Indianapolis Times, Indianapolis, Marion County, 22 July 1941 — Page 6
PAGE 6 .
WHEN DOES IT START?
CIRCLE | “The Bride Came C. 0. D.,” with Bert Davis and Sames Cagney, at 2:35, 3:45, 6:55 and 10:05. “San Antonio Rose,” with Jane Prazee, Robert Pa) e and 3h Farry Macs, at 11:35, , 5:55 and 9:05.
LL
Store with the Marx :50, L
“The Bi 4:45, 7:35 and 10
Bros., at 11, “They Dare Not Love,” with George Brent, Martha, Scott and Paul Lukas, at 12125, 3:20, '6:10 and 9:05, LYRIC
“Wake Up, America” revue (on stage), with Gil Lamb, the Singing Commanders and Lorraine West, the Dancing Cadettes, the Albins, Claire and Hudson and the Banfields, at 12:54. 3:51, 6:45 and 9:36. “paper Bullets” (on screen), with, Joan Woodbury, Jack LaRue and , at 11:14, 2:10, 5:07, 7: 58 and 10:43. °
YOICE from
by DAVID
(Fremont Power
the Balcony MARSHALL
is on Vacation)
ANY OF YOU WHO ARE so inclined could no doubt hold a
quiz program at the cross-roads of
America offering $100 bills for the
} correct answer to “Who are the Brothers Kozinsky?” and you wouldn't
| lose a Jefferson nickle. Just to give the participants a
VAUDE STAR
Lovers of the old:time vaudeville will remember the famous Avon Comedy Four. Harry LeRoy, tenor, with the act, a headliner internationally for years, is playing the comedy railway conductor in the new “Dr. Kildare” picture.
sn LU LTD el
20cto 6
Held Over Thru Wednesday Abbott & Costello “IN THE NAVY” Rudy Vallee “TOO MANY BLONDES”
COOL
1Scto 6 ALAMO
Jas. Stewart—Lana Turner “ZIEGFEL) Edw. Arnold “THE PENALTY”
LOEW'S
0 o NARPO
25¢c to 6
(Plus Tax)
STARTS FRIDAY! WALLACE BEERY
“BARNACLE BILL”
—plus— “Sweetheart oe the Campus”
LaRue, or Linda Ware.
” 2 #
Jack LaRue and Joan Woodbury.
MAKES AUDIENCE - PART OF THE SHOW
HOLLYWOOD, July 22. — In “Heaven Can Wait,” Rita Johnson is badly startled by the appearance before her of Robert Montgomery, whom she was sure had been murdered. The actor looks curiously at Miss Johnson, then turns to the camera and says, “She looks like she’s going to faint.” Then, while the camera stays on Mr. Montgomery, he looks again, and there’s the soft thud of a falling body. Addressing the audience again, he reports, “Yep —she did!”
3
LAST DAYS
COOL OZONIZED AIR
LL
A Gay Martial Musical Revue With 35 People
L LA
12-Dancing Cadettes o OTHERS eo
Glamorized Racket Rings! A Bruhette Gang Boss!
Rd aa 743
AIR-COOLED COMFORT
STUART ERWIN EUGENE PALLETTE JACK CARSON
“*ZIEGFELD GIRL"
Late Show 10:80 P.M
ae AECL y’
« YOUR NEIGHBORHOOD
i LITA
WEST
Se iy EP EEDWAY * Win. Holden “I WANTED WINGS” “RAGGEDY ANN” In Color Pleasantly COOL
BELMONT Belmont and Wash.
Joan Crawford Melvyn Douglas “A WOMAN'S FACE” Dick Powell “IN THE NAVY” Westinghouse Air-Conditioned
SOUTH SIDE
FOUNTA
Abbott & Costello
| “Too Many Blondes”
[INTER COOL “IN THE NAVY”
Rudy Vallee
SIDE DAISY 22" COOL
Wallace Beery “BAD MAN” Kay Francis “PLAY GIRL”
STATE "lu oy ime 20C
Martha Scott ‘Cheers for Miss Bishop” p “BLONDIE GOES LATIN”
SANDERS :.\%.. ¥oni Prospect Fonda Barbara Stanwyck “LADY EVE” Lloyd Nolan “PIER 13” L 2 BAAS Tier Or i HOS. S. MERIDIAN ST. hd “HIT PARADE OF 1941”
IT hE.
