Indianapolis Times, Indianapolis, Marion County, 30 November 1938 — Page 13

* EDNESDAY, NOV, 30, 1938

PAGE 18

"PERSONAL APPEARANCES ON INDIANA'S STAGE AND SCREEN

HITCHHIKER, 50,

The Indiana returns temporarily to a “flesh-and- » policy Friday, with its first stage show since the spring of ’37. The featured star will be Gypsy

Rose Lee, whom you've already

American Compositions On Symphony's Programs Praised.

By JAMES THRASHER Fabien Sevitzky, in his second season as the Indianapolis Symphony Orchestra's conductor, again is de-

voting a part of each program to American compositions. It is a purposeful and deliberate practice, and by no means haphazard as regards selections. And it is an appreciated service to native music, as Mr. Sevitzky’s spoken and written praises, here and elsewhere, will testify. | But there is a dissenting minority among the orchestra’s patrons, and a vocal one. Objections from these patrons regarding the emphasis on new and American works has reached me on several occasions, so it is only fair and proper to hear their complaint. To the educated musician, the asrtion: “I don’t know much about He, but I know what I like,” may 1 not only trite, but provoking. fvever, those who voice these timents do so sincerely and rea- : 1ably. : {They feel that, having paid their Shi ney, they are "entitled to music _%'which they know they will enjoy. They resent having cacophony shoved down their throats” as an additional price to pay for Mozart, ethoven or Wagner. They are convinced that orchestral literature contains enough deathless masterpieces for the average concert-goer, and that harmonic experiments should :be kept within the ranks of music’s left-wing legions.

Prejudice Persists

In general, these objections arise from physical and emotional phenomena, proved in history and personal experience until they are commonplace. Yet, greeted by ap-

ey «, »

® Fa

palling discord, we are likely to for-.

get that the harmonies of the beloved Mozart, Beethoven and Wagner fell as strangely on the uncomprehending ears of their contemporaries. The hot dissension over more recent composers is remembered still. But the ear resolved and accepted whole-. , .,,ales and unresolved chor ,,,wild, leaping melodies and oi.» tv .-tonalities uhtil, not so long ago, one writer facetiously sighed for “the good old tunes of Strauss and Debussy.” More specifically, we still are prejudiced against American music. We will outgrow it, of course, as we outgrew our prejudice against American performers. But there is still a tendency to regard a Bostonian’s symphony with somewhat less respect than one by a Budapester. ‘Of course, the objectors might be appealed to in the interests of American art, and begged to endure strange new sounds for the sake of our cultural advancement. It might be pointed out that, since .we accept American pictures and plays and statues without quibbling,

we might at least accord a courteous

attention to our creators in a more . unfamiliar medium.

Open Minds Urged

But these same objectors may pluck up their courage to say they don’t give a hoot about cultural advancement; they’ve paid their money to hear Haydn and Weber and Tschaikowsky; they go to symphony concerts for their own pleasure, nothing more. . Well, they have a point there. Certainly music's ultimate function Sis to give pleasure, though pleasure Yara rather lofty sort, to be sure. far they conceivably are robbing ‘nselves of a greater enjoyment sreeting new music with closed iy .and minds. A work of serious ¢»3nt reveals itself fully only to fi listener who contributes serious thention, evs this does not mean to deny native composers and their deve are without faults. Many en-

sBiration, sincerity and skill, and not race or nationality, are the Tea) criteria. ' Some composers are oven farther off the track. In an ‘effort to propagandize and glorify. American life, they have been content to imitate instead of create; not realizing . that great music comes from within - and usually is the result of slow distillation of external impressions through the creative personality.

Not Always Right

there can be no valid|} ‘0

—®

Native Work Recognized By Sevitzky

looked at and

recognized* before reading this far. On the screen will be “Annabelle Takes a Tour,” with Jack Oakie and Lucille Ball, shown telling some woes of a star on a “personal appearance” tour.

IN NEW YORK —e cere ross

8 2 »

Some Sidelights on Big Town's Little-Known People; Grand Central Organist Spreads Cheer.

EW YORK, Nov. 30. — Manhattan, like any smaller community, has These aren’t the legitimate, celebrities, most of whom are publicized out of all proportion to their talents. We refer now to characters who never ascend into the limelight

its “town characters.”

and who probably never will.

Mrs. Mary Lou Read, for instance, is not a name well known to

Grade A

STRUCK BY CAR, HURT CRITICALLY

Woman Found by Roadside; Seymour Businessman Injured ‘in Crash.

A 50-year-old woman hitchhiker was reported in a critical condition at City Hospital today after being struck by an auto last night on the Crawfordsville Road.

