Indianapolis Times, Indianapolis, Marion County, 31 May 1941 — Page 8
HOW TO i
‘A ‘COLUMN . while thé rest of the city
room is in the [throes of: the Speedway race: Movie. patrons are so
used to seeing
ank’ Morgan in comedy roles, they forget he can be
a dramatic ‘actor as well. Which is what he is in “Washington Melo-
drama,” | own ‘admission Milt Crandall * jectives in the His visit her ello “were Circle. That; however, was: about as far as Mr. Crandall went. He was more inclined fo talk .about the time he transported a whale to the top of Pike's Peak as a means of drawing attention ~ to the fact that Clara Bow was playing in a pletire called “Down to the Sea in’ Ships.” a the dance marathons? Well, Mili started those _-things, too. Fact is, if Universal = ever. gets short on story material, + the life of Milt Crandall would make a honey. Orphaned: when 7, he was blind for eight years through an accident on a boat excursion and was educated in a school for such unfortunates. -He became an expert. reader; of braille. An operation restored his sight and what he has seen and done since then would take a lot of telling. Lia But he couldn’t stay here long. He had fo hurry .down' to. Ft. Knox where he was to. promote a potato-peeling contest, utilizing 25 Army K. P’s and approximately a ton of spuds. If the late lamented P. T. Bar- - num were still living, then he and Mr. Crandall would either have to join forces or one would have to retire. There simply wouldn’t be room for two -such operators in the same hemisphere.
® » 2 Hi! Heidt! Bye! AND SPEAKING of press agents, you should meet Horace Heidt’s. The man “is Bob Weiss, quite the fastest, most energetic —~young man. who ever zipped by this desk. By the time I looked up from my humble shores at the typewriter, Mr. Weiss was half through his speech and when I‘turned around to see what the commotion was, he was - leaving. © Meantime, he had. deposited a packet of pictures, two stories (canned), two Columbi. records by Mr. Heidt’s band, delivered a short address and meantime left the fleeting impression that the Musical Knights were to be-on-
the Lyric stage this week. I was fisbbergasted.
feature now showing at Loew’s. he operates in constant expectation of being fired, ntinues about the countryside throwing out $2 adterests of Universal Pictures. this week was to inform us that Abbott and Cos- ¢” in “In the Navy,” which opened yesterday at the
» 2 =
Newsy, at Least
. WARNER BROS, who seem to keep a close tab on what's going on about the world, already have under way a film incorporating the Hess runout, or whatever it was. The picture, “Underground, 44 was ready for release when Herr Hess bade adieu to the Nazis, and so his flight simply will be dubbed in and the picture immediately
distributed. It’s ‘about undercurrent dissatisfaction with the Nazis in Germany and it stars Jeffrey Lynn, Philip Dorn, Kaaren Verne and Mona Maris. There’s a move afoot now to keep various U. S. pictures out of South America. The idea comes from the ulm division (headed by Jock: Whitney) of the Council for National Defense. It’s called “export control.” The move is not directed at films such as “Argentine Nights,” which insulted that counfry, but at such features as “Mr. Smith Goes to Washington”: and “Grapes of Wrath.” .‘There seems to be a feeling on the part of Mr. Whitney, or somebody, that those pictures would give our neighbors unflattering ideas about the United States, and that Nazi agents would go around shouting, “Look at the plight of the ro palony workers in the Uni States! Look at the crookedness of legislators in' Washington!” Maybe so.. But surely the South Americans -would be keen enough to see that such pictures could come out of none but a democratic country. After all, do we believe that all South American women are Voluptuous senoritas?
# =
Tut, Tut! Count
COUNT BASIE, who wears a strange crown as “jump king of swing,” is out with the opinion that the days of blaring brass and wild rhythm are over. So, too, the riots of jitterbugs, said the Count. He added that he himself has been going in for a more subtle style of rhythm with encouraging result.
Count, old boy, say it isn’t so.
4 Times 13 Equals 28;
See the
There’s a neat bit of timing on the Circle screen this week, most | excerpt,
Circle's Show
of it being Universal's release of “In the Navy” to coincide with the average moviegoer’s increased interest in our “first line of defense.” The Decoration Day audience’s loud and immediate cheering at the PO first bars of “Anchors Aweigh” and the first sight of the flag is some indication, if superficial, of this interest.
