Indianapolis Times, Indianapolis, Marion County, 18 November 1939 — Page 6
By JAMES THRASHER | |
Deanna Durbin's "First Love"
Modern Cinderella Story
APOLLO—* Drums Along the Henry Fonda, Edna May Oliver.
Mohawk,” with Claudette Colbert,
5 CIRCLE—“First Eove,” with Deanna Durbin, Helen Parrish, Robert Eugene Pallette. Also “Missing Evidence,” with Preston Foster
Stack, and rene Hervey.
INDIANA—“Ruleérs of the en with Douglas Fairbanks Jr, Mar-,
garet Lockwood, Will Pyfle. Also Frank Craven and Fay Bainter.
LYRIC—Horace Heidt and his orchestra, with Larry Cotton, Frankie
“Our Neighbors—the Carters,” with |
Carle, Bobby Hackett, Le Ahn Sisters, others, on stage. Also’ “Heaven : Sac® Barbed Wire Fence,” with Jean Rogers, on screen.
Ly
ric
Horace Heidt is doing his level best to break the all-time attendance record he set at the Lyric Theater last year. He’s putting on a show this week that leaves little reason to wonder why he’s one of the leading
band leaders in the country.
Mr. Heidt is one of the few leaders in the business who carries his
. own complete show. There doesn’t His entertainment value can best be measured by the volume of applause that greets most of his stars and the rapt, silent attention that compliments the others. Cotton sings his latest “South of the Border,” Bobby Hackett, hailed ‘as the “greatest swing trumpeter,” swings with no scat, Bob Knight double stops on the electric guitar so that it sounds like an organ and Bob McCoy does fine things with a novachord.- - _. Frankie le is the man: who wrote “Sunset Serenade.” You've heard it many times but probably never as played by this master pianist. Mr. Carle ‘combines the magic touch of Fletcher Henderson, Art Tatum and Fats Waller. Another attraction is Fred Lowery, a blind whistler. He does “Listen to the Mocking Bird,” and then _ breaks into ‘bird calls. But did you ever hear the William Tell Overture whistled with every note counting? Mr. Lowery does it. A popular added attraction is the - famous Treasure Chest. A number “of persons are invited to sit on the stage during the entire show. At intervals each is given a series of sound effects to connect with musical clues. If he can guess the meaning of the sound effect he gets a prize. If he can't he has to “walk the plank.” Add to all these things'Mr. Heidt's pleasing personality and the show this week is worth waiting in™line for. The picture is “Heaven with a Barbed Wire Fence,” with Jean Rogers, Raymond Walburn and Glenn Ford.
Indiana
Frank Lloyd, who directed “Mutiny on the Bounty,” has gone down to the sea in.ships once more to give us “Rulers of the Sea,” the Indiana’s feature for the week. No tale of submarine warfare,
nor even of the British Navy, in spite of the title, “Rulers of the Sea” deals with peaceful but exciting conquest. It tells of the war against tradition and custom and pig-headedness which finally overcame all obstacles and spanned the Atlantic in steamships. Apparently there -is no attempt to abide by actual fact. But. it is easy to believe that whoever built the first trans-Atlantic steamer’s engine went through some of the troubles that beset David Gillespie (Douglas Fairbanks Jr.) and John Shaw (Will Fyfle). Shaw is a bibulous old Scot with foresight and a gift for invention. He earns his living in a foundry and tinkers with a steam engine until he meets Gillespie. Together, over the opposition of Shaw's daughter, they build a working model. But Gillespie is laughed out of the admiralty and out of every shipping office in London when he tries to sell it. At length one shipper decides fo take the chance. But only after
“Definitely a four bell
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Shaw's forme: employer tries to is burned up, and a smaller one rigged for steam power, and Gillespie relieved of his command—
under ‘Way. And out’ in the Atlantic the gales run high and the coal runs low. Masts and furniture are used for fuel. Then a steam pipe bursts ani, like a Frankenstein monster, gives its maker a mortal wound. To make matters worse, the passengers all but mutiny. At last, however, the Dog Star limps into Castle Garden, New York, just as its namesake, the Sirius, really did back in 1838. And old Shaw lives long enough to reach port before succumbing to burns.
