Indianapolis Times, Indianapolis, Marion County, 12 November 1938 — Page 8
PAGE 8
One Canary
Is Easy for Five Kittens
But Witty Way It's Done Makes 'Spring Dance’ Decided Hit.
By JAMES THRASHER Before “The Women” returns to English’s Dec. 5 you must get around to the Civic Theater and see «Spring Dance.” It will be there through Wednesday night.
You need it to fill in the picture
of the predatory female, so unfiatteringly painted by Clare Boothe. Philip Barry, with man’s inherent chivalry (wanna make something of it?), has dealt more gently with the gentler sex in this pleasant little comedy about a girls’ school. There is less of cattiness, except that the young ladies are extremely reminiscent of five cats looking at one canary. The canary in the case is one Sam Thatcher. Sam is a Yale man, nursing a desire to live his life to the brim during a decade of wellordered recklessness. Romance is spinach; marriage, a shackle of middle-class morality. He must see the world—especially Russia—and there must be no entangling alliances about the heart.
A Last Farewell
Of course, since Sam iS typical, he’s also nursing a budding case of calf love, and a secret desire to be wept over and clung to. However, he has a friend who fans the unconventional flames and who goes by the simple, dignified title of The Lippincott. Sam and The Lippincott have just arrived at the New England girl’s schooi when the play opens. Sensing the bourgeois futility of a. college diploma, they have chucked Old Eli just three weeks short of the finish and are heading for Russia via Seattle and a decrepit car. Sam, however, must have a few words of farewell with Alex Benson, who is “different” and understands his strivings. Alex’s friends, Mady, Frances, Sally and Kate, see that she is “smit.” Whereupon they set to work on Sam and The Lippincott. There’s no use grousing about the fact that the hahd is tipped in the first act. For. on the stage or off you can’t pit one mere male, age 23, against four feminine seniors and a sophomore and expect him to triumph over glamour, the cunning of the fox, the wisdom of the ages and his own obtuse idealism.
Director in Stride
So “Spring Dance” is true to life, and amusing in the process. It seems to be the cleverest thing Mr.
Barry has done since ’'way back when. It's fast and witty, and it was given a bubbling performance at last night’s opener. Edward Steinmetz Jr., the new director, seems to have hit his stride in this second production. His neatest trick was in discovering as cute and pert a quintet of young ladies as you could wish for. There is some swell comedy turned in by Alice Vonnegut as Frances, the ingenuous sophomore and willing worker. After watching Mary Wiley do Alex, one certainly can’t ~ blame Sam a bit. Joan Dougan is spry and most amusing as Mady; Irving Moxley, who is Kate, and Elizabeth Ruddick as Sally, keep the ball bouncing with some inspiring and diabolical planning by the one, and effective—well, they used to call it vamping, by the other.
A Delightful Evening
Jack Prosch does the hapless Sam convincingly, and Eli Messenger makes of The Lippincott's misogyny a towering and awesome thing. ! Aptly rounding out the rast in! smaller parts are Ray Robinson Winifred Skyrme, J. B. Cusick, Richard J. McDuffee, Wilson Cronenwett and Mary Margaret Tutewiler. The sets are attractive, and the whole show moves at a merry pace —so merry, in fact, that there's time to give the great city of Kiev only a one-syllable pronunciation. Bit no matter, Mr. Steinmetz and his boys and girls will give you a bright and pleasant evening.
DEANNA FAVORED BY DOG FANCIER
HOLLYWOOD, Nov. 12 (U. P.).— Deanna Durbin, young singing movie star, was informed today that! on her 16th birthday, Dec. 4, a collie puppy will arrive for her from Cherry Osborne, noted dog fancier of Harmony, R. I.
WHAT, WHEN, WHERE
APOLLO
“Men With Wings.” MacMurray - Louise Milland. at 11. 1:08, and 10:08.
with Fred Cahobel, Ray 3:23. 5:38. 7:53
CIRCLE
“Thanks for the Memory.” with Bob Hope. Shirley Ross. at 11, 1:50, 4:40, 7:30 and 10:20. “Illegal Traffic,” Naish, Mary C 6:20 and 9:i0.
