Indianapolis Times, Indianapolis, Marion County, 13 January 1941 — Page 6

Hl be served at noon. Mrs. Margaret

service with tne telephone mdustry. He began as a clerk in the traffic department of the Central Union "Telephone Co. in 1916 and was trafic chief when the Indiana Bell was organized in 1920. He has been a member of the Telephone Pioneers of America since 1937,

Tarum Court Circle to Sew—The sewing circle of Tarum Court 14, Oriental Shrine of North America, will meet at the home of

Ladies

Mrs. Harry Geisel, 5782 N. Delaware 8t., tomorrow to sew for the Shriners’ hospitals for crippled children. A covered dish luncheon will

Schlegel is chairman.

Beech Grove O. E. S. to Initiate—

Beech Grove Chapter No. 465,

O. E. S.; will have a stated meeting and initiation tomorow night at the

Beech Grove Masonic Hall. Mrs. Grace Lancaster is worthy matron

and J, C. Simmonds is worthy

patron.

Brightwood O. E. S. Program Set —A covered dish luncheon, birthday party and business meeting will be held by the Brightwood Auxiliary, O. E. S, Thursday noon at the Veritas . Masonic Temple, 3350 Roosevelt Ave. Hostesses will be Mrs. Lillian Whistler and Mrs. Florence Mitten.

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Completes 25-Year Service—Earl . D. Finley, 1210 W. 33d _St., traffic supervisor for the Indiana Bell Tele- * phone Co., today became eligible for ||.» the gold emblem signifying 25 years

University, has been elected presifrafernity.

Mohr, Friday.

a member of the chapt fer,

]

| | | | 1 3 | 3 x H | :

Prof. John J. Haramy of lIndiana Central College will speak Sunday evening at Grace Methodist Church, New York St. and Grant Ave. on “America’s Destiny.” The program is the third of a series of special Sunday night programs given by the Grace Methodist Church School.

Moose Corps to Practice—The drum and bugle corps of the Women of the Moose will hold practice and a [regular meeting at 6 p. m. today in the Moose Temple. The Kitchen Band will meet Wednesday and the chorus will practice from 7 fo 8 p. m. that night and the dramatic division from 8 to 10 p. m. No meeting of the drum and bugle carps will be held Thursday.

|Stewart-Warner Aid to Talk — Donald W. Alexander, manager, Indianapolis plant, Stewart-Warner Corp., will speak. before a meeting of the Rotary Club at 12:15 p. m. tomorrow in the Riley Room of the Claypool Hotel. His subject will be “Sheep Shears to Pie Dough.” The Vocational Service Committee of the club will have charge.

| Sponsor Sauerkraut Dinner-—T\ W. Bennett, Circle 23, will serve a sauerkraut dinner Thursday noon at Fi. Friendly. A special meeting will be held after the dinner at 1:30 9. m. t¢ read applications for membership. Mrs. Irene Compton is the Presiding officer.

‘“Brothers’ Night” at Southport— “Brothers’ Night” will be observed al a stated meeting of the Southport Chapter, 442, O. E. S, at 8 p. m. Wednesday in the Southport Masonic Hall. Rev. C. A. McPheelers o: the North Methodist Church, will speak, Members of the Blue Lodge have been invited to aftend. Mrs. Huth Brock is worthy matron and William Talbert, worthy patron.

| Note Brothers’ Night—Brothers’ Night will be observed at a stated meeting of Speedway Chapter 561, 0. E. 8, at 7:30 p. m. tomorrow at the Brownsburg Masonic Temple. Mrs. Dorothy Marvel is worthy matron and Roy D. Haase is worthy patron.

| Chorus ta Rehearse—The Indianapolis Male Chorus will starf the latter half of its current season tonight with a rehearsal at the Hoosier Athletic Club. The chorus, which is heard regularly over WIRE, usually Sunday afternoons, is composed of a group of young raen of all religious faiths, most of whom sing in various church choirs. It is directed by J. Byron Mowdy. Dorothy Sunderland is acompnist.