tions, of cours? and some contradictory bits of narration. But, for all that, it is a satisfying and refreshing picture. The story and
the sea-faring film. Instead, incident and excitzment are built upon the warring forces of sea and sail. The biggest recommendation for the film, however, is a very small man by the name of Will Fyfle. Built like a character out of Disney, he’s the priceless little gnome of a Scotsman who was first seen here in a British film called “To the Victor.” He speaks with a burr as thick as porridge, and his acting is always delightfully droll and j Sometimes deeply moving, when the occasion os Mr. Fairbanks does a top-notch job as Gillespie, and Margaret Lockwood is pretty and.capable in the role of Shaw's daughter. Altogether, it is a salty, racy and enjoyable picture built around a .epochal event in the world’s history.
A new movie family is introduced in “Our Neighbors—the Carters,” the Indiana’s other ' offering. . Frank
"| Craven and Fay Bainter are starred
in what, presumably, is the first of a series,
Circle
The story of Cinderella has been disguised so many times for cinema purposes that it's a relief to find it set forth frankly and without apology in Deanna Durbin’s latest, “First Love,” at the Circle.
Cinderella has lbeen a shining example .of what is called “escapist” drama for a ‘long time. And as dressed up-in modern fashion by Joe Pasternack, directed by Henry Koster and splendidly acted by Miss Durbin and her cohorts, it emerges in “First Love” as superfine diversion of its particular kind.
Deanna, as Cinderella, or Connie Harding, is the poor relation of a rich family. She is scorned by her cousin, a young glamour girl whose gowns, ‘night-clubbing and fondness for cameramen are suspiciously familiar. Connie finishes school and comes to live at her uncle’s home. But. the young cousin doesn’t like her. And on the night of her first ball, Connie is left at home to greet
another uncle who, of course, is not really‘ expected.
But the good servants, batting for the good fairy, outfit her and send her to the ball. In place of a pumpkin coach is a borrowed sedan: instead of six white mice to draw it, there is an escort of six policemen on motorcycles. At the ball, Connie sings, charms the guests. meets the handsome prince, is kissed and loses her slipper as the clock strikes 12. Need we say more. Miss Durbin continues to be a - (charming young actresr as well as a gifted singer. Her lack of affectation is irresistible. Her singing delights the ear. And she is surfounded Dee more by a cast which eeps the picture moving wi and lightness. EWI praes Robert Stack, the Prince Charming of the tale, is a handsome young fellow and, probably by now, the envy of Indianapolis’ male, teenage population. Lewis Howard, another young newcomer, discloses himself as an excellent comedian. As the spiteful young cousin, Helen Parrish does an excellent piege of work, and Leatrice Joy returns to the screen with a performance which should win her some steady employment. A word for Eugene Pallette, who gives a variation of his always amusing screen antics, and you have a roster which can be dépended on to provide you with a thoroughly enjoyable evening. “Missing Evidence,” “which is a melodrama about a gang-busting Gman, completes the Circle bill. Preston Foster and Irene Hervey are featured. |
Apollo Richly technicolored, capably acted, stirring and exciting, “Drums Along the Mohawk” is carrying on at the Apollo after a big week at the Indiana. The film version of Walter Edmonds’ novel drew the year’s biggest crowds: through the wickets of the W. Washington St. film palace during its first week. Henry Fonda, Claudette Colbert and Edna May Oliver head a large cast in this story of pioneer life in the Mohawk Valley.
