Indianapolis Times, Indianapolis, Marion County, 14 December 1940 — Page 14
HOLLYWOOD
Camera On a Cable Gives Characters Those Lurshing Motions in ''Sea Wolf"
MOVIES oH Gloria Jean Here With Her Movie: About Ted Weems and a Magician
By PAUL HARRISON “
| CIHCLE—Glotia Jean, personal appearances today and tomorrow.
Also “Tiail of the” Vigilantes,” with Franchot Tone, Broderick Craw-i Bit of Heaven,” With« Gloria Jean, |
ford, Andy Devine, and “A Little Robert Stack and Hugh Herbert.
LYRIC—Ted Weems and his Tanner, Marvel Maxwell, on stage. - Roger Pryor, Eve Arden.
' Circle
After -a winter’s stint 1ast year in the Broadway ‘success, “Fifth Column,” Franchot Tone has returned to Hollywood as a tender‘foot cowboy—but smooth as ever nonetheless. His latest effort for the camera is “Trail of the Vigilantes,” a tale of hard ridin’ and quick shootin’ to say ‘nothing of wistful wooing. The movie is but one-third, how.ever, of the triple-barreled program now at the Circle. Gloria Jean, the 12-year-old singing star, is making a personal appearance which will last through tomorrow, and her movie, “A Little Bit of Heaven,” is the third ingredient of the Circle’s dish for this week. Following the usual howmany = pictures - have - you-made ? type of interview, Gloria Jean sang a couple of songs yesterday afternoon and the audience ‘‘went for it” very nicely. She probably would have ‘taken an encore had she been able to get together with the man on the spotlight. The stage was darkened and when she came out to take her bows the man with the spot naturally couldn’t see her. It was not until the second time she ‘tried that he found her with
-a faint glimmer of light.
That little problem probably has been worked out by now, however, and you may be able to hear her sing at least three songs. And you should consider it a treat, for Gloria Jean ‘has 2 beautifully clear and keenly pitched voice. What's more
she acts her own age -and_ she’s
quite charming. The movie with Mr. Tone starred concerns cattle rustlin’ and general orneriness in the old West. before the turn of the century. Mr. Tone is some kind of a Government investigator who comes out “East” from Kansas City to find out who plugged a certain reporter who was after a story for the “Kansas City Press.” To make a full-length movie short, Mr. Tone finds who did the deed, stops some cattle rustlin’ being done by a “protective association” (Chicago style) and "finally gives in to the amorous attentions of the rancher’s daughter, in this case Peggy Moran. * “Mischa Auer is as funny as ever in a rather chameleon role of Indian for a medicine show, a Spanish caballero, a matador and a Russian Cossack. You should see him ride a hoss: 3 ’ : P.
orchestra,” with Perry Como, Elmo
Also “She Couldn’t Say No,” with |
: Lyric Ted Weems brought his band, and assorted attractive acts to the Lyric yesterday. for a week's run, and there he added two amateur knot tiers. At least, they .tied .knots as though they were amateurs, al-
stage presence to put his neck in a guillotine for a magician. The way that happened was this: The magician asked for a couple. of fellows to come up on: the stage and tie up his thumbs.
entirely satisfactory until the magician voided the knot. Then he asked one of the fellows to put his head through a guillotine equipped with & sharp steel blade which only’ a moment
before had. sliced into two pieces a head of cabbage that had been just where this fellow’s neck was. This caused the knot—tiers a certain amount of uneasiness but it came out all * right, incomprehensibly. Although the knife cut a bunch of celery in two which was belcw and apparently in. line with
intact. Outside of that, the show was more on the humourous side, with Red Ingle the :chief clown and Marvel Maxwell the leading: bit of feminine decoration. Mr. Weems offers several stage tricks, the most engaging of which is pulling a five-piece super band from ' his regular band and presenting it on a little stage, trundlebed fashion. There were two people who were silly enough to get on high stilts and dance but apparently they didn’t fall, unless it was backstage. And there was a team of dancers who burlesqued the hutlesques of acrobatic dancing, and this can be safely rated as a hazardous business, indeed. When they fell, brother, they REALLY fell. The picture is. “She Couldn't
Say No” with Roger Pryor, Eve Arden ‘and Cliff Edwards.—J. C.
