Indianapolis Times, Indianapolis, Marion County, 21 February 1941 — Page 10

PAGE 10 HAW a THE INDIANAPOLIS TIMES i = FRIDAY, FEB. 21, 1941}

Furtwangler Plays Up Tschaikowsky's Nobility | Bf . > " ; Sn ‘Tobacco Road" § Starts Film on hn : Marathon Too. SRE. (| HAL BAILEY'S BAND

By JAMES THRASHER | | a ow : Rf ; rE : NEW YORK, Feb. 21 (U. P)— ; CRYSTAL

Brahms: Symphony No. 4 in E Minor; Serge Koussevitzky and the BE si ; A 3 i § “Tobacco Road,” which has been 4 720 NORTH ILLINOIS ST. Boston Symphony Orchestra (Victor). fH gu : a : ; running on Broadway in the : Here we are confronted with one of the greatest symphonies in all SE : VAC ; music literature, played by one of the country’s finest orchestras under El 0 ; = yd Eid ; 4 legitimate theater since 1933, reone of its most gifted conductors. To appraise the recorded result is, TN : : « Ea [ceived powerful competition today as Mr. Holmes used to remark to Dr. Watson, elementary. : : : from the screen version which It is quite possible for the indi- opened under unusual circumstances re vg vidual taste to quarrel here and | chestra that comparison is scarce- at the Roxy Theater. % Open”, “Golden Fleecing’ there with Mr. Koussevitzky's in- | 1y to be avoided. Because of the Yona Yopord run 10 A.M. Disney Cartoon—News terpretation, if the wish is to be ; n- ; - of the stage version— per- a — — captious, But there is no aues- | oie, SOR PEER, ESE | Bg |formances—the Roxy is showing Open 1032. . ALA Te tion as to his sincerity, or doubt | or "Ang if you don’t own the ; : “Tobacco ' Road” in a marathon 15¢ 0 6 - | J that the orchestra is playing pre- | wou’ 14 are contemplating its a ; Si : session of 20 screenings with the TOD AY! FIRST SHOWING! cisely as he wishes it to. purchase, your ears and emotions |§ Ni . film house open continuously from And I believe that differences will have to be the judge. | 8 #5) ¥ % 8 a. m. yesterday until 2 a. m. toof opinion will be few. For the | "7, ve'read in a couple of re- | [if : i SE ; MOITOW. emphasis in Mr. Koussevitzky's | ioe that Mr. Furtwangler has | [fill : The theater was comfortably filled Johuny Mack Brown is the reading is on the solid, manly, | oq, cteq Tschaikowsky as if he | [fh ; 1 soon after the doors opened. Many| smiling hero of “Law and Order,” noble aspects of the work. were Beethoven. This evidently |" ; spectators came to compare the , : Virility and vitality are Dro- | w.o meant as a compliment. But Forecast for Universal Studios and vicinity: Continued showers. Lou Costello and Joan Davis got |90th Century-Fox production with the Alamo’s current outdoor epic. claimed in the orchestra’s play- | ginny because Beethoven hap-' | soaked during a dance sequence of “Oh, Charlie” the other day, while on a nearby set Deanna Durbin |the elemental Jack Kirkland play to

. ‘And in the conductor's conI nog In ® oF pened to be a greater composer | y.q ¢; submit to a damping down by the property man for a rain sequence in “Nice Girl.” Yes, sir, it looks |see how much of the original story

ception of the work there is a | 41.1" pschaikowsky doesn’t make : ; depth and maturity of feeling to | ;¢ ony more admirable to conduct | 'iKe a spell of weather—and all for art. of life in the poor white section of .o)5 514 other short subjects would

match the music. Brahms’ ripe’ ik if h Were h the south got by the Hays office. be made illegal and present con- ste Duna: Dennis O'Keefe ‘VICTORY’ contemplation, his tenderness and a Nr tt i be ie . WHEN DOES IT ST ART? tracts could oe od prese TRA! “MYSTERIOUS DR. SATAN” ; —

vigor and sadness, untainted by reverse the hs ey ; process (a condition = ) YWO D . ° Sespan ve dom, been OTe. | which, I fear, is more prevalent). C LL isiias ee reiging Carrol, Minnesota Bill 4 @ fective Yn undersicod and com- | - mopynately, I think -that Mr. MacMurray, “stirling Hayden, at . | | LH

municated. . , . In short, here is a Furtwangler has conducted » :20, 2:45. 6:15 and 9:4 recorded performance which de-' TE EY it. he. wore Producers Who Don't Know Tricks cote a ks, Music.” * with Bob Slaps Slapstick

