Indianapolis Times, Indianapolis, Marion County, 25 November 1940 — Page 4

i ng 14th Meeting

New legislation and its effect on show business will be the chief items of discussion at the 14th annual convention of the Associated

Theater Owners of Indiana, Inc.|

meeting today and tomorrow at the Hotel Antlers, The new Federal Court consent decree and the “blocks of five” sell-

ing plan which it includes will be explained in an address by Abram F. Myers, general Sounsel for National Allied.

Explain Tax Laws

Sidney Samuelson| of Philadelphia is to discuss the second national film survey, while Troy G. Thurston is to discuss and answer questions on the new Federal tax laws, including the new excess profits tax and its application to theaters. Among the guests will be H. M. Richey, who has charge of exhibitor relations for Metro-Goldwyn Mayer The trade show, held annually in connecticn with the convention, this year is to have a number of products exhibited for the first time at an Indiana convention.

Hoosier Film Premiere

Entertainment for the delegates will include a cabaret party tonight, with music by Rudy| Bundy and his orchestra, and a banquet tomorrow evening. In addition the Tuesday program will include the “world premiere” of a technicolor, Indianaproduced featuret called “No Information Please.” | The film was made at Columbus by the Rembusch Productions and its cast includes many Indiana exhibitors. All exhibitors, whether or not they. are members of the/I. T. O. A. are invited to attend the business sesgions. The convention has been arranged by a committee made up of Marc J. Wolf, chairman; ‘Trueman Rembusch, Ernest L. Miller, Roy E. Harrold and Don R. Rossiter,

PENCIL MAN

Russell Hayden, who plays “Lucky” in the Hopalong Cassidy series, was a bookkeeper for Harry Sherman, producer of the series, until Sherman, neéding an actor in a hurry, pulled him from his stool

——

Sevitzky to Lead ‘Symphonic Choir

Elmer A, ‘Steffen, conductor of the Indianapolis Symphonic. (Choir, will relinquish his baton at tomorrow night’s rehearsal to Fabien Sevitzky, the Indianapolis Symphony Orchestra's conductor. Mr, Sevitzky

will lead the choir in preparation for the concert-version of Gounod’s| “Faust,” in which orchestra, choir | and soloists will participate. X The “Faust” production will be! the first in the orchestra's special series of five concerts. Tt will be given at 8 p. m, Monday, Dec. 30. The remaining four concerts in the series will be on Friday evenings, with the starting time 8:30, The dates are Jan, 10 and 24, Feb. 21 and March 7. » ” 5 | Leom Zawisza, the orchestra’s concertmaster,- will give a violin recital at 8:15 p. m. tomorrow in the Martinsville High School | auditorium., The recital is being sponsored by|

" #

Billy Bitzer was at the camera in 1914 when D. W. Griffith directed Henry B. Walthall in this gripping moment from a picture called “The Avenging Conse ience, 2

Helps Prepare Exhibit of Films HeMade for Griffith

By DOUGLAS GILBERT Times Special Writer NEW YORK, Nov. 25.—Billy Bitzer is past 60 now. It is a long

| while since he has turned the crank |

{of a camera. He never will again; they don’t make ’'em. Currently (Mr. Bitzer is helping the Museum |

are summed up in his recollections: Even the stars’ salaries were matched. Lillian Gish got—was of- | fered, rather—$500,000 a picture in silent film times. And no one yet, | Mr, Bitzer says, has computed what Mr. Griffith spent in the two years the took to film “Intolerance.” Mr.

of Modern Art prepare their exhibit | Bitzer arrives at it-by comparison. of the films of David Wark Griffith. | Says the picture cost nearly all of A kind of exhibit himself, Mr. the profits of “The Birth of a NaBitzer putters around, fixing up a tion.” thing that looks like a boy's me-| “The Birth of a Nation,” he says, chanical dream, and that turns out grossed $18,000,000—the all-time top to be just the gadget to test the revenue for a film. And it cost, acnegatives of 1900. For this the cording to his recollection, $110,000 modern ' motion picture machines to make, or the trifling charge-off are useless. of a tossed-out Goldwyn scene.

Mr. Bitzer has become used to] the what-did-you-say-your-name- | was? reaction to him. For 10 years his name hasn’t meant a thing in

Recalls Problems Mr. Bitzer would like to see some of the modern motion picture camera men face the difficulties that

and put him before the cameras.

i JERRY WIEMER and | VIRGINIA STEWART Have Recently Joined Our Staff 0il Permanents $2.00 Up .

the Martinsville Matinee Musicale! and the high school music department,

ANN'S RECORDS

the picture business. In 1929 an ex-| ecutive of a studio sent him out to Hollywood. He was to get $450 a week as a camera man. After he’d worked two weeks he | lined up for his pay check. “Mitchthen,

{were his in shooting “The Birth of

a Nation.” “You may remember,” he said, “the cavalry charges and how the horsemen leaped into the camera and, apparently, flung themselves