though one of them did have the| [i
These two fellows volunteered,|§ and they tied up the magician's|§ thumbs in a manner that seemed |}
the fellow’s neck, it left the neck|
- Grant,
Here are two new studies of John Barton in his memorable role of the ancient, evil, but somehow lovable Jeeter Lester, patriarch of “Tobacco Road.” Jeefer has been visiting Indianapolis at Christmas time as regularly as Santa Claus Hess past few seasons. And he'll be back again
for a four-day engagement at English’s which begins with a Christmas matinee.
NEIGHBORHOODS
Strand
Lamarr in Exfra Film at’ the Rivolil ~~
Brings Back Six Favorites;
By DAVID MARSHALL
. MONDAY, Tuesday and Wednesday of next week are the days when the Strand brings back the six pictures voted by its patrons as the films they would most like to see returned. The half-dozen pictures will be shown on this-schedule:
Monday—“Stanley and Livingstone”
(Spencer Tracy, Richard
Greene, Nancy Kelly) and “Gulliver's Travels” (color cartoon feature.)
Tuesday—“One in a Million” (Sonja Henie, Adolph Menjou) and “Lost Horizon” (Ronald Colman, Jane Wyatt.) Wednesday—“Gunga Din” (Cary Victor MecLaglen) “Love Affair” (Irene Charles Boyer). ” ” ” FOR ERNEST TRUEX fans the Rivoli will show for the first time in the city “Calling All Husbands” tomorrow through Wednesday. Also in the cast are George Tobias, Lucile Fairbanks and Florence Bates. Mr. Truex plays his customary rcle of a henpecked husband. But finally with the aid of some overly ripe apple
Dunne,
and:
” 2
i |Poe’s well-known story),
Incidentally, House ' of Usher” (based on. a libretto by Ethel O. Ferguson after will have a dress rehearsal performance at Foster Hall tomorrow at 5 p. m. Soloists will be Rosalind Phillips, soprano; Suzon Osler, mezzo soprano; Farrel Scott and Lloyd Patten, tenors, and Forrest Scott, baritone, Choral parts will be sung by the Jordan Conservatory Choir, under Joseph Lautner’s direction, and the orchestra score will be played on the organ by Paul Fidlar. “The Fall of the House of Usher” will be given its first public. per-
: formance: by the American Opera
Society in Chicago on Jan. 15. Mr. Loomis’ letter anent native opera is as follows:
Mr. Loomis Blasts Myth - About American Opera
{It's Good, He Contends, and His Own Will Have a Dress Rehearsal at Foster Hall Tomorrow.
Clarence Loomis, Indianapolis composer, has written a letter to the music editor commenting upon a recent search for an American opera which, after due consideration, was pronounced fruitless. Mr. Loomis is the composer of several operas himself and one of them, as he states in his letter, was produced successfully. Mr. Loomis’ latest music drama,
this letter who have had one performance or more by a major opera |
tells the world that America, is in its infancy as regards musical art and especially composition. “Where were these people when
Douglas Moore's opera, ‘The Devil and Daniel Webster,’ was performed in 1939 in New York City by the American Lyric Theater, Inc., ant conducted by Fritz Reiner, whom I
"black paint.
“The Fall - of the!
