Indianapolis Times, Indianapolis, Marion County, 9 December 1940 — Page 13
y MONDAY, DEC. 9, 1940 .. Eddie Dowling Is Here g In ‘Time of Your Life’
: : By JAMES THRASHER It’s the critics and scholars who apply such terms as artistic and sig-
nificant and literate to the theater.
these adjectives have a way of being very practical persons who have spent much more of their life backstage than in the library. Take, for instance, Eddie Dowling. He is producer and co-star of William Saroyan’s “The 'Time of Your Life,” which opens at English’s
tonight. And, to anticipate a question, he's the same jiddie Dowling whom older theater-goers saw, in such things as the “Follies,” “The
. Fall Guy,” “Sally, Irene and Mary”
and “Honeymoon Lane.” ol
Mr. Dowling’s career is hardly what you'd expect from a song-and-dance ‘man -who left school when he was 12 in favor of show business. He has written, produced or acted in (and sometimes | all three) revues, movies and broadcasts. And four years ago his entry into a new and richer activity has resulted in some of the most distinguished stage productions of recent seasons. Presented Maurice Evans
He began in 1936-37 by prese¢nting as co-producer an English actor unknown to most of America in one of Shakespeare’s forgotten plays — Maurice Evans in “King Richard II.” He produced a piece by a humble, unheard-of Irish schoolmaster which turned out to be one of the great plays of our time—Paul Vincent Carroll's “Shadow and Substance.” He was producer of Mr. Carroll's next play, “The White Steed,” and he produced and acted in Philip Barry’s serious and sym-
- bolical “Here Come the Clowns.”
Now it’s the Pulitzer Prize play of that erratic genius, Mr. Sarayan, which is claiming his attention.| He has shared the production with the Theater Guild, and is sharing the Shige acting burden with Julia Hayon. All this is out of the book, not out of a conversation with Mr. Dowling at the Spink-Arms last night. Still Enthusiastic
It is impossible to talk long with Mr. Dowling without realizing that more than 30 years on the stage haven't dulled his enthusiasm for the calling. Mr. Dowling has| had his troubles; not only his own but others’ as well — temperamental actors, temperamental critics, temperamental playwrights (even William Shakespeare, in shortened and unabridged forms). But nothing has happened tp his zest for play-acting. Right now he’s decidedly sold on Mr. Saroyan’s “peautiful talent” for the theater. And I don’t think it’s betraying any confidence to say that it takes a
But the people who summon forth
real enthusiasm to maintain this admiration after intimate association with the youthful, self-styled genius who wrote “The Time of Your Life.” Mr. Saroyan’s ebullient self-es-teem is one of his chief stocks in trade. He makes no bones. about it, although Mr. Dowling thinks
it’s. perfectly natural, and not a|
publicity-seeking gesture. But Mr., Dowling stood in the presence of the New York drama critics and heard Mr. Saroyan berate them via radio from’ California- just after they had awarded him and his play their prize for the year.: He also was present when the playwright turned down a proffered eight or nine pages in the country’s biggest-selling picture magazine. Its publisher, beguiled by “The Time of Your Life,” had wanted to do something for its author. Mr. Saroyan countered with the proposal of selling the publisher his life story for the modest sum of $50,000. O’Casey Play Next Such incidents, however, don’t affect Mr. Dowling’s steadfast opinion that William Saroyan’s playwriting gift is a rare and wonderful thing.
There was much other talk be-|.
sides that connected with the play that brings him here. The , conversation finally got around to his next production, which will not be another work of an obscure genius. Rather it will be Sean O’Casey’s “Purple Dust.” It’s fine O’Casey, says Mr. Dowling, whose admiration of ©O’Casey’s matchless use of the English language is shared by most of the theatrical world and its satellites. Mr. O’Casey, an Irishman living in London, has written his new play about two Englishmen living in Ireland. And the fact that Mr. O’Casey is still in London is not to Mr. Dowling’s liking. . Only recently Mr. O’Casey chose at random one hospital in a unit of three in which to recover #rom the flu. The other two hospitals were bombed to the ground.” But to one of Mr. Dowling’s many insistent cablegrams asking him to leave such danger and come to New York, the Irish playwright sent this terse reply: “Less courageous.”
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Where's That Caddy?