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ell?” the clerk said, “Oh. out into the audience. Bitzer!” And he handed him a| «well I made those shots flat on check for $75. “We can get a BOY my back in the road, hoping that to do the work you do,” the clerk the jnexpert riders who made up explained. [the last of the troop and whose Stars Demanded Him eyes were shielded by the disorganS50 Mr. Bitzer got on an eathe| {ized bedsheets they wore as Klans-

men were riding horses that knew bound train and thought about the ‘enough to jump over or sidestep me.

days, in that same place, too, where, To4ay that would be done with a as Mr. Griffith's ace camera man notor driven camera operated by ‘he was rated the No. 1 photogra-! remote control. pher in motion pictures, in demand Anything to Get Extra Pay

by many of the stars themselves, many of whom refused to go on lo- | “We also faced what you could ‘occupational’ dangers.

cation, as they called it then, if he ‘call today wasn’t shooting. HT In those days Mr. Bitzer drew in Boss gays ner™ nn. gris $3500 a week. He wouldn't step out the supers in discharging blanks of his hotel room for a third less fom their guns would casually per week and once refused $2000 & shove the muzzle near a camera week because he didn’t think the nan hand to powder burn it, or company had the dough to Pay careen into him with a horse—anyAs a matter of fact, they thing to disable him and thus delay the shooting and grab a couple of {extra days’ pay.” Mr. Bitzer, Boston born, entered otion picture camera work in 1896 ith the Mutoscope Co., a concern hat manufactured penny-in-the-lot machines for resorts, carnivals

Has Been Through It All

Today he is a little deaf and his’ m income tax returns trouble him w only for notarization and mailing. ! t What has passed is all exposed film | hs and he avidly harks back to the! old Grifith silents he made. All“ PLORY Bleades, oe phases of a preposterous industry [ture of William McKinley receiving

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B.E.HENDERSON.PRESIDERT

Personal Leans $20 to $300

per month on that part of a bal-

== [from the hands of his secretary, the late George B. Cortelyou, a telegram notifying him of his Republican nomination for the Presidency. This was made on Mr. McKinley's

front porch at his Canton, O., home.

At Inauguration Mr. Bitzer also photographed the inauguration of Mr. McKinley . for {motion picture showing in the vaudeville theaters of the day. Mr. Bitzer tied up with Mr; Griffith, or maybe it was the other way ‘round, when Mr. Griffith went to Biograph as their top director in 1908. He filmed all of Mr, Griffith’s great pictures except “Isn't Life Wonderful,” The last picture he made with Mr. Griffith was “Orphans of the Storm,” with Lillian and Dorothy Gish, Joseph Schildkraut and the late Louis Wolheim, } He says Lillian Gish was the most intelligent and patient star he ever worked with.

PRESTON FOSTER GETS BURNS' ROLE

HOLLYWOOD, Nov. 25 (U. P.).— Paramount Studio bought Jones” several years ago for a movie, but the star it had planned to use moved to another lot. It was shelved and gathered dust until today, when writers started working over a script to suit Preston Foster. The producers thought it would need some changing, since it originally was bought for Bob Burns.

loan. You find this amount in the first column of the table. Then read across picking out the monthly payment which you wish to make. You will see, for instance, that monthly installments of $9.77 each will repay a $100 loan in full in 12 months. Or, if you wish smaller payments, as little as $6.43 a month for 20 Jronihe will also repay a $100 oan.

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“Casey |-

HOLLYWOOD

Robert Sherwood Upsets

Tradition As

A 'Boy Wonder’ Who Doesn't Wisecrack

By PAUL HARRISON Times Special Writer

HOLLYWOOD, Nov. 25.—Most

of the screen capital's boy wonders

—from Irving Thalberg and Darryl Zanuck to Garson Kanin and Orson Welles—have begun their careers under clouds of resentment and mutterings about presumptuous young upstarts, But Hollywood approves of Robert Sherwood in spite of his 29 years and his audacity in plunging into the movie business as the producer

of an A-budget picture. For one thing, Sherwood isn’t cocky and doesn’t make deprecatory wisecracks. He just showed up at Columbia one day with a half a million dollars and a story called “Legacy” and said he would like to try making a film. There was only one answer for a guy like that, especially when it was discovered he had argued the 500 G's out of a bunch of hard-boiled eastern financiers. . # » »

BUT THOSE THINGS are no more than half the reason for Hollywood’s approving attitude toward the green young producer —who is not to be confused with Playwright Robert Emmet Sherwood. His enterprise is a peculiar combination of old and new effort, for it 1s providing opportunity for a number of players whom the film colony long has recognized as deserving just such a break. At the top, there’s Warner Baxter. For 12 years the actor, now 47, was a star under contract to Fox, and for the last few seasfns he suffered embarrassment and ridicule because he was forced to play romantic young roles. Even under a thick coating of enamel, and despite all the skill of cinematographers, Baxter knew he neither looked nor acted like Joe College, and his screen romances with Cuties who could have been his daughters. made him feel like a creaky rouge Well, this time Baxter makes up for it by playing the father of four sons. True, he has a romance, but it’s with Ingrid Bergman, and she’s no ingenue.

