Indianapolis Times, Indianapolis, Marion County, 1 June 1939 — Page 8

PAGE 8 | . —— THE INDIANAPOLIS TIMES THURSDAY, JUNE 1, 1939 Steaming Back to Apollo 2 Music School ee a

By JAMES THRASHER : at ; ng * » be assisted by pupils of Earle Howe MOVIES y — - a: soon a : Opening Tomorrow Concerts Listed Jones on the piano, Thomas Pog= giani on the violin and of B. PF, LV though she is an Indianapolis housewife of long and good RG = : i 4; w—“" i APOLLO En standing, there is always something a little incongruous about | {ESRC - . : Spseits Win be ela 0 Orosey d : : 1 (Return engagement.) Hall in the Public Library Monday uy 0 1

a. Harding's presence among us. And it's always a bit of a ® By shock to find this attractive young matron, whose life has been so 4 ole : ; s “UNI » wi i . A tra@i : : : : i : : ON PACIFIC,” with Barbara Stanwyck, Joel McCrea, Akim|and Tuesday by cornet-trumpet afl DO nl aos Sig figte Mexican Empire, at home in | = Hl hl Ty i. fT | Tamiroff, Brian Donlevy, Lynn Overman and Robert Preston. Produced and piano students. >” : =: : | ; 45 ae 2 mo ll |and directed by Cecil B. DeMille. i ast Day, Micke ar Yl a ner vid) . : : x E:T How they finally built the Union Pacific across the plains to meet pile poy he Floite Besley And V5 the key Ro ney rah os xh reason. ‘ The four inches too long for his cof- : fe i # Te ! the Central Pacific in Utah. There are struggles, triumphs, chicanery, at 8:15 p. m. Monday. There will “You're Only Youn Once” Dien He TS Oe fin. And Aherne can take your E : # a : i brawls and romance, in the best DeMille manner, be 21 sors. talking. & Plus_HOMICI g J gh Mes, Hard. ere lont and wring them-—like 4 To ; : oT Vag os duet = Ra lEEAY TO e . “The Phan- | this.” ; ; i ' s EE tom Crown.” on which the film is ® 2 =» me Rug i : iid x CIRCLE and choir arrangements will be LAST DAY! based Not only that, but she : ; X 4 : « " wi : Y : S regards Bette Davis’ Car- : i : ; JUAREZ,” with Paul Muni, Bette Davis, Briane Aherne, Claude S Soe on the Warner studio lotta: “I admire Miss Davis’ | % 3 : mo nic8 Rains, John Garfield and Donald Crisp. proms The Original sm—, |} hy a few times while her book was spirit in accepting a ‘bit’ There | . ; nA Y i ; SX The story of Napoleon III's perfidy in placing Maximilian on the “Gone With the Wind” ’ In the process of becoming a ; shaky throne of Mexico and the story of the fierce fight for liberty

: ’ evi was more to her part originally, a RS : : scenario, and also saw the movie | ‘88 FETE 0 SE we rE the | a J : : $oe made by the Mexican patriot, Benito Juarez, DRESSES < : NOW-—A Highly

in the making. To top all this cutting room. Now that it is re 3 RS i : ; : . White Piques * | T off, she went to New York re- ANC * : Hs os ; i ; ks by “wide : ~~ . iti rue cently for the picture's premiere, | eased, she is a big enough person | § i 9% ; x LOEW S Bel NC Breiting It seemed likely, then, that Mrs. | hot to complain. As it iS She dem- . er : “LET FREEDOM RING,” with Nelson Eddy, Virginia Bruce, Lionel ory-— ales every scene she Is in. : Barrymore, Victor McLaglen and Charles Butterworth.

Harding would have some inter- ‘ esting and illuminating things to And regarding Mr. Muni’s \ : Young Harvard law school graduate comes home to find his comsay about her novel's celluloid in- | Juarez: “The role is Muni's con- sssses® | munity fighting the encroachment of the railroad. He pretends to |

carnation. Naturally enough, she | ception, but the Mexican Indian ? _ | take the side of the railroad. A bare-knuckle fight decides the issue did. wouldn't recognize himself in it. : : pr ai in favor of community, For one thing, she explained the | They say that Muni shuts himseif : i i “BRIDAL SUITE,” with Robert Young, Annabella, Walter Con- H

