Indianapolis Times, Indianapolis, Marion County, 8 February 1941 — Page 14

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Miss Sullavan Stars

proved Simone Simon Returns

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“No, No, Nanette,” with Anna Neagle, Richard Carlson,

Victor Mature. Also “The Invisible Woman,” with Virginia Bruce, John

‘Barrymore, John Howard.

| INDIANA—“Back Street,” with ‘Richard Carlson. Also “Six [Lesso “Lupe Velez, Leon Errol.

Charles Boyer, Margaret Sullavan, ns From Madame La Zonga,” with

LOEW'S—“Gone With the Wind,” with Vivien Leigh, Clark Gable, “Leslie Howard, Olivia de Havilland (second week).

LYRIC—“Stars Over Hollywood,

» with Simone Simon, Eddie Foy Jr.,

Shirley Deane, Roy Rogers, Dorothea Kent, on stage. Also “Honeymoon . for Three,” with Ann Sheridan, George Brent.

|

Indiana |

“Back Street” belongs to |that theatrical school of unabashed tear--‘jerkers which includes “Camille,” } “Madame X” and “Over the Hill.” " As such it’s a sure-fire money | | maker and can count on a heavy ‘play from the shoppers at matinees. As g novel by Fannie Hurst it . | gained a lot of readers. And when enti) made it into a movie | | eight years ago, with Irene Dunne || and John Boles starred, it was a hit. So, with the state of the world and the film markets what they are,- Universal has wisely emade the picture. | Universal's wisdom extended be‘yond ‘the probability of a substan- | | ‘tial return on the investment. For i-| ‘the studio turned the story over to ‘the capable director, Robert Stev- | lienson, and entrusted the leading | | parts to Margaret Sullavan and “Charles Boyer. : Miss ‘Sullavan is, without much argument, one of Hollywood's fore‘most actresses. And Mr. Boyer: is the sort of hero who can make Miss Sullavan’s 30 years of lonely, clandestine love seem worth suffering for. Mr. Boyer’s unconquerable French accent sometimes gets in the way, and even the fact that he's introduced as a “New Orleans Frenchman” doesn’t completely explain. it. I. The film’s chief pleasure, at least {for this spectator, derives from Miss Sullavan’s performance. She | plays Ray Smith with a grace land. luminosity and quiet humor iwhich lighten and brighten a role tof rather unrelieved suffering. She ‘never exaggerates. i Can it be that someone doesn’t know what “Back Street” is all ‘about? Well, it’s the story of a Cincinnati girl who meets and loves ‘the New Orleans Frenchman. For‘tuitous tragedy prevents her meet.ing him at the Louisville boat for |a surprise wedding. So he goes on {down the river and marries his fiancee. But they meet again in New 1York, five years later. What time "Walter Saxel can spare from his ‘business and his family is treasured ‘by the adoring Ray. The affair goes on like this for years. At last there is the breath of a brewing scandal. Ray is berated by Walter’'s son. And just as things are about to come to a head, Walter ‘dies of apoplexy, and Bay of a ‘broken heart.

The picture’s makers merit a special word for their authettic sets and styles, which ‘really match. the film’s period, from about 1900 to 1928. And there is capable support from a cast in which Richard Carl- - son and Frank McHugh figure prominently.—J. T.

MODERN DANCING ONLY ‘At the ORANGE GROV 46th & Keystone Ave. Every Saturday-Sunday Night Doc Grayson’s 5-Piece Union Band will Open Rumba Nights March 2nd. Heinie Howard's Orchestra

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LL o Lyric The last time Simone Simon was here, she ingenued her way through “Three After Three” at English’s. That experience evidently resulted either in deep thought, lessons or just plain hard work, because she is vastly improved at the Lyric this week. Aided by ettings, costumes and performers * worthy of a musical comedy effort, Miss Simon sings and

a pretty French mademoselle should. It does seem a shame she doesn’t yccupy the stage more than she does, During the one-hour performance of “Stars Over Hollywood,” she sang only three songs yesterday and then appeared for the finale. Reminder of Hildegarde

