Indianapolis Times, Indianapolis, Marion County, 7 January 1939 — Page 8
lman Given | Plaudits in Soloist Role
~ Symphony Orchestra to ~ Give 'Reminiscent' Concert.
By JAMES THRASHER There is something pleasantly
reminiscent about the Indianapolis):
Orchestra’s program
Symphony
which you may hear at the Murat
tonight. The concert opens with Berlioz’ “Roman Carnival”
Symphony, And that is just what happened ‘when Fabien Sevitzky conducted his first concert here in November, 1937.
Connecting a piece of music with|:
a sentimental recollection is a practice rightly frowned upon. But it was pleasant at yesterday's performance to recall again the excellent impression made by the guest conductor, now the orchestra's permanent leader, and to know that the electrifying experience of two years ago was no momentary flash. Now well along in his second full season, Mr, Sevitzky has given us no cause to doubt that he is a gifted, painstaking, earnest and dynamic director. Elman 1s Soloist
The current program leans heav- + ily toward Tschaikowsky and brings us, besides the symphony, the same composer’s D Major Concerto, with the well beloved Mischa Elman as soloist. : Though a frequent visitor to the city in years past, this is Mr, Elman’s first appearance with the orchestra. Yesterday's concert found him at his best. He played the taxing Tschaikowsky work with understanding and obvious devotion. * All the rich, sensuous tone the concerto demands was at his disposal,
and of course, he dashed through :}
the thorny patches of technical difficulties with Olympian -ease.
Overture and; closes with Tschaikowsky's Fifth|]
Mr. Elman never for a moment lost his hold upon the music’s line and structure. In fact, he lavished such care of phrasing upon the cantabile passages, and gave so mar%y familiar melodic paths a fresh new turn that, with the memory of many belaborings in mind, his interpretation seemed almost a recreation. The artist had some difficulty in keeping his instrument in tune, but slight pitch deviations detracted but little from the excellent effect. Mr. Sevitzky provided an admirable accompaniment, and the audience rewarded all concerned with a real ovation.
Based on old Hymns
Two enjoyable new works preceded the Tschaikowsky music. They were Chorale-Preludes by Frances McCollin, a contemporary Philadelphia composer, which Mr, Sevitzky introduced with his Philadelphia Chamber String Sinfonietta last April, ~ Both are based on old hymn tunes wihch Bach employed on more than one occasion. It takes some courage to redecorate a chorale upon which Bach already has set his' ingenious contrapuntal traceries. But Miss McCollin’s music sounds decidedly well. The first tune, “Now All the Woods Are Sleeping,” partakes of some whole-tone harmony, and the entire atmosphere is reminiscent of ‘the modern English school. However, despite its new frame, the picture does not lose its character. The second chorale-prelude is a delightful compliment to the Leipzig cantor. The chorale has a brisk and scampering counter melody, in the true Bach style, and Miss McCollin’s addition of solo trumpet and trombone to the string orchestra was a happy and effective thought. Which brings us to Mr. Sevitzky's reading of the symphony. It is fallacious to say that a conductor can find things in an orchestral score that don’t exist there, yet at times it almost seems that Mr. Sevitzky is creating, rather than recreating ‘this work.
Makes Most of Score
Here, certainly, there is complete rapport between composer and conductor. Mr. Sevitzky makes the most of alk the many dramatic situations the score affords. He lights up many well worn phrases with a new meaning; few conductors have found the shuddering horror of the first movement's closing measures, or have conceived as telling an announcement of the finales principal theme. Furthermore, Mr. Sevitzky avoids : excess in his interpretation. of this excessively emotional work. Tschaikowsky’s melancholy assumes noble proportions, and the solid, virile qualities of the music are highlighted. +" An observant eye that strayed from the music in the opening’ number could not fail to have noticed that the basses have been maved more into the body of the orchestra, to the ensemble’s improvement; that Ralph Lillard of the percussion section is back at work, after received serious injuries in an automobile accident shortly before the season opened; and tha
Mr. Sevitszky wields the baton quite |;
as ‘well with his left hand as he does with his right.
