Indianapolis Times, Indianapolis, Marion County, 29 March 1940 — Page 21

IDAY, MARCH 29, 1040 _ i. ld i = _— wi THE INDANAPOLIS TIMES ~~ = © [PAGE ] go ‘Pinocchio’ Moves to Apollo for 2d Week Run i ATS SHicTED im we ee

OVIES ‘By JAMES meas : | | : ¥ : To ; Selection of ‘casts has been com-

: pleted, for performances of the Hays Sounds: Grave [Note in Re ort | : the. y P F Manual High School senior class|y = pee Best |

play, “Young April,” And Perhaps With Very Good Reason Dla yy Seung April” Apel 95, 26| sods “eTRGPIGAL FURY” : ‘1 J : Charles Marlett, Garland Reeves “Pius *THEY-ALL COME ODM

iRgea

i 1 ONCE AGAIN, out of all the literary grist, from Hollywood's mill, e Will Hays’ annual report this week to shed some light on 3he aa e of the nation’s entertainment industry. | | Mr. Hays’ address to the Motion Picture Producers ‘and Disibutors of America is always illuminating, ‘whether he chooses gard movies as the best entertainment in thi best of all Possible

worlds or, as is the case this time, ey dssumes a graver tone. For the | jichs Magic Bullet,” and “ot movie tsar’s remarks are not only | Mice and (Men. ». | an expression of his thoughts |” Though [entirely dissimilar, tiie about his job, but a distillation | had the virtues of being honest, of the current philosophy of the | mature, spiring, dramaticall; men who ghiage our cinema | alive and| soundly entertaining, Policy. Vet the customers’ response was | There was little of the Polly- discouragingly below the pie} inna in his address this year. | tures’ men] ts.

He: spoke of difficulties “possibly - . od Pe >’| IF THEATER MANAGERS o Ner today than at any “pressure groups” throughout

(the industry’s) history: “The ] i £ of foreig idiom and on | country held the whip over Holly:

he domestic front, what Mr. | Wood's studios, it is extremel ays calls the “hatchet and saw | doubtful that these films would

| of litigation or legislation” and ever have [been made. firresponsible censorship by pres- ; sure groups.” HOLLYWOOD IS NO SANCT- | Mr. Hays didn't name any | UARY of fthe arts. But it is the _hames in his Sommenis on domesignificant majority of i¢-going millions, Wiese

m. who foot the sbills and Gi make Hollywood possible, engl uf : : C ; w Ti creen: ALIVE WITH ACTION!

FLAME the mov. Ag | JANE WITHERS - GENE AUTRY 3 . oF k 1, Sr] SLC] HICH |

ig for singing the | self-regulation as legislation. Self-regula- ) [tion was the reason that the in- ® |dustry hired Mr. Hays. And our homes. But | - — : . ee il] i 3 | whatever one may say about the not, there is no d Here Shey are again: Finocrhie and os halt-pint coiiscience, Honest Jonns gia companion—all moving today from the Indiana : J LS - Mo AFTER S ' | Jiminy Cricket; Figaro the kitten and Cleo, the goldfish with “»omph”; o the Apollo for the second week of Walt Disne ightful caval : } 2 | er —_ hii) fuer i aE J. Worthington Foulfellow (alias: Honest Toh the wily fox; Gideon, called «Pinocchio. ya YS: delightiul cavalcade Next Friday-—Buy Lombarde & Royal Canadians