The best one was “Isn’t That Just Like Love,” sung in a way that will make you think of Hildegarde’s husky voice. The audience liked “The Last Time I Saw Paris.” Miss Simon introduced it herself, with an appealing: “I would like to sing you a song that is very close to my heart.” Eddie Foy Jr. Roy Rogers, Dorothea Kent and Shirley Deane carry the rest of the show, with the hardworking Miss Deane on the stage almost half the time. There's not much doibt about who's the show girl here. It would be nice sometime to Bive Mr. Foy a free hand and let ©uim go to work en his impersonation of Nelson Eddy. Given some false teeth and an old paddle, he was about as funny as he could be in the time allowed. ] Imitates Father

The son imitated his famous father in“a number entitled: “They Think He's a Gentleman Because He Goes to Church on Sunday.” It looks like the stories we’ve heard about the old man with a pair of floppy white gloves for. a white tie, old-fashioned cutaway, sloppy shoes and a dusty old top hat. Mr. Rogers is not to be confused with the cowboy, than whom he is

several times larger and much, much funnier. If you sit close enough you may be able to determine if it’s sleight-of-hand, but he looks as if he’s swallowing everything from his

cigar butts to the goldfish on the

stage.

Try his favorite trick sometime: Run across the room (a large room, preferably with mattresses) go into a swan dive and when you're ahout to hit the floor, tuck the head under and go over in a somersault. And remember, no hands. Local Lad Applauded

The girl line is the best the Lyric has had in a long time. The girls are pretty, well trained, and participate in a ballet without appearing incongruous — which is bringing vaudeville revue back where 1t

ought to be.

Jack Henry, local boy who won the talent contest this week, got an enthusiastic response from the audi-

| |ence.

The movie is “Honeymoon for Three,” with a tailored Ann Sheridan playing secretary-fiancee to George Brent's popular novelist. Osa Massen, as the romance-be-witched other woman, will make you wonder ~what makes Mr. Brent choose Ann.—H. M. s : Circle It is unusual when theater managers feature with equal prominence two pictures having several things in common as “No, No, Nanette” and “The Invisible Woman.” Each picture opens with .one of the nation’s favorite screen comedians ‘(Charlie Ruggles and Roland Young, whom I never could distinguish apart), tripping down a winding staircase; one has Anna Neagle in the cast, the other features Anne Nagel (anyway, theyre both pronounced the same); hoth were enjoyed immensely by yesterday's first show audience. From the title you already know that “The Invisible Woman” is one of those films in whith Hollywood utilizes the camera’s limitless tricks —but with a tongue-in-cheek attitude. John Barrymore, as is his wont,

in Tearjerker;|

coguattes just like we always thought |

Maennerchor To Featu re Contralto

The Indianapolis Maennerchor’s soloist ‘for its concert at the Athenaeum this evening will be Dorothy Bacon, young Swedish-American confralto. Clarence Elbert will direct the choral portion of the program, and the soloist will be accompanied by Dorothy Merrill Ritter. Miss Bacon has sung in Sweden as well as the United States, and the press notices from her New York debut in October, 1939, give evidence of a favorable reception there. She will sing a group of lieder by Schumann, Brahms and Wolf, and songs in English by Arne, SansSouci, Grieg, Hughes and Bishop. Handel, Coleridge - Taylor, Storch, Smith, Bullard and: Protheroe are the composers represented on the chorus’ program. » » »

One of the most versatile men in American music will be at the helm of the Indianapolis Symphony Orchestra as. guest conductor of tomopow afternoon’s popular concert. He is Charles O'Connell, who is an orga cording expert and businessman as well as a conductor. = He pioneered in the field of recorded symphonic music for RCAVictor, negotiating contracts with some of the leading artists and arranging and supervising recordings. He also did the supervising job when Leopold Stokowski. and the Philadelphia Orchestra made their film debut in “One Hundred Men and a Girl.” Yast month he took charge of the Indianapolis Symphony Orchiestra’s first record making. Mr. O'Connell is the author of the

tfist and pianist, an author, re-1

Concert

Dorothy Bacon .. . soloist with Maennerchor.

best-selling “Victor Book of - the Symphony,” and his conducting experience includes engagements with the symphony orchestras of Philadelphia, New York, Boston, Chicago, Pittsburgh, Montreal, Toronto, Minneapolis, Rochester and Washington. The program which he has selecied for tomorrow lists the “New World” Symphony of Dvorak, ‘and includes music by ‘Chadwick, Hue (the Fantasia for Flute and Orchestra with James Hosmer as soloist), Turina, Albeniz and Wagner.

