Indianapolis Times, Indianapolis, Marion County, 20 May 1939 — Page 7

PAGE 8

MOVIES

By JAMES THRASHER

APOLLO—"“Man of Conquest,” with Richard Dix, Gail Patrick, Edward Ellis and Joan Fontaine. |

“Woman Doctor,” with Frieda Inescourt, Henry

Wilcoxson and Claire Dodd.

CIRCLE—*“Rose of Washington Square,”

with Tyrone

Power, Alice Faye and Al Jolson. |

Ellison.

“Sorority House,” with Anne Shirley and Jamey

LOEW’S—“Lucky Night,” with Myrna Loy and Robert

Taylor.

“Society Lawver,” with Walter Pidgeon, Virginia

Bruce and Leo Carrillo.

APOLLO

Republic Pictures, whose directors shoot as fast as their films’ heroes, have made the plunge into the million-dollar epic pool with “Man of Conquest,” an impressive combination of history and action, with overtones of contemporary allusion. It is a dramatic and generaily factual account of the life of San Houston. backwoods patriot, politician and soldier, and of Texas’ progress from a Mexican province to independence and its present statehood A lover of freedom, fights and fair dealing, Houston became a sort of adopted son in the Cherokee tribe during his youth. In the War oi 1812 he met his fellow Tennessecan, Andrew Jackson, and became a devoted friend and admirer. Elected Tennessee's Governor, his almost certain progress to the White House was halted by an unfortunate marriage. Why Eliza Allen left her husband of six weeks has never been established definitely. The movie pictures her as a delicate, cultured girl who is revolted by the roughness, drinking. haranguing and brawling attendant upon Houston's campaign for re-election. It is, at least, a plausible and inoffensive theory. Whatever the reason of Eliza's departure. it is known that Houston returned to the Cherokees and, after sinking pretty low, climbed up again to lead the scattered American colonists in Mexico to freedom. Assisting him in this was his second wife, Margaret Lea, as brave and understanding a woman, apparently, as Eliza had been squeamish and willful. George Nicholls Jr. has directed with an eve for excitement which manages to stick close to the facts and shuns the artificially fashioned suspense.” The historic shambles of the Alamo and the Battle of San Jacinto are stirring. As regards direction and photography, the picture catches much of the atmosphere of the bitterly inelegant pioneer life. Less satisfying is the dialog. Good in spots, it swings elsewhere toward a sentimental political oration or oldfashioned melodrama—witness the moment when President Jackson says to the hero, “Sam Houston, vou're a hard man!” The acting is first-rate. Richard Dix contributes a commendable Dixian job with Houston, while Edward Ellis and the lovely, luscious Gail Patrick are excellent as Jackand Margaret Lea. Joan Fontaine does well with the brief. ungrateful role of Eliza, and among the historical portraits you find Ralph Morgan as Stephen £ in. Robert Barratt as David Crockett, and Robert Armstrong as James Bowie. You should enjoy especially the scene where Houston, Bowie and Crockett observe the social amenities of polite introductions while defending themselves from a savage Indian attack. But perhaps the most impressive thing about “Man of Conquest” is the fact that it dares to hold up some past governmental principles and practices to critical observation, and points a few present-day morals It may be doubted that Andy Jackson really indulged in conversational castigations of ‘gictators,” as he does in the film. ut the picture deals with the Government's treatment of the Indians with the bitterness that the subject deserves. And not since the days of Will Rogers has Hollywood matched Jackson's speech on democracy, to the effect that “Of course it’s bound to make mistakes, ornery human beings like congressmen and you and me. But there ain't another country in the world where a dent, and where all the President can do is cuss back—or go fishin.” Also on the Apollos bill is “Woman Doctor.” which looks at old marriage vs. career plot from the operating room instead of backstage

"HELLO, DOROTHY, THIS IS MALAYA'

son

the

HOLLYWOOD. May 20 (U. P).— Dorothy Lamour will inaugurate radio-telephone service between Malava and the United States. Government officials at Singapore will put in a call to Miss Lamour on May 31, at 3 p. m. Singapore Time), which will reach the actress while she is at work on a set at 4:10 p. m. (Pacific Time),

WRONG NUMBER

Setting up for the big wedding scene in “The Old Maid,” Director Edmund Goulding called to the string quartet to play the wedding march. They broke into “The Blue Danube.”