picture’s screen credit which | up with his part and fashions it in Se pi A - nolly and Cene tTockhart. reads “Based on a play by Franz | detail. But Juarez should be Those two lovable old reprobates, Akim Tamiroff and Lynne Over- Young man does nothing but miss wedding days. Goes to Swiss Werfel and the novel, ‘The Phan- childlike. Muni has been in Mex- man, who all but stole the show in “Union Pacific.” will be back in |Alps to see doctor and finds lovely kitchen maid. Instrumental in her tom Crown,’ by Bertita Harding.” | ico only once. You must live with | t54n tomorrow when the DeMille epic begins a week's return engage- rescue from mountain trip. Finally makes altar on third try. It seems that rights to the Wer- | the Mexican Indian for years be- | , ont at the Apollo. fel play, which is called “Juarez | fore you can understand him.” — and Maximilian,” were purchased Mrs. Harding says “The Phan-

only seven weeks before the | t Crown” was “inevitable.” Si : x or release. The reat for bod ag A Ri eros Mme. Blanco Bows IN as @

this, says Mrs. Harding, was a | Austrian father and Hungarian

safeguard 9p igeeuon, mother had been sent by the Em- . \ ® | peror Franz Joseph to bring back J d D g T h “HISTORY | is his story, she con- rod crown ry and silver of or an ancin eac er * 2 tinued, “but the execution | ppaximilian and Carlotta. She has She came oe ir the iy ont some examples of them in her pos-| Latin and Gypsy dances, sultry as the night itself, were the attrac- ; Werfel Id have sued the stu- | “oop ics tion at the Odeon last evening where Cuquita Blanco made her bow as a ‘ag hE . : Werte] could have Sued ‘he situ Like many other visitors, Mrs. member of the Jordan Conservatory faculty. : RR i “ we on nipuls Tor at Harding's parents fell in love with Mme. Blanco is a native of Spain and was long a resident of Mexico. _ ig oe hry] oot pen Mexico and, after their mission | Both countries, naturally, were represented in her program of nine Ah; is NOt A was accomplished, returned there |gances, and there was the Fado from Portugal for a full Iberian lect—no, that is not right! to live. Among the earliest mem- | hoacure.

“Dialog” being suggested as the : tw ories of the future biographer of The program began with a dance] such as to arouse the audience to

word in question, Mrs. Harding | {jo roval couple is hearing the explained. “You see, I do NOt | oovu of their tragic lives from the | © the Intermezzo from Granados’ | considerable enthusiasm. Frequently

think in English.” : , , i | “Goyescas”’ Suite. Then came al ; a : LR : Br ve " lips of the Empress’ ladies in a dance was repeated as an encore, ] : aN : ' : The title of “Juarez” was chos- ot Farruca, a Gypsy dance from Anda- | RLS LW j blood of a great nation! Here 1S strange cone en in place of “The Phantom waiting. oh lusia, the Cielo Andaluz, represent- land on one occasion, the steps and Eo Pod 3 : ; 8 §

