Jr., at 12:55, 8:45, 6:30 an
prostarring Ed Tomorrow at 2:30
A. F.,” with Grable, at
Joan Crawford “WHEN LADIES MEET” D. Lamour “Alomo of the South Seas”
! «LADIES IN RETIREMENT” IDA LUPINO—LOUIS HAYWARD
Wallace Beery “BARNACLE BILL” Greer Garson ‘Blossoms in the Dust”
WEST SIDE
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LOVE” Ginger Rogers
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“THE BRIDE WORE CRUTCHES” Geraldine Fitzgerald ‘SHINING VICTORY’
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‘THE 'RIO GRANDE” 2 "NORTH SIDE ; |TALBOTT
AN EVENING OF WATCHING “Boys and Girls Together” at English’s will offer ample evidence why they call Ed Wynn the “Perfect Fool.” . It’s the silliest show you ever saw. The falsetto-voiced, fluttery-hended Mr. Wynn is still talking just (size 1h ns gst the same, ‘the’ Shes he bought in Pittsburgh 34 years ago for e never: appears twice in the same costume. He has the usual supply of gadgets: A canoe propelled with the feet, a piano on a tricycle, guns that hit the target
One has to see Mr. Wynn to appreciate him (as witness. his radio
endeavors) andthe verdict hereby is that you should. see the show. It’s a bulging big bundle of slap-happy joy—and what a ‘ lovely. aggregation of beauties! There are times when you get a bit fidgety, as in 'most every revue, but they don’t last too long.
Mandolin Amazer
MARJORIE GAINSWORTH, a blond ‘soprano with an operatic leaning, and Jay Martin, a handsome fellow with a’ musical comedy bent, are the supporting stars. But yet its Dave Apollen ‘who carries off second honors. Despite a few stage mannerisms designed to emphasize his virtuosity, Dave makes a real hit with his mandolin during the few minutes that he’s on. He plucks amazingly complex and speedy music from his little instrument and he runs a gamut, of styles: “Dark Eyes,” “Two Guitars” and then some swing. The fact is that Soa Jay Martin—make “I “Want to Live (as Long as You Love Me)” the tune you'll whistle as you file out English’s doors to Monument Circle. It’s a catchy song as musical revue numbers go. And now for the show. The routine is that Mr. Wynn is going to explain how his show is different from others. For instance there's Miss Gainsworth.. Not every leading lady can sing
. a song as Wagner, Donizetti or
Tin Pan Alley would have written it. Miss Gainsworth shows the strain of much singing but hers is a good voice, Not every show, too, has the D’Ivons, a gliding dance couple who are the umph or something of sophistication, And you don’t often have a fat girl, Dot Remy,’ who can turn cart-wheels with the greatest of ease, nor her brother, Dick, who roller-skates on his hands. Mr. Wynn, capitalizing -on his flair for pantomime, es all
this to you. 8 8
Mostly on
THE SECOND act opens with Mr. Wynn's uncertain announcement that he will present a bit of old-time vaudeville. And so the Six Willys come out and throw Indian clubs all over the place. Lucienne gnd Ashour do an adagio dance wherein the abused girl turns the tables and does likewise to her partner vehemently. Not long after that—maybe before —Mr. - Wynn shows off his skill as a dress designer by cloaking some of his beautiful girls with nothing but bolts of cloth and pins. If’s an old trick, “and interesting. Throughout all this Mr. Wynn is still explaining how his show is different. And he’s still explaining when the final curtain is drawn. In passing, Walter Long deserves credit for some pleasant dancing and Fred R. Hoff for an expert job of directing the pit music. The show is silly, as we said. But funny? Yes, most of the time.
PIANO PUPILS PLAN ENSEMBLE RECITAL
Mrs. Laura Craig Poland's piano pupils will play an ensemble recital at 7:45 p. m. tomorrow in the Wilking Auditorium. The pupils will be heard in groups of two, three and four, with Mary Rose Massman, assisting with marimba solos.
The. recital will be open to the
public. Those who will play are: Mildred Masters, Barbara Eskilso: ny Sue Sng oR lice emp. Allison, Janet Batier. Virginia Ann Ross, Carol ‘Forbes, Sara Jane Clark, Robert William Hu ghett. Carolyn Butler,
Jesse Hise, Ma. ean Jones, Fizabetn y k ors Riek:
Helen ard Hise, Ro Rai [axine Smith, Mrs. fr Dea.