ER Rn ER pe ren a hn mn, a yn MUSIC HALL BOOKS | ro - Tiare ein the Noy Sa | seo) 2 [HOLLYWOOD - 5 PAUL HARRISON page's ORCHESTRA, [NESS a" ome 7. AGAINST

reference to “comm ity selec-

bob as an aliernal) e to block pictures at all. | Soll Rudy Bond . : = ng. o op. sj owing Rudy Bundy’s return a ; Si nen cr | po PE 3 re Movie Men Fear Britain, France Fiera Tot mags, a ; THE SECRET OF sorship Vey par ades under Movie tps e, the become alleseic | 5 Hall tonight, Paul Page will move : the name of ‘community selec- Hoy] ou Y tio of ric | May Clamp Down on Purse Strings in" with his orchestra to play for| 3 % ; tion’—except that self-appointed ru Navi Sons aT 100, 0 ed 2) : | Music Hall patrons on Saturday Fe ; : M A N D E 0 L E Y gensurs, not the community, are | Man behavior. Yet the proc res | and Sunday nights. = —bless 'em—have artistic integirty — Mr. Page was featured on NBC

\ ¢ 2

| | | | | | | . |

toedo the selecting. . |. . It would i : as well as balance sheets. Once.in . ; Ld . : 2 : | | Phe po censorship before 108 a while phe Ts fall under the spell HOLLYWOOD, March 29.—Short takes: Panic is clutching the brodivasts = 2 Darian, peture he LL The shadow of a remem to the ublic. and before Hublic | Of a great story. And not even movie money-men again, because on April 1 Britain’s film quota act|Or8 1 : i hi ont ; faste public opinion b had an | Drobablé disaster can scare them |€Xpires, and it may be rewritten to prohibit the exporting of any cash i i as Drosen ag- LOT bered woman came beopportunity to assert themselves.” | Off. | for American pictures. shi. gent is fs 3 Dn ee lon our] own For this reason, they deserve a France is expected to follow any such move,. along with British POWER GIVEN ROLE 1 = : tween their lips...but these Rialto tend to back up this last: | free hand. Hollywood is i and French dominions and colonies, plus even the neutral cpuntries of : statement. For a case in Sed able to|/work out its own artistic |Europe which are growing jittery Tyrone Power has been assigned | two had the there is the local reception of and metal problems, at least, than |about the flight of credit to the'okay pictures which will | be rushed [the starring role in “The Great a od “The Grapes of Wrath,% “Abe | any outside group of busy ies | United States. to him by plane. Several associate Commandment,” scheduled for 2 : 2 3 coura g e Lincoln in Illinois,” “Dr. Ehr- | (movie | jerities included!) Thus far, Hollywood ‘ has been > | early production. : i £ producers and writers ‘have also i : : : collecting about 50 per cent of T : J to hope dass normal foreign receipts, but if all{been invited over for conferences. Dance Tonight L NDIANAPOLIS SYMPHONY ORCHESTR} the money is to be frozen abroad| IN 1919, AFTER “The Kid” was RUDY BUNDY ; : : and to live fhe Suusfioy will fost Slaging filmed, Charlie Chaplin fave Jackie And His N. B. C. Orchestra : . ucgels and. _payro.s again. Coogan a watch insctibed, “To 25c Till 9 O'Clock ; : FABIEN SEVITZKY, Conductor. i wy oom owl | inatiber; 313 Gok their love! LAST POPULAR CONCERT SUN MAR. a make more pictures in Europe inf nine af a restaurant Cbogan sent PAUL PAGE ny Pras ii up some of the cash ifthe watch over to Cha ns table —REGULAR PRICES— ill an ere i i te: “It’s still ki ving’ i MURAT THEATER—3 P. M. The “Confucius’ Say” gags thab| Ta Joes I = Theidentally Tom Devine s Music Hall SELZMICK INTERNATIONAL prstenis POMP AND CIRCUMSTANCE; TSCHAIKOWSKY'S FIFTH | [have been sweeping the country Chaplin now is looking for a new Illinois of Michigan (TWO MOVEMENTS); FINLANDIA NEGRO HEAVEN; LA [brought a scramble among Wie iy, or “The Dictator.” |

TRAVIATA ENTR’AC ’ major studios to cash in on the fad. A R TE ANIIRAS RANCE: .JALES FROM Three registered titles with the

THE VIENNA WOODS. HUNGAEIA! RHAPSODY NO. 2 Hays Office, but none of the crews

Prices—26e, 50c, Lm ley 9598 Joi Iiinane ory basea on the

SEATS RESERVED AND NOT PAID FOR BY NOON OF CONCERT DAY WILL wisecracks, which are mostly unBE SOLD AT MURAT BOX|/|OFFICE printable. Meanwhile, the craze

CONCERT TOMORROW AT 8:30 | languishes.

