Indianapolis Times, Indianapolis, Marion County, 7 January 1941 — Page 8

TUESDAY, JAN. 7, 1041

shall, who was born in the Philip pines; Dennis Morgan of Milwaukee, Wis.; Ronald Reagan, who came

here from Iowa; and James Stes HOLLYWOOD, Jan. 7 (U. P)— pheénson, an English actor. By the stroke of a producer's pen, Ive: film players became stars toay +» The players who were notified of their stardom by Jack L. Warner of Warner Bros. were: ] Eddie Albert, who came to Hollywood from Minnesota; Brenda Mar-

25¢ to 6—30c-40c Eve. (Plus Tax)

‘THE INDIANAPOLIS TIMES

Bill of Comedy for Friday.

PAGE 8 lda Sneers at Tailors’ List

Husband Forgets Necktie, But She Rates Him High HOLLYWOOD, Jan. 7 (U. Py—

Ida Lupino read over the list of America’s 10 ‘best dressed men as

. 5 FILM PLAYERS je FWHEN DOES IT, START? ARE MADE STARS

. CIRCLE

. Love Th Ne: ighbor,® « with . Jack Allen, Mary Martin, at i 35. 7:40 a 0.

10:1 the 20 and with Ralph Margaret Li: Lindsay, at 11, 135 an

INDIANA “Santa Fe ,” with Errol Flynn, Olivia de Teavillang, Raymond Massey. at 11:16, 1:54, 4:32, 7:10 and

LOEW'S “Comrade X,” with Clark Gable, ‘Hed Lamarr, Oscar Homol a, at

"with Lew Ayres, Rita Johnson, at 11:20, 2:25, 5:25 and 8:25.

Bellamy, 1:30. 4:05,

picked by the New York Custom .Taaors’ Guild and sniffed that the Guild was afflicted by “Gotham myopia and Broadway provincialism.” Not a single Hollywood actor was on the list, “There is Lucius Beebe, for instance. Since when iS a man well dressed simply because his clothes are inordinately loud?” she asked. “Here are a few Hollywood men wha shouldn't be overlooked in. any national vote—Fred "Astaire, Errol Flynn, Cary Grant, Jeffrey Lynn, George Brent, William Powell, Clark Gable, Ray Milland, Jack Benny and Louis Hayward.” “I wuold have placed Mr. Hayward higher on the list but» I know he often forgets his necktie.” Mr. Hayward is Miss Lupino’s | husband.

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dentally, form the comedy double Lola Lane Delays |

HOLLYWOOD, Jan. 7 (U. Lola Lane is on a personal appear« ance -tour, thereby postponing honeymoon with Henry @ Duncaii, the aircraft executive to whom He

12:01 a. m. Sunday.

possible under California law. They took “out their intention to wed & Thursday. Three days must clan before a license is issued. The license was obtained at (the stroke of midnight and the marriage was performed immediately after. Minneapolis, Minn. ,is the fist stop on Miss Lane's tour.

PICHEL SIGNED

Irving Pichel,. “Who recently completed “Hudson's Bay,” starring Paul Muni, for Twentieth CentulyFox, has been given a new direc-

torial contract by the company. |

A COST OF 5: A DAY

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Payments in the table include all «

charges at Household's rate of 2349, per month on that part of a balance not exceeding $150 and 124%, per month on that part of a balance in excess of $150, Every Household customer gets the benefit of this rate—whether new customer or former borrower.

Fair treatment

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Honeymoon Trip,"

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i H

RECORDING

routh Orchestra Triumphs Again;

“Rachmaninoff Preserves an Event

By JAD (ES THRASHER ?

Tschaikovisky, Symphony No. 6 (Pathetique); Leopold Stokowski and the All-American Youth ()rchestra (Columbia).

Last summer Mr. Stokowski and his young musicians made an unbelievalily fine recording of Dvorak’s “New World” Symphony before depaiting for their Sout)i American tous The adverb “unbelievably” is dfagged in because Nr. Stokowski had assembled the: orchestra only thre or four weeks befpre, but the recorded performance would have don# credit to any of our mature and veteran orchestras.