CLUB NO.’ 48 TO MEET Townsend Club’ No. 48 will ‘meet at 7:30 p. m. tomorrow in the I. OD. O. F. Hall, 1336 N. Delaware St. The program will be in charge of Harry Skillman, vice president, and Mrs. Jeanette Thenis, second

vice president.

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IRISH OPINION T

Butler Fraternity Elects—Robert Renz, Indianapolis senior at Butler

dent of Sigma Delta Chi, journalistic

A dinner meeting will be lheia at the home of Richard

'|the pressures of the European wat’

‘|neutrality—a5s the British urge--and

U.S. , DIVERGES

Rank and File F: Favors Use Of Ports by British; Many Say ‘No.’

By DR. GEORGE GALLUY Director. American Institute | . of Public Opinion PRINCETON, N. J. Jan. 13.— One news story which has held particular interest for the American {people in recent weeks is the dilemma of Eire—the Irish Republic—as

swirl nearer and nearer to its sliore. Should the Irish give up . {heir

permit the Eritish fleet to use riaval bases on the Irish coast? That question, of course, is! one which only the Irish people | and their Government can finally answer. But bécause of the tradiiional- ties of sympathy and blooc between Ireland and large sections of the United States, the Americar Institute of Public Opinion has scunded sentiment on the question in this country as vyrell, Today the results of the Instiiute’s study—largely completed since the bombing of Irish cities and towns by unidentified air rEldery-givh the following picture: 1. Rank-and-file sentiment h the United States is found hoping that the Irish Government will turn over naval bases for the use of the British. Sixty-three per cent of all those interviewed---and three out of avery four with opinions on the subject— answered ‘yes” to the question: “Would you like to see the Irish give up their netitrality and let the English use war bases along the Irish coast?” 2. Amonig first and second gejeration Irish-Americans, however, Hpinion leans slightly the other way. The Institute made a special jtudy among voters of recent Irish crigin in such key areas as Boston, Frovidence, New York City and elsev here and the results show 40 per | cent saying “yes,” 52 per cent “no’ and the remain er undecided. |

OHIO PASTOR OPENS METHODIST. SERIES

“Billions for defense, but nct one cent for diety,” is the motto of too many national leaders today, Dr. John M. Versteeg of Cincinnati told Indignapolis District Methodists last night. He spoke at Roberts Park Methodist Church at the first of the series of 12 Sunday evening services in which 10 churches cf the district are participating. “A nation loses its birthright when it puts dollars before salvation,” Dr. Versteeg ‘said, “In view of all the catastrophes of the presen day, we still must believe that Christ is | making coffins fa or all men of ill will. “Today [the mob reaches : new low, crying not ‘Give us the Harabbas,’ but ‘Ciive us Caesar and Mammon, and [Venus thrown in for good measure.’ “We talk too much of men and too little of God. - When man is the measure of all things, man always mesgsures down, never | |measures up. “We wHo preach are téb much inclined to say, ‘Behave’ instead of ‘Behold.’ *

SOCIE ry TO HONOR CIVIL WAR VETERAN

O. N. Wilmington, Civil War veteran, will be installed as hcd¢norary president of the Federated Patriotic Society gt 8 p. m. Wednesday at Ft. Friendly, 512 N. Illinois Sit. Miss Evelyn Compton is the new president, succeeding Mrs. Ella Almond. Other (officers are Mrs. Florence

Belle Rolerts, vice president; Mrs. Elizabeth Austin, chaplain; Mrs. Claudia (KX. Erther, treasurer; Mrs.

Irene Compton, secretary! Mrs. Hazel Reichman, color bearer; Mrs. Bertie Martin, patriotic instructor, and Rufiis O’Harrow, counselor. Installing cfficers include Mrs, Bessie Hart, Mrs, Lula Hartzog, Mrs. Edna E. Pauley and Mrs. Anna Davis.

