Indianapolis Times, Indianapolis, Marion County, 19 November 1938 — Page 10

Symphony's -Apt Program | Acclaimed

Orchestra in Auspicious Opening Selections .i&@ Well Chosen.

By JAMES THRASHER

This is the auspicious week-end our devotees of symphonic music have been waiting for since last spring.’ It is an occasion to wel- - come back Fabien Sevitzky and the Indianapolis Symphony Orchestra to their second season. of professional, “big league” existence. Perhaps a little of the excitement of having a new conductor and a new orchestra has worn off this fall. But in its place there is the healthier delight in the music itself, a confidence, previously established, that we may expect great things fom Mr. Sevitzky and his players, and a growing feeling that the orchestra can and must become | a ~ part of our civic life. Yesterday afternoon’s program, which will be repeated tonight, was just the sort to begin the year in the proper spirit. It was representative, varied and of high quality throughout. Mr. Sevitzky made a particular happy choice in re the Overture to Weber's “Der Sp relschusiz” as the opening numr. A Breathing Spirit

Few works bear repetition so well. It is the essence of romanticism, music of a freshness which frequent hearings cannot tarnish. It seems ~ impossible that anyone could listen - unmoved to that burst of exultant melody, which breaks in upon the brooding theme that precedes it and brings the Overture to an end. Beethoven's Seventh was the afternoon’s symphony, apt selection. No one who has heard it need be told that’ it is joyful, invigorating music, far removed from that inward struggle which characterizes so much of Beethoven's musical thought. The orchestra’s Performance of both these .familiar works was satisfying, though Mr. Sevitzky chose some rather unconventional tempos in places. The Scherzo’s trio was unusually languid, and the Finale was unusually brisk.

Faithful to Whitman

Following * intermission came a work new to the city, Frederick Converse’s “The Mystic Trumpeter,” a setting of Walt Whitman's poem. Whitman's verses lend themseives ‘ readily to music, and Mr. Converse * has given them a faithful and highly enjoyable interpretation. The composition is literal, but evocative of the poem’s moods. One might match these moods in words and music (for the poem is included in the program notes) were it not for the prevalent and mystifying local habit of making us listen to concerts in utter darkness. At any rate, we r in Mr. Converse’s orchest, fantasy the themes of L: (those are Whitman’s capitals, and their tonal translation is equally onesting) “war’s wild alarums,” ‘“the wrongs of ages—baffled feuds and hatrads” and “riotous, laughing bacchanals.” The music is richly and skilfully orchestrated, and there are moments of arresting beauty.

In ‘Midseason’ Form

The orchestra, which seemed to play better with each succeeding number, rose to what the sports writers call midseason form in Debussy’s “Afternoon of a Faun.” The strings played with a glowing, shimmering tone, the woodwinds quite outdid themselves in their difficult assignments. There is little doubt that Mr. Bevitzky’s replacements have bene‘fited the ensemble. Perfect precision cannot be expected in the season’s first week, but the orchestra's showing yesterday was a - distinct and pleasant surprise. The players’. virtuosity met a real : test in the concert’s final number, Weinberger’s delightful Polka and ‘Fugue from the opera “Schwanda.” The polka is a captivating tune and,

in the fugue, Weinberger puts the

strict laws of counterpoint to some - rollicking uses. 2 Mr. Sevitzky was recalled repeatedly at the conclusion for a well deserved ovation in which the orchestra shared. Especially in the program'’s last three numbers, the conductor was complete master of the situation. . He fienetrates deeply into the spirit of modern music with a fine sense of color and proportion, maintaining the composition’s structure and movement with a competent hand and making the most of its telling effects.

'SAINT' BACK IN U. S.

Times Special NEW YORK, Nov. 19.—George Sanders has arrived in New York on his way to Hollywood to play the title role in the second of the Saint series of films. First of the series, “The Saint in New York” has already been released.

WHAT, WHEN, WHERE

APOLLO

.. “If 1 Were King,” i win, Sane F gfices asi. athSothern, 2:29 9, 6:49 and 9:59. “You th kes = Flin fo with Joel McCrea, pdiea Leeds, Bat 11:12, 2:22, 5:32 and 8:42.