Rose a] Broder Umbarger. so er,
‘MAR
an, Norma John ary Rose Hassman and Carol
11:41] ZL Rive.
DIR: ris i hy TLAS
Frou || TONITE 8:30 TOMORROW 2:30:30 LAUGH, TOWN, LAUGH!
EDWYNN
bo Wis Own Glemorous Musical
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olin “WORLD PREMIERE”| Lu
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Of the Year Loew's is looking forward to th
The reasons for such hopes are pictures scheduled to play there in the next two months and a half, several of which are: “The Feminine Touch”—A comedy
tion” from the Dr. Kildare series. “Two-Faced Woman”—The ew Garbo” steps out after more than a
rhumbas, for examples.
Weissmuller and Maureen O’Sullivan,
amalagation .of Oscar Straus’ operetta and Molmar’s “The Guardsman.” Nelson Eddy sings with a new partner, Rise Stevens. “The Girl on the Hill”’—The veteran Shirley Temple returns from her “retirement” to play in a dramatic narrative with Herbert Marshall, Gail Patrick, Laraine Day and Felix Bressart. “The Shadow .of the Thin Man”"— Another of those “annuals.” This is the fourth in the series for William Powell and Myrna Loy, with a San Francisco sports arena murder furnishing the. plot. Sam Levene, Broadway comedian, plays the of Nick Charles’ friendly Lieut. Abrams. “Miss Achilles’ Heel”—Rosalind Russell, as a woman judge, - plays opposite Walter Pidgeon, as an editor of a “smart” women's magazine. The cast includes: Edward Arnold, Jean Roger, Lee Bowman and Donald Meek. “H. M. Pulham, Esq.”—From J. P, Marquand’s best-seller novel of the same name, About Boston and New York life. Hedy Lamarr and Robert Young. On Loew’s tentative list are “Babes
val,
transcription of Broadway's “Panama Hattie.”
—|Loew's New |
Proud of Bookings for Rest|’
ret of 194 wih large expectations.
“The Chocolate Soldier”—An|
year of solitude and swims, skis and| &
“Pleee-ase, Mr, Durante,” pleads Ann Sheridan of Jimmy in this. scene from “The Man Whe Came to Dinner,” which no quubt will -be soning to Indianapolis some time this winter,
“For Lisbon Er LE
; City of Spies Again the Warner Bros. will make
Locale for Films. op Bros. WII ake HOLLYWOOD, Oct. 21 (U. P.).—|cipals have not been assigned.
ap > oe (TLR R RE SPECIAL SAVINGS
Yap, if it is found advisable.”
with regard to possibly changing | geography and the feelings of various nations, as well as propa-
ganda angles involved. For a while studios shied away from even such neutral spots as “| Lisbon, but are moving cautiously into Europe again at the moment.| : There are indications now that 0 Lisbon again may become the fa-| : [vorite locale for stories with al Continental background. A little more than a virtually every major Poul bo My al ' least one Lisbon story in mind. The writers had heard that the city was full of spies, intrigue and “adven-| ture and picked it as an ideal set-| ting for screen excitement. ' . After a brief flurry of Lisbon-|. background films, however, the| studios seemed” to lose interest, possibly due to difficulties with films which attempted to keep up with the shifting news. : Paramount made “One Night in|. Lisbon,” with Madeleine Carroll and Fred MacMurray, then remain away from the Lisbon scene until preparations were made
Downstairs Department
‘Battle of Bands' Scheduled Here
Fletcher Henderson and Charlie Agnew both will play on the Indiana Roof next Saturday night in what
same band he sold about a year ago when he became an arranger exclusively for Benny an. Held for a second week at the roof, Mr. Agnew’s band features the voices of Jeanne Carroll, Bus Baumgart and Eddy Russell.
DOTTIE SWIMS AGAIN Once again in “Malaya,” Dorothy
on Broadway,” with Mickey Rooney|Lamour has many a sw and Judy Garland, and the screeniscene. In all of her jungle pictures she has had to dive and swim while
wearing a brief sarong.
the management terms a “battle of | bands Mr. ‘Henderson has principally -the
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