“The presence of Bud Abbott and f Lou Costello, however, naturally keeps the show from being a naval “epic and plants it firmly in the realm of comedy, where a sense of timing is essential. Their free-for-all antics climax every so often into a scene like Costello's triumphant proof, via some weird mathematics, that 28 doughnuts—he’s the- pastry cook for the fleet—will divide into 13 doughnuts each for four officers. Pulls for Audience Sympathy Underneath the well-timed horseplay, though, Costello’s humor is based on the belief that. the comic should have the audience’s sympathy—he’s the little guy who’s
kicked around and comes up smiling. There's something of Charlie Chaplin in this, to say nothing of a resemblance to Hugh Herbert in some of his grimaces. And there’s much of the Three Stooges in his gestures and vocal noises. Then there are the Andrews Sisters, who come trooping in to sing a song whenever possible. Most of their numbers have more martial timing than music to remember, except for combination of boogiewoogie and Hawaiian wriggle-music—“Huia-Ba-Luau.” For Romantic music fans, there's Dick
EER AND CINTMENT
IT: DANCE =xcee-"won.
WESTLAKE
- CHARLEY PAYNE'S ORCA.
Powell singing “Starlight, Star Bright.” Dick Powell? Yes, he’s in it t00. Most of what plot there is turns up when he’s around. He's a woman-bedeviled celebrity who joins the Navy under another name to get away from them all and winds up engaged to a woman photographer who recognizes him and chases him clear to Hawaii with candid camera. This happens to be Claire Dodd, who also hasn't been in a musical since the “Golddigger of Broadway” days.
It’s All Costello
The show is no “Buck Privates,” with its concrete materialization of experiences several million men of the country are wondering about. Costello is an expert -creampuff maker—an attribute that alone keeps him out of the brig—and Abbott is an electrician’s mate, both occupations with only a limited ‘“responsive chord” ‘appeal. But from the novel opening, when the two run up the banners to an-
N|nounce their own show, to the trick
* SWIM . WESTLAKE
ending, it’s all Costello, which seems to be enough for quite a number of people. (Suggestion to Hollywood: . If Fiorello (Little Flower) LaGuardia ever gets a picture made about him, 1lo’s Irish-Italian parentage should give him a head start to a perfect resemblance). BE. Y.
THRE
and His
YOU WILL BE
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DON CABALAR0
' RHUMBA-CONGA
ORCHESTRA
New York Featuring Vocals dy
“Direct from Hotel Astor,
SEVERIN. ROOF a OPENING. | June 14th |
..» « Though, by his
| Is Talented, Fast-Paced
Fills Lyric Even at thel
Height of "500"; Keeps Hold ‘on Record.
Lyric this week upon which a great many splendiferous adjectives . no
who have to pay to get in. For this notice, shall we say that
with this - accolade business, but surely you have the idea by now. Anyway, Mr. Heidt is expected to
seem in serious danger of losing it.
Poor Usherettes!
Even for his first show yesterday, when: the 500-mile race was: going | its fastest, Mr. Heidt played. to a house that had’ few vacant Seats Besides the mere fact that he has a stage-full of talent, it seems that Mr. Heidt's key to success is his knack for getting friendly with his admirers, which inevitably leads to a vice versa situation. - While Donna and Her Don Juans swing out on the “Hut-Sut Serenade,” Mr. Heidt goes into the audience to line up some participants’ for his “Answers by the Dancers” act and then comes Burton Pierce, a tap dancer.