ENGLISH’S “I’d Rather Be Right.” a revue by
George 8S. Kaufman and Moss Hart, i George M. Cohan. Curtain at
INDIANA
“If I Were King,” hn Ronald Colman, Frape ces Pes.
with J. arlisle, at 12:40.
Carrol 3:30.
“Youth i McCrea, at 11:12, 2: Ba. 22 and 8:42.
LOEW'S
“There Goes Mv Heart.’ ith Fredric MarR yi ina, Bruce, at 11:05. 1:45 pina
“Juvenile al » itp os Kelly, at 12:45 3:25 6:10 and 8:35.
LYRIC
George Olsen and his orchestra, other Yevgenile, on stage at 1:07, 3:53, 6:49 and 9:35. “Just Around the Corner,” with Shirley Temple, on Sorgen at 11:38, 122, 5:18, 8:04 "and 10:3
MARTENS GRE Ine.=
NINTH ANNUAL SEASON Second Concert of Present Series
THERE 18 NO VIOLINIST IN THE WORLD OF MUSIC WHO STANDS 80 ABSOLUTELY ALONE IN HIS ART AS
HEIFETZ
Tomorrow at 3 P. M--ENGLISH'S
Seats Now on Sale—Room 201, 88 Monument Circle ~
+of Martens Concerts, Inc.
* The distinguished violinist, Jascha Heifetz, is to be heard at 3 p. m. tomorrow in recital at English’s, as the season's second offering
ONDUCTING an orchesira is not merely a matter of waving a stick before a group of musicians for a couple of hoftirs a few times a week and then taking life easy. John Barbirolli, conductor of the New York Philharmonic-Symphony, mentioned the subject in an address to members of the PhilharmonicSymphony, a group of enthusiastic supporters of the orchestra. He said: “I wonder if you realize at all that the work the public sees the conductor do is the least of his job. I am not referring to the continual rehearsals during the season, but to all the work of annotating parts, editing, the one hundred and one points of technical elucidation which has to go on always.”
Mr. Barbirolli also stressed the
terpretation, declaring: “I would like to say to any young musician who contemplates this most arduous and responsible of careers to make his watchwords, ‘Integrity and sincerity to yourself and loyalty to the man whose music you are seeking to interpret. &Never think, ‘What can I make of this piece?’ but try to discover what the composer meant to say. We must bear in mind that the conductor has become one of the most important and responsible personalities in the musical world, and by fine stylistic performances can do much toward a purification of musical perception among the general public. “On the other hand, performances which are merely the vehicle to indulge the vanity of a personality, however talented, can only tend to lead us farther -from that which should be the goal of all true musicians: service to that great art which it is our privilege to practice.” ” t J ”
HE Young People’s Concerts of the New York PhilharmonicSymphony will begin their 16th season at Carnegie Hall on Saturday morning, Nov. 19. It will be Ernest Schelling’s 15th year as conductor of the series. He missed last winter because of an accident to his eye. The children at the opening concert will hear about Wagner and listen to a program devoted entirely to his music. ” » Stephen Hero, violinist, was so well received by the audience at a solo performance with the Bridgeport Symphony Orchestra that he was invited at the end of the concert to give a repeat performance, which. he probably will do in January. | On Nov. 27. Mr. Hero will play the | Vieuxtemps Concerto No. 4 under | Guy Harrison with the Rochester i Civic Orchestra. He will repeat it in a broadcast performance the next afternoon. Mr. Hero has added recitals in Austin, Minn., and Frederick, Md., to his season’s engagements.
2
un ” s
EMBERSHIPS for the Berkshire Symphonic Festival concerts by the Boston Symphony Orchestra and Serge Koussevitsky at the new Tanglewood shed next year have been received from 13 states and Canada. Memberships have come from such distant states as Arkansas, California and Florida.
2 s 2
The New York Metropolitan | Opera Company’s Philadelphia seag | son will be the longest in six|t |years. The Philadelphia committee {has agreed to sponsor two more presentations, bringing the total | number to be staged at the Acad{emy of Music to 10 Philadelphia's season opens Nov. 122 with “Der Rosenkavaliar.” Other | presentations will include “Das | Reingold,” “Die Walkure,” “Sieg!friend” and “Gotterdammerung.”
