Indianapolis Times, Indianapolis, Marion County, 13 December 1940 — Page 30

Composer Here

For Performares

0. Hugo: Grimm, teacher of composition at the Cincinnati Conservatory of Music, will attend: the Jordan Conservatory ‘Christmas .concert at the Murat ‘Tuesday. night to hear a: ‘performance of his orches-

ist-and -pianist, as. well as a ;com-| poser. His works include five tone poems for: orchestra; a fantasia for two clarinets, cello and piano; four “Stencils” for flute, cello and piano; a scherzo for piano and orchestra; seven services for the synagogue; numerous. anthems, sacred and secular songs and part songs, and composition for the organ.

“We Need Horses, Too, Studio Says,

committee of Western producers to co-operate. with Army. purchasing AE win he ot poe Be horses wi e “least possible in{terference to an essential civil in- Christmas dustry.” “If Army ‘purchases “should be made without regard ‘to.studio re-

HOLLYWOOD, Dec. 13: . P.). Producer Harry Sherman, who builds | Western pictures for Paramount. by: the dozens, appealed to the U. Si Army today to bear in mind that the movie industry, too, needs horses.

Piano ' Teachers’ present a group of ‘pupils: dn. 3p - recital at ‘8: o'clo : nightat the D. A. R. Chapter "Teachers represented will be:Ma belle Ellis, Gladys Fowler,- Mabelle

|scHEDULE RECITAL .FOR PIANO PUPILS

Members . of the . Indianapolis “Association will:

one Hr

MOVES .

Four o Neill Plays Well reskred. to Make "The. Long Voyage Home,’ Now on n Loew! Ss: Sereen

Gloria

A Little bests ey Fr 10; 2:20, 5:30"

De Bihar as Porter a

Bit of ' Heaven,” Robert, Stack, Ee IB

JENGLISwS 5

a Lady,” the B. TR

Hendleman,' ‘Marie Kyle, Charlotte Beckley ' Lehman, Frances 'Light;{Eve Maurice, Amy C. Morrison, Vilora Peck, Esther Ruschaupt, Clytia Ulrich .and Zillah Worth. Pupils: of. Mrs. Asel Spellman Stitt and- Mary Beatrice Whiteman will assist on the: program. poet : Lo

Mr, Sherman’s appeal followed an Army announcement that about 300 more hofses were needed to fill the quota for this area. The Army's inspectors said they would look over the market for 200 registered . and: 100 unregistered mounts.. Mr. Sherman Sere, to. head a

nasa EE aE En Sh ; cutaln’ at 8: 30; Saturday

‘mati “The Long Lorws SEN with: ; John , Wayne mas : Mitchell, Ian Hufiter, ‘at 11: 115, +40,°6:10. and 9:40. EJ “Huliabalod,”

with Frank: Mo: ‘Virginia Grey,. at 1:20, 4:50 and 4:20, LY ped Wooma) ‘and.

Bio is orchertes, with . Elmo: Marvel, Maxwell or soy ' stage at’ xs 03, Tie, 6:

9:37. ‘She Couldn't Ne, ” with ° : Eve A is ‘ab an TI

5:10, 8:11 and 3, to se ro oko th gt ety }

tral piece, “Peter and Wendy,” by the Jordan Conservatory Orchestra, under Fabien Sevitzky’s direétion. He will ‘be accompanied by Mrs. Grima, 2 John A. Hoffman, Cina nserva direct r, Mrs. Hoffman: Soiy: o, and “Dr. Grimm: is: ‘a conductor, ‘organ-

quirements, our picture making might be seriously affected,” he said. He explained that the horses best. adapted to the Army were the sturdy Western type, which unfortunately: Jare the only ones found suitable to picture work. :

LOEW'S—“The Long Voyage, Home,” with John ‘Wayne, Thomas Mitchell, Ian Hunter, Ba tagerald. Also “Hullabaloo,” with Frank Morgan, Virginia Grey, n Dailey Jr. . ; . ® 8 8. : . ‘John Ford - has contributed: Jwo films fhis year which certainly = should win him an Academy Award to directors. In Januaty we saw his | powerful version of “The Grapes of Wrath” And’ now, as ithe year ends, there comes “The Long Voyage Home.” : There's no doubt but that ‘Mr. Ford’s chief fame will alvays Test Jé{on “The Informer.’ And, from the standpoint of directorial lechniliue, § |Loew’s ‘present film approaches it i# | more closely than anything: he ‘has done since. That includes his treatment of O’Casey’s “The: Plough : and. the Stars,” which was: a selfconscious and arty fiasco. “The Long Voyage Home” isn'’% another “Informer,” but it is the’ fault of the material, not: its presentation. The picture is fashioned from four one-act plays which Eugene O'Neill wrote nearly 20 years| ago, “The Moon of the Caribbees;” “Bound East for Cardiff,” “In the|’ Zone” and “The Long Voyage Home.” All four dealt with the seamen of the British tramp ship Glencairn. But they were sketches —terse, realistic and written with brilliance and polish, it ‘is true— rather than-an integrated drama. Dudley Nichols, the screen playwright who collaborates so admirably with Mr. Ford, has‘’done a splendid job of knitting them: together... He has achieved some highly dramatic results, too: The death of Yank, who is injured in a storm at sea; the shameful spyhunt aimed at Smitty, the unhappy dipsomaniac; the shanghai and rescue of Ole, who almost fails again to leave the sea and reach his farm in Sweden. > But there is none of the sustained power and almost unbearable suspense of “The Informer.” And, despite a collection of beautifully drawn characters, nothing to match the dominating performances of Victor McLaglen and Wallace Ford in the earlier picture. : This, if I may repeat, is not the director’s fault. And if your taste is for a wealth of imagination and flawless . creation of mood, “The Long : Voyage Home” is richly rewarding. : The picture smells. of fog and salt air. Without much of obvious dramatic help, Mr. Ford has told an absorbing and persuasive story. He steers .a middle course as only an artist can. There isn’t a cheap or obvious effect in the whole film,

HOME OWNED - HOME OPERATED And on the other hand, there is no Best All-Around trusive use of camera tricks for Sa ob how Band!

their own sake. : Sy a a ; The players present as satisfying ; ~~) or ; 1 PN rE en ; s s

an ensemble of performances as /4 : 7) ‘ v /4 i y/ - : i

you are ever likely to see in a meAnd Hie Calebrated

dium so devoted to the star-system.

HOLLYWOOD BOAT

The ¢omplete promenade deck of an ocean liner—250 feet long and 80 feet wide—has been built on the| largest stage at Paramount for use n “The Lady Eve.”

OSAASSSSASSS Cn)

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