After heating the preseni als:

| bum, which was made aftei the

orchestras return, it seems that some new] adjectives are in ¢jrder. i don't rémember hearing kjetter orchestra | playing and recoiding anywhere; At this point, now= ever, I think it should be inen-

| tioned that the youth ensemble

| Rachmaninoff wrote for I | American tour in 1909.

assets was resorted to on only one | out of each 20,000 loans-—an ac- | tion taken then oply as prptection |

against fraud. Please feel free to phone or visit | us at any time. You will be ander | no obligation to borrow. |

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LOAN YOU NEED

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2 4 6 Dayments|payments|payments

& payments

12 16 20

10 bayments| payments |payments| bayments|

$10.38 12.98 15.57 20.76 25.95

31.15 36.34 38.93 41.53 46.72

51.91 64.89 77.86 90.71

$5.32 6.65 7.98 10.64 13.30

$ 3.64 4.54 5.45 7.27 9.09

10.91 12.72 13.63 14.54 16.36

15.96 18.62 19.95 21.28 23.94

26.60 33.25 39.91 46.49

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103.56 | * 53.07

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4. 88 $5 3.86 4.50 4.83 5.15 5.79

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$ 4.61 5.38 5.76 6.14 6.91

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7.68 9%0 11.52 13.40

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19.43 | 15.26

| included 4bout a dozen first- hair men froni the Philadelphis| orchestra In strategic = locat ions. This isn’t said to detract fron} the credit dug all concerned. Bjit it is a fact!that has been uijderplayed, ahd ought to: be ‘taken into account lest we ‘think Mr. Stokowski|a super-wizare. i I am indebted to one off the Indianapclis Symphony Orihestra’s meribers who played in the All-American Youth Orchistra for the |informdtion that | Mr. Stokowsk! used only about | half the string section in this repording. Theat accounts for the fact, perhaps, that the section hap the flexibility! and unanimity pf a string quirtet. The woddwinds, too, cont: lihute glowing [tone and meticulous phrasing in the solo passages, and rich body! and delicate balarice in ensemble! In short, it is viijtuoso playing of the highest order| And the meclianical reproductio A approaches perfection. It seeris too bad that as uch can't be said for Mr. Stokcwski's interpretation. To this listener it is a decidedly “coals to Newcastle” concepticn, Sentiment piles| upon sentimen;, and sighs and; sobs abound. | . Yet Mr. Stokowski is too much

the gress: artist to leap all civil

bounds. |And he avoids drcwning in his own tears by a clever [stroke of conductorial genius: to |offset the emdtional extravaganiie he has madg the first movemer|t tonally reticent. It is all ver intimate. Woes and passio] is are whispered, as in “Camille,” instead of being shouted, as in “Ha/nlet.” And it works very nicely I ” ” o | & Rachmaninoff, Concerto Np. 3 in D Minor; Sergei Rachm: ninoff, ; .pianis{, and the Philailelphia Orchestra, Eugene Oimandy conducting . (Victor). This is the concerto which Mr. is first I'he recording, was made last | season during the Rachmaninoff festival celebrating his 30 years’ musical activity in this country. The fess» tival wis presented by the Philadelphia orchestra, and Mr Rachmaninoff appeared in thi triple capacity of composer, ccjaductor and pianist. The I) Minwr is less play a than the Concerto No. 2 in. C| Minor. This is| partly due, no diubt, to the fact that it does nq speak so directly to the listeneras does the eailier work, and pai'tly because every concert pianiit is not equippéd to master the demanding sold part. Hearing the work we | “joice that one of our co rary composers has not for granted that. the pijno was fully exploited in the 1ith century. Mr. Rachmaninofi carries virtuosity to dazzling niaks beyond those scaled by the titan composers of an earlier day. Nor is the music all ex{iitement. The concerto abounds in‘ (he composer’sy own brand of pprsuasive and svieetly mournful melpdy. The orchestra is opulent, and Mr. Ormandy and his men kfiep pace with Mr. Rachmaninoff in a brilliant performance.

nay res 1tempo;aken it

DATE CHANGED

Te next illustrated lectijr

Sibelius, Symphony No. 2 in D Major; John Barbirolli and the New York Philharmonic-Sym-phony Orchestra (Columbia). This is the second big work recorded by Mr. Barbirolli' and the New York orchestra since they came under the Columbia banner, and it is decidedly more satisfac--tory than the Brahms Second Symphony which preceded it. The conductor displays considerably more drama and vitality than is sometimes his wont. And, of course, the orchestra is capable of excellent playing.when in the mood for it. Nothing need be said about the music, for it seems to be on the tip of practically every conductor's baton today.