Brothers has, to rock a boat.
cost of one man's wages.
hydraulic jacks built to lift half a million pounds. Inside a cabin, though technicians merely hang | the camera by a cable and swing | it.. The camera is swung in a figure 8, a regular pattern traced on the floor by a pointer. If the motion were only lateral, it would look phony. But with the forward, backward, sidewise and tilting movement of the camera, people standing on &- level floor: seem to lurch. in an effort to balance themselves. The shimmering of background waves -in the sun is an effect which in ordinary circumstances can be produced by rear-projec-tion on a translucent screen of an actual film. But on this indoor ocean, and with a full-sized ship, the background vista -is many times larger than any process shot permits. So the waves are made with three enormous sheets of celluloid, each about 60 by 30 feet, and each striped with horizontal dashes of Hung together and slowly shuffled by a machine, and with flood lights blazing through them from the rear, they produce an effect of lapping waves you can almost hear. . 2 8 n MORE TRICKS-OF-THE-TRADE: Maurice Seiderman, a makeup artist whom I wrote about recently,’ has a. material called ‘fleurocene which changes and reflects ultra-violet light. With a couple of drops of it under contact lenses applied to the eyeballs of a creepy-jeepy actor, and with an ultra-violet lamp somewhere behind ‘the camera, the effect is .shuddery enough to please Bela Lugosi. 2 Screen actors have to learn to toe the mark, literally. Working with stand-ins during camera rehearsals, actors must pause or stand on chalk lines during important speeches so they can be kept perfectly in’ focus. Inexperienced players, even if they're stage veterans, usually find their most dif-
”
know personaily as an enthusiastic |:-
admirer of Moore's opera? a labor of love for him. I'm sure Mr. Moore might be successfully approached by a producer. - “There are many composers of opera who might be mentioned in
“It was] -
HOLLYWOOD, Dec. 14—A studio may: spend $100,000, as Warner ; And yef, for scenes inside a ship or ‘| wherever the horizon does not show, sea-sway is simulated for the Such great differences in cost, to obtain similar effects, are what drive Hollywood efficiency experts ‘screwy. On the “Sea Wolt” set, the schooner Ghost is pitched by massive
| ficult job is to assume exact posi-
tions: without self-consciously looking at their marks. 8 = ? o ‘The ordinary amalon see in living-room scenes burn 10 times as brightly as those in your - home. And. all the lights used in a million-dollar picture account for at least $20,000 of the budget. . . . Property men and sel designers meet many more technical problems in a picture of "20 years ago than in one of 200 years -ago. A film which goes back only two or three decades must be absolutely authentic in detail, but fans are much less critical’ about things they don’t pérsonally remember.
| A Naa. BALLROOM DANCING New Class Mon., Dec. 16th 8:30 P. M.
Complete. Course, 10 Lessons, $7.50, Terms.
For further details . , Phone RI. 1610
Stockman Dance Studios
" Indiana's largest and finest
cider the worm turns. Also on the bill is “Foreign Correspondent” starring Joel McCrea, Laraine Day, Herbert Marshall and George. Sanders.
# ” 2
SANTA CLAUS got such an overwhelming reception at the Strand today he’ll come back next Saturday giving away comic books and letting the kids broadcast over his private broadcasting system. He'll also lead carol sing-
“I have just read an article headed ‘Search for U. S. Opera Fails.’ At this contest of the Philadelphia Opera Co., 37 operas were submitted. Where were the others? . “At the contest for an American {opera to be performed by the Amer"lican Opera Co. in 1929 (the company having its start at the Eastman School of Music in Rochester, with singing talent chosen from the best available in America and headed by Vladimir Rosing) several hundred scores were submitted.
company: and as- successfully per-|. haps as some of the first performances of operas by Europeans whose works are still being performed, and which might easily be replaced without great loss to the world by worthy composers of opera in English. “However, we are still tracing the proverbial cow- -path and will probably continue to do so until some new cow-path becomes proverbial. “One thing is certain! American composers can and must stand on
MUSIC
Hofmann Plays a Supposedly Dull Chopin Work to Delight of Audience
George Tobias and Ernest Truex . . . who seem to be on the receiving end of some well chosen words.