STAGE

Marjorie Ropkey Shining Exception In Civic Theater's Mystery Play

this" season.

third act. In some respects “Love From a Stranger” resembles “Night Must

Fall” Both are mystery-chillers. Both were written by actors—the

former by Frank Vospers and the latter by Emlyn Williams—appar=ently as vehicles for themselves. Not the best excuse, incidentally, for writing a play. I think the ending of the Civic’s present play more effective than the denouement of “Night Must Fall.” But in’ the early stages there is a singtilar lack of accumulated suspense or, for that matter, good writing. . However, the net result of the Vospers’ play is a tolerably good sping tingler. And certainly it is intrinsically better than it appeared from last night’s performance. Probably it was inevitable that the Civic would slip from the exceptionally high standard it has maintained this season. But - when it slipped this time it wasn't fooling. » ” ”

THE PLAY is neither well cast

By JAMES THRASHER

MY JUDGMENT of “Love From a Stranger,” the Civic’s current bill which opened last night, is tempered by the fact that I was one of the committee which recommended it and other plays for production In excuse it may be said that the committee was intrigued by the play’s most obvious recommendation, a corking good But the preceding two leave much to be desired.

nor well acted. To be sure, Ray

Robinson comes to life, along with the play, in the third act. And Robert Shrewsbury, who was so excellent in his bit as the sightseeing guide in “Two on an Island,” scores again in g brief assignment here. For the rest, the less said the better, save for the shining exception of Marjorie Ropkey. Once under way, Mrs. Ropkey gives a sensitive and gracious performance which builds skilfully to a smashing climax at the final curtain. It’s playing which stands out like a floodlight in a blackout, and which merits better support. It isn’t cricket, of course, to give away the secrets of a mystery plot, although Mr. Vospers tipped his hand pretty evidently in the early “Scenes. Enough to say that theXsetting is England, and the main theme that of a girl who wins a sweepstakes prize and impulsively throws over her stodgy fiance in favor of a handsome stranger who comes along at the crucial moment.

continues to play a member of the Barrymore family. This time it’s Lionel with the help of the makeup department. He’s cast as a professor: who has a personality like a temporary filling and who discovers a way to make people invisible.

After trying it on a cat he does

'it again- on Kitty Carroll (Virginia

Brice) who uses her invisibility to give her Scrooge-like employer ‘the works, The story starts off on another tangent when a crew of Oscar Homolka’s muggs arrive from Mexico. steal the professor's machine and then kidnap the professor and Miss Bruce. Homolka is an exiled gangster, given to fits of weeping and periods of loneliness who wants to hhecome invisible so he can return to the United States. €ince anything stronger than soda pop will cause Miss Bruce to become invisible anytime she conveniently gulps a bottle of raw alcohol and the rescue begins. According to usually unreliable Hollywood sources John Barrymore sent a photo of himself to Lionel during the filming of “The Invisible Woman,” Attached to the photo, which resembled Lionel down to the last wrinkle, was a note: “This is the best picture you have ever made.” It is, too.

“No, No, Nanette” is a tribute to the older generation. Roland Young, Helen Broderick and Zasu Pitts, despite the billing, are itg stars and of course there is

the story from the 1925 book of

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BETTY NOVAK PEARL LAWSON MONTINE VINCENT

A FEATURE

E or GIRLS

IENGLISH

Vincent Youmans, Emil Nyitray, Otto Harbach and Frank Mandel. You who saw the original Broadway production are likely to be disappointed that the charming.melodious score (tunes such as “Tea For Two,” “I Want to be Happy,” and “No, No, Nanette”), has been used only as incidental music.

Miss Fixit who gets her philanderling uncle out of embarrassing "scrapes with females known as Betty from Bridgeport, Sonya from Syra-

sas. likes a dash of gin in her vodka. In the process Nanette becomes

sor : young artist (Richard Carlson), and a musical comedy producer (Victor Mature). She finally picks the right one and her uncle gets straightened out but not before being threatened with divorce from his wife. (She’s the type of person who uses empty perfume bottles as savings banks and yellow soap in

NEIGHBORHOODS: A New Serial Comes to the Strand; Esquire Has an Old Favorite Program

- ing, brought

Miss Neagle is the sweet little]!

cuse, Flossie from Frisco, and, the|! neatest dish of all, Kitty from Kan-|! Kitty is the kind of girl who

romantically involved with a hand-|

mouse traps). —D. M.