CIRCLE

“Submarine Patrol,” with Richard Greene, Nancy Kelly, Preston Foster, at 12: 5 Ss 45, 6:55 and 10:05. “Alwa; in Trouble,” with Jane withers. at 11:30, 2:35, 5:45 and 8:55.

INDIANA

“Angels With Dirty Faces,” with James Coney apn Sheridan, Dead ar Phe’ Eds at 12:30, 3:37, 6:44 and

9: BY That Cheer.’ with Tom Brown, 25% Devine, at 11:27, 2:34,

5:41 and 5:5, OEW’S

«The Shining Hour,” with Joan Crawford: Mar are} Sullavan, Melvyn i Douglas, Bay ainger, at 12:10, 2: 5 Singleton:

Ji38 apd h Penny ke, ‘at 11, 1.35, 41

LYRIC

Gray and His Casa Loma oo iB 645 ana 9.35. °° t 1: an . ; A ay Gets Her Man” with Glenda Farrell, Barton McLane, on screen at 11:48, 2:38, 5:28, 8:18 and 10:31.

wit

Glen Orchestra.

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astern and Emer Santis 25¢ All Eve. ou

and another ||

going on tour.

Hollywood is flocking to see Sonja Henie and her new ice revue, which the Norwegian skating star presented recently in the film capital before At a recent performance were PWA Administrator Harry Hopkins and Mrs. John Hay

(Jock) Whitney.

and New York.

, shown at left.

The revue

£ on a holiday in his gray tweed

E {Ziegfeld Follies.

At the right isSonja herself, in costume, chatting with one of her cast members before the performance. will play San Francisco before heading for Chicago

Dirty Ange

Glen Gray, Inc., at Lyric, Is Restrained but Quite Toasty.’ |

Glen Gray Casa Loma orchestra at the Lyric this week as the one band where the drummer didn’t try to be A Card—just too, too killing! Moreover, the boys don’t stomp their feet. They don’t indulge in comic hats and noses. They don’t emit strange whoops at irregular intervals. But don’t let their restraint fool you. A lot of their music. is definitely on the toasty side. Mr. Gray himself looks like a golfi suit, and he doesn’t show more than 10 teeth at a time during the entire performance. Thus is he contrasted with most killer-diller maestros who usually exhibit both uppers and lowers. Mr. Gray gives a large number of his stockholders a chance to perform individually. They really are stockholders, you know. The orchesttra is incorporated and (ne dividents are paid as salaries.

She’s Hard to Classify

Featured on the program is toothsome Cass Daley, formerly of the Her act is hard to classify. She indulges in all the whoa-ho type of song ; the band forgoes. singing, burlesquing, microphone and assuming grotesque poses. One of her numbers is a story of a personal tragedy made up of snatches ‘from popular songs. Murray McAkron plays 'a trombone, saxophone, clarinet and bass saxophone: in his imitations of Tom-

slapping the

EW YORK has been paying signal honor this week to Moriz Rosenthal, dean of concert pianists, who is observing the completion of his 65th year before the public and the golden jubilee of his American debut at Steinway Hall in New York on Nov. 13, 1888. Rosenthal has been playing in public since he was 10 years old. He is now .75, but he is not through yet and is making his 13th tour of America a golden jubilee tour. The high point of his week in New York was a golden jubilee concert at Carnegie Hall Nov. 13, at which he played on a golden piano especially made for him. The audience was large and distinguished and greeted Mr. Rosenthal warmly. ”n ” 2 HE New York Metropolitan Opera opens its season Monday with Verdi's “Otello.” Maria Caniglia, Italian dramatic soprano, will make her debut. The other operas of the week are Wagner's “Die Walkuere” on Wednesday night, with Kirsten Flagstad and Lauritz Melchior topping the cast, Erich Leinsdorf, . the 27-year-old conductor, will start his first full season "in the orchestra pit of the Metropolitan. Thursday afternoon will be Verdi’s “Aida” and Thursday night Puccini’s “La Boheme.” On Friday night comes Verdi’s “La Traviata.” The Saturday matinee, which is broadcast, will. be a revival of Gluck’s “Orpheus and Eurydice.” Saturday night will be Wagner's “Lohengrin.” In addition to the debut of Mme. Caniglia, four other singers will make their Metropolitan debuts during the week. They are Mafalda Favero, Italian lyric soprano; Marisa Morel, Italian lyric soprano; Jussi Bjoerling, Swedish lyric: tenor, and Hans Hermann Nissen, German baritone, The Metropolitan has been busy two weeks preparing for the season. First the chorus and ballet started rehearsing, and then the orchestra. Few of the principals have been in New York but are now returning in increasing numbers from abroad or from engagements in the United States, especially the opera season on the Pacific Coast.