ARTING -AT SATURDA DOLORE
FO and C
— Que
AW— LLIES HORUS 0
only then does the Dog Star get ;
There are other plot ramifica-|
direction avoid the usual cliches of |
Monday. The theatrical progeny, Jimmy Roland and Tina Thayer. former Hollywood star, Lila Lee,
Ruth Chatterton, thie film taverite, ‘has acquired a family Aor: her engagement in “Tonight We Dance,” which opens at English’s on left to right, are Shirley. Poirier,
Also in the play's cast is. another
PROVIDE HOTEL MUSIC
stop construction, and the new ship ;
Back from an engagement with Vincent Lopez and his orchestra, Joey Bernard and Mildred Stevens currently are dispensing songs and
accordion and violin music for’ the patrons of the Hotel Washington's
Bronze Roony
NEIGHBORHOODS
—By HARRY MORRISON
Tacoma Lobby Redecorated;
Letters
Praise New Esquire
Al Ackerman, Tacoma Theater manager, reports the final touches
if the customers will be.” East Side fans will get their” first chance to see “Beau Geste” tomorrow at the Tacoma. Don Wright reports lots of letters from North Siders telling him how much they like the new Esquire. . . . The Strand has a new opening schedule. The theater will open at 5:45 p. m.. Mon‘days through Wednesdays, at 5:15, p. m. Thursdays and Pridays at 12:15 p. m. Saturdays, Sundays and holidays. Bargain prices prevail for the first 15 minutes after opening. . “In Old Chicago” will be the “revival at the Granada Monday through Wednesday next week. It stars Alice Faye, Tyrone Power and Don- Ameche, with the late Alice Brady in the mother role. . . The St. Clair is showing a little movie worth extra mention Monday through Wednesday. It's “Sorority House,” with Ann Shirley, a “quickie” that we think turned out very well. . . . The Uptown finishes Buck Rogers next Saturday and will go right into a rousing Dick Tracy—C. -Man serial Dec. 2. The week-end calendar follows:
AVALON—Tonight: “Stanley and Livingstone” and “Quick Mong ’* Tomor-
to the lobby and foyer of his theater. decorated and new poster case lighting has been ‘installed. - Says Al: “I'm certainly satisfied. Now there’s nothing to do but walt to see
arid ‘6000 Enemies. 2
The whole layout has been
“Rach Dawn I Die.” “Three Blind Mice.”
ST. CLAIR—Tonight and tomorrow: “Wes Carnival” and “Blackmail.”
DERS — Tonight: “Unexpected Father: and “Riders of Lost River.” Tomorrow and Monday: * Proniier Marshal” and “Hotel for Wome SHERIDAN—Tonight > “Stanley Livingstone’ and “Frontier, Marshal.” Tomorrow: “Four Feathers” and “Winter Carnival.” SPE EDWAY—Tonight: “Way “The. ‘Hurricane.”” Tomorrow Tuesday: ‘Each Dawn 1.Die” Good Giris Go' to Paris.” ! STATE Tonighi: “In Old Caliente” and “Mr. Moto Takes a. Vacation.” Tomorrow and Monday. “Stanley and LivI and “Midni ght, . AND Tonight and tomorrow: oh Dawn’ I Die” and “Fifth Avenue Girl.”
STRATFORD —Ton Bt: the Desert’ and Ni ht.” - Tomorrow thr Tou 8 Star Maker” and °*
“Avenue Girl” and st show tonight:
and
Down
SHeritate of is ade “at h Tuesda fy Wife's Relative TAC COMA — Tonight: Citizen” and “Saint in morrow inrough Tuesqay: and “Winter Carnival “Viva Villa”
TALBOT—Tonight: Ene mies. Tomorrow throu
“6000 ” Tuesda, “Boys Town” and ‘Clow 2 Over urope.’ TUXEDO—Tonight: ‘Five Came Back” and ‘Hell's Kitchen.’ Tomorrow through Yednesday: “Blackmail” and ‘Bachelor
“Our Leading London “Beau “Geste”
and
UPTO “Hell's Kitchen” and “Charlie Chan on Treasure Island.” Tomorrow through Wednesday: _ “The Rains Came’ and “Five Same Back,” VOGUE—Tonight: “In Name Only” Tomorrow Shrougn Pawn and
WN-—Tonight:
Wednesday: “Each “Miracles for Sale. ZARING—Tonight “Fifth. Avenue irl” Her a Spy.”
through Tuesday: and “They Ma e
{marred the musical edifice.
| extraneous matter is purged,
__|Beethoven’s Fifth Giver A Skilled Performance as Symphony Opens Season:
| Conductor Shows Knowledge of Music's. Essence; Seavidy Suite Played With Sympathy; Program Repeated Tonight.