HAS PART IN NEW
WABASH ASH MUSICAL '¢
Times Speciat CRAWFORDSVILLE, Jan. 7.— Newell J. Van Sickle, 914 E. 52d St., Indianapolis, will play the part of The Little Man in the annual production of the Scarlet Masque, dra- .. matic| organization at Wabash College. The play, “No More Peace,” is a [musical on dictatorships, written by Ernst Toller. It is scheduled for performance late this month. :
REUNION AFTER 14 YEARS
“Song of the West” marks the ‘first reunion in 14 years of Victor McLaglen and Director Jack Conway. Their last previous association was “The Hunted Woman,” released early in 1925."
OHIOC:
“HORSE | FeiTiERs
Who'll Get a ¢ Langh Out it of
“That’s no bass,”
cautioned Violinist Mischa Eiman to Conductor Fabien Sevitzky, former doublebass virtuoso, as the two ‘exchanged places at yesterday’s rehearsal of the Indianapolis Symphony
yr
aS TRPARTR PH
ence.
Orchestra. Mr. Elman got his fiddle back before yesterday's concert, however, Tschiikowsky Concerto before an enthusiastic audi-
and played the
‘Man to Remember’ Unfolds" Village Doctor's Life Story
Right now, “A Man to Remember” is the best pictur: presented
here in 1939.
And when 12 months have rolled around, this flim,
which is currently at the Apollo, still should be Tanking up among
the leaders. It is, in fact, a last year’s film. screens was preceded by no fanfare, tion through its unspectacular merit. It is simple, somewhat sentimental, but entirely true to life. If you have read Thornton Wilder’s play, “Our Town,” it is enough to tell you that “A Man to Remember” is fashioned of the same sort of material. If you are waiting until Mr. Wilder's play appears at English’s to make its acquaintance, you should know that this is a sincere and moving story of a doctor’s 20 years in a country town.
Opens With Funeral
The film opens on the day of Dr. John Abbott's funeral. As his funeral procession moves by, his lawyer and three creditors are gathered to go through ‘the old doctor’s strong box in search of securities or money to satisfy the creditors’ claims. The lawyer opens the box and, as the documents are uncovered one by one, the story behind them unfolds on the screen. We see Ir. Abbott arriving in town with his small son. We follow him to a poor farmer’s home where the wife dies as her daughter is born. We see him bringing up the girl which the farmer leaves on his doorstep Through the years Dr. Abbott battles not only disease, but his penurious fellow-townsmen whose only gauge of achievement is wealth. The doctor works among the poor, gaining so little of the world’s good that even his own son, when he has finished -medical school, starts practice with a rival and more prosperous doctor.
Gets Hospital Built
The old doctor has to practice discreet blackmail on the town's rich banker to secure the community a much needed hospital. And when the new building finally is finished, he finds the vindictive donor has barred him from the staff.
It’s appearance upon the nation’s but it succeded in gaining recogni-
He incurs the townsmen’s further wrath by trying to close the county fair when an epidemic of infantile paralysis threatens. He is suspended from the County Madical Association. But when an epidemic finally breaks out, the doctor’s use of a preventive spray checks the disease’s spread, and he becomes the town hero.
Dr. Abbott is elected the Medical Association's president. He is presented with a scroll of thanks, signed by the whole town. His son returns to practice with him. And the old man dies at th: moment of his triumph.
All this is told so naturally that you should find yourself quite absorbed by the story, though there is little of the average movie's conventional “plot.”