EEE “A LITTLE BIT OF HEAVEN"
P= OPEN 10:45—25¢ Till 6 Sur
Tax
“By JAMES ‘THRASHER
THERE IS MATERIAL for an evening's debate in the question of whether an interpreter can make a composition sound better than
“Gulliver's Travels.” ‘Tuesday: “One in
- be relied upon to repeat that mir-
- had tackled the larger forms.
it really is. to cases.
But this is not the Place for that debate, so let’s get down
The point is that Josef Hofmann worked a major miracle upori a piece of inferior music in his solo appearance with the Indianapolis
Symphony Orchestra. at the Murat yesterday afternoon. And since Mr. Hofmann is nothing if nat a dependable artist, he may
acle for this evening's audience. Chopin’s Concerto in E Minor is- the composition in question. Most pianists avoid the work— which is a good thing, for if they didn’t, most audiences would avoid the pianists. The concerto, like its companion work in F minor, is a work of the composer's pre-Parisian youth. Not only does: it betray an unripened style but
it was undertaken, we are told, simply because a composer wasn't anybody a century ago until he
Sifice Chopin seemed always rather uncomfortable in the more extended forms, and since his gift for original and felicitous piano * yriting -didn’t carry over to the orchestra, the concerto leaves much te be desired. : % 8 ” JUST HOW Mr. Hofmann breathes life into this rather dull and dated music defies explanation. Certainly he is: too much the mature artist to content himself with dazzling his hearers. He doesn’t play louder or softer or faster than his colleagues, and others can evoke as lovely a tone from the piano. Yet his performance captures and captivates his audience from the first. One listens without being conscious that Mr. Hofmann is “doing” anything in particuiar. Yet, at the close of each movement, he realizes that what he has heard is perfect playing. And when the concerto is finished and “thought about, there comes the
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realization that Mr. Hofmann's olympian perception has gone directly to the root of Chopin’s inspiration, and has overcome its inferior expression by a consummate artistry whose sympathetic search for beauty seldom goes unrewarded. Proportionate praise should go to Mr. Sevitzky for his careful and co-operative part in the concerto’s performance, and to the orchestra for -their “spirited account of the meager material that falls to their lot. They participated in ‘a real ovation which brought Mr. Hofmann again and again to the front of the stage to béam and bow in acknowledgment. : 2 2 2
ANOTHER noteworthy performance was that of Sibelius’ Symphony No. 2 in D- Major, which took up the second half of
the program. Mr. Sevitzky’s con-
ception of the music has gained much in depth and assurance since he “conducted it on last year’s subscription series. Sibelius’ style: is abrupt and disjointed on ‘the surface. And last year the pauses seemed to bring a complete halt to progress as well as sound. . Yesterday one felt in these pauses a tautness and strength which enhanced, rather than weakened, the dramatic mood. And that is as it should be. Lest too much attention be paid the silence at expense of the sound, be it said that the orchestra also showed a marked improvement in sonority, solidity and brilliance. Mr. Sevitzky's reading of the second movement still seems more appropriate to Tschaikowsky than Sibelius, but on the whole it is an admirable realization of a deservedly popu- -
sion on yesterday’s program was a part of the-international celebration’ honoring Sibelius on- his 75th birthday, which occurred last Sunday. » ” 2 ; : THE ORCHESTRA'S: current program also includes two compositions new to this city—the Mozart Serenade No. 68 and Frances McCollin’s “Christmas Poem,” which had its first performance anywhere at yesterday's concert. The Serenade is not particularly distinguished Mozart. That does not mean, however, that it is without its moments of pleasure, “for: Mozart seemed actually incapable of making bad music. The work is scored for two or-
| chestras, and was played yester-
day by a solo quintet (Messrs. Zawisa and Starns, violins; Salkin, viola; Friedlander, cello, and R. “Siegel, bass), tympani and a small string orchestra. Miss McCollin’s: new: Yuletide music is a pleasant confection which sets out merely to give us charming and picturesque music,
Good on Broadway
and succeeds in a capable and
_ craftsmanlike manner.