CHAPTER. TO MEET Englewood Chapter No. 4€3, O. E. S., will hold a stated meeting at 8 p. m. today in the Englewood Masonic Temple, 2714 E. Washington St.| Mrs. Margaret Martin is worthy raatron and Hermar, Corbin is worthy patron.

WHEN DOES IT START?

CIRCLE Bank Dick,” with | Cora Withers at 11, 1:50, 4:35.

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Alan Jones: Nancy and Costello, at 12: 25 gs 152 and 8:55. CIVIC “Two on an Island,” a Dlay by

Elmer | Rice. with Fanchon Fattin, Rober{ Schwomeyer, Norman! Speen: staged | by Richard Hoover. [Engag Malet {hrough" Wednesday, cul *tain ow ()

INDIANA

“Foiir Mothers,” i prises,

Roberis. Guy Kibbee. at 11 32. San 5:51 and o

LOEW'S i “Ge West.” with’ thé Marx Brothers, Diana Lewis. a Carroll at 2 50, 7:10° 10. “Lan Liberty.” 2nd 11, 2:10, 5:20 na © 8:3 { BRIG { pond ti 3 and his of rchestra, nil ES. 3:52. 6:44 end 8 9:36. 5 anc. Private. Detective.” With iors Nolan, Marjorie

Weaver, ‘at 11:19, 2:11, 5:03, and 10:38. i

}

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> Symphony Presents Another World Premiere, Then Old Familiar Music

Raymond Scott Years Pr

It Pays

Rumor has it that Mr. Scott,

posers each year.

day’s program had one, written by George Lessner of Hollywood and called “Portrait of a Lovely Lady.” There also was a “first in Indianapolis,” the amusing Capriccio for Piccolo and Orchestra by :Arcady Dubensky. But since yesterday’s performance was a popular concert (the second of the season) the accent - wasn't entirely on novelty. There was; to begin with, the Overture to Thomas’ “Raymond,” a suce culent chestnut which is in the repertory of every brass band in the world, I presume. Likewise the Ballet Music from “Faust” and the Waltz from Tschaikowsky’s “Eugene Onegin” were heard, along with the last two movements of Sibelius’ Second Symphony, a.work which threatens to move in ‘alongside the Beethoven Fifth, the Franck D Minor and Tschaikowgky’s Nos. 5 and 6 on the list of most popular symp phonies. ” ” » FAMILIAR MUSIC also brought forth the afternoon’s soloist, Alfred Mirovitch; who was heard in the Liszt E Flat Concerfo. Mr. Mirovitch is master teacher of piano at the Jordan Conservatory. And this was, I believe, his first Piblie appearance in Indianapolis. : There isn’t much left to say about this concerto except how it's played. And it has been treated to some varied interpretations here in recent years. There was Dalies

shaking rendition with the National Symphony Orchestra in the spring of ’37, for instance. ' Also Frank Sheridan’s dainty and diffient recounting of the same work ith our own orchestra the following season. Well, Mr. Mirovitch’s conception of the concerto is neither the most exciting nor the most mellifiuous that we have heard. It was technically assured, with the brittle and percussive elements to the fore. There were some anxious moments in the orchestral ascompaniment toward the end. But thanks to some alert scrambling plus whole-hearted, though silent, encouragement from the audience, everything came out at the ened as Messrs. Mirovifch, Sevitzky and Liszt intended. ” ” ” HUMOR IN MUSIC being a comparatively rare thing, the Dubensky Capriccio possessed an extra measure of delight. The soloist takes on something of the wistful character of a Chaplin in the comedy. He does the piercing runs and trills traditionally assigned to his small instrument, and then he attempts to borrow something more tuneful, specifically the “Pilgrims” Chorus” from “Tannhaeuser.” He hasn't proceeded far when there is an angry and protesting bleat from the brass section. - Forthwith the piccolo player essays the opening of the Mendelssohn Violin Concerto. There is an equally vigorous protest from. the fiddles. Crushed, the soloist gves back to his original theme. Rudolph Uhlik of the orchestra’s flute section did the solo parts, and excellently. But his instrument, unaccustomed as it was to public utterance, blew a gasket or something at the beginning. And it took some emergency repairs: and a fresh start to make it behave. ; ” ” ” Mr. Lessner’s “Portrait” is not painted in modern’ dissonant tones, but rather in the softer melodic shades which tend to flatter even a lovely lady. There are suggestions of Franck in the score, also a hint of the popular idiom—not as regards rhythm, but the melody’s character. It is pleasant, romantic music.” The audience, of good but not tapacity size, seemed to enjoy everything, old and new. There was good reason. Mr. Sevitzky conducted with the zest and relish of evident enjoyment. The orchestra played with & right good spirit. And it might be added that Mr. Sevitzky’s informal remarks anent the American compositions added to the pleasure of the occasion.