‘achieves stardom.

being run by |

man can cuss the Presi-|

CIRCLE

Anyone who recalls the unhappy | and widely publicized incidents of a popular radio and revue come-| dienne’s first marriage is going to! take issue with the foreword of “Rose of Washington Square.” That is the traditional foreword | which makes the cautious denial of “resemblance to any persons, living or dead.” Yet, if you were reading | the newspapers 20 years ago, you | cannot fail to recognize the heroine. | She is hopelessly in love with a husband who would like to be honest, but can't quite make it. She sings| “My Man” in the musical comedy of which she is the star, and her| audience sobs with her because they know all about the brave torch she’s carrying. For those who have grown up in| the ensuing years, here is the story

of “Rose of Washington Square.” | Rose falls in love with Bart, breaks) up her vaudeville twosome with | Ted Cotter, and gets married. Each | Bart, meanwhile, |

Jam after an-| |

is getting into one other. . A small-time crook, Bart can't take it when the law catches up with him, so he jumps bail. But when he hears Rose singing “My Man” one night, he gives himself up. Love conquers all, and Rose] promises to wait until Bart comes back from Sing Sing. This adds up to only tolerable entertainment. On the credit side are the return of Al Jolson and a corking good dance team in the “Follies” sequence, among other things. If you are an old Jolson fan, you'll be glad to know that the mammy singer kneels and wriggles| through such Jolson favorites as ‘Mammy.,” “California, Here I Come” and “Toot, Toot, Tootsie.” “Alexander's Ragtime Band” and “The Castles” picked over the best of the early jazz tunes, but the present film has a few Tin Pan Alley classics which have stood the test of time. Not the least of them, of course, is “My Man.” Also, it is something of a relief to see a picture's hero start out as a “rat” and end up without any startling reformation taking place. Among the debits might be listed! the performances of Alice Faye and Tyrone Power. Miss Faye, anything but a dramatic actress, has been miscast consistently. And here again we find her giving another lackadaisical, unconvincing performance. Mr. Power is equally ineffectual This is a purely personal complaint, but it irks me to see the heroine of a 1919 setting parading before the camera in up-to-the-| minute, 1939-model frocks. But at! least Miss Faye and Mr. Power don't have a chance to go through 25 vears without gathering a wrinkle or a gray hair, as they did in “Alexander.” Accompanying “Rose of Washing-| ton Square” at the Circle is “Soror-| ity House,” in which Anne Shirley grows too good for her old daddy, but relents before the audience] completely turns against her.

LOEW'S

A kaleidoscope of voungsters “on the bum.” the gaming tables and misunderstanding galore rights itself into a pretty little piece with a plot and no dialog this week at Loew's. It has Myrna Lov and Robert Taylor and is titled “Lucky Night.” | | Robert Taylor, for once in his | voung and glamorous career, does

some very fine acting. The whole story revolves around the verv nebulous existence of an “idea” in the rear of Mr. Taylor’s handsome knob. The idea is that whether vou win, | lose or draw. you celebrate. Robert marries Miss Lov at the end of a very hectic evening of begging, gaming and drinking He finds that when they are married she suddenly changes her colorful ways and wants to bill and coo. and save and buy insurance and be very staid and all those things so averse to the

ivory cubes. He gets a job and tries very hard to settle down but he finally tells her he must get around to a little of that color he's missing at the business side of a paint counter Everything comes out all right, but it wasnt the fault of the persons who wrote the dialog. Can you imagine saving, after vou've come home married to a! person vou've known for a matter of minutes, “But, father, he's a very gallant gentleman.” | Mr. Taylor does very handsomely | for himself, and you should see the | show just to watch him play very! sincerely, if cleverly, the part of

The cream of Hollywood's juveniie acting fraternity turned out the other day to help “Dead Ender” Bobby Jordan celebrate his 16th birth-

day.

Left to right, guests are Leo Gorcey and Kay Marvis, Billy Halop,

THE INDIANAPOLIS TIMES

'DEAD END KID' GIVES A PARTY FOR STARLETS

.

Arn ra beak

SATURDAY, MAY 20, 1939

HOLLYWOOD

By PAUL HARRISON

HCE vooD; May 20.—Short takes: During a day spent in prowling the sets and an evening at a cocktail party, I have heard the following story attributed to one male and two feminine stars. So

no names will be mentioned.