» # #

MISS BERGMAN, too, is happy, about this assignment, which al= most certainly means the real beginning of a Hollywood career. Her last visit here was on a onepicture deal to play in “Intermezzo.” David Selznick had nothing to offer her after that. She returned to Sweden and was being forgotten by American fans. Then she had a chance to appear in the New York production of “Lilliom,” and there Sherwood grabbed her for the role of the governess of Baxter's sons. Then there's Susan Hayward, feminine menace of “Legacy.” The red-headed model was brought here as a possible Scarlett O'Hara, was signed by Warners and didn't get a single role. Paramount

Robert C. Sherwood. . ducer at 29.

DEANNA DURBIN VISITS NEW NIECE

HOLLYWOOD, Nov. 25 (U. P.)— Deanna Durbin took time off from her latest picture today to visit: a new niece, a nine-pound .daughter born to her sister, Mrs. Florence D. Heckman of San Marino. When Deanna learned that she was about to become an aunt, production at Universal Studio had to do without her. She left the set and rushed to her sister's bedside.

THEY'LL SELECT MALE BABY STARS

HOLLYWOOD, Nov. 25 (U. P.).— The “Baby Stars of 1940,” chosen recently by Raoul Walsh, have nothing on the movies’ younger men. They are having a contest, too Guy Bates Post, stage and screen actor, invited critics of Hollywood

Pro-

hired her and allowed her brief

parts in three films—along with |

four personal appearance tours. But this is her first chahce to show whether she can act,

» “ »

JOHNNY DOWNS couldn't make anybody regard him seriously. He began as dn Our Gang kid, graduated into the juvenile song-and-dance category and made two distinguished efforts in dramatic acting, But casting directors couldn’t forget his lightcomedy reputation and he was pretty discouraged until Sherwood offered the meaty role of one of the sons whose marriage brings | personal and family tragedy. Two of the other sons are actors who have had no real opportunities. Richard Danning, the eldest, has been under contract at Paramount for four years, and Robert Shaw has been handed bit parts by 20th-Fox.

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and Los Angeles newspapers and | national fan magazines to be a board of judges to select 14 male “Baby, Stars.”

NEILL HR NORTH WEST . MOUNTED POLICE

did.

IMMY and

FREDDY The FREDDYSONS

ADRIANA QIANA TALENT 3 CHARLY PARADE

* ON THE SCREEN ©.

EDWG. ROBINSON

VB//45 71% EE kant VAY AR LL py

we oF WEBH IN-

WHEN DOES IT START?

CIRCLE ~North West Mounted Police,” with Gar Cooper, Madeleine Carroll, Palette Goddard. Robert Preston, :] 1:58, 4:33. 7:08 and 9:43.

INDIANA

xe rig ON is. aD oT Ir eter rre I 2 “Ch Sn Pil t. and 10:1: ig Nol arter ot.” w oy olan Lynn Bari, at 11:25, 2:37, 5:49 and

LOEW'S “Bitter Sweet.” with Jeanette Macge Sa

Donald, Nelson TS, at 12:30, 3:35

Arthu 35, 5:30 and 3:40. LYRIC

Vaudeville, with Adrian Rollinl Trio on stage,

JEANETTE ‘MacDONALD

NELSON EDDY)

__ in NOEL COWARD'S

PLAYS

prosres rT.

CUPID |

at 12:50, 3:51, 6:43 and

“A Dispatch jrom Reuter’s,’” with Edward G. Robinson, Edna B Eddie Albert, ol Jo 1:58, 4:50, 7:42 and 10:2

EX-WIFE OF MIX SUES OVER NOTES

HOLLYWOOD, Nov, 25 (U. P.).— A former wife of Tom Mix, western star, today sought more than onethird of his estate in a suit for collection of $50,000 worth of promissory notes which she charged the actor never had paid. She was Mrs. Victoria de Olazabal, one of the late actor's four exwives. She charged that Mix had given her five $10,000 notes in 1928 and 1929 for the support of herself and their daughter, Thomasina, who shared equally with Mix’s widow in a will now on file for probate.

lifetime, He won out, but the Appellate Court reversed a lower court ruling, and Mrs. de Olazabal claims he never paid the judgment. Thomasina Mix, the cowboy adventurer’s youngest daughter, who now is married, refused to be a party to her mother’s suit and has

been named a defendant in the action.

Jpen 10 a.m. 20c to 6

Deanna Durbin PRID G F Bing Crosby iB hythm on the AD BRB ANIC ARTI GIN

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Mix fought the claim during his|

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English Theater, Monday Evening, Dec. 2, at 8:30 P. M. Prices—$1.10, $2.20, $2.75, $3.30. Seats Now.

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' ENGLISH

DEC. 4, 5, 6, and 1

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FRI—LAWRENGCE WELK & ORCHESTRA EDMUND LOWEsANN DVORAK.SIASLs

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EVES.—Orch., 35.301 1 oaic $2.73, $2.20, $1,65; «193 Kindly enclose stamped, self-addressed envelope with re-

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indly enclose self-addressed and stamped envelope for return of tickets, JR they will be held at the Box Office subject to call. Jj

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“City for Conquest” THUR “Knute Rockne, All American” #88 “Down Argentine Way” in Color

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