” # 8

MINOR sensation of the early season was the appearance with the New York PhilharmonicSymphony of Robert Virovai, 17-year-old Hungarian violinist. The enthusiastic reception given to him

indicate that another first rank violinist has been added to the American scene. ” » » Richard Crooks, tenor, will make a Pacific Coast tour next March, after his Metropolitan Opera and other engagements.

8 # s

Bruna Castagna, contralto, also will make a concert tour after the close of the opera season. She will start with a recital April 27 in Oil City, Pa. - ” 8 2 Marcel Maas, pianist, and Alfred Dubois, Belgian artists, will give a series of four sonata recitals in Town Hall, New York, beginning Dec. 3. The first program will consist of four sonatas: the Bach in E major, the Mozart in F major, the Debussy in G minor and the Cesar Franck Sonata. 8 8 =n

The newly founded Edvard Moritz Chamber Orchestra will give a series of four concerts at Town Hall, New York, beginning Nov. 22. It is intended that the series “will illustrate the development of chamber music and also give a hearing to contemporary composers, particu-

1|larly the younger American group.”

# ” 2

UGENE GOOSSENS, conductor of the Cincinnati Symphony Orchestra, said today that world unrest was restricting the flow of musical creation. Mr. Goossens returned on the Queen Mary from a leave of absence abroad during which he ac-

NOW 15¢c T CIEE GLL

Clark Gable—Myrna Loy “TOO HOT TO HANDL LE Gay Hit! “MEET THE GIRLS”

NOW 15¢c &

Gene’ Asm] le en " et a A ert oun a. od re. “RICH MA 5 GIRL”

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HAL BAILEY'S ORCH.

REPIDERS "WEB NEW

In the World of Music

By United Press

by audiences and the critics would .

tions by continental and English composers.

“With the recent widespread turbulence,” he said, “I am afraid music will suffer a great deal, at least temporarily, and we will be deprived of possible great works that we might otherwise have enjoyed. “The decline in the Silly of musical composition has been marked,” he said, “and one encounters masterpieces less frequently than 10 years ago.” Mr. Goossens said, “these are not congenial times for composition,” and pointed out that though ‘‘great upheavals bring musical creation,” the composer must leave the center of unrest and work in “an atmosphere of mental and physical tranquility.” The conductor said he found England, contrary to the belief of many, was producing “more music of the creative sphere” than any other nation. Mr. Goossens will direct the Boston Symphony next week and then go to Cincinnati to present several new compositions during the remainder of the season.

quired a number of new composi-,

Chicago Bans Soviet Film

‘Might Incite Riot," Declares Board of Censors.

CHICAGO, Nov. 19 (U. P.).—The Chicago Board of Censors today banned the scheduled showing here of the Russian motion picture “Professor Mamlock” because “it is purely Jewish and Communist propaganda against Germany and Hitler and might incite riot.” The film was booked to start at the Sonotone Theater Nov. 25, but was barred after being viewed by the censership board of two women and one man. This same board last January banned the March of Time's “Inside Nazi Germany.” That ban was lifted two days later by Police Commissioner James P. Allman. Lieut. Harry M. Costello, chairman of the censorship board, said Mr. Allman was the chief censor and that any appeal in the case of the Russian film must go to him. The film depicts the torture of a Jewish doctor and beatings administered to his communistic son.

my Dorsey, Jimmy Dorsey,

latter accompanied by typical Ellington squawks by the band. Part of the comedy is provided by Fred Sanborn, who has toothbrush eyebrows like Groucho Marx. He says not a word during several minutes of stooging, but he plays the xylophone very well with six mallets. Among the best band numbers are “The Casa Loma Stomp,” which ought to be good, because it's been identified with them since the orchestra’s organization; “Shades of Hades” which is dedicated and rightly so, to the jitterbugs, and “Memories of You,” a strangely touching number.