Anyway, a star was talking to a childhood friend and remarked: “After I came to Hollywood it took me six years to discover that I had

absolutely no talent for acting.” “How discouraging!” murmured the friend. quitting?” “Of course not,” said the player. “By that time I was making a quarter of a million dollars a year!” =" » ”

ND then there were the two

has-been actors who had

| been leaning on a bar until they

reached the state of sorrowful

| confidences. Mourned one: “Why,

I haven't been in a single picture

| for four years.”

Bonita Granville, Frankie Thomas, the host, Phyllis Howell, Gabriel Dell, Edith Fellows, Billy Mauch (behind Edith), Huntz Hall, Mickey Rooney (honest!), Bobby Mauch and June Ross,

THE NEIGHBORHOODS

WO neighborhood houses are getting all donned up for spring. . . . The Garrick, at 30th and Illinois Sts., is closed for modernization and will reopen in a few weeks with a new name—the Esquire. . . Joe Cantor, owner of the corporation operating the Rivoli and Emer-

son Theaters, has acquired a long-term lease on the theater. At the Strand, new equipment is being installed and other changes

are being contemplated, according to Olsen's Enterprises, operators of the theater. An iluminated parking lot has been enlarged. The theater has been redecorated, inside and out, and new sound equipment, a new screen and new projection lenses installed. Officials say the seating capacity may be enlarged soon The Colbert-Ameche laugh hit, “Midnight” and James Cagney’s Westerner, “Oklahoma Kid,” lead the parade this week-end. . . . Both films will be at the Rivoli tomorrow through Wednesday. “Midnight” also closes at the Emerson tonight, with Carole Lombard’s “Made for Each Other” and Shirley Temple's “Little Princess” the Sunday features. . . . It’s also at the Granada today and tomorrow . . . at the Strand today and tomorrow and at the St. Clair Sunday through Tuesday. The “Oklahoma Kid,” which also has the lovely Rosemary Lane, moves into the Vogue tonight, replacing “Huckelberry Finn’ , . . and is teamed up with Sylvia Sidney's “One-Third of a Nation’ at the Fountain Square today through Tuesday. ... “The Kid” also will be at the Zaring all week, along with Deanna Durbin’s “Three Smart Girls Grow Up.”. . . "Huckelberry Finn” replaces “St. Louis Blues” as the Irving feature tomorrow for four days. . The Mickey Rooney hit also will be at the Talbott, along with “Made For Each Other,” and with “Tailspin” at the Speedway.

= » =

AILSPIN” and “Cafe Society’ are the Tacoma features tomorrow through Sunday. . The Paramount has “Gunga Din” starting tomorrow. . At the Hollywood, it's “You Can't Cheat An Honest Man” and “Tailspin,” and the Golden is headlining “Jesse James” for tomorrow. Miss Temple's “Little Princess” opens at the New Daisy and the Rex on Sunday. The Tuxedo and the Belmont have “Three Smart Girls Grow Up” and “Fast and Loose” opening on their screens tomorrow. “Angels With Dirty Faces” closes at the Oriental tonight and “Honolulu” opens tomorrow. At the Ritz, “Love Affair” and “Four Girls in White” start a four-day run tomorrow. . . . Other films opening tomorrow are “Trade Winds” at the New Garfield. . . “Wings of the Navy” and Jane Withers’ “Arizona Wildcat” at the Sanders . . . and "St. Louis Blues” at the Avalon.

MacMURRAY GAINS

During

the two months

‘Burroughs Says

| Edgar | threatened legal action against the {numerous Tarzans floating around |the boxing and wrestling circuits. | Today, while he was about it, Mr. | Burroughs also sent a complaining | telegram

| persuaded him | mother. | It took plenty of persuading even | | to make Jose admit he has a mother. | | He claimed to be an orphan, think|ing that that might help him re-| | main here.

CHOIR TO GIVE

he was

{ |

Wants Limit | On Tarzans

{

i

|

Boxers Are Stealing Name.

HOLLYWOOD, May 20 (U. P) .— Rice Burroughs yesterday

to the only authorized Tarzan. To Johnny (Tarzan) Weissmuller,

now performing in a pooP at the

| New York World's Fair, he wired:

“While I am complaining about the unauthorized use of the name

Tarzan in general, I would like to] | register a kick of some kind in par-

ticular about that white satin bathing suit vou are reported cavorting

{around in. The original, legitimate | Tarzan has no business going around | | looking like an aquatic chorus man | while doing the Tarzan yell.”