The speech is the speech of you and me and our neighbors. The characters are drawn with absolute fidelity. And there are performances by Edward Ellis and Anne Shirley, and a superb job of direction by Garson ¥anin, which make “A Man to Reriember” certain enjoyment for any patron who demands from the cinema more than just “glamour” or “a chance to forget his troubles.” Also on the Apollo 5ill is an example of latter-day Mark Twain called - “Tom Sawyer, Detective,” featuring the two cute youngsters last seen in “Men With Wings,” Donald O'Connor ant Billy Cook. And there is a newsreel including sequences devoted fo President Roosevelt's message to Congress, and Monday's three “bowl’ games. J.T.
Dance Till Two The Bandwagon
Southeastern and Enterson Aves.
Sid Edward APEe Sat. and Sun. HAL BAILEY’S BAND Adm. 25:
ITNT f.. 8 BING CROSBY
Foran Helen Mack
WHAT, WHEN, WHERE
APOLLO
om wyer, Detective, Billy Cook Donald ©O’Conn 11; 06, 1:55. 4:44, 7:33 and “A Man Remember,” with. Edward Eills, Anne Shitley, man, at 12:35, 3:24, 6:13 and 9:02.
CIRCLE
“Kentucky,” with Loretta Young Richard Greene, Walter Brennan, at
12:40, 3: =. 5 50 and 10. “Down e Farm, ** with “The Jones Family, 4d ®at 11:40, 2:45, 5:50
4 2% INpraNa
“Paris Honeymoon,” with Bin Crosby, Shirley Ross, Edward Everet Horon, Pranciska ‘Gaal, at 12:45 3:55, 7:05 and 10: 15. “Secrets gr Nurse,” with Edmund e, Dick Foran, Helen Mack, at 11:30, 2:40, 5 30 “March of Tim ad “Unele Sam
with at
LOEW'S
“Sweethearts,” Jin poanetts Mac-. Donald, Nezlson Ed gy. Bn k Morgan, Florence Rice. Mischa Auer, at 11:35, 2:10, 4:45, 7:15 and 9:50.
LYRIC
Vaudeville, with Phillips Lord's $3ang, Busters’ ” on stage at 1:05,
:50 :29. Going Places, »” with Dick Powell. Anita Loui on Seren at 11: 2:05, * 4:50, 744 and 10:3
Bob Gregory,
Js ood Neighbor,” at 11, 2:10, 5: 20 A A
\[Bing Heads Laugh Fest
. Cr ————
New Songs to Happy 'Paris Honeymoon.’
“Paris. Honeymoon,” current attraction at the Indiana, is good for
{a bunch of laughs if you like come-
dy slightly on the slapstick side. Bing Crosby’s facial :contortions, after one shot of “crazy water,” remove him from chief of the Great Stone Face tribe. : In fact, the whole plot, such as it is, hinges on this “crazy water,” an unidentified liquid. Bing, as Lucky, a young Western millionaire, comes to the mythical country of Pushtalnick, land of roses and beautiful girls, looking for a comfy castle for his bride-to-be,
hk | Miss Shirley Ross, whom he has
left behind in Paris waiting for her divorce. Miss Francisca Gaal, as Monya, a Pushtalnick peasant girl,
#|is chosen rose queen and wins the
right to live at the castle Bing has selected for his own ‘honeymoon. The “crazy water” starts to flow and the fun begins. And we mean fun. Monyax who has revealed herself during her stay at the castle as “A Sweet Little Headache,” ad-
¥ ministers a sizeable glass of’ the || strange liquid to Miss Ross, elimi-
ting her from competition so at Bing can escort the rose queen the festival. Incidentally, Bing himself accidentally takes a “swig” Sidi ves into his act .. , . but
Bing Provides Laugh The comic highlight of the show, outside of the interludes under artificial stimulation, occurs when Bing, disguised as “the headless corpse,” in an attempt to frighten
t|Monya from his castle, wrecks his
act by falling down the broad hall stairs. ¢ = After’ Mr. Crosby hears Monya's confession that she “has a «great
‘|love” for him, he decides to abdi‘|cate with his chosen one; Miss Ross.