# » #® ui

I i HIS STUDIO REALLY needed J | | hao ig Don Ameche far retakes of some A j Directed by HCOCK bd io by DAVID 0. SELZNICK who made

“Lillian Russell” scenes. But the actor had been suspended for re- GONE WITH THE WIND" RELEASED THRU UNITED ARTISTS

iin fusing to play in another picture, i p "STARTS oN | so he just laughed and laughed | : | | oo when he was asked to come back | ; ¢ 3 for the “Russell” shots. . . . Robert [NW ‘ 411 | | TOD AY! : : ; Benchley says the-only reason he : | | returned to Hollywood was to earn | enough money. to pay his 1939 in. come tax. Saw Marlene Dietrich in a lunchroom huddle with Universal executives. She’s grateful to the studio for the treatment given her during the “Destry” production, so she’s staying there at $70,000 a picture :: and refusing much larger offers | ° ||[E{] : : from Metro and RKO. a HT Ped Bo : ' Helen Broderick, mother f : 0 - : US—Broderick Crawford, was considered STARTS TODAY! ( | PLU DRAMA tor the role of his mother jn| . Eapousle in B Flat.” But Tei : | MEN— ph was signed for the part. Miss |. HOSE ROMPING, 1] CIE Broderick, it was decided, looked 6 pio : L / | "WITHOUT | 1 1 | [4 3&4 much too young. | [} Kiddies 25 Pictures Ine, , ! 25 cy Ftd (EE fry {°] (o] J VN] A | Darryl Zanuck, hardest working : ¢ 7 wn | Tk SOULS

ectic, ‘Hollywoodsman, was persuaded to] i : ; BOOTH TARKINGTON'S whole, h ful go to Sun Valley for a month's LH | RB Rochelle. Hudson those wonderfu vacation. - He took. two secretaries, : : ;

hilarious saga LL eventeen . e eight scripts to work ‘on, |and is FP when you Were S having a projection room installed |- : 25¢ UNTIL 6 - 30c-40c AFTER .6 | JS : | at the resort so he can cut and : :

£ VENTEEN" oar > ® So Cea || NEIGHBORHOOD HEATERS _

APOLLO ; : B | Jooture 21 1,550 i auginter end iting tht EAST SIDE. NORTH SIDE & : Centra) at Fall ( Ni sibs

| “Pinocchio,” | PER oo animated color, fe feature, at 11, : | : : “Ma, 5 ig? is on the way... with 2 8 Sta. “He's. Making Eyes af Me." : pias ZARING Now Sh “BLONDIE ar Lak i] with fom Brown, Consthncs Moore, i : radio's favorite funsiers, RIVOLI iis / 1 a 9 “EVERYTHING HAPPENS 43 NiGHT j | ou bic ’ HOUSE” , | “OH JOHNNY. HOW YOU CAN LOV. Ra

:37, 3:23, 6:09 a E | : na 3 : | “ » BL Bing and Bob, battling for . X Starts Sun. “VIGIL IN THE NIGHT’ i Seventeen,” with Jackie Coo hil - MARR) pa I 72540 W._ Mich. St. and h t 3 a at dL 150, aun, Hi nF | Eat. the love of Dorothy be- $ oR oc A oy NEW DAISY Lot Hen

“The Farmer's Dau hier,” “with i R . ARI ry 3 NOEL Martha Raye. . Charlie Ruggles, at Boge : : neath those palpitating Alice Fave TTLE op’ N ei pier $f a wi DERGENCY SQUAD. _"