The writer accuses the wrestling |

|and boxing Tarzans of violating the

copyright on the name which only the movie studio employing Weissmuller has been authorized to use.

Mexican Youth Disillusione

| HOLLYWOOD. May 20 (U. P).—| Jose Matute, 10-year-old Mexican boy who saved his centavoes and | hitch-hiked 1700 miles to Hollywood to become a movie star, is going back home to Guadalajara, disillusioned but contented. Jose spent a happy hour while Delores Del Rio, Mexican film beauty, her arm around his shoulders, expiained how hard it is to crash the gates of Hollywood, and to go back to his

ANNUAL RECITAL

The Indianapolis Civic Choir will give its annual recital at 3 p. m. tomorrow at the World War Me-| morial. Founded in 1936 the choir repre-

actively training for his fight scene! Sents more than 30 churches in the

in “Invitation to Hapviness,”

Fred

city. Its program will be presented

MacMurray gained eight pounds, in- In five parts. It will include readsoul of this gallant knight of the stead of losing weight, he disclosed Ings by Mr. and Mrs. Floyd Jones

todas

‘Local Boy’

HOLLYWOOD, May 20 (U P.).—Robert Taylors studio received a clipping fiom a newspaper in Beatrice, Neb. today that bore the headline: “Local boy weds on Coast; Arlington Brugh, reported doing well in dramatics, weds Ruby Stevens.” The news story under the headline told of Mr, Tavlor's recent mairiage to Barbara

land Mr. and Mrs. Kenneth Stewart, {in

addition to spirituals and re-

ligious pieces by the choir.

READY FOR WORK

William Powell, back from month at Lake Arrowhead, is conferring with Hunt Stromberg, the producer, ort “Return of the Thin Man,” scheduled for production

when Myrna Loy completes her role W§

in “The Rains Came.”

{National High School Orchestra Association. |

|arduous rehearsals and with con-|Conference, Chicago;

| rehearsals, and with perfect ease.

| “competition

Nation of Music Lovers Goal of School Teaching

To make America a music-loving nation rather than to train hundreds of professional musicians is the goal of school music instruction throughout the country, according to Adam P, Lesinsky, president of the|

Mr. Lesinsky is in Indianapolis for the Region 3 National School Music Competition Festival, which is closing a three-day session. He is present here in a dual capacity. For, in addition to his executive duties, he conducts the Whiting High School Orchestra of 64 players. His young musicians have taken first place in the Indiana contests for eight consecutive seasons, and won two first places and one second in national competitions. I= - However, there is no longer a na- the alert for worthy American tional contest. In the first place, music to be introduced and played | Mr. Lesinsky says, it is too expensive |i, the schools. to transport orchestras half way “But first of all, it must be good | across the continent. Further, the |, usic.” is Mr. Lesinsky’s belief. “We change to regional festivals has in. re interested in American Ameri-| creased the participants tenfold. | music not so much because it

and has carried good music Into; American, but because it is good.” every corner of the country. > wv

At the last national competition, | there were 44 orchestra represented| Highlights of today’s from the entire United States. This|will be the competition of Class A]

year there are 44 orchestras at the| i rm. a Indianapolis regional, and there are Orchestras, representing schools, of 10 regions holding festivals during more than 750 enrollment, and dem-

May and June, onstrations by student conductors. ‘Difficulty No Bar’ After the Class B orchestra finals | Mr. Lesinsky attended his first were completed in Caleb Mills Hall]

school music festival in 1928. That|last night, there was an informal reyear, he recalls, the required or- cital by outstanding students in the chestra selection was Sibelius’ “Fin-|solo contests. Brief talks were landia,” and the high school mu-|made by C. H. Buttleman, executive sicians played the work only after secretary, Music Educators National Ralph Rush, siderable difficulty. Last year he|Cleveland Heights, O., regional] conducted a grade school orchestra|director; Ralph W. Wright, music which played “Finlandia” after four|director in the Indianapolis Public Schools, and Miss Ada Bicking, the school music presi-| director, the Jordan Conservatory of | dent says, “difficulty is no bar.” | Music, Indianapolis. Within the last few years the] $ » » title of these annual concert sessions| py Howard Hanson, noted comhas been changed from “contest” to]

festivals.” And the | POSer and conductor, and head of]