She is Mrs. Ida Mitchell, 616 W. 27th St. Found lying by the side of the road near. the Indiana Girls School, she told deputy sheriffs she was hitchhiking to Nashville, Tenn. when she was struck.

Deputy sheriffs said the auto was driven by a Brownsburg woman who said she knew nothing of the accident until she got home and found a door handle missing. She called the Pittsboro town marshall who instructed her to contact Marion Sounty officials, deputy sheriffs said,

mour businessman remained in a critical condition at Methodist Hospital today as the result of injuries received when the car driven by his son, Thomas, 24, hit a utility pole near Southport yesterday.

George Clark, 63, of 1622 Rembrandt St., was in City Hospital with two broken legs received when he was struck by an auto last night at 16th and Montcalm Sts. Police said the auto was driven by Gerald W. Hutton, 49, of 2126 College Ave,

Preston, New

————— Times Special

view with Robert “Preston: ” Q. So youre that new leading

readers of the chronicies of Man-®-

hattan. Mrs. Read is the organist at Grand Central Terminal. She has occupied that position since

11928. Her instrument is a portable

electric one and is employed to bring musical cheer to the thousands of travelers who pass through Grand Central,

At first, Mrs. Read did not play each day. Her performances were limited to holidays and a few other special occasions. But so ‘many letters of appreciation poured in on her employers that she became a fixture in the life of the mammoth terminal. Mrs. Read treasures a note she received from a young Barnard student who was al} set to leave

home because of an incident triv-/

ial in scope, but magnified by the stubbornness of youth. Some several minutes before train time, the young student listened to Mrs. Read playing “Home, Sweet Home.” She fled from the station and back to her classes, a pretty chastened and thankful kid. Mrs. Read tries to gauge her music by what is happsning in the station below, what time of day it is, and what sort of crowds are milling below. Sometimes, there are complications. She once started to play as a funeral! procession made its way through the station. Her piece was “Pomp and Circumstance!”

2 2 ”

IOVANNI LONGIARI is an

Isle Haven

elderly violin-maker who resembles David Warfield. His place! of business, some 30 years old, is located hard by Times Square. Longiari comes from Venice and still gets most of the hard-to-find wood from his native land. His prices range from $10 to $5000. Sig. Longiari is not as sprightly today nor are his eyes and hands as skillful as of yore, but, he keeps at his trade. He doesn’t earn as much as he once did—people are not the same any more—but he is horrified at the thought of ever laying down his tools. Walter Damrosch, Jascha Heifetz, Mischa Elman, Zimbalist and Dave Rubinoff are some musical greats who visit his shop, examine his products, and chat with him about concert and operatic happenings.

8 2 2

LIM HALL is known from the 2

Battery to Broadway, from Columbus Circle to Sutton Place. He is a colored boy, whose booming, infectious laugh is known to many stage and screen and radio showmen. He roars at almost anything and fairly bubbles at the sheer joy of living. It is whispered that he is supplied with passes and occasionally even a banknote to come and laugh at a film or a radio program. Mr. Hall's

recognition of American composers Nor can much be said in excuse of the still-existent orchestra conductor who continues to specialize on “Les Preludes” or the Prelude to Act III of “Lohengrin,” while the changing musical world sweeps on and leaves him with his nose buried in ultrafamiliar music. Though a major symphony orchestra may be in a sense a “big business,” it cannot subscribe to the dictum that the customer is always right. Had conductors listened to the first audience hisses our programs today seldom would contain the names of Franck, Tschaikowsky, Debussy or Stravinsky, to select a quartet that comes readily to mind. It is reasonable to suppose that America will produce its share of masterpieces, especially since European turmoil seems destined to make this country the world’s artistic eapital. And it will be Mr. Sevitzky and his forward-looking colleagues who will bring .them forth, to everyone's eventual pride and satisfaction. tJ

8 2

The Indianapolis Symphony's

coming pair of concerts, on Friday afternoon and Saturday evening, will present ®Dalies Frants, foung American pianist, as the season’s first soloist. He will play the Beethoven Ooncerto in C Major, No. 1. Other music on the program will be Mendelssohn’s “Italian” Symphony; an Aria and Fugue by Arthur Foote; Eight Russian Songs b Liadov, and Dukas’ “The Sorceref’s Apprentice.”

Stage Dancing Ballroom Etiquette

x CARLILE x Dance Studios : , CLL

parting some of his technique.

2 ” »

is a

sputters as he talks. Nobody knows A how he

The legend is that he was orig inally sponsored by Lee Tracy dur

and had him about the theater run

ning odd errands.

ducer. those he dislikes. “blessed” Spencer Tracy,

‘tomers.