” s td

Bartok, Rhapsody No. 1; Joseph Szigeti, violinist; Bela Bartok, pianist’ (Columbia).

Mr. Bartok’s chamber-style music is unmistakeable: Skeletal construction stripped of every non-essential, yet bearing the stamp, as does all his work, of the folk music in which he has - steeped himself. The Rhapsody is hardly ie conventional style of « violin-and-piano collaboration. Each instru= ment goes .its separate way, and to achieve a feeling of cohesion in performance must be quite a trick of understanding interpretation. Mr. Bartok, a capable pianist, has the assistance of a discerning artist in Mr. Szigeti, and their playing is of high order. As for the listener’s ultimate enjoyment, it depends upon his sympathy with the Bartok style.

JACK HALEY BACK

HOLLYWOOD, Jan. 7 (U, P.).— Jack Haley will return to the movies next week after an absence of 18 months during which he did an éngagement on Broadway and made personal appearances throughout the East.( . . He will go to work in “Miami,” a musical comedy, with Charlotte Greenwood.

CIRCLE

JACK

BENT A

Ralph Bellamy « Margaret Lindsay in MEET THE WUDCAT “

HURRY! LAST 3 DAYS!

IN MOVIES AGAIN?

CASS RR ROR ND

EXTRA! ON SCREEN

' W. C. Fields shudderingly refuses Andy Dévine’s invitation at|left to climb on the water wagon in the course of “The Bank Dick,” while at right the comedy team of Abbot{ and Costello slip on a derby for jiize during their film, “One Night in the Tropics.” bill which vill open at the Cirle Friday.

The two pictures, inci-

Talk Postponed

Alfred Miroviich . rehearsals.

. busy with

Rehearsals for concert engagements here and in the East have made it necessary for Alfred Mirovitch to postpone his scheduled lecture on “Technique Through Musicianship” tomorrow night at the Jordan Conservatory. The lecture, which is to be illustrated by Mr. Mirovich’s playing of Schumann's ‘“Carnaval,” will be given Jan. 15. Mr. Mirovitch’s solo appearance with the Indianapolis Symphony Orchestra at Sunday afternoon’s popular concert will climax a busy week for Fabien Sevitzky and his musicians. There are recording sessions for their first Victor releases today and tomorrow, and an all-Wagner concert Friday.

bh EMERSON

» LYRIC Marcus Show, with Sofia Alvarez, Florence Bin Low, Teoh Miller, on stage at 17:5 3:38, 6:34 and 9:30. Jehnie,” with Virginia Gilmore, Gea Montgomery. at 11:07, 2:03, 4:50, 7:46 and 10:42.

Gary Cooper ‘Northwest Mounted Police’ Nan Grey, Mischa Auer “MARGIE”

Open 102. m. 15¢ to 6

Tyrone Power “Mark of Zorro”

Myra Loy “Third Finger, Left Hand”

CLARK

GABLE

HEDY

LAMARR "COMRADE X'

Plus “GOLDEN FLEECINGY

FRIDAY!

MARX BROS. “GO WEST"

and “Land of Liberty’

| © Superb Scenes ® Unusual Acts * x

Stirring! Human! Different! _

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ith A

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5:45

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Lum & Abner ip

Lucile Ball “000 MANY GIRLS” 4630 5:45

10th to 6 20c Gary Cooper “THE WESTERNER” _ Joel McCrea “Foreign Correspondent”

DY "6116 E. Washington

SHERIDAN Doors open at 6:45

Gary Cooper “THE WESTERNER”

| Grant Mitchell “FATHER IS A PRINCE”

2930 Open All

PARKER; 10th 5:45 Seats

Jas. Cagney * RING Ws” “BULLETS FOE RUSTLERS’ ’ PER TEER

PARAMOUNT 0.0

Adults 15¢ ALWAYS—RKiddies 1Uc 5307 5:45

Rewind “HIRED WIFE” Sidney 7Toler-Joan Valerie “CHARLIE CHAN AT WAX MUSEUM” BRE E. Wash, to 6 Gary Cooper—Madeleine Carroll “Northwest Mounted Police” Broadway’s Musical Hit!