As he is about to attempt marriage
‘| with his fiancee for the third time,
he receives word from Monya that she is about to sacrifice hersel® at the altar, literally speaking, to
| Akim Tamiroff, arch and definitely :| comic - villain. “Pack the bags,” he {shouts to Edward Everett Horton,
the valet—good, as always—and off they go to Pushtalnick. Again the mysterious potion from the bottle marked “X” intervenes in Monya’s behalf. Mr. Tamiroff toasts his bride-to-be with a few draughts of “crazy water” before the ceremony and ‘falls to pieces before they are man and wife. This, of course, gives Mr. Crosby enough time to roar up to the Scene and whisk the bride away to a happy ending. Naturally the four new hit tunes, “Youre A Sweet Little Headache,” “The Funny Old Hills,” “I Have Eyes,” and the novelty, “Joobalai,” are worked in nicely with Mr. Crosby’s talent. —E. J.
GREGORY TRYING - P= 1 MAESTRO'S ROLE HOLLYWOOD, Jan. 7 (U. P.).— While his pretty blond wife, Princess Baba, makes her movie debut, handsome English wrestling champion, today undertook a new career. He will have a try at cashing in on his name as master-of-cere-
monies at the “Ice Vanities of 1939,” opening in Oakland, Cal., next week.
At Indiana
Grootier Adds Catchy |
A Nobel Prize-winning novelist turned matinee idol, Sinclair Lew!
(left) will make his Indianapolis theatrical debut at Eng
Monday night in “Angela Is 22,” which Mr. Lewis wrote in Da n with Fay Wray. The title part will be played by Flora Campbell (right).
sounds. Most of the sound effects issue
from what looks like a pipeless organ, including the police sirens, train whistles and airplane and automobile © motors. - Really, the whole thing is quite confusing— the actors rush between the two mikes on the stage. But when the gangsters “let the cops have it,” they do fall down, and vice versa. Half a car body on the stage with: one door provides the necessary noises for getting in and out of automobiles. A partial side of a building, door included, serves for the proper opening and closing of bank, train, office or hideout doors. Funny, too, all the actors run around with the scripts in their hands, leafing through them frantically as the lawbreakers are finally caught in their own trap. The appearance at the Lyric is the first time in the program’s history that the show has been played before the public. Other stage show attractions included Britt Wood, the perennial and popular comedian and harmonica player . . . Rolf Holbein, with a mystifying novelty of chalk talks which produce the real thing— water coming out of chalk drawn faucets and songs out of pictured birds; the Randall Sisters harmony trio, and the Four Ortons, comedy | tight-wire performers. The film, “Going Places,” with Dick Powell and Anita Louise, is a semimusical comedy which includes Maxine Sullivan and Louis
” * admission 40c - Admite NOE MATINER, Tn 5:30
mission 23¢
At Your ‘Neigh
‘Gang Busters,’ Radio Skit, ~ Much Different on Stage
Watching a radio broadcast isn’t much like listening to one. Of course you wouldn't expect to see express trains roaring through a radio studio or ambulances screaming up to the mike, but watching the performance is slightly disillusioning. Phillips H. Lord’s “Gang Busters,” on the stage this week at the Lyric, doesn’t look half as terrifying as it
Dancing to Begin’
Sunday matinee dancing is to ie | come a regular feature at the Indi- | ana Roof beginning tomorrow, Tom | Devine, manager, has announced. | The policy was given a trial at
|the New Year's matinee on Monday, -
and a poll of dancers by Mr. Devine | disclosed a favorable reaction. Rudy Bundy and his orchestra will ace company this Sunday’s patrons from 2:30 to 5:30 p. m., as well as for the
¢ |regular four-hour dance session bee | ginning at 8:30 p. m.
A combination dance and “swing session” is planned as a matinee
a S K Y © LHARBO 1% Soo tier Sunder tt Souple
:15-—25¢ Block South of Municipal Airport.