Albert.

now you know of him.

Stars Find

Tyrone Power and Annabella

Flee Rio de Janeiro.

Tropical Pleasure Island.

ment’s privacy.

ceded him there.

shouting: ing in!” Two policemen looked,” and th

“Look at the man climb

man they were: holding broke away |and escaped. He had been arrested ‘lin front of Miss Henie’s home. He had a small pistol stolen from Gary Cooper’s house several years ago,

police said.

constant companion is a chap named “Lucky Box,” to whom he is im-

HIEF RAIN-IN-THE-FACE is ¢ an habitue of the Forties. He slight wizened chap who comes by his name because he

lives, where he sleeps, or when he eats.

ing the runrof “Broadway.” Tracy considered him a good luck piece

The Chief has become quite a showman, rustling up a routine and series of gestures which presage good fortune for an -actor or proHe has a “curse,” too, for The Chief has Melvyn Douglas, Edward Arnold and Edward G. Robinsoh among others. He points to them as satisfied cusRight now, he appears to be the sole property of George Abbott ahd such Abbott workers as Sam Levene, Teddy Hart and Eddie The Chief is a bona-fide { personality of the big town—and

RIO DE JANEIRO, Nov. 30 (U. P.)—Tyrone Power and Annabella, on vacation from movieland, sought romance today on the sands of

A Brazilian millionaire, Darke de Mattos, who owns the island, lent it to them as a refuge from the

crowds which besieged their hotel in the city, denying them a mo-

Mr. Power went to the island in launch yesterday and it was learned later than Annabella, the

vivacious French actress, had pre-

Sees Light, Runs; Police See Light

HOLLYWOOD, Nov. 30 (U. P.).— Police had a suspect in the theft of $500,000 in jewels in the exclusive :| Bel-Aire district, but he escaped last night by pointing to a lighted window in Sonja Henie’s house and

man ‘whom everybody's talking about. | Do you know the Paramount | publicity boys are touting you® as| a combination of Spencer Tracy and Clark Gable? - A. Think nothing of it; that’s the double-feature influence. I hear Warner Brothers are doing the same thing to John Garfield, only they're calling |him a combination of Paul Muni and Jimmy Cagney. Personally I think a new actor ought to have a chance to be just himself. - | It’s hard enough, anyway. “| Q. How did you happen to become an actor? A. Well, in high school I was interested in music. I sing some. Mi-mi-mi-mi-MI! So I drifted into operettas and then got a break when Mrs. Tyrone Power Sr. chose me to play in “Julius Caesar” with her stock company. After six months of that I knocked kind of lightly at the gates of Hollywood and got no answer, so I joined the Pasadena Community Players.

Q. So a talent scout saw you? | Lawyer Likes Him A. Not very soon, he didn’t.

other stab at the studios, didn’t get to first base, and went back to Pasadena to play. in “Idiot’s Delight.” I guess scouts saw me, but it was Paramount’s attorney, Sidney Justin, who liked my work and recommended me. I was called in for a test and signed, just like that. - Q. Youve been in:a picture or two, haven’t you? A. Sure—“King of Alcatraz,” “Illegal Traffic’ and “Disbarred.” I guess you don’t get around to the B films much. Now I'm playing a gambler in “Union Pacific.” I like it

cially J. Carroll Naish and Lloyd Nolan. They practically took me by the hand and led me through those first three pictures. And I'm not a stage actor who beefs about the lack of audience reaction when he’s wofking for the camera. There's always a crew and generally some visitors on a movie set—more people than there were in some of the audiences that came to watch us play Shakespeare!

DeMille Does Balloon Act

Q.—If you're a gambler now, does that mean youre the heavy of the piece? : A —No, it’s a sympathetic part. This gambler is a happy-go-lucky guy who marries Barbara Stanwyck and then gets bumped off very dramatically while saving the life of Joel McCrea, who's the hero. This is my big break and I'm still wondering why DeMille chose me. Some day I'm going to to some research and find out. Wry don’t you ask De Mille?| A—1 ‘might. Say, there’s a guy who really lives up to the legends that have been built around him. We've had some talks that have done me a lot of good. And I've = learned one thing—never to mention “fake” to him. He hired a magician to teach me card tricks and some sleight-of-hand with silver dollars, but after a couple of weeks I thought I'd never learn ’em-so I suggested to DeMille that maybe they could be faked. He went right through the

|| WHAT, WHEN, WHERE APOLLO

“White Zombi,” with Bel Madge Pelion my, at. 11:04, ie, Fuge B 5: 6.43 and 9:1 “The Yin Dead.” with Boris Raplof?. at 12: 18, 2:45, 5:18, 7:51 and

CIRCLE

wy Society,” with i Auer, Marv Boland, Edward E. Horto, “Little Tough Guys, ” at 11, 50, 4:40, 7:30 and 10:2 “The Storm,” aris Bickford Preston Foster, at 12:40, 3:30, 6:20 and 9:10.