“TO0 MANY GIRLS”

The Mecca 3) 20c¢

Jas. Cagney “CITY FOR CONQUEST” Irene Rich “QUEEN OF THE YUKON”

TOY 20.

Pat O’Brien “ENUTE ROCKNE” Dennis Morgan “RIVER'S END” 2116 E. 10th Wayne Morris “THE QUARTERBACK” “ONE MILLION, B. C.”

TUXE IXEDO 4020 E. Any

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‘Northwest Mounted Police’ Plus: ‘Too Many Girls’

WALT DISNEY’S “GOOFY GLIDER” Thur » K. Kyser, “You'll Find Out” - In Color, “Bittersweet’’

~~ NORTH SIDE

Maureen O’Hara

2 REX

Irene Rich | “QUPEN OF THE, YUKON”

TALBOTT

ZARING

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“TOM I BROWN’S SCHOOL 1 DAYS” Any

31st & 20¢ Any

Northwestern Pat O’Brien “KNUTE ROCKNE’ Irene Rich “QUEEN OF THE YUKON” 19th and

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College at 63rd Free Parking Lot

Ginger Rogers “LUCKY PARTNERS” Robt, Montgomery “Haunted Honeymoon”

Talbott at 22nd Don Ameche Betty Grable “DOWN ARGENTINE WAY” Gary Cooper’ “THE WESTERNER”

Central at! Fall Crk. Jon | Hall Lynn Bari “KIT CARSON”

Rent Taylor “I'M STILL ALIVE”

THRU. WED. Joel McCrea Laraine Day

‘NORTH SIDE

T.CLAuNE 7] Ft. Wayne & St. Clair « TWO HITS Victor

mare CAPTAIN. CAUTION" __“BLONDIE HAS SERVANT TROUBLE" ~

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16th and Delaware Gary Cooper “THE WESTERNER” “MEXICAN SPITFIRE our | WEST'*~

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Jon 4 KIT CARSON

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Lynn Bari - ! “DR. KILDARE. GOES HOME”

SANDERS," ,a 4s Prospect Jul Gartield “FLOWING GOLD” Nancy Kelley “PRIVATE AFFAIRS”

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1105 5. MERIDIAN “MONLY AND THE WOMAN” £ ADY IN QUESTION” WEST SIDE 2540 W, John. Barrymore

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“THE GREAT PROF _Ann Dvorak ‘GIRLS OF T ROAD" Ol 8 _BUAY

2702 Adults STATE ,’ i, 20C ,.\ Tine Jas. Stewart “NO TIME FOR COMEDY" Gary Cooper “THE WESTERNER”

Speedway ay City Tyrone Power -

S PEEDWAY Linda Darnell

“THE MARK OF ZORRO” “DR. KILDARE GOES HOME”

BELMONT Belmont & Wash, -

Tyrone Power ' “THE MARK OF ZORRO”

“Foreign Correspondent”

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Linda Darnell John Barrymore “GREAT PROFILE”

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DR. ALFRED MIROY ITCH

Mester Piano Teac! her be given

Wed: tesday, Jan AS. 7: 30 P.M. Technique Torah Mus

Piano or ichers! Sule miss this lec

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25.56 28.32 31.07

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14.28 15.78 17.28.

154.95 | 79.21 | 53.98 | 41.37 33.82 28.79 22.51 | 18.77

cianship fs!

WE GUARANTEE the total amount figured by using this table to be the full ainount you will pay, when payments are made on schedule. You will pay less if you pay yoar nd ahead of time since you pay charges only for the actual time you have the nioney. Payments include charges at Households rate of 212% per month on that part of a balance not exceeding $150, and 14% per month on that part of a balance in excess of $150

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