EAST
Hugh Herbert “MIET THE CHUMP”
SIDE :
SHERIDAN: sliéw
Jas. ‘Stewart “POT 0’ GOLD” “Ellery ueen’s Penthouse Mystery” Final apter “CAPT. MARVEL”
BE 102°
ERE: RS) 1300 LNs Lt) ue ©
FREE PARKING LOT Rudy Vallee “TOO MANY BLONDES”
Rex Harrison ‘MISSING 10 DAYS” “RIDERS OF DEATH VALLEY” at 6 p. m.
IRVIN COOL 5.45 20¢
E\ Wash. to 6
RETURNED BY REQUEST yuri, “GREAT DICTATOR”
Chaplin 3 Rudy
“TOO MANY BLONDES” 3%, HAMILTON acm
THRU. WED, Humphrey Bogart—Sylvia Sidney
“WAGONS ROLL AT NIGHT”|! tere “Affectionately Yous
mn TUTTE,
2447 t Was Any,
nates aiie a ii MAMI Biggest RI RIVOLIES EAN Theater
Tonite & Tonite Tomorrow | B:45t0 6 20¢
HELD OVER! ™ jccommadie Abbott & Costell asosielie “In the Navy” ‘A Woman’s Face’ J; Sraviord
, Bonnie Baker has rejoined the
chance, you might add the names
of John Archer, Vince Barnett, Allan Ladd, Phil Rosen, Gavin Gordon (that’s a hint), and you'd still have your bankroll. a winner by asking for the identification of Joan Woodbury, Jack
You might catch
All these folk, who are practically unknown to 99 44-100 per cent
of the cinema addicts, are responsible for a neat little melodrama —“Paper Bullets”—which slipped
into the Lyric almost unnoticed ; §
on Friday last. True, the trade papers (such as Variety) called attention to it, but Variety even reviews movies made in Indo-China. When Variety misses one it’s news. The Brothers Kozinsky—Maurice .and Franklin—are known chiefly for their manufacture and distribution of film-subject juke boxes. Last spring they .became interested in 33 mm. production. “Paper Bullets” is the result. Made in six days at a cost of about $30,000, it's a perfect example of what Hollywood can do . with economical, and yet not miserly, production. The story (by Martin Mooney, former New York crime. reporter) is packed with unusual twists. It concerns three kids who are raised in an.orphanage. Mr. LaRue becomes a gangster, Miss Woodbury turns into the brains of a slick racket, Mr. Archer grows up to be an airplane engineer. Director Rosen, working with a surprising story and a creditable cast, does a swell job! ”
Off the Cuff
WITH MANY an eligible young man going into defense work or the armed forces, don’t be surprised to see more movie manses hiring usherettes. The Lyric has had them for many a year... . Billy Conn’s Republic picture will be dubbed “The Kid From Pitts- . burgh” not “Kid Tinsel.” . . . Metro’s suffering from a player shortage. Seventeen completed scripts are waiting to be cast, but Jimmy Stewart is in the Army, Bob Montgomery in the Navy, Rosalind Russell has left the lot, and William Powell has to rest three months between pictures. . Alan Mowbray, one of Cinema City's ablest screen. butlers, will portray Bud, the comic butler, in the screenization of “Panama Hattie.” This is the character created by Arthur Treacher in the N. Y. musical hit. . . . Hedy Lamarr may be. sent to England. to appear with Robert Donat in “Cargo of Innocents.” . . . Some ballroom operators meeting in Omaha agreed that swing is fading in favor of the waltz because of the draft. Middle-aged, patrons are on the increase, they said. . . . Newsreel companies have been barred from Iceland now that the U. S. has taken over. . . . John Barrymore says: “Running after women never hurt me. The trouble started when I caught up with them” ...
