Indianapolis Times, Indianapolis, Marion County, 6 February 1940 — Page 4
"RECORDINGS
By JAMES THRASHER
Shostakovich's Fifth Symphony Is New Stokowski Recording
SOME FOUR YEARS AGO Leopold Stokowski dropped a small
bombshell in the musical arena with his performance of the First Symphony of Dmitri Shostakovich, and later confirmed ‘his musical
recognition of Soviet Russia by records.
perpetuating his interpretation on
Now Mr, Stokowski has returned to Shostakovich's music and, with
the Philadelphia Orchestra, has made a recordigg of the 34-year-old composer's Fifth Symphony (Victor). As a historical document as well as a tonal one, this album scarcely can fail to possess an interest for any listener with more than . a passing® concern with contemporary music. : - Shostakovich is pre-eminent among the composers who have grown up under the Soviet concept of music's place in the social scheme. It is a concept which, apparently, imposes the strictest sort of state censorship and at the same time gives the musician a place of -importance in the country’s workaday life which is unknown in the western world, - This is no place to reopen the argument about music's power to express a social philosophy. Nor is it necessary to go into the functional phases of Soviet musie, which has alternately espoused and rejected European models. Ail these, of course, have had their effect upon Shostakovich’s creative output. But the knowledge of them is not vital to one’s enjoyment (or horror) of Shostakovich on purely musical grounds. » ” » 3 ' THE PIFTH SYMPHONY was written to commemorate the 20th anniversary of the October Revolution of 1917, just as the same composer’s Second Symphony celebratéd the 10th anniversary. The Fifth was first performed in Leningrad in November, 1937, and with it Shostakovich returned to the State's good graces. Previously his music had languished for a time under official
newspaper criticisms which had labeled it bourgeoise and stylistic. Like the First Symphony, Shostakovich’'s Fifth is in four movements, and exhibits substantialiy the same emotional structure as its recorded predecessor. In both, the first and last movements employ contrasts of dark, lugubrious pas-
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| pressive was Martha
sages and outbursts of martial vigor. They are mildly dissonant as to harmony and orchestrated with rare skill. lies behind their imposing tonal facade is a matter of question, But there is no doubt about the
It is one of the loftiest expressions in all the pages of post-war music. Here Shostakovich exhibits a depth and penetration which soar above consideration of temporal significance. It is searching, soul-filled music, direct and sincere, and worlds away from much of the present-day striving after mere novelty of-tonal combinations and surface brilliance. ‘It goes without saying, perhaps, that Mr. Stokowski and the orchestra do fullest justice to the work in a performance of rich sonority and technical brilliance.
a 2 =n VICTOR HAS FILLED a longfelt want for a new recording of the Beethoven Symphony No, 2 in the recent performance by Serge Koussevitzky and the Boston Symphony Orchestra. Dr. Koussevitzky's reading is notable for its irresistible high spirits. Even the slow movement is taken at an unusually lively clip, and the entire interpretation is one of clarity and sparkle. Admirers of Beethoven's rather neglected ‘even numbered” symphonies will not want to be without this
one. » s ”
DR. KOUSSEVITZKY and his players also collaborate with Dorothy Maynor. in the second record by this new and greatly admired Negro soprano. Miss Maynor sings “O Sleep, Why Dost Thou Leave Me?” by Handel, and Pamina’s Aria from Mozart's “Magic Flute” (Victor). Her only previous recording is of two Schubert favorites, “Gretchen am Spinnrade” and the “Ave Maria.” Miss Maynor’s performances confirm her reputation as a singer of great gifts. The top of her voice does not possess the melting richness of her middle register, but it has clarity and fluent assurance in coloratura. In the earlier record she gives promise of becoming a lieder: singer of distinguished attainments. » » In his best heroic. vein, Lauritz Melchior has waxed two favorite excerpts from the Wagner music dramas, ‘“Siegmund’'s Spring Song” from “Die Walkuere” and “Nothung, Nothung,” from “Siegfried” (Victor). Eugene Ormandy and the Philadelphia Orchestra are the assisting artists, which makes the disc a doubly desirable one.
MARTHA SCOTT IS SIGNED AGAIN
Times weit HOLLYWOOD, Feb. 6.—So imScott's performance in the first sequences of “Our Town,” that Sol Lesser, pro-
»
ducer of the film. has signed the voung actress for the leading role in|
a second picture. He has secured the screen rights {to the novel, “Emma,” by Jane | Austen.