It’s not the ball, but the caddy which has escaped W. C. Fields’ attention. The object of his search is Joan Marie Shepherd, who is 20 months old. As a rule Mr. Fields is allergic to infants, since they have a way of stealing scenes from him on the movie sets. Miss Shepherd is no rival, simply the daughter of Mr. Fields’ host on a vacation following completion of his latest film, “The Bank Dick.”
THE INDIANAPOLIS TIMES .
or 13
WHEN DOES IT START? CIRCLE i “Tin Pan Alley,” with Alice Faye, . Betty Grable, Jack Oakie, John Payne, at 12:39. ‘3.55, Sidney Toler, Matjorie Weaver. at 2:50 Sia "and 0:02. > CIVIC “See My Lawyer,” a comedy by Richard Maibaum and Harry Clork, presented by a Civic Theater cast under Richard Hoover's direction. Engagement through Wednesday; . curtain at 8:30. INDIANA “The Letter,” with Bette Davis, Herbert Marshall, James Stephenson, at 12:39. 3:53, 7:07 and 10:11, “Nobody’s Sweetheart Now,’ with Dennis O'Keefe, Constance Moore, at 11:36, 2:50, 6:04 and 9:08, ‘ LOEW'S
“Little Nellie Kelly,” with Judy Garland George Murphy, Charles Jinninger. at 12:15, 3:25, 6.40 and
‘«Sky_ Murder,” with Walter Pidgeon, Donald Meek, at 11, 2:10, 5:30 8nd 8:
LYRIO
“Hollywood Hotel” Revue on stage. 103. 3:48, 6:43 and 9:31, of Suez,” with George Brent, Brenda - Marshall, George Tonizs, at 11:07, 2:02, 4:5%, 7:52 and
But little
MUSIC
Young Violinist Pleases in Debut With Symphony Orchestra Here
Mr. Sevitzky and the orchestra
Boston violinist. Charles is a manly looking youngster who plays the violin in a manly sort of way. He chose to do the Mendelssohn Concerto, and he brought to the thricefamiliar work an admirable poise and technical assurance, and a tone that was pure and sonorous, if not exceptionally warm. ; A debut performance is a hazardous thing at best. And the young player was presented with the additional hazard of an instru-
-ment which was kept in tune only
with difficulty. Nothing, however, seemed to ruffle the young man’s
|} composure. J
The program opened with Massenet’s “Phedre” Overture and continued with the Second Movement
| from Tschaikowsky's Fifth Sym-
phony. Also heard were Carpenter’'s “Krazy “Kat” ballet - music (which improves with hearing, incidentally); the Waltzes from Gounod’s “Faust” (Mr, Sevitzky in-
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a Loy, ‘‘Third Finger, Left Hand’ Dick Powell, “I Want a Divorce’
First Indianapolis Showings, ‘Col. C. Arizona Gang Buster. ‘Thre
‘Mysterious Dr. Satan.’’ Late News.
An audience which, in- size and enthusiasm, taxed the Murat’s capacity, was on hand to greet Fabien Sevitzky and the Indianapolis Symphony Orchestra yesterday at the first popular concert of the season. responded to this cordial reception; with some excellent playing. And as a special attraction, there was the first appearance with any orchestra of Charles Petremont, 13-year-old
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HARRY HOWARD'S in 1941 SDITION!
» ON OUR SCREEN» “SOUTH OF SUEZ"
GEORGE BRENT BRENDA MARSHALL
FRI. TED WEEMS & ORCHESTRA
4 106 NLS Prospect Brenda. Morshall “THE SEA HAWK” ; _ “ONE CROWDED NIGHT”
NYT LV
[DRIENTAL
fused this old chestnut with some welcome warmth and spirit), and Grieg’s “Sigurd Jorsalfar” Suite. The strings sounded especially good yesterday, and the whole or-. chestra functioned smoothly under Mr. Sevitzky’s guidance, which had
mood and meaning for the diverse items at hand. Not until two encores had been played was the audience content to stop applauding and depart.—J. T.
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SIGNS RED SKELTON
Because of his excellent performance in “Fight Command,” comedian Red Skelton has been signed to a long-term contract at M-G-M. His first film under this ticket will be in
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leader husband, Andre Kostalanetz, and friends. : “I am deeply happy,” she said in a prepared statement, “to become an American citizen. I owe everything to this country.”
LILY PONS HAPPY,’ NOW U. S. CITIZEN
NEW HAVEN, Conn. Dec. 9 (U. P.) —Lily Pons, French soprano, became dn -American citizen yesterday in a brief Federal Court ceremony attended by her orchestra
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