Indianapolis Times, Indianapolis, Marion County, 8 August 1940 — Page 11
PAGE 10
THE
A Big Blow
Something to blow about, thinks Eddie Albert, is his part in “My love Came Back,” at the Circle tomorrow,
OPENING TOMORROW
Circle "MY LOVE CAME BACK"—With Olivia de Havilland, Jeffrey Lynn. | Eddie Albert, Jane Wyman. Directed by Kurt Bernhardt; from a story by Walte h A pretty, talented young violin student is short on money, but long on the atiractiveness which makes wealthy old gentlemen shower her with scholarships One donation results in a scandal when a couple of s appropriate it to start a band. Incidentally, everything is finall up “THE MAN WHO TALKED TOO MUCH" ginia Bruce. Breda Marshall. Richard Barthelmess Sherman What firm and d
such 1e5ters
cleareq
~-With George Brent, VirDirected by Vincent
happens when a cr
+1 ford ers the fami
noked lawver's kid brother moves into the v skullduggenm
SCO\
Indiana
“THEY DRIVE Ida 1 Humphrey Bogart by A. I. Rezzerides The storv of
e uted lon
BY NIGHT "—With George Raft, Ann Sheridan
Directed by Raoul Walsh, from a novel
pine
twa 11
and a woman to murder he:
uck drivers, a beautiful waitress who for one of the drivers leads her husband “POP ALWAYS Pearce. Dn by About t} from an
reo \req e
PAYS”
Le
With Leon Errol. Dennis O'Keefe. Adele
lie Goodwins an who tries to save $1000 in order to win the girl
ecieq
Locit's
“BOOM TOWN" Hedy Laman The John
again
—-With Clark Gable. Spencer Tracy, Claudette ColFrank Morgan. Directed by Jack Conway ups and downs of two oil men called Big John and Square They make fortunes, go broke. fight and split up, join forces and finally down to work a half-section in California.
Lyric
VAUDEVILLE (on stage) —With Carl Freed and his harmonica band Nan Rae and Maude Davis. Billie Burns and Dennis Whitel, the Ryans Helen Deni vith Andrew Dewald and Madeleine “SCATTERBRAIN"—With Judy Canova, Alan Mowbray, nelly. Eddie Fov Jr. Directed by Gus Meins What happens when a movie press agent plants’ an actress in the Ozarks and sends rector to “discover” her. The director picks & genuine hillb brings her to Hollywood. and the fun begins.
bert
nt tle CLUE
Ruth Don-
FIVE ARE CHOSEN TOP PROSPECTS
HOLLYWOOD. B (U. P) Mary Martin, Havworth, Brenda Marshall, Maureen O'Hara and Laraine Day were chosen the “top prospects for stardom for 1940” in a poll today among 50 Holiy- | wood columnists, correspondents, and magazine writers, Runners-up in the poll, sults of which were announced bv Columbia Studio, were Lucille Ball, Ann Rutherford, Mary Beth Hughes, Rita Johnson and Brenda Joyce. The ten voung actresses, as guests of Miss Havworth, will press preview of the picture Lady in Question’
Aut a di nsteaa
Bing Passes Up Plane Gadgets
HOLLYWOOD Bing O pinging
gevera
Aug every conceivable gadget, which Rita modestly claimed would revolutionize the industry. Mr. Crosby said he is not ested in airplanes, that for he prefers his horses—which unquestionably than planes, and most horses,
BUILD OLD ‘WAGONS
Veteran coachmakers are building six old-type trail wagons for ‘Sante Fe Trail”
they
interspeed are airtoo
~
Aug
who in
8 (U. P)
by on
0 aqait to associated in slower
al business enterprises, served other hotice today on inventors that has 1 called
ae concern
heen “The
almost
WE ARE OPEN SATURDAYS AFTERNOON UNTIL
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the re-|
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Back Where
She St Started
Irene Rich Has Hos iReles Like ¥
Ir stage and radio work,
10
which she started on the screen
Years Ago.
HOLLYWOOD, Aug. 8 (U, P).— ene Rich, after an interlude of is right back and ginghams in 22
the calicos
years ago.