LOEW’S

“Adventure in Sahar a with Paul Kelly, G only Gordon, 2.40, 3:25, 6:1

golor cartoon, at 12:30, 3:15, BL LYRIC

Herbie Kay and orchestra, with Gus Van. Fuzzy Combs: on stage at

1: 05. i 51 6:44 and 9 ncy Drew, Detective, with John

2 Bonita Granville

at | BR erdicand he Bull, > Walt Disney :

screen at 11:44, 3:30, 5:23, 8:08 and 10:25. {

You Can't Atford To Miss This!

KAY “MY BILL” JOHN

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Film Find,

Has a Girl—From Indiana

HOLLYWOOD, Nov. 30. —Inter- *

worked there two years, made an- °

Though ne rapped lightly at Hollywood’s gates, it wasn’t-until an attorney for Paramount saw him that Robert Preston, ne-est screen find, leaped from stock to - celluoid.

ceiling at that, and I went right back and began practicing again. I can do ’em now. He also gave me a derringer to carry around so: I'll get used to it and learn to handle 4t naturally. Q.—Any other accomplishments? Da you do bird-calls or something? A—Yes, that’s what I like about this business—you learn to do a lot of things. When ,we went on location to Cedar City, Utah, I couldn’t ride, so the cowboys taught me. I'm not good, but I can get by. Same way with fencing; I had to handle different kinds of swords on the stage. And for “Idiot’s Delight” I had to learn to tap: dance.

Q.—Are you going with any one

girl? A. —Yes,

he"

INDIANA }

SUN.—STATE FINALS}| | GREAT WALTZ coMPETITION]

radio. Jing to get married? fell,

I 25¢ Till 6—Balcony 30c After 6 ;

PLUS! “ADVENTURE IN SAHARA" aE

Three other persons were treated at St. Vincent's Hospital for slight injuries received in minor traffic aceidents over enisover night,

MIAMI HISTORY HEAD TO SPEAK

Former. I. U. Professor Due On Extension Series Tomorrow.

Dr. Harry N. Howard of the Miami (O.) University history faculty will speak on “Russia” in the sixth lecture of the Indiana University extension series at 8:15 p. m. tomorrow. Dr. Howard, who formerly taught at Indiana University, will speak at the Plaza building, 635 N. Pennsylvania St. Dr. Howard studied in Turkey and the Balkan Peninsula last year. le is coauthor with Dr. Robert J. Kerner, University of Califorina, of a book on the Balkan Conference. He holds an A. B. degree from William Jewell College and an A. M. from the University of Missouri. During 1928 he studied in Central and Balkan Europe. He received lis _{Ph. D. from the University of California in 1930. He specialized in eastern and near eastern European history.’

will be given Dec. 8, when Dr. A. L. Kohlmeier, Indiana University history department head, will speak on “The Democratic Movement and Its Philosophy in the Light of the Present.” Dr. A. B. Hollingshead of the I. U. sociology department will close the series Dec. 15.

Theodore Groub, 79-year-old Sey-|

The seventh lecture of the series |

Dinner Speaker

Walter E. Jessup, field secretary of the American Society of Civil Engineers, will address the Indiana section of the society at a dinner meeting at 6 p. m. Friday in the Hotel Washington. His topic will be “The Aims and Activities of the Society as Related to Those of the Sections.”

Mr. Jessup, who assumed his - post in 1935, previously was editor of Civil ‘Engineering. He holds engineering degrees from the universities of Wisconsin and South_ern California.

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America.

DOCTOR FINDS NEW TYPE OF PNEUMONIA

PHILADELPHIA, Nov. 30 (U. PJ),

monia caused by a filterable virus instead of bacteria was announced today by Dr. Hobart A. Reimann, professor at Jefferson Medical Col lege. ! Speaking before the Philadelphia College of Physicians, Dr. Reimann

“virus pneumonia.” The patients were treated for fever until later tests showed they were suffering from pneumonia. Dr. Reimann said all had recovered after exhibiting emotional disturbances usually characteristic of influenza.

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puch about that. But it’s a good d §

ea fo look forward to. Q.—How old are you? A—Sorry, but that’s a question the studio won’t let players answer.

Put down 82 and see how they like AYS ba 2-3

ENGLISH 2.2:

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1 Eek Lh

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