Reeds Featured

The saxophone section, which is particularly good, is featured throughout the show. The players are versatile enough. To a mah, they can whip out clarinets, bass saxophones and even violins at the dro» of a hat. Glenda Farrell is back on the Lyric screen as Torchy Blane in “Torchy Gets Her Man.” The title is misleading. As usual, she captures the crooks, but also as usual she fails to snag for once and for all her policeman fiance, Barton MacLane. It looks as though they won't be married until she is old enough to be relegated to the lovelorn column. The story concerns a counter-

Lewis, new Jordan Conservatory of Symphony Orchestra harpist. Citing Carlos Salzedo, one of

In addition to private instruction for both men and women, Miss Lewis hopes to have classes in harp ensemble playing, care of the harp and its mechanics, and program planning. Miss Lewis began studying the harp at the age of 14. When she was 18, she won a competition scholarship at the Curtis Institute

Harmonie Club To See Review

Gounod’s. opera “Mireille” will be reviewed at the Harmonie Club's annual guest meeting at 2:30 p. m. Monday at Block’s auditorium. The program is in charge of Mrs.

‘Robert Blake and Miss Pauline

Schellschmidt. © The overture will be played by Miss Jean Orloff, Mrs. Robert Bonner, Mrs. Paul Niles and Mrs. Frank Edenharter. Included in the chorus will be Mesdames Howard Stitt, Horace Coldwell, Otto Heppner, Attia: Martin, James Og-

Helen Thomas. Solo roles will be sung by Mesdames William Devin, Paul Dorsey, Charles Fitch, Heppner, Lenore Ivey Frederickson, Jane Johnson Burroughs, Miss Elma Igelman and Miss Ruby Winders. Accompanists will be Mesdames Frank Edenharter, Arthur Monninger, Dorothy Knight Greene and Miss Louise Swan. Mrs. Norman Schneider, club president, will receive, assisted by Mesdames Ogden, James Lowry, Robert Bonner, Ralph Chappell, John W. Hutchings, William Morri-

‘Ison, George Kadel, Bernard Rose-

nak and Mildred Pierson.

WINS MUSICAL ROLE

Times Special NEW YORK, Nov. 19.—Frances

in “The Castles,” new film musical which has just gone into production with Fred Astaire and Ginger Rogers costarring.

den, Miss Emma Doeppers and Miss

Mercer has been assigned to a role|

New Jordan Harp Teacher Says Art Is for Men, Too

Petticoat monopoly of the harp is past, according to Miss Rebecca

Music harp teacher and Indianapolis

the world’s foremost harpists, as an

example, Miss Lewis said the harp formerly was thought of as an instrument to be played only by women.

of Music in Philadelphia, and en{tered - Mr. Salzedo’s class. Last winter in Philadelphia, she was one of the artists to represent the harp at the biennial natibnal Federation of Music convention. Former harpist with the York, Pa., Symphony Orchestra and a charter member of the Philadelphia Music. Club Harp Ensemble, she was selected by Mr. Salzedo a year ago to become harpist of the Curtis Symphony Orchestra directed by Fritz Reiner. ance oy

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feiter, who poses as a secret opera‘|tive and gains the assistance of the unsuspecting police. | Torchy as usual romps through a Shangri-La newspaper world of frocks by Lelong and no deadlines. Tom Kennedy also is included in the cast. K. W.

You can always remember the

The act consists mostly of}

Benny| Goodman and Duke Ellington, the!

They Don't Yell or Stomp But Casa Lomas Are a Hit;

ls’ Also Gbod

'Best Gangster Shows Ever Produced.’

