Indianapolis Times, Indianapolis, Marion County, 18 April 1940 — Page 9

into Judge Walter S. Gates’ office and when four women jurors re= turned, they were blushing.

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x ' WOO WOO! WINS SUIT BY A SCAR HOLLYWOOD, April:18 (U. P.). , —Hugh Herbert, the “woo wo0” comedian, was $10,863 richer to- . day after having exhibited a scar on his hip to a jury. He had asked $67,500 damages {rom the Consolidated Film Co. for an automobile accident in which he was involved 18 months ago. ~The company admitted one of its trucks was at fault, but argued that Mr. Herbert had estimated his injuries too high. His "attorney insisted: yesterday that the jury look at the scar on Mr. Herbert's hip, The actor went

: = _— - pe Tone Will Return RECORDINGS By JAMES THRASHER To Films in June

250.Year-Old. Opera Transcends moiurwoon a 25 Crude fnstuments, of Its Day

lywood after he was divorced by Joan Crawford a year ago, will re-| turn: to the screen late in: June, | Paramount Plctures srnounced today.’ x 75 3 Mr. Tone signed. a contract to ap-|

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Purcell-Caillet, Suite from “Dido and Aeneas”; Eugene Ommandy and the Philadelphia Orchestra (Victor). LUCIEN CAIMLLET'S transcri; tion for modern arcliestra of music from this 250-year-old opera oie the heated controversy anent peak fry By pre-Bach music and its. performarice by our contemporary symphonic. ginla, - He. GEN SAITINg | groups. But it would be a hard-hearted listener indeed, whatever side {in ° Ernest Hemingway's “Fifth .he took in the argument, who could’ listen “unmoved to these magni Column’) on’ Broadway. SE

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cent measures. | Certainly the 2t6h Century or=. chestra is something which Pur-

cell couldn’t have imagined. Yet

his “Dido and Aeneas” is music which transcends its medium, In an almost primitive era of the tonal art, his genius was such that he transcended the crude instruments of his day and, with rather limited harmonic / means,

- still speaks eloquently and direct-.

ly to listeners today. Purcel] is no museum-piece. Nor

conducted by Edgar Schenkman (Royale). ' This carbon copy of 18th Century music scarcely shows Mr. Stoessel at his best as a composer, : though his ‘fiddling (and that of Mr. Brown) is handsome. It is, however, pleasant tuneful

.music of the salon type. On the

“odd” side of the set is a Stoessel ‘orchestral work in the same vein a minuet called “Crinoline.” The

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are his compositions anything to listen to with a smile and a comment of “How quaint.” - They are great music, and Mr. . Caillet’s setting is one of glowing grandeur. Like Stokowski's Bach transcriptions, these are done with remarkably beautiful orchestral color. Variety, balance and excellent taste are present, yet there is no attempt to imitate the instrumentation of Purcell’s time, That, to my mind at least, is as it should b

e. , * The album of four sides includes the Overture to the opera; a. Tempo di Minuetto, Based on a duet and chorus in Act I; the Prelude for the Witches and Echo Dance of the Furies; a Riternelle and the Prelude to Act III, and finally, of course, Dido’s lament, “Wheh I am laid in earth,” than which there are few more inspired : / pages in all music literature. / Eugene Ormandy’s conducting bears the stamp of loving care in | every measure, and the Phila-, his role .in “Brother Orchid” he will | |delphians’ performance is cone go East to star in a play now being | .sumate, no less. written by Sinclair Lewis and i = = = / Selwyn. Mozart, Requiem Mass K 626) ; the University of Pennsylvania i Choral Society and the PhilaWHEN DOES IT START? delphia Orchestra, 'Harl Mc“ie All Catic dFge with Ans Donald conducting (Victor). Sheridan and Humphrey Bogart, at

= 12:40, 3:45, 6:50 and 9:55. HERE. AT LENGTH is the first * “LAZY” JIM DAY : with Sess Herholt add Dovgisy aj. || Feoording of this last (and greats : eit, at 11:35. 2:40, 5:45 and 8:50. || work of Mozart’ life. It is not * TEX OWENS the greatest Mozart, but there are — * Qirls a great many moments which proue claim the genius which’ burned and ENTIRE CAST OF 25 even in the composer's last tragic days. 10,0000 Thriis—A Daring White The entire mass is recorded in Huntress and Her Yn y Crew! this stout volume of 12 sides, and Mr. M - 2 LOLA LA LANE cDonald had at his com JAMES CRAIG Samuel S. HINDS Eduarde CLANNELL

composer conducts. /

{JORDAN GROUP / TO GIVE RECITAL

Vocal, instrumental and. speech pupils at the Jordan Conservatory will be presented in recital at 8 p. m, tomorrow _in the Odeon. Taking part will be piano students of Florence Lewis, Marie Zorn and Earle Howe Jones; clarinet students of Ernst Michels, voice students of Joseph Lautner; and speech students® of Alberta Speicher and’ Bernice Van Sickle. The Dublie is invited.

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2 A backstairs romance seems to be brewing between Tyrone Power and Dorothy Lamour in the Indiana’s “Johnny Apollo,” which begins tomorrow. (That’s really Miss Lamour—don’t let' the store clothes

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terpreted by the University of Pennsylvania Choral Society and the Philadelphia Orchestra. A rich album of $j 9.00 6 records

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