Jitterbug
2nd GREAT WEEK
: Jeanette =x | MacDONALD NELSON EDDY In Victor Herbert's
aA
ENGLISH Bhe Event of the
$1.10. GALLERY, 55¢c.
FRL and SAT. MA
JAN. 20-2
: - a Mon., Tues., Wed., Jan. 9-10-11 ‘Matinee Wednesday
| JOHN WILDBIRG presents
SINCLAIR LEWIS
| Foremost American Author | and Nobel Prize Winner
(In PERSON) in his ROMANTIC COMEDY,
Angela is Twenty-Two
(Written in collaboration with FAY WRAY) Supported by a brilliant cast of Broadway players.
Season!
by HARRY WAGSTAFF GRIBBLE
EVES., ORCH., $2.20, $2. 75. BALCONY, $2.20, $1.65,
Wed. Mat.—Orch., $1.65, Balcony, $1.10, Gallery, 55¢. |
Including Tax
x Box Office Sale Mon., Jan.1 6
me so deeply.”
1
1 > |
Nights: Orch, $2.75; Balcony,
“In all my des os « thoatro-goer no play ever moved
>
ALEXANDER WOOLLCOTT.
This Year S Pulitzer Prize Ploy)
JED HARRIS AIA NRE HE MOVING PLAY
“FRANK CRAVEN ...
The COMPLETE NEW YORK CAST, DIRECT FROM A YEAR'S RUN AT THE MOROSCO THEATRE
$1.10; Sat. Matinee: ‘Orch. $1.65, $2.20; Balcony, $1.10, $1.65; Gallery, 55¢. Remit to English Theater and Send Stamped, Addressed Envelope With Mail Order. |
ONLY ENGAGEMENT IN INDIANA
$1.65, $2.20; Gallery, 55c.
orhood Theater
START SKATING CLUB
Judy Garland is one of the founders of Hollywood's newest roller skating club. It was started at the Hollywood Rollerdome by herself, Bobby Jordan and Bud White of the
TILL 3
“Dead End Kids.” AFTER 15¢
OHIO:
STARTS TOMORROW BEHOLD The GREATEST WONDER of the WORLD!
Hear the birthery of the human race « + « calling to every father’s daughter na every mother’s son. A Die c= Sure Dieteln De deep to the very well-
springs of oriously liftin, up every human’ heart! y ’ co. oc
lParamoun
BEFORE YOUR VERY EYES
——SARTIN G AT SATUR
DAY MIDNIGHT SHOW! LUCILLE ABBEY
MISCHIEF MAKERS _CHORUS OF LOVELY GIRLS _
il Tuxedo
EAST SIDE
RIVOLI © 3155 E. 10th St.
Doors Open 5:45 Arthur Lake
15¢ Until 6 . Penny Singleton “BLONDIE” ; Glenda Farrell—Barton MacLane “TORCHY GETS HER MAN”
EXTRA! Added to Last Show Tonight! william Powell—Luise Rainer Robert Young—Maureen O’Sullivan
“EMPEROR’S CANDLESTICKS”
Sunday, Monday, Tuesday, Wednesday Richard Green—Nancy Kelly
“SUBMARINE PATROL” Jane Withers—Jean Rogers “ALWAYS IN TROUBLE” Sunday—12 to 1—Adults 15¢ 4630 E. 10th 5:45 to f—15¢
E me rso n Claire Trevor
i Quintuplets—Cesar Romero Dionne Ee R
Anne Shirley “GIRL’S SCHOOL” Plus Novelty Sunday Through Wednesday Tyrone Power “SUEZ” “MAD MISS MANTON”
2442 E. Wash. 81. Tacoma a= gu x “FOUR DAUGHTERS” «THE RENEGADE RANGER” Sunday—Dennis O'BeefeFlorente Riee ~~ «yACATION FROM LO Beery-Rooney “STADLEMATES"
E. New York Tonight Tomorrow. Two Big Hits!
Joan Crawford—Melvyn Douglas Robert Young—Margaret Sullavan “THE SHINING HOUR” Tom Brown—Andy Devine “SWING THAT CHEER”
IRVING 5507 E. Wash. St.