Though it doesn’t seem quite the vital human document one has been led to expect, “Angels With Dirty Faces,” the Indiana’s current attraction, turns out to be one of the best gangster pictures ever made. Maybe you don’t think there can be a good gangster picture. - Well, such things may not be for the squeamish or literal minded. But they do offer a wonderful arena for action, objective melodrama, suspense; all the things, in fact, in which the movies are at their best. And “Angels With Dirty Faces” plays every one of them to the last card. This seems to be the week for derivative films. It was noted here yesterday that “The Shining Hour” is a mixture in plot of “Vivacious Lady” and “The Silver Cord.” The Indiana picture likewise stems quite noticeably from “Manhattan Melodrama” and Dead End.”

One Look—One Priest | In fact, it even has the “Dead End” Kids, those fascinating youngsters who swaggered into Hollywood to appear in the film of their stage success and stayed there as the industry’s toughest customers. As in “Dead End,” we find the

|two principal characters have grown

up together in the slums. One becomes a crook, the other goes

|straight—this time very straight. |He’s a priest.

Rocky Sullivan finishes the latest of many prison sentences and comes back to the old neighborhood. The neighborhood gang hails him as a hero. Father Connolly, his boyhood friend, tries to persuade him to help in the youngsters’ reclamation. But Rocky gets mixed up in some unsavory dealings with a corrupt muncipal government.

| It's Almost a Tie

Father Connolly starts a crusade which exposes Rocky. His Henchmen contrive to ‘“get” the priest and Rocky murders them to save

his friend’s life. Caught and sentenced to die, the priest pleads with Rocky to “die yellow,” to keep from becoming a martyred hero in the slum boys’ eyes. James Cagney p.ays Rocky to perfection. He may not be a versatile actor, as recent films have proved, but in this particular part he’s unbeatable. The “Dead Enders” race him for the honors, and almost finish in a tie. As Father Connolly, Pat O’Brien is excellent, and Humphrey Bogart is his malevolent best as the gangster’'s lawyer. | What Director Michael Curtiz has done to the typical gangster theme must be seen. There's never a static moment, yet there is time for many unsual and distinctive touches. As a result there is abundant comedy of an acrid sort, and enough excitement to keep your heart in your throat a good bit of the way.—J. T.

MIDNITE SHOW TONITE Dick Powell “SHIPMATES FOREVER”

“J° ' counts. Indiana $ Called One of (1) It is the first grand, unanimously approved song-and-dance show (2) It was the night Governor Lehman and his defeated rival, Thomas E. Dewey, buried the political hatchet and shook hands (3) It reunites the best laugh-getting team behind the footlights, William Gaxton and Victor Moore, who first were coupled in

(4) It brings®—

8 2 un

ints of the season.

out in the lobby.

IN NEW YORK —*¢ GEORGE ROSS

® 8 x

Loavs It to Me" Has Left Nothing to Dative in Way of a Musical Show.

EW YORK, Nov. 19.—The arrival of Vinton Freedley’s mammoth . musical show, “Leave It to Me,” was memorable on a half-dozen

“Of Thee I Sing.” back the “last of the red hot mammas,” Sophie Tucker, to the Broadway arena. (5) It introduces a new, fresh, beauteous personality to the Rialto, namely Mary Martin. (6) It is rich in the music and lyrics than only Cole Porter can Write. » ” 2 HE new starlet, Mary Martin, is just past 20, cutely curlyheaded and from Texas. Her father is a Federal judge who might be inclined to frown upon one of the numbers she does. She does an inoffensive strip-tease by disrobing to the scanties, while singing a bright little ditty and making eyes at the delighted customers. Her voice is a girlish treble and her face is the incarnation of innocence and there is enough charm in-her for a half dozen musicals. In months past she knocked at the doors of stern studio officials in Hollywood. They didn’t give her a job, so she finally landed at the Trocadero, a cabaret in the film colony, where she sang for listless movie executives. Now the New York talent scouts are forme ing a queue at her dressing room to inquire how soon she can get away for a screen test. She gives them a standard answer: “Not for a long, long while.” Meanwhile, dazzled reviewers and nonprofessional playgoers alike are searching their memories to recall when if ever a more beauteous pair of legs has been exhibited before footlights or Kkleiglights. Those graceful items already are carrying Mary Martin into: that particular niche in the theatrical hall of fame occupied by Mistinguette, Marlene Dietrich, Ann Pennington and others renowned for their graceful underpinnings. ” » »