Himself Is Good Enough
In addition to being a nifty tapper in his own: right, Mr. Pierce imitates such heel-and-toe stars as Bill “Robinson, Fred Astaire, Eleanor Powell, topping it off with a
ment. Out of respect to his own ability, he then dances like himself, which isn’t at all bad. At this point Red Ferringto: comes forth with a bit ef an brs rendition, giving way to the mim icry of Ollie O'Toole, who gives you
Edwin C. Hjll, H. V. Kaltenborn and Boake Carter, to say nothing of singing like Bonnie Baker. Frankie Carle, one of the ranking jazz pianists, is featured in the next band number, “Intermezzo.” Later on you hear him in solo, playing his own piece, “Sunrise Serenade,” and then progressing into a very swingy arrangement of “Hindustan.” Carle Wins Honors With a firm, clean touch at the keyboard, Mr. Carle won the biggest hand of the first show. And it most certainly wasn’t out of place. Larry Cotton: (we're taking ‘em in order for our bwn convenience) is next, singing '“My Sister and 1.” Mr. Cotton is a tenar and not a crooner and he doesn’t: have: to breathe into the microphone to tip you off he’s singing.: Mimi Cabanne, a Latin eyeful from New. Orleans, joins him in a “Lady in the Dark” after which comes Mr. Carle’s piano solos and then Ronnie Kemper, who is credited with popularizing “Cecelia” and “G’Bye Now.” He sings’ them both in sly, intimate fashion, being joined in the last by Donna Wood (who furnishes the “goodby”). There’s also his singing of “Goodby, Dear, I'll Be Back in a Year,”
local board lately, you'll know what that one’s about. Lowery Whistles Fred Lowery, blind. whistler, is next up and the way he whistles “Flight of the Bumble Bee” must constitute some sort of milestone in the art of whistling.. Now, remember those people Mr. Heidt lines up for the “Answers by the Dancers” act? Well, theyre next. The idea is, the band plays someone’s theme song and the audience participant who recognizes it first gets a $1 bill from Mr. Heidt direct. Checking with the ledger, it de-|f velops that only Jerry (MuscleBeund) Bowne has been left out. Mr. Bowne wrote the “Friendly Tavern Polka” and so that’s what he sings. ; Almost forgot—Mr. Heidt plays on the piano and the band sings a tune entitled “In Indianapolis Town,” the title being the extent of the lyrics. If that leaves anything out, they will kindly call at the office and I'll fix them u} with a weiks free subscription. The best thing for You to. do, though, is see the show. You won’t regret it—F. P.
Students of Voice
To Sing Tomorrow
Voice students of Elma Igelman will be presented in recital at 3 p.- m. tomorrow in the War Memorial auditorium. - Accompanists will be Frances Wishard and Mary Masterson, piano, and James B. Hosmer, flute. The recital will be complimentary to the public. The program: There Are Fairies at the Bottom of Our Garden Lehma
Rise Tryon “Caro Nome’ from “Rigoletto” Clara May Ma. Like Barley Bendin ng ‘The Oh
Ger *Charmant { Oiseau’ fm. 1
ute o obligato) Ii i Perle
Bresil”..
Canzonetta
Degutduier je “Carr Christine Michel :
Chere Nuts : ilfro
Ep te gh. Christine Michel
Horace Heidt has a show at the|
doubt “will be spent. This applies § alike to the reviewers and to those.
Mr. Heidt’s revue is keenly paced, |: lively, packed with bona fide talent, || and pointed up to the audience—|§ not down? We could go further:
t on an excellent show. After all, |:
(
he holds the Lyric box office record : and if you want to know, he doesn't|:
Gypsy Rose Lee shedding of rai- lik
news analysis after the manner of |l
and if you've checked with your|f
fle 3 Ea BE .David || Le Bonheur Ee Chose Legere. Laon ]
Joan Crawford . ® ® 8.
Loew's Film | An Occasion
Mis Crawford. ‘Mentioned For Academy Award.
