Indianapolis Times, Indianapolis, Marion County, 23 January 1941 — Page 10

Mitty — - ¥

rs Own Music

Maestro Sevitzky . . . he pushed the first valve down and the

music came out here. #" ”

Turns Out Regord Like Waffle

Maestro Fabien’ Sevitzky, who "is syrup, your record is ready for the something of a cook as well as Spree. orchestra - conductor, made a dg¢-| The work was new jo Mr. Sevitzky. | |But he did his customarily efficient

lightful discovery yesterday. | Making records, he found, is just job ‘at the RCA Marufacturing Co. top iron plate, stick a fork into a plant at Michigan and LaSalle Sts. on a nearby griddle, slap the bat- |orchestra and * RCA officials, he ter on the middle of the lower piafe, pressed the first Victor recording by bull the lever—and before you can the Indianapolis Symphony Or. — chestra. P l The actual mechanics mus: have i ersonal | |/seemed pretty easy to Mr. Sevitzky 5 " f To Fat Girls * | the musical sound: imprinted on _| that wax. The striving for perfecNow you may slini down’ your face ‘and tion, ‘however, was justified when tae Me rmengreises. Just: ead emsibly 4°03 ‘room adjoining the factory flor and eording to directions on the package. given its {rst Playing. It sounded Jrublie for dnore Juan Bivy Years, More than grand. enty million boxes have Jdistribyted [+ a during that period. BY Jbrep Aispribules Symphony’ Otchestra's many Victor only for adult fos is (Tecordings has the Overture to caused by a thyroid deh 0% Satnesy Glinka’s “Russlan and Ludmilla” on ism) but who are otherwise normal and heal. is the function of your physician, who must “Dubinushka” on the other. There be consulted for that purpose, Why not try to will be thousands af them ready tolose those ugly, uncomfortable ‘poms’ Me morrow, and RCA is assured of your ggist,

‘like making waffles. You lift the hunk of warm, rubbery substantce yesterday, when, in ‘he presence of look around for the. butter and] ee Sn Te SU A \after the painstaking preparation of figure without starvation dieting or back. the new record was taken into a Marmola Tablets have’ Beén' Sold” td “the | The first of tlie Indianapolis Marmola is not a cure-all, Marmola is : ' ’, thy, Wo do not mere any amrnal and heal. one side, and Ritsky-Korsakov’s Marmola way? Get a box of M la today i v Bm 1% thousands of eager purchasers. § )

ILE

Rosemary Is On Her Own

- a a]

She's No Longer Just ‘One of The Lane Girls’

HOLLYWOOD, Jan, 23 (U. P.). —Rosemary Lane has embarked upon the adventure of being Rosemary Lane, an individual—and a charming one—instead of just “one of the Lane girls.” Ever since Rosemaily started out as a singer, she and her sister Priscilla have been together. They got their first jobs together, went to New York fogether, joined Fred Waring’s Pennsylvanians at the same time and mace their radio debut on th: same program.

— THE INDIANAPOLIS TIMES Peril in the Canyon

Likewise they made their screen]

bows in ‘the picture, “Varsity Show,” and Warner Bros. signed them both to contracts. But it soon became apparent thet Priscilla, be-

cause of her collegizte appearance,

had won the favor of the studiol

which began casting Rosemary in smaller and less significant parts.

Left ‘Out in Cold’

“I was glad for [Priscilla’s sake that she was moving ahead,” she points out, “but I cguldn’t convince the studio that two members of the same family could both progress in movie work. I began to feel more and more that I was left out in the cold. : “After three years of this, I decided to take affairs into. my own hands and so I severed my connections with the studio and decided to freelance for a while. “As a member of a sister combination, I had no particular identity. I was merely one of the Lane girls! No one can rise above that, and Priscilla and I were both aware of it. We tzlked it over, and I came to the conclusion I would be wise to leave the studio.”

Starts Own Tour

Rosemery’s first step toward establishing herself as a distinct identity was to embark on a five weeks personal appearance tour. Returning to Hollywood, she was cast by RKO .in a leading role in the musical “Hang Out the Moon.” Rosemary, however, is not abandoning her appearances with both Priscilla and Lola in the series of films about the Lemp family which began with “Four Daughters,” Aside from those pictures, however, she is on her own.