HE last time Broadway saw Bill

romping around a stage together, the moon-faced, rotund shaped Mr. Moore was trying to up himself from the position of Public Enemy No. 13 in “Anything Goes” and Mr. Gaxton was helping him out. Well, they're on a new mission in “Leave It To Me,” because Mr. Moore now is the new Ambassador to Soviet Russia and Mr. Gaxton is doing all he can to get the homesick envoy recalled to the United States. As usual, they are getting into all kinds of scrapes and before leaving the turrets of the Kremlin behind them, they have made a shambles of the international situation and the U.S. 8. R. ; With a quaint Russian background, Producer Freedley has put on “Leave It To Me” with a lavish

Gaxton and Victor Moore!

hand. If the girls in Moscow are as beautiful as the girls on the stags of the Imperial Theater, then there must be something in the Five-Year Plan. Sam and Bella Spewack, who wrote “Leave It To Me” (they wrote “Boy Meets Girl,” too) have handled the Soviets with high humor.

Merle Oberon To Pay No More

HOLLYWOOD, Nov. 19 (U. P.).— Merle Oberon, English actress, will nes have to make further payments to Lyle W. Rucker, her former attorney, for aiding her in enforcing a contract with Selznick International Pictures. Superior Judge Edward R. Brand

ruled today that Miss Oberon paid Mr. Rucker sufficiently when she gave’ him $6000. At the same time, the court denied her petition for a return of $5000 of the amount paid the attorney on the grounds she: had overpaid him,

INDIANAPOLIS

Symphony Orchestra

Fabien Sevitzky, Conductor

CONCERT TONIGHT

—8:30 P.M. —

MURAT THEATER

Seats on Sale—RI ley 9597

HAROLD *'Professor Beware"

Joan CRAWFORD Yous Margaret S SULLAVAN

‘THE SHINING HOUR’

Meotro-Goldwyn-M Meptation pion of Sage Shee

- NOW! A GREAT HIT AT—

Plus! Comedy

BLONDE

Arthur Lake

Next! Starting Thanksgiving Day! Mickey Rooney and Lewis Stone ‘OUT WEST WITH the HARDYS’

At Your Neighborhood Theater

NORTH SIDE

VOG U E “College at 63a

Fay Wray Robt. Armstrong “KING KONG” “BOY MEETS GIRL” Sunday—Wayne Morris—Claire Trevor “VALLEY OF THE GIANTS” Geo. Brent “RACKET BUSTERS”

: 2351 Station St. DREAM John Howard : Heather Angel “Bulldog Drummond in Africa” Bob Baker “WESTERN TRAILS” Sunday—Sonja Henie—Richard Greene “MY LUCKY STAR” “THREE LOVES HAS NANCY”

Illinois and 34th R | TZ June Lang Lynn Bari “MEET THE GIRLS” Geo. Brent “RACKET BUSTERS” Sunday—Bing Crosby—Fred MacMurray

7 . Cenital as_ral) Crk. air aring Wayne Morris “VALLEY OF THE GIANTS” “SMASHING THE RACKETS” Sunday—Tyrone Power—Alice Faye

“ALEXANDER’'S RAGTIME BAND” “SECRETS OF AN ACTRESS”

C ; Nn ema 16th & Delaware

Starts 1:30—150 10c TiH 6 George Brent—Humphrey Bogart “THE RACKET BUSTERS” Laurel & Hardy “BLOCKHEADS” Sunday—Norma Shearer—Tyrone Power “MARIE ANTOINETTE” Select Shorts—Lew Lehr News 1500 Roosevelt Michael Whalen

H 0 YWOO Henry Armeta

“SPEED TO BURN” “TO THE VICTOR” Sunday—Alice Faye—Tyrone Power

“ALEXANDER’S RAGTIME BAND” “THE THIRTEENTH MAN”

St. Clair®™ Cl. & Ft. Wayne

Lew Ayres Robert Young “RICH MAN, POOR GIRL” “MEET THE GIRLS” Sunday—Bing Crosby—Fred MacMurray “SING YOU SINNERS” “CAMPUS CONFESSIONS”