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How much of real substance].
Fifth Symphony's slow movement.|
| | Jeanette . MacDonald
Bloomington—He!'ll
and Mrs. Townsend) Mr. Jones took time out for an interview before departing for Bloomington and a recital tonight. The movies’ leading tenor said he didn’t know why all Welshmen—of which he is one—could sing, However he admitted the truth of this phenomenon. “But they haven't any ambition,” he added. ‘“All they want to do is work in the coal mines all week and sing in church on Sunday.”
Used to Be a Miner It is obvious that Mr. Jones’ aspirations went beyond the church choir, For he used to be a coal
miner himself. That was in Scranton, Pa. In this connection someone mentioned that John L. Lewis also was Welsh. “Is he really?” Mr. Jones inquired. “I never knew that—and I had a card in ‘his United Mine Workers Union, too. Well, we just won't say any more about that.” Confidentally, Mr, much impressed. What he is more interested in right now is his current tour, the first in a rather long and busy musical career. It includes 25 recitals, and will keep him out until March. Then he's going home to start work on a new picture. “I don't really take vacations,” he said. “When I get work I take it. I figure there’s always time for a vacation between jobs.”
He'll ‘Bum’ a Cigaret The statement jibes with the personal impression that Mr. Jones conveys. He acts as little like a movie actor, probably, as any man who ever earned a living on a sound stage. He has no visible or audible affectations. He doesn’t talk about his art. He isn't above bumming popular-brand cigarets from newspapermen. Mr. Jones doesn’t think that the perfect union of music and movies has been achieved, nor is he sure what the recipe would be. But he feels that Joe Pasternack (who produces the Deanna Durbin pictures) has given us the best musicals to date. He doesn’t like extravganzas, but he'd like to do the lead in “The Desert Song.” However, he thinks that Nelson Eddy has the job sewed ‘up. As for favorite actresses, at least [those he's worked with, he prefers and Irene Dunne. He'd like to do another film
Jones wasn’t
{with Miss MacDonald, he admitted. | But she is at Metro and he has a
new contract with Paramount. And, one gathers, never the twain will meet, Of course. he said, he would like [to do a picture with Mrs. Jones, who jis the beauteous Irene Hervey, But | he is reconciled to the fate of windling up with a singer for a leading lady. Mrs. Jones all this time was absent—getting the bags together for the trip to Bloomington, her
WHEN DOES IT START?
APOLLO
“The 2 0% 69th,” with James Cagnex, Pat rien, r Sere Brent,
12: 3.7 32, 7:03 an “Xn Who Wouldn't Talk.” Tea Flava" Nolan. at 11:29, 2:40, 5:51 an
CIRCLE
“The Invisible Man Returns,” with Sir Cedric Hardwicke, Vincent Price, 10:35. Grey, at 12:45, 3:55, 7:05 and
“Charlie McCarthy, Detective. ” with Edgar Bergen, Robert Cummings Constance Moore, at 11:30, 2:40, 5:50
INDIANA
“The Light That Failed,” with Ronald Colman, J giter Huston, Ida Lupine. at 12 32, Jas 6:54 and 10:03, “Oh, Jo ith Tom Brown, Alen Jenkins, Yi 1: 50, 2:40, 5:31 and
LOEW'S
“Gone With the Wind.” with Clark Gable. Vivien Leigh, Leslie Howard. Olivia de Havilland; a week-day matinees from .0 a. 3 evening performances at 8 p. mi Sunday matinee. 2 p. m.
LYRIC
Tommy Dorsey, other Jaudeile, on stage at 12: 50. 3:45, 6:4 35. “My Son Is Guilty," ith 8 Jue on screen at
£130, "2:25, 5:20, 8.15 and 10:40.
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"MEET MR. AND MRS. JONES
There’s no professional jealousy here. Irene Hervey of the movies in Hollywood, but in Indianapolis she’s just. Mrs. Jones, traveling with her singing husband on his first concert tour.