3 | festival spirit is stressed far more|the Eastman School of Music, was than the competitive one. unable to participate as one of the| wud this oa ie Srading Sys- orchestra judges, owing to the death | tem has been changed to conform to | : school usage, with student musicians {91 DiS father, Emil Heermann, con | and their leaders striving toward |Certmaster of the Cincinnati Sym-| the perfection of a mythical and | phony Orchestra, remained over | musical “100,” rather than attempt- yesterday and today to take his| ing to outplay one another. (place. Other judges are Louis “It was unfair,” Mr. Lesinsky|Wersen and Fabien Sevitzky, coil~ | comments, “for two orchestras, near- ductor of the Indianapolis Symly equally matched, to be rated first | phony. |

and second. Under out present sys-

tem, if there are two or three fine ast Day—LAUREL and HARDY in

orchestras, each is given a first] “SWISS MISS”

place.” Plus Frankie Darre “TOUGH KID”

activities]

“Today,”

Parents Become Interested

In Whiting, Mr. Lesinsky is developing ensemble playing within | the home as well as in school activ-|

“That's nothing,” said the other. “I haven't made a picture since the summer of 1932. I sure wish I could figure some way to get out of this business.” n on n T'S like Ken Murray says: “Hollywood is a place where you spend more than you make— on things you don’t need—to impress people you don't like.”

n s »

AULETTE GODDARD has become a busy, top-flight actress. Now the nervous heroine of “The Cat and the Canary,” she’ll go into Chaplin's “Dictator” next, then to David Selznick's “Titanic,” and probably to a Paramount contract in the autumn. . . . Paul Muni, to star in “We Are Not Alone,” the new James Hilton story, will be more alone than he was in “Jaurez,” where Brian Aherne stole the show,

That bitter interview given by Grace Moore has made the colony madder than anything in years. A local real estate salesman who seems to be a dead ringer for Errol Flynn is being tested by Warners. If the amazing resemblance is confirmed by the camera, he’ll be hired as a standby double for emergency use when the willful star goes fishing. ... Myrna Loy is tickled with her unsympathetic 10le in “The Rains Came.” She's a sort of vamp, a ruthless charmer who likes breaking hearts.

n # un

ENSORS ordered a chest shave for William Holden, the prizefighting “Golden Boy.” . . The production code, which had a stern rule against pictures deal-

| ing with Kkidnapings, will be re-

laxed for “Lady Jane” so that Shirley Temple can be snatched. . The Hays office is girding itself for a battle with Darryl Zanuck over the script of “Grapes of Wrath.” Along with a cool

|

: : | $75,000 “Did you think of |

[rebroadcast favorite radio programs

At 10:36—1:51=5:06—8:21 JAMES CAGNEY-—ROSEMARY LANE

“OKLAHOMA KID"

At 11:56—=3:116:26—9:11 Carole LOMBARD-—James STEWART

"MADE FOR EACH OTHER" 15¢

SALAM

MIDNIGHT

* PREVUE *

TONITE

BOX OrLICE

MR. MOTO

TODAY SUNDAY MONDAY FIRST CITY SHOWING wr

WM. BOYD “SILVER ON

THE SAGE” Russell Gleason—Shirley Deane “UNDERCOVER AGENT” “Lone Ranger Rides Again”

ities. He has one student string trio |= which has rehearsed together for |

their children’s performance. For | them he has organized an adult orchestra which includes many parents as well as his high school grad- | uates who have not gone on to col=- | lege. The National High School Or=chestra Association, and its corollary |

Semen -—

| / J tn cescmENmERIES -N five years. | - . | Many parents, Mr. Lesinsky finds, | : : 0 become interseted in music through | . at

for the novel, Author Steinbeck got an agreement from Zanuck that the story wouldn't be altered. Of course there can be deletions. In spite of a heavy production

| schedule in Hollywood, with about

42 pictures usually in work, extras and jobless bit players are having the hardest time of their lives. The Motion Picture Relief Fund averages a record 550 cases a month,

RIVERSIDE GIVES RADIO PROGRAM

Riverside Amusement Park will at the park this afternoon by per- | mission of Station WFBM, whose [features will be presented. An attendance increase of about 50 per cent has been noted by park officials, as the third week comes to a close. Bob Dungan and his Hillbilly Band have been re-engazed at the Showboat, park dance spot. Sir Edwards, magician, and Major Joe, midget, are also on the program.