Sevitzky’
It is idle to discourse at length the Teams’ of appreciation and analysis of this work that line the library shelves.” But it is decidedly to the point to speak: of yesterday's performance. Not only was it of distinguished proportions, but it was its first playing in our ‘midst by the present orchestra and conductor.
Curiosity Well-Appeased
There is always a natural curiosity to become acquainted with this tonal apotheosis of man’s conflict and triumph through the medium of a new interpreter. And it was apparent, before many of the familiar measures had been unfelded, that Mr. Sevitzky's reading" had the assurance, conviction and sanity that the music deserves... Wisely, the conductor allowed the music to speak for itself. One was not conscious of -personal “interpretation.” No eccentricity of design ] It was clear that Mr. Sevitzky had steeped
“(himself in the music's essence, ‘and
his conducting was imbued with a consciousness of the - symphony’s perfection.
again was able to excite the ever-in-creasing wonder and high enjoyment in a work from which all and which stands forth as a triumphant philosophy as well as a great musical creation.
Quality Maintained
If Mr. Sevitzky was in his best vein for the symphony, he was in equally fine fettle for that which preceded and. followed, The concert opened with an unprogrammed
fanfare by Dubensky, followed by “The Star-Spangled Banner.” Following the overture and symphony there came Frederick Converse's
“California,” a work which the com- | poser tells us was inspired by a visit |
to the Santa Barbara Fiesta, and in conclusion, Stravinsky's “Fire Bird” Suite. a On first hearing, the Converse suite seemed like sound and fury, with the usual significance, and it
is unlikely that repetitions would:
add many cubits to its artistic stature. Apparently its inclusion on the opening program is the only unpleasant feature of Mr. Sevitsky’s summer vacation in California. The Stravinsky suite, of course, is an entirely different matter. The pass years have proved that Stravinsky need not be startling to be interesting. And now that time has rendered his dissonances palatable, we are able to see the prodigious mastery of invention and
ingenuity that bulwark his colorful H
scores. Temperament Upheld |
"In spirit, temperament and ap- : preciation, Mr. Sevitzky seems to be|.
in complete accord with his: Russian compatriot. The suite’s complexities never triumphed over the authority of his baton. And the orchestra followed Mr. Sevitzky’s directions in brilliant fashion. Now, finally, we are beginning {0 to
SL LTD
Tyrone Power—Myrna 0. . oie, at 10: el {§5--5:14—5:33
ELLY 5
Favret, ws Texas Eureel, the gra.
Chas. Diek ‘‘Heroes in John Brown, ‘‘Ore
row through Tuesday: e Kid Comes Back” and “Our Leading Citizen.” BELMONT—Tonight: “Each Dawn I Die” and “Five Little Peppers." Sunday through Tuesda “Fifth Avenue or
and ‘‘Bulldog rummond’s Bride. To-
STAGE AT 12:50, 3:00,
THE FAMOUS TREASURE PROGRAM ON
5:05, 7:15 & 9:30 P. M..
The seitis of. Beethoven looms arge on our isloal; horizon as the Indianapolis Symphony Orchestra opens its third season under Fabien s direction at the Murat this week-end. For the program played yesterday afternoon, and which will be r the “Coriolanus” Overture and the Fifth Symphony.
son. But before we start taking so
Consequently the performance
morrow through Wednesday: he, St tar Maker” and “Island ot Lost Men.” CINEMA—Tonight: “The Women” and “Bulldog Drummond's Bride.” -* TomorTOW through Wednesday: ‘‘The Star Maker” and “Island of Lost Men.”