“A series of wishv-washy clothes
horse roles seven vears ago became
s0
to leave pictures and elsewhere.
m
monotonous to me that 1 decided try my luck I was disillusioned, and atrimonial difficulties didn't hein,
matters any,
something to look at,
a
“Now, look at me!” The stately Miss Ritch was really | bedecked in
simple cotton dress, hlack cotton
stockings and clodhopper shoes. She was prepared to go into a scene for
“The Lady she appears and Rita Hayworth.
in Question.” in which] with Brian Ahearne
“And I love it,” she said. “I'm
starting all over again in Hollywood, and this time I'm going to make it
stick.
In the past seven years I
came back to Hollywood just twice,
fe
tures. same monotonous,
decided
al
called
gi
pi
when
for two features and a short pic-| ture.
And each time I went away annoyed with motion picAll they gave me were the dressy roles. about had given up and] to devote myself to radio the stage when Hollywood | me again, and I decided to! ve the movies another From ctures
eling
“I just 1d try.” | 1918, when she broke into
as an extra, until 1933,| she left Hollywood for the|
stage and radio, she appeared in 190]
pi
for career, times, 4892d performance
ctures A vaudeville Miss
skit was a means Rich's rejuvenating her] She plaved the skit 4892] and on the night of the in Chicago a
radio sponsor offered her a tryvout.|
It
was successful, and since then she |
has had 365 performances on the air | to her credit.
I
going to continue my
“I have not had an idle day since | left Hollywood,” she said. “I'm | radio broad-
| casts from Hollywood, and If suit-
| was | charge, | would not sigh a complaint, | The writer, ripped out
able, real character roles in pictures ar
‘WRITER IS NOISY,
A cl
Chaplin's studio because he was de-
ni
te
tionists told him he could Mr. to talk about mitted
Mr. Chaplin came out of his private office to see what the disturbance
w
MARLENE GETS
e offered me, I'll take them.”
CHAPLIN LENIENT
HOLLYWOOD, Aug. 8 (U.P. .— young San Francisco author who eated a disturbance at Charlie
ed an interview with the comedian held today on a technical but Mr. Chaplin said he
23-year-old Noel Jones, the back of the studio lephone switchboard when recepnot see Jones said he wanted to the comedian-producer manuscript he had sub-
Chaplin. a
He raised such a commotion that
as.
A JOB ON BENCH]
HOLLYWOOD, Aug. 8 (U. P.) —
Marlene Dietrich will manage one
| of the two teams
in Hollywood's
{annual Comedian vs. Leading Man |
baseball
game at Wrigley Field!
today.
The game, a riot of rubber bats,
| exploding balls and vanishing bases, | |
h
inning before the gags got the best of the playing.
as never gone beyond the fifth|
_ Proceeds Bo to Charity.
"3 MI. No, of RY Wheelers on Road 67 NOW!
* SIT IN YOUR CAR O'Brien Bard Rien LLL REY oR
“SLIGHTLY UL BT ABLE" B11.1{:]]
Adults 30¢ ° Fare
hitdren 10e | cooL
EN AMBASSADOR]
Doug Fairbanks Jr. “SAFARI” Hugh Herbert "LA KONGO NIGHTS”
CooL ALAMO
15¢ to
Wallace Beery “20-MULE TEA John Payne ie “TEAR GAS SQUA
SWIM-DANCE
WESTLAKE
Louie Lowe’s Orch. Dance Nightly Except Mon,
AM" nD”
—OLD INN-—
Coolest Dance Spot in Indiana Thursday — Friday and Saturday Nights
South Big 4 Sheps, Beech Grove
INDIANAPOLIS TIMES
| HOLLYWOOD
Artie Shaw, Abdicated Swing King, To Lead Orchestra in Astaire Film.