It’s probably Allan Jones’ ambition which sets him apart from the other Welsh coal miners of this world—though Mr. Jones surely would be the last person to say it in so many words. The inference was gathered yesterday at a luncheon given for the singing movie star and Mrs. Jones by the White Cross Music Guild at the Claypool. After lunching and signing autographs (even for Governor
| signed a few place cards, posed for
Mrs. Allan Jones may be
Movie Tenor, Beautiful Wife Lunch Here on Way tof
Return Next Week.
husband explained. After lunch she
a picture, then melted modestly from the scene, As for ultimate ambitions, Mr. Jones has two. Quite divergent ones, by the way. He would like to play straight dramatic parts in the movies, and he’d like to sing at the Metropolitan. The latter ambition is not without hope, apparently. For Mr. Jones at one time was a member of the Deauville Opera Company in France. The very same troupe in which Lily Pons prepped for the Met. But Miss Pons had departed before Mr. Jones arrived. So ' he had to wait for America before he met her. Meanwhile the. future ambitions can wait as the singer fills his busy concert schedule. From Bloomington he goes to Louisville, and then to Asheville, N. C., before returning to Indianapolis, where he sings at the Murat a week from tonight. The White Cross Music Guild is sponsoring his appearance. Just in case conflicting photographs have confused you, it's only fair to state that when last seen, Mr. Jones did have a mustache.
NORMAN PHELPS IS AUDITION HEAD
Norman Phelps has been appointed chairman of judges for the Indiana auditions of young musicians seeking places in Leopold Stokowski's All-American Youth Orchestra. The appointment was announced by Robert S. Richey, State NYA Administrator. Mr. Phelps is head of the Jordan Conservatory theory department and a member of the Butler University faculty. Auditions will be held at the Jordan Conservatory on March 1 and 2. Applications will be received until Feb. 15. Several hundred applications already have been received, Mr. Richey said. The 29 chapters of the Junior Chamber of Commerce and several service clubs are sponsoring entrants. State audition winners will enter a regional competition, with final auditions to be’ held by Mr. Stokowski in New York. The youthful orchestra's first performance is scheduled to take place in Washington about July 4. Following this, Mr. Stokowski and his players are to tour Central and South America,
GIRL LION-TAMER
The nation’s youngest female lion tamer makes her screen debut in Pete Smith's “Facing the Lion.” She is Patricia English, 16-year-old star pupil of Clyde Beatty's Lion Taming School for Women al Ft. Lauderdale, Fla.
Be
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DOORS OPEN 6:30 P. M,
Mr. Lovat Takes a Bow
New Book Brings ‘Spotlight —And He Loves It. By GEORGE ROSS
NEW YORK, Feb. 6.—Oscar Levant climbed into the spotlight,
where he always wants to be, with| “A Smattering of|
his new book, Ignorance.” The title is characteristically cynical, like the author.
Oscar is one of our most acidu-. Although he is by|
lous citizens, profession a. musician-composer, he has earned himself more fame as the town’s devastating wit. A young lady sitting at Oscar's table one night recently summed up her feelings by remarking, “Mr.
Levant, I believe that you are just
about the nastiest man I have ever met.” His “Smattering of Ignorance” seems to be a success. Apprized of the good news, Oscar professed resentment. “I didn’t write it for the public,” he commented. And you knew that he didn't mean it.
went down to a department store the next day to autograph copies for the gushing ladies who like to meet an author, Broods Over ‘Futility’
Now that Levant has scribbled off, a successful volume, he probably will brood over the futility
of it and regret the neglect of his]
music. For he already has composed several formidable certos and sonatas and miniature symphonies, and he aspires to creating a masterpiece. How he ever will get the time to do it always has been a mystery to many who see him around. Levant gets around. He is part of a sedentary circle that covenes at Lindy’s, Dinty Moore's or the Tavern or Stork Club: It is during these - informal confabs that his insults, epigrams and samples of wit originate.
He's No Toper
He is not a toper., Qn the contrary, he doesn’t touch liquor. His substitute is coffee and he drinks quanties of the stuff in the course of his normal 18 or 20 hour day. Then he complains to whoever happens to be listening that he can’t sleep. : For many years he has been experimenting with soporific pills. He never retires until he . has swallowed a few or several and he claims that none ever has done any real good.
He is a magnificent pianist and
he is versatile in repertoire. Though he plays the classics with sufficient finesse to impress most outstanding musicians, he can toss off swing or ragtime with enough aplomb to please a confirmed jitterbug. He used to earn his living by playing breezy pieces in the night clubs.