DAISY—Tonight: “Grand . Jury Sec rets’’ and rn of the Yukon,” ;. To= MOIrow nd Mon day: “Each Dawn 1 Die” er “Five Little Peppers.” EMERSON Tro ht: “Pive Little Peppers” and “In Old Monterey.” Tomorrow throu h Wednesday:" e Women" and “Charlie Chan on Treasure Island.” ESQUIRE—Toni ght: Wiig ud amd Livingstone’’ and * Miss Manton.” a morrow through Wednesday: “The W en’ and ‘‘Career.” FOUNTAIN SQUARE—Tonight and “tomorrow: “Each Dawn I Die’ and “Night We ANADA-—Tonf ht and tomorrow: “Roth Avenue Girl” ‘and ‘‘Conspiracy.” HAMILTON—Tonight: “Mutiny on the Bounty’ and “Five Came Le oe row through Wednesday en” and “Mutiny on the Blackhawk. i IRVING — Toni ht: © “Dust Be My Destiny’’ and ‘6000 Enemies. * Tomor= row t rough Tuesday: en TomorTow Comes” and “Our Leading Citizen.” MECCA—Tonight: "Qutlavs of Prairie” and ‘Saint in London.” morrow through Co “Quick Millions” and “Hell's Kitchen ORIENTAL—Toni ht: “Hotel for Women” and ‘Western Jambore On Stage: Auction Dave. Tomorrow Cd Monday: pd Star Maker’ and ‘Trapped in the
PARAMOUNT—Toni ht: ‘rEpoed in the Sky’ and “Pals of the ddle.”” ToMorrow and Monday: “Daughters CouraRegus’ and “Our Leading Citizen.” PARKER—Tonight and tomorrow: “Lady of the Tropics” and ‘Mutiny on the Bounty. REX—Tonight: “The Star Maker” and “March of Freedom.” Tomorrow through Tuesday: “Winter Carnival” and “Lady of the Tropics.” RITZ—Toni Lo) and tomorrow: mail” and rom -Mexi RIVOLI— Tonight and oo “Fifth
, “Black-
een B F
SHOW—HELD OVER 7TH
ENGLISH
of the Dance With
ERGERE IVER GIRL
“THE WHITE STEED”
Monday, Tuesday, Wednesday, at 8:30 Bargain Matinee Wednesday at 2 20.
Return to. Stage of a Popular Star
SPECIAL PRICES! 25¢ Until 12 Noom From Noon Until Clasing)
Bal.—4(¢ Main No Change in. Night Prices
THE a
"HEAVEN
witha
BARBED
TLRs 1
NEXT FRIDAY TLS,
nh i
' LAST 2 TIMES 12:30 and 8:30
| “CHAN ON TREASURE ISLAND”
[TALBOTT
| Ne
ted tonight, includes on the Beethoven Fifth, in view of
sense a really seasoned quality about
performance was without its imperfections of tonal balance. But when one contrasts the season's first concert this year with ‘that of: last, he realizes that the smooth ensemble. playing which time alone can achieve is being realized. The newness and excitement of having a professional symphony orchestra may be wearing off, and it may become increasingly difficult to rally public support for .that rea-
complex an organization for granted, we might bear in mind that we are only now at the threshold of our deepest musical enjoyment. Yesterday's audience was greeted by a ‘theater scoured and shined to new brilliance, a stage setting similarly refurbished, and several new faces in the audience. Also it is pleasant to report that Mr. Sevitzky
one of the largest Friday audiences
were inaugurated.—J. T
WHEN DOES IT START?