» z® o
A musical team, familiar to | American and European audiences, was broken up recently by the death of Percival Parham, Negro accompanist to the great concert tenor of his race, Roland Hayes. The post goes to Reginald Boardman, young white Bostonian who appeared with Mr. Hayes at concerts at Town Hall, New York, on Nov. 8 and will appear again at Symphony Hall, Boston, Nov. 20. Mr. Parham won a special niche for himself with the balance and sensitive support his playing gave the singer. It was a perfect mating of song and accompaniment. Mr. Parham studied singing with one of Mr. Hayes’ instructors—the late Dr. Theodor Lierhammer of Vienna. He was also a composer, some of his songs and arrangements of spirituals having appeared on Mr. Hayes’ programs.
TONIGHT
DON ALBERT
AND HIS
Prices $1.65, $2.20, $2.75, $3.30, $5.85
In the World of Music
By United Press
duty of a conductor in honest in-|
NNA KASKAS, contralto, who was soloist under Serge Koussevitsky last August at the Berkshire festival, has been re-engaged to appear with the Boston Symphony on Dec. 2 and 3, singing in the Beethoven Missa Solemnis. Miss Kaskas, who is of Lithuanian parentage, will feature a group of Lithuanian folk songs on a program in Chicago tonight. On Nov. 20 she will give a joint recital in Hartford, Conn., her birthplace, with Charles Kullman, New York Metropolitan Opera tenor. Next spring, Miss Kaskas will do a series of recitals in New England and on April 20 and 22, she will be soloist in Beethoven’s Ninth Symphony with the Cleveland Orchestra under Artur Rodzinski.
” » ”
It looks like quite a musical season in Budapest. The following artists are scheduled to appear: Conductors — Furtwaengler, De Sabata, Dohnanyi, Karl Bohm, Dobrowen, Ansermet, Vittorio Gui, Mengelberg, Weingartner, Molinari, Fritz Busch, Georgesco and Stravinsky. Pianists — Cortot, Rachmaninoff, Emil Sauer, Bartok, Dohnanyi, Brailowsky, Edwin Fischer, Schnabel, Casella, Backhaus, Friedman and Casadesus. String players—Casals, Piatigorsky, Kreisler, Menuhin, ‘Szigeti, Francescatti, Milstein and Bustabo. Singers—Kiepura and Schipa.
” ” o
Guiomar Novaes, Brazilian pianist, will be heard at Indiana University in Bloomington, on Feb. 21, during her tour of the Middle West, which will occupy part of that month, after appearances in the South. 2 2 ”
Samuel Dushkin, violinist, will be soloist with the London Philharmonic under Sir Thomas Beecham on Nov. 20 and with the British Broadcasting Company's orchestra on Nov. 24. His European engagement will keep him busy until the end of the year, when he will return to this country for a tour.
Et ” #
The new Mordkin Ballet starts a tour on Monday, opening in -Norwalk, Conn., after appearing Friday, Saturday and Sunday in six performances in New York. The ballet has just completed a tour of the Eastern and Midwestern states and Canada.
FILM JOBS SPURT, EXTRAS IN DEMAND
HOLLYWOOD, Nov. 12 (U. P.).— Hollywood motion picture extras rode on the crest of a monetary prosperity wave today. One studio: alone called for nearly 1500 extras to work on four pictures. A thousand were at work at Cedar City, ‘Utah, in Cecil B. DeMille’s picture, “Union Pacific.” Three - hundred and fifty spent Armistice Day as movie soldiers fighting a World War battle scene for a picture called “Hotel Imperial.”
ON LOCATION FOR 'CONVICT'S' ROLE
HOLLYWOOD, Nov. 12 (U. P).=In jail instead of at work before the movie cameras today was Carlos J. Barbe, actor and honorary viceconsul to Hollywood from the Republic of Uruguay. For speeding 70 miles an hour | because he was late for work at| Warner Bros., Mr. Barbe was given a five-day sentence by Municipal! Judge Byron Walters. The judge] refused to make it a heavy fine so’ the actor would not miss work.
WINS CONTRACT
Gus Kahn, dean of America’s popular song writers, has signed a new contract that starts his sixth year with the Metro-Goldwyn-Mayer studios.
'Thanks for the Memory’ Shows Pitfall of Working Wife.’
When the newlyweds in “Thanks :
for the Memory,” at the Circle this week, are good, they are very, very good. But when they quarrel, they are horrid.