Wanted Publicity
When Oscar became a nationally famous figure as the sharp-tongued sage of the radio quiz realm, he grew more bitter about life. He always wanted his- name spread] everywhere. But not as a wag and a wit. He yearned to be celebrated for’ his music. He was recently complaining, ‘the Broadway columns are always quoting me. If it weren't for them, somebody, some day, might take me seriously as a musician. “But they've decided that I'm a wag—and so I'm a wag. They have also decided that I live at Lindy’s and Dinty Moore's and the Stork Club. “Well, I don’t live at any of them. I drop in to one of those places for breakfast about noon and sit around chewing the rag with the boys for a couple of hours and then I drop back for dinner, and talk a while with the boys, and at night, just before I go home, I drop in for a little late snack and chat for an hour or two with the boys. “Do you call that living at Lindy’s? 1 board at Lindy's, that’s all, but I room and brood at the Park Central Hotel.”
He,
cone |
Bothwell in| “Mary of Scotland,”
RETURN TO ENGLISH'S
Helen Hayes and Philip Merivale, last seen’ here as Mary and
will return to English’s Thursday
night in a modern comedy called “Ladies and Gentlemen.”
BARCLAY TO PLAY ‘GHOST! AT ENGLISH'S
e—
| John Barclay’s varied career has ranged from| the title part in the movie version of “The Mikado” to the role of the Ghost in Maurice Evans’ production of “Hamlet,” which he will take at English’s next Monday and Tuesday nights on the occasion of Mr. Evans’ visit, In addition Mr. Barclay is a recitalist and oratorio singer of eonsiderable renown and has sung with some of the country’s leading symphony orchestras, When Winthrop Ames staged his revivals of the more popular Gilbert and Sullivan repertory in New York, Mr. Barclay had a prominent part. He also served a term as director and leading man of the Beauty Box Theater broadcast series.
RATHER WRITE THAN FIGHT
HOLLYWOOD, Feb. 6 (U. P.).— Joel McCrea decided today he would rather be a newspaperman who always gets himself into trouble than a mounted policeman who always gets his man, Forced to choose between playing a red-coated mountie in Cecil B. DeMille’s “Northwest Mounted Police” or an American correspondent in Europe in Walter Wanger's “Personal History,” Mr. McCtea retired from the cast in the DeMille picture.
TONIGHT Thru Saturday SONJA HENIE
Indianapolis
Coliseum Feb.6,7,8,9 and {0
Good Seats. Still Available 2.75. Reserved, $2.20 “General Admission, $1.10 :15 P. M. Night of Perform-
& Co. and I box
Civic to Make Award Sunday | fous
Presentation of the Civic Theater's $500 prize to Robert E, Johnson for
his play, “The Sheltered,” will take place before the play’s performance Sunday night at the Civic Playhouse. “The Sheltered” will open a six-day engagement on Friday. Since Mr. Johnson is an Indiana University student, Sunday's performance has been designated “I. U. Night.” President Herman. B Wells and members of the University’s faculty and trustee board will be among those present. Frank J. Hoke, Civie Theater Board president, will make the presentation. The award was donated by J. I. Holcomb in memory of his daughter, Jessie Holcomb Strickland, and by the Civics affairs committee. .
2ND GREAT WEEK!
ELAS EIT TODAY
|
Weekday matinees are continuous (not reserved) 75c incl. ‘tax (except loges). Come anytime from 9 a m up to 2:45 p.m. and see complete show. Doors open 9 a. m. All night shows (8 p.m.) and Sun. Mat. (2 p.m.) are
reserved $1.10 incl. tax (except loges).
iE 81a PAT O'BRIEN ui GEORGE BRENT
§
Barrymore Gets Offer Zanuck Would Star Him in a 'Real Life' Plot. HOLLYWOOD, Feb, § (U, P.).— Producer Darryl Zanuck wants te put John Barrymore's much pub-
licized experiences of last week into a movie, with Mr. Barrymore as the
star. His telegraphed offer was in
Mr. Barrymore's hands in New York today. The movie would be called “The Great Profile.” It would be the story of a famous actor, such as Mr, Barrymore, who became involved in difficulties with his fourth wife, as Mr, Barrymore did last week with Mrs. Elaine Barrie Barrymore, and the daughter of his first wife, as the actor did with young Miss Diana Barrymore, “It’s very obvious,” Mr. Zanuck, from.” He did not say whether he might further complete an authentic cast by hiring Elaine and Diana to put on. their scene in a night club wherein the wife won Mr. Barrys more back for “24 hours of bliss” and perhaps a role in his stage play,
commented “where the idea came
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