Crown” after long debate, she RS. HARDING saw Carlotta ing a torero’s description of his music moved a spectator to the 3 : : ra . : said. Letters poured in protest- : : tape |PYOWeEss in the bull ring, and a point of clapping out an accompani- tel . flict between a man without mercy and a ing the change, but Paul Muni on two occasions, when, |,eon's dance, Chiapanecas. didn : $i a has insisted upon title roles | aged and demented, she was con= |= yo. po Genie Mme ment that was strictly “in the % eh Rad hh Bt : since “The Good Earth,” so | fined in Belgium. |groove.” Probably it was the first thE ; nd : . “Juarez” it became. “Carlotta’s insanity was not vio- | Blanco presented Las Espuelas de o t bug in the field 2 : Wp TE woman tortured by love! Here is pomp, roe | Amozoc, of Mexican origin; the influence of the jitterbug in the fie ES od nL ; At one time, Mrs. Harding | lent. It was a deep melancholia. Fado: the Bul del Roci lof serious dancin 3 i ; added, the screen writers had | She knew that Maximilian was |[2do: the Bulerias del Rocio, orig-| Cn ary on : y “written down” the parts of Maxi- | dead, for I have an original letter sung, whl We Gy pues of By ille| Prajices sand, So aCco/iDanish ee TREN . mance, struggle, glory, magnificently welded milian and Carlotta until they | in which she discusses his death. aa Signa a a, ose ed as| Son Tou 5 in, Broa! o NE o Ty were “shadows.” Eventually it was | Her madness was her escape as Culing kom iy DRY AS, an Ja peared as soloist aT oe 4 Ny act ¥ EJ : oo, . decided that the part of Jaurez | well as her doom. When she was o es 04, By . an ain api : pa | J = by Warner Bros. into stirring entertainment would lose stature if he did not | mad, she could be Empress of [811 at the harvest 1estivities : \ 3 4 | have a strong antagonist, so Max- | Mexico; when she was sane, she Since the program was made up 155 3 : § § § imilian became “a worthy hero in- | was only a poor relation.” of “character dances,” there was lit- | vk a TR :§ 3 3 never approached by the screen before! stead of an insect.” Concerning her recent work |tle treading of classic and conven- fn Cet ne ER : As for the performances, Mrs. Mrs. Harding said “I never Glsenss Hohl steps. Rather emphasis was | Robert Montgomers —Rusaling Russell Harding is particularly enthusias- | an unfinished manuscript, for {upon graceful movements of hands Re Le tic about Brian Aherne’s portrayal | have seen too many a land capes, rhythmic beating of| ALAMO CNW 556 an “WE ; ; of the unfortunate Hapsburg Em- | novels that were ‘talked out.’ But heels, pouts and smiles and arch - is Be 4 EE] - E ae peror of Mexico. since I completed a manuscript two | glances of coquetry. tn NeCoy: arias Whdcaty,, i 23 A ; Be. oS NEVER AN ACHIEVEMENT LIKE THIS!

“He was not my choice for Maxi- | weeks ago I can tell you. It is Mme. Blanco’s costumes were var- | ist Chapter—'Mandrake the ; hoo a i milian. I wanted Alfred Lunt. He | called ‘Imperial Twilight’ and car- ied and brilliant, and her commu-| Last Chapter Ee G-Men" = i NEVER A PE RFORMANCE LIKE THEIRS! looks like a Hapsburg and can be | ries the story of ‘The Phantom |njcation of the dances’ moods was News : : convincingly Germanic. But Crown’ and ‘The Golden Fleece’ ] J Re Aherne’'s performance won me | through Karl and Zita and down " Sl a 3 TY Pp A U L completely. He has the looks and to young Otto and the present y the bearing. Even the right height | day. It is the last of the Haps—you remember Maximilian was ! burg trilogy.”

oll ywood a

108 ywood Hotel Block

Here is blazing history written in the life.

WHEN DOES IT start? | Roof Announces APOLLO ~ Summer Dances

Rose of yashingien Square,” 1 Tyrone Power, Alice Faye and jlolson at 11 1:30, 4:40, 7:30 and For the first time in several sea-

Sorarits House.” with Anne Shir. | SOns, the Indiana Roof is to have _and James Elite son at 12:45, 3:35, summer dancing, or, to quote the 2% and 3:10 CIRCLE management exactly, “will attempt . ‘i " ws to feature dancing during the sum“Confessions of a Nazi Spy,” with . he Fdward G. Robinson. Francis Lederer mer months.” nd Paul Lucas at 12:30. 3:40, 6:50 The new policy, now in effect, ofrie Jones Family in Hollvwood. fers dances from 8:45 p. m. until ith Jed Prouty, Spring Bvington an ‘45 Yay ine ‘Carlson at 1130 "2:40 5.30 and f/12:45 a. m. on Fridays, and 9 p. m. “ to 1 a. m. on Saturdays. A blower “Ordo. bh oEw ® " system is in operation which afnly ngels ave ings,” wit & y > ary Grant, Jean Arthur and Riche fords a complete change of air every arthelmess at 12:05, 3:20, 6:40 and | minute, the management announces. “Within the Law.” with Ruth Hus- Denny Dutton and his orchestra, | fom, Nes! 11 1a Paul Kelly at 11, | with Dorothy Robard, singer, will ocpl cupy the bandstand this week-end.