By DAVID MARSHALL PUTTING, AS. JOE WILLIAMS: SAYS, one little world after

another:

- “Sky Raiders,” starring Billy Halop (one-of the Dead End Kids) opens the first city showing at the Strand Monday at 6 p. m. . A: new chapter of the serial will be shown each week on Monday, Tuesday and Wednesday at 6 o'clock, which means the kids will be home early.

#" & »

PERSONALLY, I'm a sucker for technicolor, sb other folk who feel - the same way will probably go ga-ga. over the Sanders’ all-

“color show tomorrow and: Mon- . day—“The

.Return. of Frank James,” starring Henry “Fonda, ‘and “Gulliver’s Travels.” fs 8 8 “THE ESQUIRE'S double bill of “Four’s a Crowd” and “That Cer-

‘tain Woman” is getting to be like

some of the: old-time Shakespearean actors who made annual farewell appearances.: This program has been shown at the Esquire on four different occasions and tonight makes .its 18th running. © The ment can’t understand it but, it continues to do. better-than-average business. Today's showings are scheduled to be the final ones but, confidentially, if- the crowds warrant it, back it will come.

”: ® =

“ONLY ANGELS HAVE WINGS,” with Cary Grant, Jean Arthur and Richard Barthelmess, is the extra picture at the Rivoli’s last show only tonight. The regular fare is “Youth Will Be Served’ and “Lady With Red Hair.” Tomorrow “Arizona” replaces “The Long Voyage Home,” which is pushed back to Thursday to be paired with “Chad Hanna.” “Arizona’s”” companion picture will be “Dr. Kildare’s Crisis.”

ONE OF SONJA HENIE’S latest pictures, “Everything Happens at Night,” ends its run at the Tacoma tonight along with “Before I Hang.” Then tomorrow “Night Train” moves in for three days along with Kay Kyser's “You'll Find Out.” “Night Train” also is beback tomorrow through Wednesday at the Esquire with “Haunted Honeymoon.” Followers of this. department have read our comments on the British-made “Night Train.” For the less constant readers, we have reviewed and recommended it. It now is in its sixth week in New York, its 11th week in Baltimore and its third week in Chicago,

# 8 =n THE WZIEK-END SCHEDULE:

BELMONT—Tonight: “A Little Bit of Heaven” and “Dr. Kildare's Crisis.” Tomorrow Mough leisy; “Long Voyage Home” and ullaba CINEMA — Toni 4 Reuters’’ and ‘Night row through Tuesday: “Slightly Tempted.” DAY night: “Dispatch from Reuters” and * Karanga. To omorrow and Monday: “The Letter and “Five Little Peppers in Trouble.”

EMERSON — Homight: ‘East’ of the River.’ Wednesda ‘Tin Pan pi and “Little

Nellle o Kelly.» Tonight: 2 iy A Srowd™ ®.. het Certain Wom Tom: row 1Bjough Wednesaay: “Night Train” and ‘“Haunted H Beymo FOUNTAIN SQUA E—Toni ht through Tuesday: ‘Arizona’ and irls. Under Twenty-One. GRANADA — — Tonight and tomorrow: and “Dr. Kil-

" Dispaten from rain.” Tomor-

Escape” and

nee and rrow through,

“Angels Over Broadway’ are Crisis.” HA MILTON Tonight BL Tues= day: ‘‘Arise My Love’ d “Escape.” IRVING — Toni ght: “br. Kildare's Crisis” and “Christmas in July.” Tomorrow through Wednésday: ‘‘Angels ger. Broadway” and “Lady With Red

MECCA—Tont ht: “Tu at Annie Sails Again’’ and * ilin’ Jomorlow,

and Eh Spit. e * out West i rs.

ntwing RUSSELL HAYDEN ¢ ANDY euro FRANKIE DARRO won't Taix» ADDED: ‘MYSTERIOUS DR. SATAN’

MARTENS CONCERTS, Inc. The Coolidge String Quartet and Muriel Kerr, Pianist

English Theater—Monday Eve. February 17th

: Prices—$1.10, $2.20, $2.75, $3.30. Martens Ticket Office, Room 201—33 Monument Circle—LL 8921

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RITZ~Toh} ht: “Youth Se an ardust.” Tom “Little Nellie "Kelly