Orrin ‘Tucker band after being away six weeks because of an appendectomy. The operation didn’t effect her singing style which is good or bad news depending on how you feel about Bonnie. . . . Red Skelton says his mother still doesn’t believe he’s going to be a success. Last time she wrote, she warned him not to
buy anything he couldn’t bring |
home in an upper berth. ... RKO is considering a picture about former Governor (of New York) Alfred E. Smith. . .. Tommy Dorsey plans to go into the management end of the band business. He's eyeing the Harry James-out-t.
.
Answering the Mail:
TO MRS. A. G. M.—George Arliss now is resting in England. Last word from him was a note to a friend in Hollywood in which he said: “I've had to leave London because of the racket.” TO MR. H. R. W.—Motion pictures never were called “movies” until Theodore Roosevelt used the term when he was rushed by a gang of photographers. Some of them wanted him to wave his hat while others requested that he stand still. “All the stills,” he said, “get on one side and the movies on the other.”
TONITE NIGHT ONL EARL “FATHER” HINES And His Famed Orchestra Advance Sale 85¢. Till 6 P. M. Indiana PCr. aus Shop $1.10 AT DOOR
M. Douglas PARKER,” = A!
E. 10th 5:45 Seats 106 A. Faye ‘YOU CAN'T HAVE EVERYTHING’ Roy Rogers “IN OLD CHEYENNE”
EMERSON “5 I ood
ah Til 6—20¢ H. Bogart “WAGONS ROLL AT NIGHT” Merle Oberon “Affectionately Yours” And! Leon Errol “Tattle-Tale Vision”
PARAMOUN by ACRTLLES T TY, 1—Boris Sarit “THE APE. yy 2—Roscoe Karns “BLACK EYES & BLUE.” 3—Sport Reel “KENTUCKY ROYALTY.” 4—Buck Jones “WHITE EAGLE” No. 12. 5—~COUNTRY STORE.
FOLLOW THIS DIRECTORY DAILY IT'S A SHORT CUT TO
cootL Wallace Beery “BAD MAN” “LADY FROM CHEYENNE”
NORTH SIDE
THE BEST PICTURES
TALBOTT ni. ™ Harts Scott Wm. Gargan “CHEERS FOR ‘MISS BISHOP” Edmund Lowe “DOUBLE DATE” Westinghouse Air-Conditioned 20¢
COOL REX Note ari
Aliee Faye “THAT NIGHT IN RIO” “BLONDIE GOzS LATIN”
80th & IL
Loretta Youhg “Lady From Cheyenne” “Flame of New Orleans” M. Dietrich
College at 63rd Sree Parking Lot
Cary Grant “PENNY SERENADE” TrLAME OF NEW, ORLEANS”
i College at 42nd : IE"
Joan rani Movin Douglas WOMAN'S FACE” Fi a Taylor “WASHINGTON MELODRAMA"
|e
LT. Ch REIT
FA Al 264 FT. WAYNE & ST CLAIR [1320 Richard Dix Patricia Morrison
mon "MISSING 10 DAYS”
Harrison 19th and 20¢
Stratford ‘uo
Loretta Young “LADY FROM CHEYENNE" Joan Bilondell “TOPPER RETURNS”
CINEMA “2.* COOL Open Daily at 1:30 P. M. Adults 20¢, Children, 10e—Till ¢ Marths Scott—Wm. Gargan
“CHEERS FOR MISS BISHOP”
Humphrey Bogart—Sylvia Sidney
“WAGONS ROLL AT NIGHT”
ZARING itne'punse
Cary Grant
“MEET THE WILDCAT” “Ragtime Cowboy Joe’ NEWS—
PENNY SERENADE’
Pri. Lass “AILLION DOLLAR Basr*
Every Day and Night
WESTLAKE DANCE
Nitely Except Monday CHARLEY PAYNE'S Orch.
A
Porter.