Uptown ress wearer P own John Barrymore “HOLD THAT CO-ED” “TIME OUT FOR MURDER” Sunday—Clark Gable—Myrna Loy

“TOO HOT TO HANDLE” “SONS OF THE LEGION”

Talbott & 22nd Talbott 32x “THE GLADIATOR” ' “UNDER THE BIG TOP” Sunday—Janet Gaynor—Franchot Tone “THREE LOVES HAS NANCY” “ON THE GREAT WHITE TRAIL”

NORTH SIDE

EAST SIDE

WEST SIDE

30th at Northwestern Joe E. Brown

REX a

“THE GLADIATOR” Geo. O’Brien “PAINTED DESERT” Sunday—Tyrone Power—Alice Faye “ALEXANDER’S RAGTIME BAND” Laurel & Hardy “BLOCKHEADS”

EAST SIDE

GOLDEN 6116 E. Wash,

Don’t Miss It! Shirley Temple “Rebecca of Sunnybrook Farm” J Kay Francis “MY BILL” Sun.—Herbert Marshall—Barbara Stanwyck | “ALWAYS GOODBYE” Randolph Scott “THE TEXANS”

B JOU 114 E. Washington

Joel McCrea Loretta Young .~ “THREE BLIND MICE” | Tex Ritter “UTAH TRAIL” | Sunday’s Features—Peter Lorre “MR. MOTO TAKES A CHANCE” “THIS MARRIAGE BUSINESS”

Strand 1332 E. Wash. St.

Sat. & Sun. Two Big Features Bing Crosby Fred MacMurray “SING YOU SINNERS” Ritz Bros.—Ethel Merman 'RAIGHT, PLACE AND SHOW”

Matinee Sat. & Sun.—15¢ Till 1 | EXTRA! Late Showings Tonight Box Office Open Until 10:30

Pa rke r Mickey Rooney Judy Garland “LOVE FINDS ANDY HARDY” Lloyd Nolan “PRISON FARM” Sunday—Dorothy Lamour—Geo. Raft “SPAWN OF THE NORTH” | “THREE BLIND MICE”

RIVOL] 3155 E. 10th St.

Continuous Matinee | : 15¢ Until 6 |George Brent Kay Francis

“SECRETS OF AN ACTRESS” ack Holt “REFORMATORY” | And! Fifi Dorsey Featurette

EXTRA! Last Show Tonight Only! | Box Office Open Till 11 p. m.

' Jack Benny—Burns & Allen Eleanore Whitney—Johnny Downs

. “COLLEGE HOLIDAY” | Sun. thru Wed.—Ritz Bros. “STRAIGHT, PLACE AND SHOW”

Wayne Morris—Claire Trevor “VALLEY OF THE GIANTS”

| | Doors Open Sunday a Noon | Adults Tse till 1 P. M.

Emerson A

Sonja Henie

| “MY LUCKY STAR” Joe E. Brown “THE GLADIATOR” | Donald Duck Plus Novelty

Sun. Thru Wed.—Bing Crosby a “SING YOU SINNERS” “MARCH OF TIME” Plus Comedy

Tc BE acoma Pat O’Brien | “BOY MEETS GIRL” | | “ADVENTURE’S END” Sunday—Dead End Kids—Robt. Wilcox | “LITTLE TOUGH cy !

Only North Side Theater

Tuxedo 4020 E. New York

Tonight, Tomorrow Matinee Sunday - Clark Gable—Myrna Loy | “TOO HOT TO HANDLE” | “CALL OF THE YUKON” Starts Mon.—“MY LUCKY STAR”

Geo. Lloyd Nolan

IRVING “yg: 75

“PRISON FARM” “STRANGER IN ARIZONA” Sunday—Geo. Raft—Dorothy Lamour “SPAWN OF THE NORTH”

5507 E. Wash. St.

411 E. Wash.

Pa ra moun t John Howard

H. B. Warner “Bulldog Drummond in Africa” Chas, Starrett “Colorado Trail” Sunday—Charlie McCarty—Adolph Menjou “LETTER OF INTRODUCTION” “THE OLD BARN DANCE”

2116 E. 10th St.

Jane Withers—Gloria Stuart “KEEP SMILING”