At happy, though infrequent - tervals, Hollywood manages: to in up. some . movie techniques" that sneaked . into being : concurrently with the Thomas Edison motion. picture machine. Upon these occasions, the result is not only. good but surprising. - - And it is upon such occasions that works e “A Woman's Face,” ‘now on Loew's screen, are made. : There is nothing really new in picture. In fact, what makes ¢ film an excellent one comes about more by omission than anything else—the leaving off with gamour, stock heart-tugs and the e. It is the story of a miserable social outcast, expertly played by Joan Crawford, and how she is returned to a place in society through an operation on her pitifully disfigured
face. Flashbacks Used : The means for the unfolding of the tale is the flashback, much the same as in “Citizen Kane.” As each witness steps to the bench to tell his story in the murder trial of Anna Holm, we are taken back to the time involved. When adroitly done, this method is a wonderful detour around dullery, for when a scene has been enacted sufficiently to get across its point, it may end then and there. Another then may be taken. up. And in this way one’s attention may be constantly absorbed. As Anna Holm, Miss Crawford gives the best performance of her Hollywood career. There would have been a great chance to: overdo the part, but this didn’t happen—thanks to Miss Crawford herself and Director George Cukor as well. Grasping for a Friend As the soul-starved blackmailer who hates society, Miss. Crawford splendidly portrays a personality that is outwardly hardened but inwardly grasping for just one true riend. : She finds that friend in Conrad Veidt, who takes the part of a power-seeking, money-crazed fiend who makes Anna his accomplice. But when a celebrated plastic surgeon (Melvyn Douglas, in a serious role this time) restores Anna’s hideous, flame-scarred face, slowly she finds that society really has nothing against her at all. At last, as Anna sobs, people can lock ‘at her without repulsion and she can return the look, confident and straight-forward. In showing the gradual resurrection of Anna to a normal, human being, Miss Crawford does a job that already has brought her nominations for an Academy Award. Another Oscar? Director Cukor had .one Oscar winner (James Stewart) in “Philadelphia Story” and now he’ may have another in “A Woman’s Face.” There are others in Hollywood's pay who could have.done this part and done it well.” But the fact remains that Miss Crawford, who had the chance coming to her, has covered herself with critical glory. In the supporting cast are Osa Massen, Reginald Owen, Albert Basserman, Marjorie Main and Donald Meek. Their performances filly | befit that of Miss Craven).
os
Teally 3:3 ie 8% MA, 6077 Martin Burton and James Dagens Rai ent, be hreugl Sungas. “THE MALE ANIMAL"
Distinguished New York Cast
Evening. Prices: 300 Balcony Seats at 500 300 Balcony Seats at 75¢ 800 Orchestra Seats at $1.00
(PLUS FEDERAL TAX cs Wed. ax)
a ZSKY = HARBOR
DANCE
which also’ tias a
Tuesday: * rns isnt
and placed: at: random over po. The reason the more: is a bit obscure. but: Ri
Fox: people I. think I have found the ' answer: There . ip ‘come
about a priority on sarengs, mostly to United States’ colleges.
This report, a definitive work | Iowa
‘bearing the name of Rodney Bush, ‘informs one and all-that virtually every. college in the United States has been presented with an au-. thentic Lamour” sarong. He: also ase records showing sarong gifts -
The Smithsonian Institution, model of’ the he “United” States Military Ae e United ‘States Naval Academy. ‘The’ ‘Marine Corps. The Coast Guard. Academy. The Big Three (the big three what?). The .. Little. Three - maybe this ‘one. is pigs). : The e Three (third finger, left. hand?). Midway Island Naval. Base. Pearl Harbor Naval Base. Guam Naval Base. . : ~The U. 8. 8! Wyoming. The Royal: Air Force. : The Southern Football: Confer-
‘ence: (one to0'a customer).
The Associated Derothy Lamour ’ clubs of South Africa (maybe Shape why they made “ZanziDelta Kappa Epsilon. Now there are many scoffers
when it comes to matters of this
nature who probably will question the’ genuineness of these widely distributed wrap-arounds. If there are any among you who will scoff, by way of the U. S. Mail we'll prove that every one of those sarongs has draped our Dotty. Oh, yes. “Road to Zanzibar” plays this way. over the week-end: Today and tomorrow at the Granada; tomorrow through Tuesday at the Speedway. Besides Miss L. the cast includes Bob Hope and Bing Crosby. The week's other top-notcher, “That Night in Rio,” with Alice
Faye, Carmen Miranda, a couple
of Don Ameches and oodles of
gorgeous girls in technicolor, has
this schedule: Today at the Irving, St. Clair and Uptown; today and tomorrow.at the Rivoli; today through Tuesday at the Fountain Square; tomorrow and Monday at the Daisy.
x 8 = THE WEEK-END SCHEDULE:
BELMONT—Tonight: “Men of Boy's Town’ and shorts. Tomorrow Jhiough Tuesday: ‘‘Meen John | an Wolf Takes a Chance.