APOLLO Drums Along the Mohawk,” with - Claudette Colbert, Henry Fonda, Edna May lve at 11:22, 1:27, 3:32, . 5:37, 7:42 and 9:47. CIRCLE ©. _ “First Love,” with Deanna Burhin, Ropert Suck. Helen: Parrish, at ““‘Missing Evidence,” with Preston Foster, Irene Hervey, at 11:44, 2:50, 5: 55 and 9:08. 'ENGLISH’S “Tonight We Dance,” a new com--edy starring Ruth Chatterton, with Lila. Lee and Barry Thomson. Enffs ement through Wednesday; curalo a 8:30; matinee Wednesday at
INDIANA “Rulers of the Sea,” with Douglas Fairbanks Jr., Margaret Lockwood will Fyffe, at 12:24, 3:38, 6:52 i
“Our Neighbors, the Carters,’ with Frank Craven, ay Bainter, at 11, 2:14, 5:28 and 8 as “The: Marx Bros. st the Circus,” with ‘the Marx Bros. | Florence Rice, Kenny Baker. at 12:45, 3:50, 6:58
“Thos igh Gray Walls,” with walter Connolly. at 11:15, 2: 20, 5:25
LYRIC
Horace Relat and his orchesira, on stage at 12:50, 2:58, 5:06, 7:14. and
9 ticaven on a Barbed Wire Fence,” with Jean Rogers, on screen at 1k: 35, 1:43, 3:51, 5:59, 8:17 and 1 10:25.
Cohan Will Quit Howard rd Comedy
seek another er star. for the one appearance ih Washington. He sai that the play would not go to: Boston as scheduled - for. the week of
‘| explained that Mr.
the orchestra. Not that yesterday’s|l]
and his musicians were greeted by|
since the matinee performances 2
Nov. 2m.
BALTIMORE, Md. Nov. 18 (U.| .).~Because George M. Cohan has decided to take a walk from: the stellar role in “Madam, Will. You Walk,” Sidney Howard’s posthumous comedy, the play, now showing here, will be withdrawn after next week's run in. Washington. : William - Brennan, company mari ’ ager, who made the announcement, . Cohan, grand old man of the. American stage, had decided that he was not the one tol portray the. mystical Dr. ‘Birghtless in the comedy. Mr. Brennan said that the supporting cast will be kept intact and the Playwriguts Company would
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“Those Nigh Gray Walls” {
Tonight—“IN NAME ONLY” Plus “6000 ENEMIES” Su iD AWN I Di Raft “EACH 1 DIE” a FOR SALE”
L :
NEW SEATS & 4 Tonight—Dead End Kids “HELL'S KITCHEN”
Sunday—Tyrone Power-Myras Loy _ | * “THE RAINS CAME” ) “FIVE CAME BACK” £4 BE
ae AR
TONIGHT AND TOMORROW pinson “BLACKMAIL”
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- “GIRL FROM MEXICO”
“THE STAR ER” “THE MARCH OF FREEDOM” Sunday— WINTER CARNIVAL” “LADY OF THE, TROPICS” .
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Positively Last 2 i
_ Doors Open at 6:45 ‘P. M. DOORS aa at 15
“Spencer Te IVING Kelly
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wyck- ay Fonda “MAD MISS-MANTON” at 8:50
SUN.—MON.—TUES.—WED. Sunday Doors Open at 12:45 ° Nor man Shearer-Joan Crawford
E WOMEN”
Anne Shirley “CAREER”
ST. CLAIR
ST. CLAIR AND FT. WATNE. R TONIGHT & TOMORROW
Ann Sheridan—Richard Carlson
ched, Tonite at Ay
RAFT
A Sw Tonight: Loretta Youn Yoel "
“THREE BLIND M MICE”
Scheduled tonight, a 5:35-8:45 XTRA
Geno Autry “IN MONTEREY UJ Edith A ‘5 IN OLD aM E PEPP PRORS' . “The Woman’’—Also 1st SUN. East Showing | “Chan at’ “STANLEY
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Hedy Lamarr “Lady of the Tr - Lew. Ayres “These Glamour - Girls PY
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__Gary Cooper “BEAU GESTE” _
John Garfield-Priseilla Lane - “DUST BE MY DESTINY” Walter Pidgeon “6000. 3 ENE ins
TO ALL “Unexpected Father” 10c TONIGHT “Riders. of Lost River” |
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