; sess
lar work. The symphony’s inclu- th
ing from the stage. ow woos THE ESQUIRE has substituted “Hired Wife” with Rosalind Russuell for “Spring Parade” on its program opening tomorrow. The Russell film will be shown with “City for Conquest.” “Spring Parade then will open on Thursday.
® ® &
For its last shown only tonight, the Rivoli is returning Hedy Lamarr’s first American picture, “Algiers” which also stars Charles Boyer. This in addition to the regular twin bill.
2 2 2
THE WEEK-END CALENDAR:
BELMONT —~Tonisht; ble Deb No. nd ay Caballero.” . Tomorrow thronigh Tuesday ‘Foreign Correspondent” and “Here Comes the Navy.” CINEMA—Tonight: “Brigham Young —Frontiersman’ and “Love. Honor an aby." Tomorrow through Wednesday: °Citv for Conquest” and “Argen-
tine Nights. DAISY—-Tonight: “Mummy's Hand" and ‘‘Texas Stagecoach.” Tomorrow and onday: “Knute Rockne — All American” and “Blondie Has Servant Trouble. EMER RON ign, "e City . for Con. hrough Wednoitay: ] a American” and
ESQUIRE—Tonight: ‘No Comedy” and ‘‘Young Peo row through Wednesday: and “City for Conaques
Time ple.”” ‘TomorR Hired Wife”
FOUNTAIN SQUARE- ~Tonight through
Tuesday: ‘‘Haunte Honeymoon, GRANADA—Tonizght and tomorrow: “Third Finger, , Left
Hand” and “Glamour_for
Sale TLTON= Tonight: “No Time for Comedy” and “City for Conquest.” To through Wednesday: ‘Knut American’ and “Leather
ers.” «JRV ING— Tonight: "“Wyoming’® and ‘The Quarterback.” Tomorrow through -Wednesday: Strike Ub the Band” and “Gay Cabailer MECCA Tonight; ‘Doomed to Die” ! o Silver.” Tomorrow through “The Sea Hawk and “Caro-
Moo ENTAL Tonight “Rangers of Foot ne’’ nd Blondies Has Servant Tobe. Tomorrow and Monday: 1 Love You Again” @nd ‘No Time for
Co! PARAMO OUNT-T3 2, ni “Prairie Schooners” and Tomorrow and
‘Wyoming’
8 Erovded “Andy Hardy the P PARKER~ Tonight:
Log) ” and ‘Dance. Girl, 25 1. Sarried
Tomorrow venue A’
0 throu il "i od r esda, d “Young People. ¥: s wArgentine
"A throug] Fednesdan: alling All Husbands” fr “Foreign Corresponden: To! might. oS gy
ht = Ting Par ' Spr ade
Tomorrow
“Island of Men. Tomorrow through Tuesday: TReturn of - Frank James” and “Danse. ain ht
oni § ah Qver a.”
oring ey Staniey Aro api Over. Bima: LAST EES
| EnaLISH wR
> 8: TARR» Teh en 62 EAT LAB so Muse:
Eves. $1.10," $1.68, $2.20, $2.75, $3.90, ;
Sat. Mat, $1.10, $1.65, $2.30, $3.78
Horizon. '’ Wednes“Love Affair.” “Mummy’s ToY
a Million’ and ‘‘Lost day: “Gunga Din” and STRALFORDS — Tonight: and” and © “Wagons Westward. ” morrow through Tuesday: “I Love Again” and “Soring Parade. TA€OMA—Tonight: “South to Karanga” and “Girl From Avenue A.” = Tomorrow thr ough Tuesday: Caution’ and ‘Return of Frank J TALBOTT—Ton ight: “River's and * ‘Young Peo 16. TOMOTIOW through Tuesday: “City for Conquest” and “ArRentine Nights.’ : UXE DO Tonight: ‘Mystery Sea “Anne of Windy Poplars.” Tomorrow through Wednesday: Can Ri ,,Caution” and “Down Argentine
UPTOWN _Ton! ht: oNygon Over BurMa’* and “Th
D rrow. through Wednesday: Virginia” and “Here Comes the
ZARING—Tonight: ‘Here Comes the Navy” and “Father Is a Prince.” Tomorrow through Wednesday: ‘Brigham Young—Frontiersman” and “A. Chump
at Oxford.” DOWNTOWN ilroush Monday: kock,” ‘Ole Sw. immin’ Satan.” tomor-
moon
‘Down Argentine
WHEN DOES IT START?