Lane Sisters ' Claude Rains “FOUR DAUGHTERS” Anne Shirley “GIRL'S SCHOOL” Sunday—Dionne Quints—Claire Trevor “FIVE OF A KIND” Robt. Donat “THE CITADEL”
E. Wash. Com Tapley : Jayne Regan Jungle Thriller “BOOLOO” Bob Baker “OUTLAW EXPRESS” Sunday—Bob Burns—Jean Parker “THE ARKANSAS TRAVELER”
John Howard “Touchdown Army” akg N {ves
“CAREFREE” : Kent Taylor “LAST EXPRESS” Sunday—Wasllace Beery—Mickey Rooney “ST. TES”
6116 E. Wash, Ginger Rogers
Dixie Dunbar “FRESHMAN YEAR" |
Strand eta ran Two ' Big Features Joan Crawford Margaret Sullavan “THE SHINING HOUR” Jane Withers—Jean Rogers “ALWAYS IN TROUBLE”
Continuous Matinee Sat. & Sun. EXTRA! Late Showings Tonight!! Box Office Open Until 10:30
Starts Monday—Penny Singleton Arthur Lake “BLONDIE”
Tom Brown—Andy Devine “SWING THAT CHEER” 2930 E. 10th St. Jimmy Ellison
Pa r ke r \ Marsha Hunt
“ANNAPOLIS SALUTE” . - Will Rogers “County Chairman” Sunday—Norma Shearer—Tyrone Power “MARIE ANTOINETTE” Plus Short Subjects
2116 E. 10th St. Ritz Bros.
Ha mi ton Ethel Merman “STRAIGHT, PLACE AND SHOW” Robt. Donat “THE CITADEL” Sunday—Luise Rainer—Fernand Gravet “THE GREAT WALTZ” “PERSONAL SECRETARY”
WEST SIDE
Speed St pee way far jorie EE nla: “THE BLACK BAND Glenda Farrell a ” . Sunday—Spencer Tracy—Mickey Rooney “BOY’S TOWN” “THE ROAD TO RENO”
N D . Ww. yichizen st. NEW LJAISY iti are “JUVENILE COURT” - Geo. O’Brien “BORDER G-MAN” Sunday—Shirley Temple—Joan Davis
“JUST AROUND THE CORNER” lane Sisters “FOUR DAUGHTERS”
Howa v d Howard St. at Blaine
ixie Dunbar De Truex “FRESHMAN YEAR” Barton MacLane “PRISON BR Final—“LONE RANGER” Sunday—-Mickey Rooney—Wallace
TABLEMATES” “THANK
FOR THE MEMORY”. 2702 W. 10th St. STATE “Term: Mou “VALLEY OF THE GIANTS” * Gene Autry “PRAIRIE MOON” Sunday—Dennis O’Keefe—Florence Rice
“VACATION FROM LOVE”
114 Bo Open Dally 10 M _Anne Shirley
BIJOU
W. Wash. & Belmont Tom Brown Robert Wiloox
Belmont’
SOUTH SIDE
Ava lon Pros. & Churchman
Spencer Tracy Mickey Rooney “BOYS TOWN” Comedy and Cartoon | Sunday—Errol Flynn—Olivia De Havilland “FOUR’S A CROWD” | “DANGER ON THE AIR”|
O . 3 | ne Meridian rien a Jean Parke “ARKANSAS TRAVELER” “FIVE OF A KIND” Sunday—Bing Crosby—Fred MacMurray “SING, YOU SINNERS” “BAR 20 JUSTICE”
L . A o An East “omnia” Inc Ray Whitle, “BORDER G-MAN” | Native Cast “BOOLOO” | Sunday—Edgar Bergen—Chas. McCarthy “LETTER. OF INTRODUCTION” Richard Dix “SKY GIANT”
. I Fountain Square Shirley Temple Joan Davis “JUST AROUND THE CORNER” “RHYTHM OF THE SADDLE” Sunday—James Cagney—Pat O’Brien
“ANGELS WITH DIRTY FACES”
“DOWN IN ARKANSAS”
{Zaring
Grana da 1045 Virginia Ave.