‘limes Special HOLLYWOOD, July 22. — When Joe Cotten first came to town he was introduced as “Katharine Hepburn’s leading man ‘in ‘Philadelphia Story’.” It’s significant that now they say “Joe Cotten—you know —in ‘Citizen : Kane’” At the grimly hostile press preview, he got the first applause and it
‘| was spontaneous.
clapping: that surprised even the critics themselves. Cotten says that was mighty nice of Hollywood, and he hopes they keep on thinking the same way about him. Like many movie newcomers, he Is well known to most of the country outside Hollywood. New York theatergoers 4 saw him not only in “Philadelphia Story,” but in most of Orson Welles’ Mercury Production. He says he usually played low comedy parts but occasionally was given a minor dramatic role to kesp
Joe Cotten
- | him pacified.
Teamed on the radio with Martha Scott in a program of domestic difficulties and with a major tragedy in every week’s script, he sold his sponsors’ insecticide and cold cream by the gallon. The southern and mid-western tour of “Philadelphia Story” added more fans. He was, of course, the logical person for the film version of the play, but M-G-M wouldn’t. consider anybody except screen stars to support Miss Hepburn. Around. Richmond, Va., he’s “Joe Junior” or “Joe Cheshire” to practically everybody. Petersburg, his home town, is only 20 miles from there. When the tour played there,
Rita Hayworth finds that her early training with the Dancing Casinos is coming in handy in “You'll Never Get Rich,” in which she appears as Fred Astaire’s new partner. The music wilt be by Cole
Joe Cotten Advances to Stardom After Bit Roles
his entrances were greeted with friendly hails from the audience and audible comments such as, “Hasn’t changed much, has her « « lost some weight, though.” Friends were right put out with him, though, because he wouldn't use his full name of Joseph Cheshire Cotten on the program. Perfec’ly good name, wasnt’ it? Got it from Bishop Cheshire. Matinee crowds used to rush back
Mr. Cotten—who was getting “his first taste of real popularity—took it big. He signed autographs with a flourish, beamed, and never cheated the fans by ducking out a side door. He can turn his own southern accent on and off but used it pretty heavily in the “Kane” character, though the hadn't planned to. It just happened that after Mr. Welles broke his ankle, the only scenes that conveniently could be shot in a hurry were the ones in which Mr. Cotten was the garrulous old sani‘arium patient. Ordinarily, these would have been filmed last, so the actor hadn't studied them at all, nor had he ever played a doddering ancient. So Mr. Welles suggested that to make it easier and more natural Mr. Cotten play it southern. The tall, curly-haired blond Vir= ginian has worked hard at his profession for 14 years, starting with a little theater in Miami when he was 17. Winters, he was a reporter for a Florida newspaper but every summer tried to crash Broadway. Finally, David Belasco gave him a2 job as understudy to Lynn Overman, later to Melvyn Douglas, and made him an assistant stage manager. There were 56 straight weeks of Boston stock company, then Cotten met Welles and later joined his stage and radio companies. He probably won’t be in the next Welles film because RKO, which igned him for two pictures, is planing scripts now.
Mountain Family To See York Film
NASHVILLE, Tenn. July 22 (U. P.).—The Beaty family came to town Saturday. That’s news because the Beatys almost never come to town. Paw Beaty recollected he came tq Nashville 35 years ago. He had to because the mountain store had burned down and he was out
of eating terbaccy. The Beatys live .on the Cumberland Plateau in the Tennessee mountains, down the road apiece from Sergt. Alvin C. York, World War hero, and the movie people
|were taking them to New York to
see the motion picture, “Sergeant York.” Charlie Beaty, 28, drove Paw, Maw, Marie, 14, and Martha, 12, down in the family Ford. Granny, Maw’s Maw, who has 80 grandchildren and 40 great-grandchildren, was left at home to mind the other 14 children. Charlie had intended driving them to New York, but he changed his mind when he saw Nashville, calculating New York, being larger, would be worse. “I jest seem to go to pieces with them cars coming at me from all directions,” he said.