"CINEMA —-Tonight: ‘Maisie Was Lady” ‘and ‘So Ends Our Night. 3 Tos morrow through Tuesday: “A Girl, a guy an nd a Gob” ‘and “rial of Mary
DAISYTon ht: “Sea Wolf” and stiny.” Tomorrow and ag Night in. Rio” and
pers Wes
gl ” 'OmOorro v: *“ Nice: Girl and. ‘shorts.
uC Tonight: *‘Devik id ye Pind the Mask.” Fou oy . x
Wednesday: Toe Brough Secretary’ fond “The “Sea Ardy
ESQUIRE-_Tonight: ToDuk Privaes” gpd, “Back Str Et appency. One "Night! and “A Si a San Gob.”
ARE Tonight through “Scotland Yard.” WOR" ay
GRANADA Toni ht an tom w: “Road to Zanzibar + ang. Shot In the Dark.” - Ton hts,
HAMILTON — Baines’ and “So Ends through Wedne 3d Hardy's Private Secretary’ and Sea Wolf.
IRVING—To ight: * “That Night in Rie and Seotland Yard "Tomorrow
h en of Boy's Townh and “A Shot in- ‘the Dark. ORIENTAL Toni ght: is Thing Love” “Dark Streets of Cairo.’ Tomorrow and onday: “Tobacco Road” and "Ride. Kelly, Ride. PARAMOUNT—Tonight: “Queen of the Yukon’ and ‘Pony Post.” Tomorrow “Buck Privates” d
and Monday: an “Strawberry Blonde. PARKER—Tonight:" “Buck Privates” and ‘Son wf Monte risk. * © Tomorrow.
“Buck Privates” ugh
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WHEN DOES IT START?
0, Nays.” with Abbott an drews Si Powell, oid 1:00, 50, 18
“Blondes.” with. Freier ‘Parish. at BY 4:40,
TOMOREOW-.. at 3: 7:30 aad a0: a at 1, 3:40, §:20 and 9
: INDIANA Sr i “ Wante a Win with 1 land, Willi Boners Holce en. Wayne } ri Jat Constance M : aL als ho
Leuis-Baet a pictures at 1: 23,
‘4:04. 6 a in at 1:36, ‘4:17. 6:58 and 9:39. ht ‘at 1118.3: and, 9.30. Fight wictures i . KEITH'S \ comity Male Animal” by James Thurber an Produced
(on stage), a d Elby Martin
: Tonight and toInt ai. 8:30 With Matinee orrow at 2:30.
LOEW'S
“A Wom : » Grawtord | Meivn Bou
- Sod at 11:10, 2:40, 615 ang anashington ‘Melodrama,” Frank Ann Rut! Kent age at 1: Hoe Bad sbd . TOMORROW-“Face,” at 2:40, 8 3 and 9:45. 14 Washingion, * at 1:10, 4.40 and 8 LYRIC .
Horace Heidt and his band (on witb the full H sine Jul elat t Show, at with
TR ateangs au Alibi* ( soreen) an A AE Sosy and 3°25 and 16:40. TOMORRO Tage Show at 1:06, . 8:14, 5:22. 7: 0 9:38. Movie at 18 2:08, 43 16, Ph 8:32 and Tots
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Pasha Alexandera, Egyptian Miracle Man, . Buried Nightly, Twice Sunday
+ INDIANA'S LARGEST AMUSEMENT CENTER x
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"EAST SIDE
SHERIDAN © 6116 ==, “20c
“COMFORTABLY COOL”
Deanna Durbin cei”
{ “Girl, Guy “3" Gob”
ANDY HARDYS SEC SUN. Edw. G. Robinson “SEA WOLF" The
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3 ‘A Terme Drama of Today's Readlines.
F THE ROYAL MOUNTED
SUN. 2 Robert & “Buck Privates”
Rand. ' Scott. *«WESTERN UNION”
HAMILTON 50%
Frederic Borat ALN.