Le] 3 YT VAN

TINT

GIN GER

> Rog

As “The Girl Of The Year” In

Directed by. SAM! WOOD

\ DAVID HEMPSTEAD Screen Play by Dalton Additional Dislogue by /* Donald Ogden Scewars /

As “Giewot/ . Starts TOMO

pl ee

RKO Radio’ - Picture With

ennis Morgan

As “Wyn”.

ames Craig

AsiMark? |

[EDUARDO CiANNELLITERNEST, COSSART GLADYS COOPER {As “Pop” ”

As "Mrs. Strafford”

| | HL PE AN TRIN | ESR.

oi) 24 <a ITT JV

REMEDY fr RICHES

DOROTHY 11

With the Grand @anyon for an Arabian Nights background, Sabu draws his knife to protect June Duprez and John Justin from some hidden peril in “The Thief of Bagdad,” which will be at Loew’s tomorrow. (If youre worrying about the return engagement of “Gone With the Wind,” originally announced for tomorrow, that will be next week.) :

Opening Tomorrow

Circle

“KITTY FOYLE”--With Ginger Rogers, Dennis Morgan, James Craig. Screen play by Dalton Trumbo, based on the novel by Christopher Morley; directed by Sam Wood. This, of course, is the screen version of Mr. Morley’s best-seller about the trials of a white-collar girl,

“REMEDY FOR RICHES”—With Jean Hersholt, Edgar Kennedy. Directed by Erle C. Kenton. This time Dr. Christian practices precious little medicine, foils an oil swindler instead. !

Dorothy Lovett,

Indiana

“HIGH SIERRA”--With Humphrey Bogart, Ida Lupino, Alan Curtis, Henry Hull. Directed by Raoul Walsh; based on a novel by W. R. Burnett. ! : The life and death of an Indiana-born gangster, whose kindness leads to disappointment, ¢rime to frustration, and whose love brings him to his death. “GIVE ‘US WINGS”—With the “Dead End Kids,” “Little Tough Guys,” Wallace Ford, Victor Jory. Directed by Charles Lamont. The Dead Enders and Tough Guys, who become more gentlemanly in every picture, are airport mechanics and potential pilots in this one.’

: Loew’s “THE THIEF OF BAGDAD”—With Conrad Veidt, Sabu, June Du-

prez, John Justin. Produced by Alexander Korda; directed by Ludwig Berger and Michael Powell. A retelling of the fantastic tale of Abu, the light-fingered urchin of Bagdad, complete with magic carpet, flying horse, magic bow and arrow, and the All-Seeing Eye. : “NOBODY’S CHILDREN”—With Edith Fellows, Billy Lee, Lois Wil-

son. Directed by Charles Barton. An adaptation of a radio program, this tells of how a group of orphan children bring happiness to themselves via the microphone.

Lyric “SHOOT THE WORKS” (on stage)—With Ezra Buzzington and his Rustic Band; 16 Dude Ranchers and Rancherettes; Wally Brown and Annette Ames. “BARNYARD FOLLIES”—With Mary Lee, Rufe Davis, June Storey.

Directed by Frank McDonald. How Pappy Cheshire -and the 4-H Club triumph over a couple of

mean old skinflints who try to do the orphans wrong, organ recital by Dora Federle at 4

ORGAN RECITAL p. m. Sunday at the Beville Avenue

Elsie MacGregor, head of the In-|Evangelical Church. The Indiana diana Central College organ de-|Central Choir, directed by Esther partment, has announced a vesper! Becker, will assist.