MOVIES GET SHIPYARD

The entire facilities of a shipyard at Los Angeles Harbor have been (taken over for reconditioning and | redesigning of two vessels as sail{ing ships of the 1830's, for use in “Ruler of the Seas,” forthcoming Frank Lloyd production in which [the cast will be headed by Douglas Fairbanks Jr. and Will Fyffe.

EVERY NITE

D A N C E EXCEPT MON.

Summer Opening Tonight

WESTLAKE

TERRACE Louie Lowe’s Orch.

Heated on Cool Evenings

R | 1} y 4 ILLINOIS AT 34TH

Final Day. “Made for Each Other” & Tony Martin, “Winner Take All”

SUN., Irene Dunee, Chas. Boyer.

"LOVE AFFAIR" & “4 GIRLS IN WHITE”

(1a) 42ND & COLLEGE

| Last Day, Joe Brown, “Flirting With Fate’ & “Heart of North,” in Color

Sun., "Midnight" Claudette & “VALLEY OF GIANTS” in Color TONITE-JITTERBUGS

COLLEGE AT 63RD

Vv 0 G U FREE PARKING

Last Day, “"HUCKLEBERRY FIN | & iy

CATE SOCIET) SUN. JAS. CAGNEY | : “OKLAHOMA KI ) & EH || EAR LRA LAL): LAST DAY, “4 GIRLS IN WHITE" |

>" "LOVE AFFAIR" [rene and “PERSONS IN HIDING"

Dunne Sun., 'MIDNIGHT

Tony Martin, ake" "A

Lianne

Don

(RUE [TY

“MR. MOTO’'S LAST WARNING”

STR

COLBERT - AMECHE - LEDERER

"MIDNIGHT BARRYMORE R. MONTGOMERY — R. RUSSELL "FAST AND LOOSE

Disney's “BRAVE LITTLE TAILOR"

Last Day, ‘Angels With Dirty Faces’ { & ‘BOY TROUBLE, Chas. Ruggles. | SUN., "HONOLULU" &

HOME OWNED* HOME OPERATED

group, the Music Educators National Conference, are continually on|

EAST SIDE

Tony Martin—Gloria Stuart { Slim Summerville—Henry Armetta 1-="WINNER TAKE ALL” Akim Tamirofi—Anna May Wong 2-“KING OF CHINATOWN" | Je=Extra! Last Show Tonight Only! Gary Cooper—George Raft Frances Dee—Olympa Bradna “SOULS AT SEA”

SUN.-MON.-TUES.-WED, James Cagney-—Rosemary Lane

“OKLAHOMA KID”

Claudette Colbert—Don Ameche “MIDNIGHT”

“SORORITY HOUSE"

suas, |

FIRST SHOWING EAST Claudette Colbert “MIDNIGHT” Jones Family “EVERYBODY'S BABY"

Sun. thru Wed.—Carole Lombard “MADE FOR EACH OTHER”

GOLDEN

Hollywood

Zaring

“BEAUTY

Cinema

EAST SIDE 6116 E. Wash. St, 15¢ Till *% Bernard Shaw's “PYGMALION" Tony Martin “UP THE RIVER"

NORTH SIDE

Bing Crosby Shirley Ross “PARIS HONEYMOON"

“INTERNATIONAL SETTLEMENT"

Claire Trevor John Wayne Andy Devine “STAGECOACH” All Next Week—Deanna Durbin Nan Grey—Helen Parrish “3 SMART GIRLS GROW UP” Jas. Cagney “OKLAHOMA KID”

16th & Delaware Jackie Cooper

“SPIRIT OF CULVER" Amazing “DARK RAPTURE” Continuous Daily From 1:30

1504 Roosevelt

Central at Fall Crk.

FOR THE ASKING”

Freddie Bartholomew |

SOUTH SIDE

IGA

1045 VIRGINIA AVE. TONITE AND SUNDAY

Also Akim Tamireff “KING OF CHINATOWN"

rs

FOUNTAIN X00 VN: 8

TODAY, SUN., MON, & TUES.

Mat.—Today Adults 1 5¢

stanwyck. Mr. Taylor was born S. Arlington Brugh, in Nebraska, and Miss Stanwyck was christened Ruby Stevens in Brooklyn, N. Y.