H » ”

THREE SCENES from Clarence Loomis’ opera, House of Usher,” had their first’ public performance Saturday in Block's auditorium. The music likewise was broadcast by WIRE on the last 40 minutes of a program usually devoted entirely to juvenile amateurs, Mr. .Loomis was at the piano, and the soloists were Rosalind Phillips, who sang Madgline; Forrest Scott, the Roderick; Farrell Scott, heard as Marne; Suzan ‘Osler, the nurse, and Lloyd Patten, a servant. Choral parts were by the Jordan-Butler Philharmonic Choir, under Joseph Lautner’s direction. This opera is based on

“By JAMES THRASHER : FABIEN SEVITZKY, in his capacity as the Indianapolis Symphony Orchestra's conductor, receives some 400 scores from American comThat’s what Mr. Sevitzky told. his audience at the Murat yesterday. And what’s more, the conductor looks them all over. It's no wonder then, that he is able to provide a world premiere for almost any performance, no matter how fast, they come. Yester-

“The Fall of the

made first Indianapolis appearance at yesterday’s orchestra concert.

Alfred Mirovitch

which has been fashioned into a libretto by Ethel O. Fergusson of New York. Mr. Loomis began the work in Indianapolis some five years ago, and completed it, I believe, during a subsequent year of travel. 2 ” IT WOULD BE unfair, if not impossible, to judge the work by the samples heard Saturday, So, until it is presented in its entirety and with orchestra, dramatic actions and the rest of the trappings, I shan’t commit. myself. However, some apparent quale

is, of course, in the post-Wag-nerian style, with an absence of “set pieces.” The music is largely chromatic in structure and dramatic in spirit, as befits the story. An original and effective device is the use of the chorus to express Roderick’s secret, unspoken thoughts. Despite adverse conditions of presentation, many of the pages produced a telling effect. Mr. Loomis’ gift of melody is undeniable, as is his sense for good vocal Writing. The most obvious item on the debit side seemed to be the composer’s predilection for thre-part rhythm, which seemed almost the exclusive metric vehicle in the three JSoenes presented.

STOPPING OFF oa the course of a concert tour, Josef and Rosina Lhevinne presided at an informal and delightful musical gathering at the Bomar Cramer Studios for Pianists on Saturday afternoon. Two hours devoted to discussion and performance of Debussy’s piano works. Mrs. Lhevinne spoke briefly on the French composer’s place in the musical picture, the factors contributing to his development, and the technical devices ‘which distinguish his work. Then Mr. Lhevinne heard and criticized the performance of several of Mr. Cramer’s students. . Naturally, the .gathering would not disperse without some music by the distinguished visitors. So Mr. Lhevinne, who already had done a good bit of playing during an afternoon’s teaching, obliged with a breath-taking account of the “Feux d’Artifice.” After which Mrs. Lhevinne was prevailed upon to join him in the Ravel twopiano transcription of “Fetes.” It was the sort of a performance which has made this transcription a sort of private property of the Lhevinnes. About 100 persons were present, including most of Mr. Cramer's students and as many of the general public as were fortunate enough to find a chair.