CIRCLE . Gloria 3 Joan, on stage at 12:40, 3:50, an Avail of the Vigilantes,” with Franchot Tone, Broderick Crawford Andy Devine, at 12:55, 4:05, 7:15 and
““A Little Bit of Heaven,’ with Gloria Jean, Rober 8 Stack. Hugh Herbert, at 11:10, 2:20, 5:30 and 8:40. ENGLISH’S “DuBarry Was a. Lady,” the B. G. De Sylva-Cole Porter musical comedy with Bert Lahr, Frances Williams, Benny Baker. Engagement through Saturday, ourtain at 8:30; Saturday matinee at 2:30. 'S “The Long Voyage Home,” with John Wayne is Mitchell, Ba Hunter, at 11:15, 2:40, ~ 30 and 9:4 “Hullabaloo.” with PE Mor Hg Virginia Grey, at 1:20, 4: Hoy and 8:20.
LYRIC > Ted Weems and his oreHest NY un erry Como, mo ner, Maxwell, on stage at 1:02, 3:54, 6:46
d ‘She Couldn't Say Nog» ie Roger Pryor, Eve Arden, 11: 2:07, 5:19, 8: 11 RA 10:4. ;
“Why? The composer was offered a splendid fee for each performance with a minimum guarantee of performances. The composer was to be honored in a way befitting the acceptance of his opera by a committee composed of the best judges available. “My opera, ‘Yolanda. of Cyprus,’ was accepted and given some 30 performances in the principal cities of the United States and Canada. Everywhere the opera met with great success from press and public. “They ‘speak of fifth column activity. Could this not also extend to music and especially inthe line of composition? The American composer is supposed to be an inferior to his European cousin who
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Mat.
RONAN g
I
Today 12:45 to 6 20¢
Jas. Cagney-Pat O’Brien
“Here Comes the Navy” cesar GAY CABALLERO"
Romero Added to Last Show
EXTRA! : Tonight Only! Chas. Boyer “ALGIERS”
Hedy Lamarr
First City Showing SUN. ' “CALLING ALL HUSBANDS”
Joel ‘Foreign Correspondent’
AL NITE
\ [SUN. | PARKER pr: Maureen O’Hara “Dance,
SUN.
M’Crea 630 5:45 EMERSON .'l, &'s 20C C “CITY FOR CONQUEST” TE rose! “HIRED WIFE” SUN “KNUTE ‘ROCKNE” a
“DOWN ARGENTINE WAY” SHERIDAN
6116 BE. Wash, - Doors open 6:48 Deanna Durbin “SPRING PARADE” . Ritz Bros. “ARGENTINE NIGHTS “DOWN ARGENTINE WAY” Bruce Cabot ‘Captain Caution”
E. 10th St. Open at 6:45 Joan Bennett “MAN I MARRIED” Girl, Dance” “GIRL FROM AVENUE A” “MYSTERY SEA RAIDER”
SPEEDWAY
PR AT TT
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Mat. Today
STRAND
A 2702 W. Adults [STATE A. 20¢ “TOM BROWN'S SCHOOL: pays» . “COVERED WAGON TRAILS” ' SUNDAY—Deanna Burbin- Mischa, Auer “SPRING PARADE Dick Foran “MUMMY’S HAND”
Speedway City Geo. Sanders Margaret Lindsay . “HOUSE OF SEVEN GABLES”
f [BUR “Mat. Today
| Morris
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Wallare Sars “WYO MING”
Leo Carrillo
weme GTHE QUARTERBACK”
“STRIKE UP THE BAND” “GAY CABALLERO”.