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wi Al 10: le 6.2

GETS NEW CONTRACT |] DANCE—SWIM

Terry Kilburn, the London bus driver's son, who came to Holly- WE TLAKE wood an unknown a year ago, celebrated his first anniversary in mo- : y I Louie Lowe’s Orch.

io ictures wit 3 . "0- : t on pictur with a new Metro Dance Nightly Except Monday. roldwyn-Mayer contract. | Jy

(WAR.EZ2)

5 ! A story so momentous that it required six Academy rrr “ALADDIN & = | | : 3 a ; Award winners and 1186 supporting players, including Nis WONDER Ji

UL LAMP: ; | A BRIAN AHERNE

LAST DAY, “ROSE OF WASHINGTON SQUARE” fA LSON EDDY, a3 "singing p— s CLAUDE RAINS + JOHN GARFIELD - DONALD CRISP

TI I ap 5 & vi : LN. Joseph Calleia * Gale Sondergaard * Gilbert Roland - Henry O'Neill § he fought the robber barons of i - A 4 : 1 . LT ea | 3 | Ea DIRECTED BY WILLIAM DIETERLE : Screen Play by John Huston, Aeneas MacKenzie and Wolfgang Reinhardt © Based on © Ploy by Franz Werfel and the Novel, ‘The Phantom Crown,” by Bertita Harding. Music by Erich Wolfgang Korngold.

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3185 BidS § Speedway City WwW Madeleine Carroll SPEED AY SOC Or MacMurray “C “Comfortably Cool” “NORTH OF SHANGHAI" :

George Sanders—Wendy Barrie z SOUTH SIDE “THE SAINT STRIKES BACK" i

VIRGINIA “ih VicTOR | BALK DOOR TO HEAVEN DICTATES COOL BRUCE - 'McLAGLEN | EXTRA! Popeye Cartoon Robt. Montgomery_Rosaling, Russell : ‘F

AL Ie Bi “TROUBLE IN SUNDOWN"

ARRYMORE - ARNOLD EEL SLs: | en 1106 Po 8 SANDERS 1 Oc

BALCONY GUY KIBBEE - CHAS. BUTTERWORTH TO ALL 30¢ “Comfortably Cool” I “LAST WARNING”

AFTER ¢ First Showin “WHERE BUFFALO ROAM" Beh, Batns “I'M FRO] Bissou RI”

FAUTY FOR THE ASKING T1300 8 BEAL

~ E. Wash. & N. —| Carole Lombard—Jas. Stewart ht “MADE FOR EACH OTHER” ‘Paramount ps ane ester “FISHERMAN'S LL iw 1—"THE BE ACHCOMBER" “~ 2 | 2203 Shelby 2—"PARDON OUR NERVE" Air-Conditioned | $—Jackie Cooper “SCOUTS TO RESCUE” GARFIELD Dorothea Kent 4—Vaudeville Act phy ‘RISKY BUSINESS” I ~530% E. Wash, St. Sho KILLED GAIL PRESTON? IRVING Priscilla Lane NORTH SIDE

Jefirey Ly psa. “YES, MY DARLING DAY GT R” ee Talbott at 224d ' TYRONE'S BRIDE! er + TALBOTT 5s edt | TORT BE E. WASH “FLIRTING WITH TATE” KIDDIES 10¢ Chas. Ruggles “BOY do ’ No wonder Annabella glows like RoE es Siete Feta COOL eT] aS STEER a girl in love in these “Bridal | ramatic School [V] WIR 3 ne FT Cc 0

“ . Michael Whalen—Jean Rogers Suite” love scenes! While mak- “INSIDE STORY" HELD OVER! ing this picture her real life | DISH NIGHT FOR THE LADIES! Errol Flynn—Olivia De Havilland 0 romance with Tyrone Power Ri R J N Dw. 15¢ “DO E CIT L reached its happy climax! a “FLIRTING WITH FATE" 16th & Delaware

“WUTHERING HEIGHTS" CINEMA Irene ‘Bune R 0 RB E Vad T Bob Burns—Gladys George LOVE AFFAIRS ayer | “I'M FROM MISSOURI” - os “SOCIETY SMUGGLERS” _

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arner *Baxter — li d Russell ‘PLL GIVE A MILLIO Robt. Montgomery Ro OSE a wnt ‘WONG—DETECTIV E” “THEY MADE ME A CRIMINAL” On Our Stage

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"RLASKELL'S RAR __ NITTERBUG JAMBOREE _ STARTING TOMORROW AT 1 AW

WEST SIDE

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USBAN FRIEND “ Michael Wie ‘SIDE E STORY” THEY MADE OF YEIRATOWN -

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