“So Ends Our Night”
Guy Kibbee “SCATTERGOOD BAINES” “ANDY HARDY'S SECY”
5507 E. Wash St. Matinee Today Alice Faye-Don Ameche-Carmen Miranda
“That Night in Rio” cope:
i “Scotland Yard”
Y inEN OF BOYS TOWN" SUN. “A SHOT IN THE DARK”
RAMOUNT |
LRAT OWE STILE
"DOORS OPEN § O'CLOCK
Chas. I . “QUEEN OF YU 4 Fussy Knight “PONY POST”
COUNTRY STORE TONIGHT!
Cena iY
SUN. , Edw. G. Robinson “SEA WOLF” |
| IRVING
4 A
“ELT 20
1360 £, WASHINGTON
THE LONE WOLF ne ITER TOT:
EMERSON, tos
10th to 6
DOUBLE HORROR SHOW! Bela Lugosi “DEVIL BAT” “PACE, BEHIND MASK” Peter Lorre “AND! .Dick Foran—Leo Carillo ANDERS OF DEATH VALLEY” SUN ‘ANDY HARDY’S PRIVATE SEC'Y® 8 Edw, G. Robinson ‘SEA WOLF”
20¢
Biggest & Best East Side
oo ID
Theater Today & Mat Foday Sunday [ 12:45 to 6 20c
Box Office Open Till 11 P. M. Alice Faye-Don Ameche
Carmen “That Night in Rio” “Scotland Yard” to EXTRA Added to Last Show
TONIGHT ONLY! J Hall 11 ” Dorota Lamour Hurricane MON. “MEN OF BOYS’ TOWN” 4020 E.
PARKER ,> 50%
SUN Favorite Comic “LI'L ¢. “YOU'RE IN THE ARMY — AND: Buck Jones “WHITE EAGLE”
NORT
FY. WAYNE & ST. CLAIR
FATE - AMECHE - MIRANDA
HAN e owen b. : JORN. me fost “MEN OF BOYS TOWN” “LONE WOLF TAKES A CHANCE"
ESQUIRE. i COMFORT
Tods: Frank Capra's © Greatest
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STARTS’ SUNDAY — Deanna Durbin, “NICE GIRL?”
IN PERSON WITH THE FAMOUS
; ALL AMERICAN. JOVEN UaCHISTEA - 11 Jeusiching
“IT HAPPENED ONE NIGHT”
Clark ‘Gable—Clapdette Colbert
sinclair 4DODSWORTH”
Walter Huston—Mary Astor
Stratiord ‘thon
- College
Thrs THE D. 2 Abbott & Costello “BUCK PRIVATES”
“READ THIS COLUMN DAILY IT'S A SHORT GUT TO THE
Doors Open at 6:48 |: Abbott & Costello “BUCK PRIVATES” Joan Bennett “SON OF MONTE CRISTO"
TUXEDO New York 20¢ Timm
Deanna Durbin “NICE GIRL” “SAN FRANCISCO DOCKS” AND! “SKY RAIDERS” SUNDAY—“GIRL, GUY & GOB” “MAISIE WAS A LADY”
H SIDE ™ - 1st & REX Ro ri 200 im Time
“FOOTSTEPS IN THE D DARK" YOU WON'T TALK” SUNDAY Robert ER UNION Scott “WESTERN
“THIS THING CALLED LOVE” SI Talbott at 2nd . Talbott
Geo. apy! “pr G
Luci AND A GOB” Randolph |
A GUY ! ott “WESTERN UNION" 5 — ay
| ates Money xen, sOTLAND YARD 16th
~J% COOL!
Open Daily at 1:30 P. M. Adults 20c—Children 10c—Before §
LAT
College at ord Free Parking Le '
BEST NEIGHBORHOOD SHOWS
Bette Davis “DANGEROUS” : Pat Cen 1% “ESCAPE TO GLORY" 4
SOUTH SIDE
OURTAI Ye Semi —_
Always Pleasantly 20c¢
Today, Sun, Mat. Today Adults {> 6
I ‘THE E NAVE" mJ Be: 7d “MEET THE THE WILDCAT"
= CE XE
LCI SE Ro NE ST.
“THIS THING CALLED LOVE" “DARK STREETS OF CAIRO”
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