NYT ETE zu PRAIRIE. SEH INERS” One Crowded Night” wre
"COUNTRY STORE TONIGHT , : - Complete: Show, Late .as 9:15
| Mecca
‘fe Bodis Karloff “DOOMED. TO: er
1. ‘Chas. Bickford SSOUTH TO KARANGA” | Jane" ‘Wi
{| “RETURN OF FRANK -JAMES”
Ti Wed. wEBuIS,
15¢ Fri.-S
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Silver ‘Chief “HI YO. SILVER" *
AY—E ol Fiynn. Brinda Marshall. SUND HE SEA HAWK” ne . Gene’ -Autry, “CAROLINA MOON"
thers. “GIRL FROM AVENUE A” Dead; End Kids “JUNIOR. G-MEN” SUNDAY—Henry Fonda,-Jackie Cooper
hryle Cabot “CAPT. CAUTION”
AL NITE! James Stewart =
— CINEMA
“ISLAND OF DOOMED MEN" Belmont and Wash, George Murphy
BELMON Br. ands , Joyce
“PUBLIC DEB NO. Cesar Romero “GAY CABALLERO”
D A i% 2540 W. Dick Foran
Michigan Wallaee Ford - “THE MUMMY’S HAND Chas. Starrett “TEXAS STAGECOACH”
NORTH SIDE |
R i T y4 Ma hy uy
: Pwd isters
“ARGENTINE NIGHTS”
Dick Foran “MUMMY’S HAND”
SUNDAY “KNUTE ROCKNE”
“PUBLIC DEB NO. x”
ESQUIRE Ma eto Today
Jas. Stewart- Rosalind a
“NO TIME FOR COMEDY”
Shirley Temple “YOUNG PEOPLE”
ING!
Cagney “CITY FOR CONQUEST”
16th & Oren Tally Dela. at. 1:30 p. Tyrone Power “BRIGHAM a “LOVE, HONOR - A§D OH BABY”
SUN “CITY FOR CONQUEST” J . . | “ARGENTINE NIGHTS” organ
TALBOTT Elizabeth Earl
“RIVER'S END” Shirley. Temple: “YOUNG PEOPLE"
Any sist & REX 7, 20¢ "
: Northwesters “Errol Flynn “SEA HAWK” Plus Selected Shorts |
SUNDAY~Shirtey Temple-Jack .Oakie “YOUNG PEOPLE” ~ Walter Brennan “MARYLAND”
Talbott st 22nd : Dennis M
SPARK FREES
19th and College 20C Dick Foran “MUMMY’S HAND’ Chester Morris “WAGONS WESTWARD” ! SUNDAY—Wm. Pawell-Myrna. Loy © AY LOVE YOU AGAIN” Deanna Durbin “SPRING PARADE”
ZARING v “Central at Fall Creek
gney Pat O’Brien “HERE COMES - ae NAVY” + “FATHER RINCE"’
Is “BRIGHAM YOUNG” SUNDAY... CHUMP AT OXFORD" College. at 63d
Vv 0 & 4] 3 Free Parking Lot
Jon Hall “SOUTH OF PAGO PAGO" Maureen 9'Hara “Dance, + Girl, Dance”
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a }
PLUS. ROBT. MONTGOMERY “HAUNTED HONEYMOON”
. Rosalind Russell “HIRED. WIFE” ||
1045 VIRGINIA AVE. Tonite & | Tonite 5:00 Tomorrow | to 6 aauts2 0c MYRNA LOY .” ‘Melvyn Douglas “THIRD FINGER
Plus Glamour For Sale.
All Seats
10¢ “HIDDEN ENEMY” onite. “MAN FROM TEXAS”
" SUNDAY—Randolph Scott-Kay Francis
‘ “WHEN THE DALTONS RODE” “YOU'RE NOT SO 20 Torun? :