STARS' SON IN FILMS HOLLYWOOD, Jan. 13 (U. P.).— Dickie Lyon, 6-year-old son of Bebe Daniels and Ben Lyon, famous silent screen stars, was signed today to play a role in a forthcoming movie, “They Dare Not Love.” Dickie came here from London, where lis parents live, to be out of danger and landed a screen job.

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quite mad.

use his new maroon automobile as a piece of living room furniture. He also loves to drive around curves at top speed #8 his high-powered car with his eyes closed. a He claims he’s brushed his teeth with more brands of shaving cream than any other man in the U., S. Often he turns on one water faucet and holds his hands under the other. Occasionally hell lace up one shoe the same way you and I do and then lace the other one without putting it on. In St. Louis he took a shower partly dressed and then wailed "to his manager, “Why do you let

R | things like this happen to me?”

He’s been known to hop a taxicab and give the driver his phone num|ber instead of his address. If you asked him for his autograph the odds are good that he’ll scribble “Pretty Little Petticoat.”

His name isn’t Raymond Scott at all—it’s Harry Warnow, brother to Mark Warnow, the CBS orchestra conductor. Raymond picked his name from a telephoné book, just because it had the right sound. The correct blending of words is just as important to him as a cadenza in the right place in one of his pieces. The story behind that six-man quintet is based on his same belief that “words have sound.”

It has been written that it’s called the Raymond Scott Quintet because, he doesn’t consider himself part of} it; because he wanted to keep sex ou of it; because he was a screwball.

Tells the Real. Story

“I'll tell you the real story,” he said, smearing grease-paint across an unshaven chin. “It would be a quintet even if it had 13 men in it. Raymond Scott’s Quintet: is the combination that sounds best.”

It's this passion for euphohy plus an overly-active imagination which has resulted in the wacky titles for his compositions: “Duet for Pistol and Piano,” “Love Song to a Microphone,” “On Gazing Into the Inner Recesses of an Old Beer Bottle,” “Huckelberry Duck,” “Consternation of a Cab Driver on Meeting Up With a Fare,” “Yesterday's Ice Cubes” and the like. Most of his compositions were inspired by something he’s seen or heard which just had to be put to music. He once visited a warehouse in Oklahoma where hundreds of old cigar store Indians are kept. This resulted in “War Dance for Wooden Indians.” Overhearing a conversation about a bass player who liked to visit mortuaries, he wrote “A Bass Player's Pleasure at Hearing Nothing in a Morgue.”

Music for Cannibals

“Almost everyone,” he says, “has dinner music except cannibals. I thought that was unfair so I wrote ‘Dinner Music for a Pack of Hungry Cannibals.’ ” A Scott rehearsal is brutal. Because with his other unusual traits he’s a perfectionist. He'll ‘make a player go over and over a half dozen bars for hours to get the result he wants. His idea of re-

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like many -a. Saroyan character, is

Such talk has sprung from Scott’s bizarre song titles, his whimsical absentmindedness, the demands he makes on his musicians, and his pretty screwy ideas on almost anything. He’s the man who wanted to

cording everything they've ever played is another method of creating perfectly executed music. Every place he plays, except during theater shows like his current one at ithe Lyric, he carries an engineer to, record what the band plays. The next day he picks: these records apart;"heightening a phrase here, toning down another, adding a lick or two. The result is he has developed an individual style and a band which is quite unlike anything you've ever heard. Right now he’s changing vocalists and experimenting ‘with loud speakers. “My idea of romahtit singing,” he said, “is to have the vocalist sound as if she were whispering into the ear of every one in the room.” Yet to talk to him is to contradict everything you've heard and read about the “Gertrude Stein of Tin Pan Alley.” He's a serious, swarthy young man with a huge shock of jet hair, a quiet intent voice and

and positive. . Sometimes he nurtures his reputation as an eccentric, other times it annoys him. That's when people don't realize that his absentmindedness comes from his intense concentration and the legends built around him are but a part of his twinkling humor. He delights at putting on an act. He's found that it is good business to be known as a screwball personality at the same he’s musically living up to the ‘genius” tag with which some critics have dubbed him. i:

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