HR TAN : : a QL <n ma J BRR poims. [EMERSON ‘Sn 156 = o sua ARELED ver THe State “Eh TE KN ’

“Road - to Singapore,” with Bing 2 : « o Pr a0 Fost ; vine GERONIMO eston Foste “G Crosby, Rorothy, Lt Lamour, Bs BOD g3Tope, 4 8 : ; oa ody at “OF MICE & MEN" ’ DAYS OF JESSE AND: “T SHADOW” vith ie Jory - TALBOTT Talbats vor te IN CITY OF D

“Women Without * Names with Margaret Sullay| Sneedway city

Drew, Robert Paige, at 12:37, i wg ] A = 24, 6:11 and 8 ; J ri 8116 E. Wash, py Gold THREE COMRADES” She dan Formerly the Golden Lupe Velez XICAN SPITFIRE” | Speadway | iL Fash Siiy

LOEW'S : ANN Joaneheoea” with Laurence Olivier, | A ] g dane Withers “HIGH SCHOOL” ; H “ taine, George Sanders, Ju- : ir ; Nelson Eddy “BALALAIKA Steationd Pati Rathbon J “ALL; WOME N HAVE EORETS” Boris Karloff |

att Agderson, at 12, 3:15, 6:35 and! B= | < 4020 E. ‘New York ° ; Tk Bel ash. 9 ; ; : EDO ‘ LOND ik ON | ) w nudes Without Souls,” with Rochelle : TUX Rh rn i ne TOWER ARIZONA Kip” BELM T Way 3 Tne Morris ’ semary ane

Hudson, John Litel, at 11, 2:15, 5:30 : oo | t«g EN’ 1 s " LYRIC i “OH, som. "How You "CAN Love". A TONITE! GENTLE FRom ARLZONA"

\ Vaudeville, with Edgar KXenned " 3 > Irene Vermillion, at 1, 5:49, 6:38 ety, ] | i) ; ; , Jones Family “YOUNG AS YOU FEEL SOUTH SIDE Alice Faye _ Bruce ‘Cabot ot “MY | SON SON _I8/G Sty . : d

re Shootin "% High,” with Jane With- ho : : 2 § ? % ‘ " Fred McMurray

Gene ners. at 11:41, 2:30, 5:19, : 5 08 and 1 a prese™ 1 ichard Greene i 7" 2 ‘SWELL i ] \ Ja ubglia : gd ' : Little Old New York” R ’ QA Ficus

Swell

1 Mo | FPA i an of br Eph wl 2D 4 a” 6 e714 . i y Vota od | . aie AY AA 1D i Basted or x rs

CHARLIE "OPENS TODAY!

LLL Yeste : - oo 9 | w rays advertised opening ot ' Charles Cabin udith Barratt Roy Rogers “ARIZONA KID” ¥ SD he : i R AY x i | 4 G LE 1) [Em en ar Ions wr Coton nl | fl gam, Mews

Noble Mecca B asit Rathnone The Boris Karloff

“TOWER OF LONDON"

PARAMOUNT : i. Jerser IM 6Little Old New York” j oN. Open # AS—Starts at 7

Melvyn Douglas—Joan Blondell A \ ; “AMAZING MR. WILLIAMS” 255 JERE Shap MEN" East Time ‘Times. Tonite

Cot Denning « William ACD " Howl G 30% 8 ; ; 90. Conte i a Ags Ne | [58 x ; Edward Ellis—Anita Louise The 1 T AU he Varian |

“MAIN STREET LAWYER” itor

While America Siumbers’ Foreign Spies

. Plot to Wreck the Country! : “GONGO MAISIE” a we | Eze, ices) IDIANA 2 IM = CANADA at WAR | Hamilton Sant |b

WARREN HULL 1 «# KAY LINAKER | Fu Manchu 1 NEAT RE - & PM LL | 3