Joe E. Brown “THE GLADIATOR” Sunday—Janet Gaynor—Franchot Tone

“THREE LOVES HAS NANCY” Geo. Brent “RACKET BUSTERS”

WEST SIDE

1 d Howard Si ai Blaine i allew owa r Noah Beery “PANAMINT’'S BAD MAN” Lewis Stone “THE CHASER” “LONE RANGER” No. 8

Sunday—Mickey Rooney—Spencer Tracy “BOYS’ TOWN” “LOVE, HONOR AND BEHAVE”

. 2702 W. 10th St. STATE Tonight’s Features Joan Fontaine “MAID’S NIGHT OUT” “Randolph Scott “THE TEXANS” ‘Sunday—Janet Gaynor—Franchot Tone “THREE LOVES HAS NANCY”. “LITTLE TOUGH GUY”

Belmont "ta e mon we ly Keyes “SONS OF THE LEGION” Jack Luden “PIONEER TRAIL” Sunday—Clark Gable—Myrna Loy “TOO HOT TO HANDLE” “COME ON, LEATHERNECKS”

Only West Side Theater Participating in MOVIE QUIZ CONTEST

Speedway city Gloria Stance

Sp eedway Michael Whalen “TIME OUT FOR MURDER” “THE COLORADO TRAIL” Sunday—Humphrey Bogari—Geo. Brent “THE RACKET BUSTERS”

O’Brien “PAINTED DESERT” ||

Joe E. Brown “THE GLADIATOR” |_

_|Orienta {Hamil tons: 15¢ to 6] |

New Daisy” Michigan St.

Eleanor Lynn Frank Albertson “FUGITIVES FOR A NIGHT” Lou Gehrig “RAWHIDE” | Sun.—John Barrymore—Mar jorie Weaves “HOLD THAT CO-ED” The Thrill Picture _“BOOLOO”

| SOUTH SIDE

GC R oV E Beech Grove

Don’t Miss It! Mickey Rooney “DOWN THE STRETCH” “OUTLAWS OF SONORA” Sunday—Sonja Henie—Richard Greene _ “MY LUCKY STAR” ~ “GIVE ME A SAILOR”

Pros. & Churchman Danielle Darrieux

Ava lon Doug. Fairbanks Jr.

“THE RAGE OF PARIS” Lou Gehrig “RAWHIDE” Sunday—Robt. Taylor—Maureen O'Sullivan “THE CROWD ROARS” Geo. Raft “YOU AND ME”

1105 S. Meridian Edw. G. Robinson Wendy Barrie

“I AM THE LAW” Robt. Paige “HIGHWAY PATROL” Sunday—Sonja Henie—Buddy Ebson L “MY LUCKY STAR” IN “SAFETY IN NUMBERS”

Li East a Lincoln uar INCO nN Pauline Moor “PASSPORT HUSBAND” Geo. O’Brien “GUN LAW” Sunday—Mickey Rooney—Judy Garland

“LOVE FINDS ANDY HARDY” |“ROSE OF THE RIO GRANDE”

Fountain Square

Errol Flynn—Olivia DeHavilland “FOUR’S A CROWD” “CAMPUS CONFESSIONS” Sunday—Clark Gable—Myrna Loy “TOO HOT TO HANDLE” “MEET THE GIRLS”

New Garfield

Dead End Kids Robert Wilcox “LITTLE TOUGH GUY”

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Geo: O'Brien “PAINTED DESU. dare",

Sun.—Danielle Darriedx—D. Fairba

“THE RAGE OF PARIS” Geo. Brent “RACKET BUSTLE

Sanders

At Fountain SUE friends Preston ha ; Patricia EL gi “LADY IN THE MORGUE”, by

“TROUBLE IN TEXAS” _Sunday—Mickey Rooney—Judy Garland “LOVE FINDS ANDY HARDY” “KING OF NEWSBOYS” 3

1045 Virginia Av Aver Sitardar—sundsy

Granada Sunday .

Matinee

Bing Crosby—Fred MacMurray “SING YOU SINNERS”

Victor McLaglen—Beatrice Roberts “THE DEVIL'S PARTY”