In that film, where there’s (Bob) Hope, there's life and “Thanks for the Memory” is one of the liveliest sagas of the state of holy matrimony since “The Thin Man.”
Moreover, if you are one of those who went on a mass emotional jag last spring when the song “Thanks for the Memory” was so popular, it will do you good to hear it parodied by an irate couple. i The Merricks are Anne, played by Shirley Ross, and Steve, portrayed by Bob Hope, who are afflicted by a lot of friends, uniformly noisy-and habitually thirsty, cluttering up their apartment.
Balks Novel-Writing
The gang includes George Kent, played by Roscoe Karns, who was bought and paid for by “Sugar” (Laura Hope Crews), fat, 50, and worth 16 million dollars, which still isn’t enough, according to Steve. George, incidentally, is not above borrowing a dollar now and then. Polly Griscom is played by Hedda Hopper and Biney by Charles “Buttermouth” Butterworth.
Their continual presence prevents Steve from proceeding very far with the novel he is writing apart from his job as an electrical appliance salesman. So he quits his job.
Finding it difficult to meet expenses on no income, Anne goes back to her job of modeling in a department store, while Steve stays at home and “slaves over a hot stove all day.” In one sequence, clad in an apron with bows down the front, he writes a page, shells peas to an amusing musical accompaniment and cooks out of the “Bride’s Cookbook,” as inadequate as all brides’ cookbooks are. Situations Typical
It's the old problem of Boy Meets Girl, Girl Supports Boy and Boy Leaves Girl that has provided meat for lovelorn columns for years. Steve leaves Anne. In the meantime, the audience is led to suspect that she is expecting a baby. While they are apart, Steve finishes and sells his novel. Hearing that Anne is leaving .town, he goes up to the apartment to see her and is told accidentally by two total strangers of the approaching Blessed Expense. You guess the rest. Married people, particularly, will enjoy the film because some of the less spectacular situations are typical. Miss Ross and Mr. Hope both handle themselves well. Others in the cast are Otto Kruger, Patricia Wilder, as the South-
ahn belle up No’th; Eddie Anderson, |
Jack Norton and Ed Gargan. On the same bill is “Tllogal Traffic” with J. Carrol Naish and Mary Carlisle. K. W.
Select Program For Symphony
Music for the Indianapolis Symphony Orchestra's opening pair of
concerts in the 1938-39 season next Friday afternoon and Saturday evening in the Murat has been announced by ‘Fabien Sevitzky, conductor and musical director.
The program will be as follows: Overture to ‘Der rs ete: .. Weber Symphony in A M . Beethoven Intermission. “The Mystic Trumpeter
Con (First time in Jin ‘The Afternoon of a ndianapolis)
Polka and Fugue trom YSchwand Weinberger
DANCE TILL TWO BANDWAGON
Southeastern and Emerso: Adm: 25c All Eve. Son
HAL BAILEY’'S ORCH.
nverse C2bussy
NOW 15¢ ™ CILEEEEELLL Fred Astaire—Ginger Rogers “CARE tL} ; ; Geo. Brent YRACKET BUSTERS” to NOW 15¢ * CICYGN Gea, 0’ Bie ra AVLISS VALLEY”
rel & ‘“‘BLOCKHEADS” “LONE RANGER" “SPIDER’S WEB”
LIT
NIGHT 1610
LAFAYETTE
RED GABLES
CLUB
aL
NOW PRESENTING
ART BERRY'S
The Best in Cocktails—Mixe
ORCHESTRA
2—FLOOR SHOWS NIGHTLY—2 Chicken, Steak,
Frog Dinners d Drinks—Wines and Beer.
STARTING AT SATURD
Nancy Kelly, the
AY MIDNIGHT SHOW!
Attraction EXTRAORDINARY!Direct fromthe East!
Little Bombshell
‘GIRLS of FOLLIES’
___ THE INDIANAPOLIS TIMES ___ Bob Hope at Circle in Lively Newlywed Film: Olsen’s Band at Lyric
Comedienne Coca Good; Shirley Temple
On Screen.
Ruddy Gecrge Olsen, who brings his company to the Lyric this week, first became an orchestra maestro, believe it or not, in French Lick.