serves to become a part of your Tschaikowsky. True, he high- . ' 4:35 and 8:05. ; Eusieal library and your musical lights nobility where Mr. Stokow= : % > Cause Trouble, but Provide Laughs INDIANA Pata i op. 21 KU. A BEAUTIFUL HEAD- . .ski highlights neurosis. Mr. Furt- cagner ‘Oiivia ge Haviland, "Rita the Minnesota Legislature which STRONG DAU HTER WHO wangler carries no emotional coals ; Haworth, at 12:36, 3:47, 6:58 and ||would give the state regulation over , Tschaikowsky: Symphony in B | to Newcastle, but he doesn't miss By PAUL HARRISON 10; 98. Av6 with Clive. Brook. at motion picture distribution “for the FELL REC KLE SLY IN Minor (Pathetique); Wilhelm | the work’s pervading pathos and Times Special Writer 11: ry OE 5: 39 and 8 ook, protection” of theater operators. LOVE WIT W EN! Furtwangler and the Berlin | sh despair, either. 3 Snes LOEW'S The measure would eliminate H TWO MEN! Philharmonic Orchestra (Vic- The orchestra plays in a sump- HOLLYWOOD, Feb. 21.—Of all the trolls, zombies, hobgoblins and “The Philadelphia Story,” with ||“arbitrary terms enforced by mo-

tor). tuous manner. There is less of | ogres to be found under damp stones and in various positions of au- Somes Bewart at 11:50. Orant | |tion picture producer-distributors”

This excellent recording was | sensuous tone than in Mr, Sto- | thorily in Hollywood, none is more dreaded than the incompetent, Sd %.4 which compelled operators to conMade some years ago, but is being | kowski’s reading, also less em- | officious producer’ who goes around sabotaging the best efforts of able = Faailant Sons. Tih Jackie Cooper: ||tract for short subjects, newsreels, released for the first time only | phasis on inner voices and a more | employees just so he can show ‘em who's boss. 8:15. n Western pictures and “slap-stick” in ~ this month. It follows so closely | limited dynamic range, These Yet the. movie colony rather cherishes a few such characters : LYRIC order to obtain the better films. tpon Columbia's release of the | are virtues or vices according to | because, after all the tears and ; ; To, In Akin ivan Under the proposed law, exhibisame work by Leopold Stokowski | ‘the individual's reaction. You'll || travail, they're good for a lot .of | the blasting roar of the airplane stage at 1:04, 3:54, 6:44 and 9:34. tors would have the right to canand the All-American Youth Or- | just have to try them both, laugris. Hollywood loves to laugh | engines which turned the fans to fou. oad Show.’ With Adolphe Men. cel 20 per cent of the total num-

at its own traditional idiocies and | kick up the big wind. 18, 2:08, 4:58, 7:48 and 10:28. ber of feature pictures included in extravagances, and a new pro- 5 a»

ducer story spreads around the H ELD OVER! town as tt by short- | THE MOVEMENTS of some of Tries Suicide for | N D i A NAP 0 L | S > s Bl THE WHOLE wave or projected by telepathic | the players on the set had to be ' . ’ witchcraft. timed to fit the dialog they were Love of Sa nu 16 : AN EXCITING / TOWN'S : Xv besw hearing dalely ou, 5 supposed to be speaking. So an ! YM # HON UNUSUAL STORY 4 - : : i kL Fo] Ea [ | suzzing et oe mooie rans | assistent director stood_neing | , FOLLYWOOD, Feb, 21 (U. 2) ORCHESTRA IN ABOUTTHAT methods that he has reduced his | the camera and read all the lines |East Indian actress and dancer FABIEN SEVITZKY, Conductor TECHNICOLOR

. staff and players to helpless hys- | into a microphone. Next morning |failed to bring Sabu, the “Elephant {SCENE ‘WHERE ferics. Trouble started early when | tp, ,roqucer went to see the |BOY” of the movies, to her side to- CONC E RT

YD ; / | LLS he found some painters working _ | day. | RN MANTIO KATIE \FA on a section of what was to be a Pushes, herd 2 [she Yo ice ap Police said 17-year-old Vishundass I O N [ : 1 } - huge semi- backdrop of D > g ps 0 Vachamah swallowed an overd Starts FROM HER huge | semi-circular | the heroine, and burst out of the Verdose EEK! ) g leaden sea and lowering clouds. iecti ot of sleeping tablets Wednesday night. Murat Theater—8:30 P. M. Today! {IVORY TOWER projection room w'th murder in Revived at a hospital. she said sh : £2 nn #n his eye. He thought somebody |g - / oo 2a 0 3 rt e sal or INTO THE IT LOOKED pretty dull and | Was plotting %o ruin his picture. does not Jove ne 5 £Lause vaby T ] i One day the so-called execu- : : : 2, GR Ah ARMS OF monotonous—which was precisely tive noticed an order going The actress, who came to Holly- VARIATIONS OX HAYDN r% THEME