MUSIC,

THURSDAY, JAN. 28, 1941

Tarkington Praises Sevitzky for

All-American Symphony Concert

i : : Anent tomorrow night's all-American program by the Indianapolis

Symphony Orchestra,

famous novelist and playwright, has

Booth Tarkington, Indianapolis’

internationally issued a statement expressing

approval of Conductor Fabien Sevitzky’s efforts on behalf of American

composers and their work:

Mr. Tarkington’s message is as follows:

“The degree of civilization to which a nation attains depends ‘not upon its commerce, not- upon its efficiency in war and not even

-upon its. achievement in science;

the relative height of our civilization depends upon our development of literature and the fine arts, A country could be perfectly governed, immensely powerful and without poverty; yet if it produced nothing of its own in architecture, sculpture, music, painting or in books, it would some day pass into the twilight of history, leaving only the traces of a creditable political record. Moreover, a race that wholly contents itself with the importa- - tion of foreign art will produce none original with itself, and becomes a race of imitators, “Original art can live hidden a long time, perhaps: but artists can’t and art tends to perish if left unseen or unheard. This means that the quality and quantity of American art depends upon the amount of appreciation it receives at home; for, just now particularly, it hasn't a chance to exist at all, except at home. “These remarks are preliminary to an approval, not exclusively patriotic, of the policy of Fabien Sevitzky in including the works of American composers in the concerts of our symphony orchestra. It is true that ‘art is universal,’ not limitedly nationalistic, but the time must come when this country will prove the quality of its: civilization by its original contributions to the arts, and if those contributions remain merely some relics in ‘the attic,

MARCH - FIELD

nJoseph Conrad's

INT 3] 3 HENRY

EN TIT

TRLTING TTP NEW YORK STS. #440

how can we recognize that time when it arrives? “A musical composition does not live until it is sung or played. Therefore we can’t know American composers—much less judge them and begin to discriminate: among them—until their music has had a chance to live. “Fabien Sevitzky, who has be--come more devotedly an American every day of his 20 years in the country of hig adoption, is creating that chance when in every concert he produces at least one American composition, “Naturally the policy is experi-

mental, like that of the director er nen ES

ee,

of an art gallery who gives a part of his exhibition space to American paintings. Not all of the pictures will remain permanently upon the walls, but out of them will emerge some that ‘stand the test of time’, and, unless America is sterile indeed, audiences will hear with delight, among this liberal and warmehearted conductor's selections, music that bears ‘the birthmark of immortality.” “

GOOD SEATS STILL AVAILABLE

(herself—in person) with the

1941 HOLLYWOOD ICE REVUE

Indianapolis

COLISEUM

JANUARY 30-31 FEBRUARY 1-2-3-4

at L. Strauss & Co. and Coliseum Box Office PRICES—Parquets Boxes, $2.75; Reserved, $2.20 (Tax

Included). General Admission, $1.10, on Sale

Night of Performance Only, Mail orders to Coliseum with remittance

$ LAST DAY-LYRIC HIT PARADE" * // J¢

ALWAYS A GOOD SHOW

LATS

HOME OWNED - HOME OPERATED

‘A Rollicking Farcic

Z2”WALLY BRO MONRO

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INA 2

4 > WFBM Indiono Talen vi ’ "in @ Gay Musical Comedy \ in

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Don’t Miss @ # YRIC DUDE RANCH"!

RY WN & ARNETTE OF BROTHERS ——

A GAY NEW MUSICAL COMEDY HIT GLORIFYING THE 4-H CLUBS

al Revue!

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PANY CARLISLE & COM 3 ROBERT PENLEY

t Parade Winner

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Yr 7

BARNYARD %

¢.FOLLIES' ~

MARY LEE Rufe Davis * “Pappy” Cheshire

De ZURIK SISTERS

HE STORMED THE GUARDED GATES OF THE HAREM ===, TO WIN A FORBIDDEN LOVE!

$2,000,000 to produce here, truly, is the screen's mightiest thrill production!

“NOBODY'S of CHILDREN’

With EDITH FELLOWS

ETL

Exotic love . .

. exciting thrills . . . a

thousand and one delights of Bagdad,

Land of Love and Adventure.

4\ \¥ 7 Xa \s 28¢ to 5 PM

Including Tax

33¢c After

Can his love kiss break the

spell of the evil Jaffar?

£3 V8 4 EX p

4 : 5 § YG 3» > FY

2 23

111k