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through Yednesday: and “The Lett:

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er. EDW A¥—Toni ht: “Here Comes the and “Sky Murder.” Tomorrow Tuesday: “Tin Pan. Alley” and tle Bt 2 Hegve STATE—Tonight: Drum f the Desert” and “Border Caballero. © Tomorrow through Tuesday: “North West Mounted Police” and “Too Many -Girls. TRAND—Tonight and tomorrow: ab zona’ and ‘‘A Little Bit of Hea STRATFORD Tonight: “Diamon d Frontier” and “Allegheny Uprising, Tomorrow throu gh ts day: “Dreaming Out Loud” and vid 1» TA CoMs PS int “Hrervinin San; pes at Night” and “Bi Before omorrow through Tuesday: you’ 1 Pind Out’ and “Night Train TALBOTT Tonight, ‘“Strike Up the Tomorrow through nd “South of Suez.” ‘Charter . Pilot’

Band’ and short ts. ‘Tomorrow through ** and “Bittersweet.” era labaloo” and ved.” Tomorrow

XxX “Night rain.’ bE ing PTOWN—_Tonight: youth Will Be through Wednesday: TY Arizona’ and “Christmas in July. VOGUE—Tonigh “Arise, My Love’ and: “Kit Carson.” Tomorrow through Wednesday: “Lady With Red Hair” and

. Esa ARING— Ton! ight: “The Westerner” = ‘No Time for Comedy.’”” Tomorrow “Lady With Red

through J ednesday; Hair’ and ‘Laddi

: DOWNTOWN

ALAMO—Tonight through Monday; ‘Doomed Carav an,” “You Out of Luck” and “Mysterious Dr. "Sa tan. AMBASSADOR—Tonight and _t smordT A Ton and “Dr. Kildares risis. :

MAESTRO ACTOR

Cecil Stewart, musical director who conducted more than 3000 performances of “The Desert Song” when it was on the road, has been added to the cast of “A Woman's Face.” He is an expert pianist.

'RAGE IN HEAVEN

Robert Montgomery and Ingrid Bergman co-star in James Hilton's “Rage in Heaven.”

CIRCLE

RINORE ETL nia BRUCE - John [LO

John ILLUS Charlie RUG ry ans

“No, No, Nanette,” with gle, Richard Carlson, Victor at 11: 5:40 and 8:50. “The Invis ible Woman,” wi fio Bruce, ts John, Barrymore at 1,

05, 7:15 a “CIVIC

"Love From a Stranger,” a mystery melodrama’ by Frank Vosper. Mor jorle Ropkey and Ray Robinson head he cast, ahd: 'the. producti staged by Richard Hoover. En Tel through Wednesday; cur

INDIANA “Back Street,” with Charles Boyer, Margare: 53 Sullavan, Richard Carlson,

ageain at

45, 6:52 and 9:59. “Six a From Madame La Zonga,”’ with Liipe Velez, at 11:36, 2:43, 5:50 and 8:57. LOEW'S “Gone With the Wind,” with Clark Gable,, Vivien Leigh, Leslie Howard, livia Havilland, Le Hope, attie | McDaniel, Lf Mitchell, at 12:10, 4:45 and : LYRIC «“. s Over Hollywood,” with Ble Simon, Dorthea Kent, Fale Foy 'Jr., on stage at 1:01, , 6:41 An ants moon for Three," in pop an eorge ' Shendns Te Pand 10:35.

Bill Boyd takes a tip from the Robin Hood legend and dons ‘monastic robes to thwart the villains in the Alamo’s current Hopalong Cassidy feature, “Doomed Caravan.”

IN CRAWFORD CAST

Charles Quigley, New Britain, Conn, youth who began his theatraical career on the advice of the late Warner Oland, has been added to the cast of “A Woman's Face.” Joan Crawford's new starring film.

(rT

RS ERNIE Hurst

. LEO “Six Lessons from

INDIANAPOLIS

YMPHON ORCHESTRA

FABIEN SEVITZKY, Conductor

POPULAR CONCERT Tomorrow—3 P. M.

MURAT THEATER—RI. 9596

CHARLES O'CONNELL

GUEST CONDUCTOR New World Symphony Excerpts from Wagner's Mastersingers & Rhinegold Fantaisie for Flute JAMES HOSMER, Flutist AND OTHERS

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