CARY GRANT BUYS GENE PORTER HOME
HOLLYWOOD, July 22.—Movieland talk—Cary Grant has bought the 35-room home that belonged to Gene Stratton Porter. . . . It's a giggle about the gangster actor who was slated by the script to rob a national bank. He refused, said his public would
resent it. So they're letting him rob a state bank. .
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PRAISES INDUSTRY FOR DEFENSE HELP
HOLLYWOOD, July 22 (U. P.).— The movie industry is among the most sincere groups in 'the country in its “eagerness to aid in the program of national defense,” according to Maj. Gen. Robert C. Richardson, the Army’s public relations
director. Gen. Richardson recently Completed a three-day visit to stu0S... ” He said he found “a’ great sincerity of purpose here and the leaders of the film industry, to a man, have been of great assistance to the United 2 States Army in their Co-0p-eratio
PRESTON'S IN A RUT: SHOT FOR 3D TIME
HOLLYWOOD, July 22.—Robert Preston again is breathing his last for Cecil DeMille. He was'shot and killed by Brian Donlevy in “Union Pacific,” shot
and killed by an Indian in “North West Mounted Police,” and now he has been laid low by a bullet from Raymond Massey in “Reap the Wild
.| Wind.”
« “It wouldn’t be so bad if I could be poisoned or stabbed or something,” said Mr. Preston. “But alWares getting shot, I feel like I'm in aru
START PRODUCTION ON 'THE MAN, ETC."
HOLLYWOOD, July 22 (U. P.).— Warner Bros. has begun production of “The Man Who Came to Dinner,” bringing to a peak one of their heaviest production schedules in years. The studio has six major pictures in the making, including Kings Row,” “They Died With Their Boots On,” “Captains of the Clouds,” “One Foot in Heaven” and “New Orleans Blues.”
JOSE ITURBI says: “Incomparably superior in
tone, action and respon-
siveness.” «Jose Iturbi
BALDWIN salithSom
44 8. Penn, St Open Eves. MA-A13L
Mr. Coburn Is Indignant
Thinks Movies Have Put
Stock Out of Business.
By PAUL HARRISON 4 Times Special Writer HOLLYWOOD, July 22 — The moviemakers don’t seem to be much worried about a talent shortage, but some of the better and elder actors around ' town are giving anxious thought to the future supply of able players. They're not saying anything against the former underwear models, cigaret ad cuties and ex-foot-ball players who are being “groomed”—mostly by studio publicity—for attempted stardom. It's plain, however, that prominent veterans of the theater are shuddering at the notion of their dramatic heritage being squandered by a bunch of unseasoned hams. Most of the old-timers are just grumbling. Charles Coburn is one of a few who are doing something about the situation.
He’s Indignant
Beginning in 1935, he organized an annual drama festival at Union College, Schenectady, N. Y., and ran
‘|a summer course in acting in con-
nection with it. He hasn't been abl to carry on the project this year because of Army training on the campus, but Mr. Coburn is lecturing at one of the universities here. He's also trying to arrange for the establishment of practical and permanent schools of the theater. The famous character actor and producer, whose own career reaches back through 45 solid years, gets pretty indignant about the waste of talent and the closing of most ave« nues of training since movies put stock companies out of business. “The trouble is that acting can’t be taught,” Mr. Coburn continued. “It must be learned—with guidance, but through experience, and in concert. You'd think—or anyway, I believe—that colleges and universities would be the places for it. “Many of them, like UCLA and USC here, have the buildings, the advisory talent and the audiences. They can put on plays that may not be good commercial box office but would be valuable for training.