the effect desired—but the bi wood from Bombay via Cincinnati SYMPHONY NO. 1 JIMMY! ie e € | through for a lot of scenery to be said she met the young East Indian Excellent Seats—$1.00

boss seemed to think the painters | painted in oil, and he changed it star of “Drums” « : ; : and “Elephant ‘ were just trying to do the easiest | to water-color paint with the idea ” : i Others $1.50, §2, $2.50, $5—No Tax MADELEINE job. Indignantly he ordered em | of saving money. Boy 73 Chicago, She Sid he visited BOX OFFICE—RI. 9596 li to put in something that would What he didn’t bother to learn, Sixteen-year-old Sabu said he was

show better on the screen—a few | though, was that the stuff was in-- | pewildered. scudding white clouds and some | tended for use in a torrential arti- “I met her once in Chicago, and 5 FRED M ; : y ed ANS ¥ |

a distributor’s license-grant.

Contracts for showing of news 3 Senge,

Laughs & Thrills!

s # 2

stresks of light on the drab sea. ficial rainstorm. Under the first [1 have seen her two or three times The craftsmen didn't argue. | wind-driven blast "of water the |nere,” he said. “But she is only an Nex! morning the company stared | whole business dissolved into a |acquaintance. I scarcely know her.” : flabrrgasted at the new scenery. | sodden, hopeless mess. ee Pp N WITH

There in the middle of an evening = ——————— BACK FROM LOUISVILLE i : asure sky ang sunshine... [HAWAIIAN RANCH |, Levis Carter, manager of ihe hs STIRLING HAYDEN

Arthur Murray Dance Studios in ! i One day the producer wandered 2 = / § on the sot snd began toting the | - BOUGHT BY FLYNN| the Hotel Washington, has re- a HELEN BRODERICK

director and cameraman that.a : : pilin : HOLLYWOOD, Feb. 21 (U. P.).—| opened another branch of the Mur- ; En, certain shot should be made in a Errol Flynn is back in Hollywood |T8y school. Mr, Carter will man- ; MARIE WILSON

different way, from a high. angle. both studi but. will end : v ; T h after a trip to Honolulu where he|ag8€ s 0s, Will spen 2 the pr Siographer isis Purchiusedl a ranch, most of his time in Indianapolis. CAROLYN LEE it and that such a shot couldn’t’ | His wife, Lili Damita, met him at dashing

/ Fg : Iv lighted, and after an embrace, Mr. Flynn 4 Meet th

pi i it without lights!” roared the ex- : BO jacRaNYILE aif ecutive. “But do it like I said!” |new ranch as soon as she was able. Dance Friday six-feet-four- WY {4 tappitigAempo with one of ING HAYDE V1 the favorite bands.

GAIL PATRICK ! : He hurried home when Miss n turd ites STIRL IAN HUNTER ; i Br Damita. announced she expected a|| 9n@ Saturday Nite And Their Orchestra, Featuring 7 with JEAN

/ ge ; 3 ANOTHER technical matter baby, and he is already planning a —Best Dance Music in Indiana— by GALLANT | i that bothered him was the posi- [vacation for it. Su NANCY EVANS a ROGERS ! : : tion of a ship which had been VOCALIST built on rockers and seemed to be ALWAYS A GOOD SHOW Delicious Seashore Dinners

too high above the waterline of Charcoal Grilled Steaks | : . featuring . the background scenery. Nobody DANCING TILL 1 a 34 Mada I 25¢ Until 6 : 4 could explain to him that when 5 = NG COVER CHARGE Cli [Fon the camera was elevated every- 4 SR OPERATED - thing would look all right. 4 7 30¢ 40s APTER 6 A Later in the day, when only | Famous Stars of “aw y | t's the Big New La New Late wi workmen were on that set, the big tly, Sweet Rhythm’ Hof 1941! Girls! Gags! : : boss had the ship lowered accord- Gently, BS 4 isi inz to his stubborn notion. Re- Radio Program Over aiety! w Tunes!

sult was that it couldn’t be rocked maxin iE | ; ram oh ak CIT LIT] ¥ HI (1/4 NEIGHBORHOOD... | Fe

put back in its original place. Even the average movie fan knows that there are occasional scenes in which only the ‘action is filmed, with sound effects and dialog dubbed in later. But this producer, so help me, hadn’t heard of the method, There was a, storm sequence in the picture d 4 EAST SIDE requiring a lashing gale, and nat-

ur ally they didn’t want to record \ i BIGGEST BEST TARS. Carole LANDIS

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