Look for Roof Lights
By PAUL HARRISON
HOLLYWOOD, Aug. 8.—Artie
and marriage.
express them. Also because of an impulsive nature which three times has prompted him to toss away his baton and maybe a million dollars tive and such as reading Lafcadio Hearn and studying chemistry, Convinced by his behavior that Shaw is crazy, many members of the picture colony began looking for a breakup of his marriage with Lana Turner as soon as the couple flew back from the ceremony at Las Vegas. that persistent,
in favor of medita-
pitiless
tion which came in four
half months.
go The musician really has a vari- |
ety of enthusiasms, but he is typed as a perverse and acidulous
screwball something like that el- | George |
der and unrelated Shaw, Bernard. It's a hard thing to shake. When a magazine interviewer pressed him for of Hollywood, Artie declared
statements by pointing out that he had just bought a home here. Yet when the article was printed the headline read: “ ‘No Hollywood
For Me!’ Says Artie Shaw.” » » »
SHAW'S REPUTATION or no-
toriety as a rebel began with his |
third exit from the bandstand. Once he had quit to study; er time he retired to write. this occasion, riding the crest swing fame, he got sick of whole thing, stalked out in the middle of a number. He found
of
some release for his feelings in an |
article for a leading periodical. Artie Shaw qualifies his aversions: He doesn’t.
i
dwindles —
Shaw sprawled in a three-passenger | garden chair beside his mountain-top house above the Hollywoods and talked about movies, music, agents,
ME It made good listening. The 30-year-old, abdicated swing-king is something of a character hereabout because he has opinions and can ; X "ess . aus | HV atur ric ‘®¢ | who like swing music; it's just | > that he's disgusted with rude, ex- |
less profitable pursuits |
He is certain | rumors | had a lot to do with the separa- | and a
opinions | he | liked the place and clinched his |
anoth- | On |
the |
criticize people |
.. His troubles double ..as his bankroll
jitterbugs, reporters, gossip-mongers
-
TALE IEIBATOERS -
hibitionistic )itterbugs. He bethat agents who have worked and fought to bring clients into prominence should continue to share their earnings, but he hates the agents who are parasitic racketeers. In the same way, he likes some and respects many reporters, but openly despises the fawning phonies and the malicious muckers., =» i YOU MAY RECALL that he | appeared in “Dancing Co-ed,” which did a lot for Lana Turner and was just interlude for
Shaw, who dreads acting. Now he has been engaged by Boris Morros and Robert Stillman to lead a newly assembled orchestra and arrange the music for their next | production for Paramount. *“Second Chorus,” co-starring Fred Astaire and Paulette Goddard, will offer small challenge to the acting timidity of Mr. Shaw. His real interest is in fixing up the score. That isn't all, Shaw has agreed to lead his band regularly on the Burns and Allen radio show, and he has accepted a bid to conduct the last program this season of the National Symphony Orchestra in Washington, D. C. He recognizes the invitation as a flattering nod from good music to the idealism of an ex-swingmaster, so there'll be an original Artie Shaw composition along with his arrangements of some Debussy and Ravel He also is working on a couple screen stories about a bandlargely autobiographical.
| lieves
"America’s Premier) Danseuse’’
HELENE
DENIZOI
n ”
an
Again We Lead With Out54 CARL FREED MAUDE DAVIS
CHARLES M. OLSON’ 3 standing Riot of Fun and Frolic Tickling FA and His Direct From "The Inquiring Reporter’
THURSDAY, AUG. 8, 1910 % ToMoRECg TT LY TY COOL WASHED AIR On Stage and Screen! STARRING "The Clown Prince of Rhythm" Kk RASC CBS and WLW Radio Stations NAN RAE and BILLIE DENNIS W HI Tk asa G
3 Nuts in
Yes High Stepping, Heart
stopping BEAUTIES 12
{ass of Champagne
RR RR TR TT be in a Musicolossal of Merriment!
WIT
TD) A e.Y [0)/
THE JENNY LIND OF THE OZARKS
LNG) DONNELLY :
MATTY
ALAN MOWBRAY (NIE LUIS ALBERNI - EDDIE FOY, JR.
MAUNECK AND HIS ORCHESTRA
of leader,
"Love you? Why, sister, you're nothing but a
red-headed detour to me!” Al d |
"0.K., one-track mind. You couldn't take these curves in high, anyway!”
All these exciting stars —
supported by
GALE PAGE ALAN HALE
ROSCOE KARNS Directed by RAOUL WALSH
A WARNER BROS. - First National Picture
Screen play by Jerry Wald and Richard Macaulay From a Novel by A. |. Bezzerides
...and ANYTHING can happen at night!
POP, /vs/’ PAYS LEON ERROL
DENNIS O'KEEFE - ADELE
PEARCE‘WALTER CATLETT