Teach Amateurism
“And yet they go right on spending millions of dollars teaching amateurs to be amateurs. They seem to pride themselves on teaching mere
|| appreciation of the drama instead
of offering it as a practical vocation.” x Mr. Coburn isn’t criticizing young people who are snatched by the movies from behind store counters
who don’t know how to act. There
is, he admits, a growing tendency among amateurs to believe that they’d be sensational successes if only given a chance, but that’s the fault of Hollywood's eternal .Cinderella legend. When he started his summer courses at Union College, with a faculty df 35 selected from the legitimate theater, a lot of the people who enrolled were shocked to find that they were expected to work from 9 a. m. until 11 p. m. By the second summer, word got around the country that Charles Coburn was trying to train actors and was not running a vacation colony for dabblers in histrionics. After that he got only earnest students—last year, from 28 states and Canada—who were willing to toil through all departments of the theater and count themselves lucky if, during their second summer, they got a couple of speaking lines,
'SLINGIN' SAMMY" BACK TO FOOTBALL
HOLLYWOOD, July 22 (U. P.).— Sammy Baugh, professional football
player turned actor, was on his way|
back to Sweetwater, Téx., today after completing a serial called “King of the Texas Rangers” for Republic. Slingin’ Sammy will play football with the Washington Redskins again this fall and may return to Hollywood when the season is ended.
ANYTHING FOR LAUGH
Bob Hope's latest comedy gadget is a trick bloodstained bandage for his thumb, which, when examined closely by the victim, squirts water in his face.
Sweet Revenge
P.).—Ann Sheridan this fall will visit the Harvard students who once chose her as “the actress least likely to succeed.” She will visit the campus during filming of scenes for a picture “which calls for shots of the Cambridge campus in 1832. It is Warner Bros.’ “Mississippi Belle.”
HOLLYWOOD, July 22.(U.
‘Crazy’ Blair Gets Film Job
Does ‘Everything’ to Win
will depend on how well he lives up
DeMille's Attention.
HOLLYWOOD, July 22 (U. P.)— Herewith the story of Collin Blair, who gets a vote for the year’s diz~iest “crash the movies” campaign. Blair is an actor now, on the pay-
LY 22, 194 INS SUIT FROM HIS BROTHER
NEW YORK, July 22 (U. P).— Supreme Court Justice Samuel H. Hofstadter granted a summary judgment yesterday to Al Jolson against the comedian’s brother, Harry, who had sought recovery of $25,000 he said was due him. Judge Hofstadter’'s action was tantamount to dismissal of a suit in which Harry Jolson alleged that his brother,’ in February, 1934, agreed to pay him $150 a week for the remainder of his life if he would abandon the theater, thus reserving professional use of the family name to Al Harry Jolson said Al stopped payments in 1937. He asked recovery of the $25,000 and a ruling holding the oral agreement to be valid. The judge ruled, however, that under New York State law agreements operating over a period of years must be in writing to be valid.
ANN SOTHERN GETS ONE
Ann Sothern, film actress, was the
first woman to land a swordfish at Catalina Island this year. brought a 259-pound marlin withing gaffing distance in 22 minutes.
She
roll at Paramount for Cecil B. DeMille’s “Reap the Wild Wind.” How long he will stay there apparently
to his campaign promises. f Here are some of the things Blair did to bring his dramatic talents to the attention of the movie moguls: 1. Pitched a tent in a parking lot
across the street from Paramount and camped there for 24 days and nights. To all comers he handed out pamphlets proclaiming, “I Act, Fight and Swim in (Mr. DeMille’s) ‘Reap the Wild Wind’ or Bust.” 2. Distributed 5000 posters, fashioned after the “wanted, dead or alive” signs, and explaining’ that he “wanted” a job in Hollywood. He tacked these to trees, telephone poles and light standards. They stayed up until the police found Blair and gave him his choice of getting them down quick or going to jail. He got them down. The gendarmes, incidentally, were the only ones who answered his ad. 3. Had himself “adopted” by a group of pretty girl models. This grabbed him some space in the newspapers but didn’t produce a job. 4. Placed a big barrel, painted red, at the corner of Hollywood and Vine and put on it a sign reading, “Danger—Approach with Caution.” Naturally everyone going by peeked in to see what was dangerous, and found only an open letter extolling the talents of. Collin Blair.
5. Had pictures printed and circulated around showing himself in| such poses as “Blair the Caveman,” | in which he wore an old fur coat’ and carried a spear. These weren't all, but they give an idea. In the end it was the camping project in front of Paramount which produced results. A Miss Mary Burgess joined
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him in this plan, pitching a tent alongside and she got a job, too.
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