“Young Man Getting a Job.” Shirley Temple “Little Princess”

The truest and most apropos | words spoken in the show are when | Mr. Taylor demands of Miss Loy, | “But darling, when does the fun | begin?” (Your reviewer waiting |

patiently for a bright spot in a DANCE TILL TWO

drab dialog, wondered * the same Except Monday. Adm. 23

BANDWAGON

~ On the other side of the record | is Virginia Bruce and she is cer-| Southeastern and Emerson HAL BAILEY'S ORCHESTRA

31st & Northwestern Loretta Young

| | to 6 p.m. |

MYRNA LOY ROBT. TAYLOR

“LUCKY NIGHT"

f 5507 E. Wash. St. Dorothy Lamour

IRVING ib"

“ST. LOUIS BLUES” Vic. McLaglen “Pacific Liner”

Sunday—Mickey Rooney-—Walter Connolly - * Boris Karloff

“HUCKELBERRY FINN” P. Goddard “DRAMATIC scHooL” TALBOTT . Grant Withers “MYSTERY OF MR. WONG"

ay Ue], TE TRL 20: __ Chas. Ruggles “SUDDEN MONEY"

KIDDIES 10« Randolph Scott—Joan Bennett WEST SIDE

“ —— ny THE Ss” Speedway City Peter Lorre—Ricardo Cortez SPEEDWAY Naenee Bane “MR. MOTO’S LAST WARNING”| «wIFE, HUSBAND AND FRIEND" “BLACKWELL'S ISLAND"

SUNDAY-—~MONDAY-TUESDAY | _ 1 F Alice Faye—Constance Bennett NEW DAISY Tackle: coper . Bar 0

“TAIL “SPIRIT OF CULVER”

Fred MacMurray—Madeleine Carroll Geo. O'Brien “ARIZONA LEGION" Sylvia Sidney

“CAFE SOCIETY" Sirs BELMONT Lief Erikson

NT New York “ONE-THIRD OF A NATION"

" TG B, Tu Xe # Shirley Temple | Claudette Colbert “MIDNIGHT”

R EX Warner Baxter

“WIFE, HUSBAND and FRIEND”| Jane Withers “Arizona Wildcat” Sunday—"LITTLE PRINCESS” | “TOPPER TAKES A TRIP” |

Talbott at 22d

WHEN DOES IT START?

APOLLO

‘Man of Conguest,’ with Richard ix. Gail Patrick and Edward Ellis at 12.33 3:41, 6:47 and 9:53 “Woman Doctor,” with Frieda InHenry Wilcoxon and Claire 11:30, 2:36. 5:42 and 8:48.

CIRCLE Washington Square,”

Alice Faye and 7:30 and

CAGNEY

Humphrey Bogart Rosemary Lane

PROGRAM

25¢ until &

Balcony 30¢ After 6

escort, Dodd at WALTER

+ PIDGEON

A3OIY Raa el

tainly swell. She's with Walter | Pidgeon in “Society Lawyer” and! Leo Carrillo is also there with his| nice gangster ways. be The film has nice lines and sus-| pense and excitement and guns:

i RE 3 DOLL against a Park Ave. setting. A TSE SN us fs Wa great lawyer frees an innocent man | N | ¢ Yb A N D D | | Se

eof with Tvrene Power Al Jolson at 11 1:50, 4:40 10:20 “Sorority House,” and James Ellison and 8:1

LOEW'S

“Lucky Night,” with Robert Taylor : Myrna Loy at 11, 1:50, 4:40, 7:35

with Anne Shir3:35,

Also Sylvia Sidney in at 12:45 “ONE-THIRD OF A NATION"

ley 6:23

At Fountain Squar Sanders Tonight, 10¢ John Trent “MYSTERY PLANE” “CALIFORNIA FRONTIER” Sunday—Geo. Brent—Olivia DeHavilland “WINGS OF THE NAVY” Jane Withers, “Arizona Wildcat” Loretta Young

New Garfield Warner Baxter

“WIFE, HUSBAND AND FRIEND" “TORCHY BLANE IN CHINATOWN"

with the help of a beautiful girl. A cliche, yes, but good. (H. M)

Open Air Dancing Clear Nites Corky's Swin Ban Songstress

HARBOR

Dance Sat., Sun., Mon. R Week FLOOR SHOW 3 ‘NITES Madera To

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10. “Society Eawver.” with Walter Pidgeon, Virginia Bruce and Leo Carrillo at 12:25 3:20, 6:10 and 9

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