Saturday, Sunday Matinee Sunday Richard Greene—Nancy Kelly Preston Foster—George Bancroft , “SUBMARINE PATROL” Jane Withers—Jean Rogers | “ALWAYS IN TROUBLE"
New Garfield s&,
Marx Bros. Biggest Laff Hit!! “ROOM SERVICE” | Paul Kelly “MISSING GUEST” Sunday—Dennis O’Keefe—Florence Rice «yACATION FROM LOVE” Beery-Rooney “STABLEMATES”
San ders At Fountain Square
Michael Whalen Gloria Stuart “TIME OUT FOR MURDER” “LAW OF THE PLAINS” Sunday—Clark Gable—Myrna Loy “TOO HOT TO HANDLE” «BILLY THE KID RETURNS”
GROVE “Beech_Grove
Ben Lyons Zasu Pitts “THE CROOKED CIRCLE” “THE MEXICALI KID” Sunday—Bruce Cabot—Fay Wray “KING KONG”. _ “KING OF ALCATRAZ” NORTH SIDE
Central at Constahioe Bemett
“SERVICE DE i i Jane! Withers “KEEP § IA G”
——
> 16th & Delaware! Dixie Dunbar
C I n ema Ernest Truex “FRESHMAN YEAR” “FIVE OF A KIND” Sunday—Jack Oakie—Lucile Ball “AFFAIRS OF ANNABEL” Errol Flynn “THE De Hollywood “juss “AFFAIRS OF ANNABEL’ Errol Flynn “FOUR’S A CROWD" Sunday—Mickel Rooney—Wallace Beery
“STABLEMATES” Johnny Davis “MR. CHUMP”
St: Clair ™ Ses mew
har Butterworth “THANKS FOR THE MEMORY” ' “ALWAYS IN TROUBLE” Sunday—Joan Crawford—Robert Young “SHINING HOUR” Penny Singleton “BLONDIE”
42nd & College : 0 U Pp town Shey Ions “THANKS FOR THE MEMORY" “ILLEGAL TRAFFIC” Sunday—Ronald Colman—Frances Dee © “IF 1 WERE KING” “ALWAYS IN TROUBLE”
Talbott ows rere
Jacqueline Wells “FLIGHT TO FAME” Glenda Farrell “PRISON BREAK” Sunday—Luise Rainer—Fernand Gravel “THE GREAT WALTZ” “MAD MISS MANTON" Flynn
REX Olivia De Havilland “FOUR’S A CROWD” | - ANAMINT’S BAD MAN” Sunday—Wallace Beery—Mickey Rooney ~ “STABLEMATES” “MAD MISS MANTON"
Free Parking Loretta Young—Annabella “SUEZ”
80th at Northwestern
Tyrone Power
Glenda Farrell—Barron MacLane “TORCHY GETS HER MAN. Sunday—Pat O‘Brien—James “ANGELS WITH DIRTY FACES" Tom Brown-—Andy Devine | “SWING THAT CHEER”
DREAM na. ten Ste
Bette Davia “THE SISTERS” John. Howard “Touchdown Army” Sunday—Pat O’Brien—Margaret Lindsay “GARDEN OF THE MOON" Tyrone Power “SUEZ”
RITZ ‘Smee “JUST AROUND THE SOBER" “THA
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Bi LE