There were three musicians in his band then. You should see him now. Besides the orchestra and the singing ensemble, he has a trio, the Tanner Sisters, who look like strawberry ice cream all dressed up in pink; Phyllis Colt, an ingenue, and Imogene Coca, comedienne of “New Paces,” and many others. Miss Coca is small, wiry young woman with a lot of bangs, an impish face, and eyebrows which work like the Circle Tower elevators on a busy day. The Lyric stage is almost too
small for her, especially when she March
does her “Wanna Waltz” number, a caricature of ‘that dance which she performs with the assistance. of about six reluctant young men from the band. Her best number probably is her “strip-tease,” which, according to Mr. Olsen, must be viewed from the “purely artistic standpoint.” She begins by taking long yellow hairpins out of her bobbed hair and, after much hesitation, works down to a floorlength polo coat. She then retires to an improvised set of curtains—but don’t get excited, we're not going to tell you the rest. Anyway, the laugh’s on you.
Brierly Gains Favor
The most amusing feature of the show probably takes less than a minute to stage. According to Mr. Olsen, bands a few years ago, had their pictures taken in poses to demonstrate their potentialities. At a word from Mr. Olsen, the entire group snaps into various killer-diller poses. Adolescent Miss Colt, who is making her first stage appearance here, wallows in self-pity in her first number as she sings “In- Between,” a song bemoaning being “too old for toys, and too young for boys.” Jimmy Brierly, vocalist, gains approval from the start when he says he wouldn't sing “Tisket-a-Tasket.” He does the audience wrong, however, when with the assistance of the ensemble, he sings a variation on that elusive basket which, according to him is “Y-E-L-L-0O.” The orchestra includes on the program a nice arrangement of “Night-and Day.” On the screen, Shirley Temple stars in “Just Around the Corner” with Charles Farrell (who looks much older than he did in his “Sune nyside Up” days), Joan Davis, Bert Lahr and Bill Robinson. - K. W.
RETURNS TO FILMS AFTER TWO YEARS
HOLLYWOOD, Nov. 12 (U. P.).— Helen Twelvetrees, once a top-rank star, was back in Hollywood today for the first time in two years. The actress arrived from New York to take the important, but no longer starring role, of Lynne Overman’s movie wife in the picture, “Persons in Hiding.” This is the film version
LOCAL PIANIST
The young Indianapolis pianist, Joseph Bloch, will be heard in recital at 8:30 p. m. Tuesday in the World War Memorial suditorium. Mr. Bloch, formerly a pugil of Bomar Cramer, is studying with Rudolph Ganz in Chicago. His program will be as fol-
lows: Toccata. C Major Rossi-Bartok Pugs ye hone Sa a cackn
m Leaf.” Opus 4 Eeude mo Thirds. a 8 Sonata No. 8 ..... ............. Scriah
Role Liked By Holmes
And Cohan's Understudy Heard Morgenthau Speak Once.
From Jeeter Lester to Henry Morgenthau is quite a jump, no matter how you look at it. But it’s right in the stride of the versatile Taylor Holmes, who is playing Secretary of the Treasury to George M. Cohan’s President in “I'd Rather Be Right,” which winds up its local stay at English’s tonight.
The last time Mr. Holmes appeared here was two years ago, as the unhappy and unprincipled paterfamilias of “Tobacco Road.” It was something of a jolt to those who had known him as the poetic Mavchbanks in “Candida” (he was America’s first Marchbanks, and the role brought him his first recognition) or as the later star of polite comedy on stage and screen.
Now we find him at the opposite pole of broad and satirical musical comedy. Which of these last two roles does he prefer? Says Mr. Holmes: present one.. and a half to make up for Jeeter, what with all those whiskers. Now I can make up in half a minute.” In addition to the revue’s second comedy part, Mr. Holmes is understudying Mr. Cohan. Questioned as to the authenticity of the Morgenthau impersonation, Mr. Holmes will only admit that he heard the Secretary make a speech once.
EWE):
1045 Virginia Ave.—At Fountain Square Tonite—Tomorrow Only 2 Shows Tonight: 7:34 and 9:40
, WALT DISNEY’S
Sd Bli//7
“I prefer the
AND THE
SEVEN DWARFS
of J. Edgar Hoover's book of the same title."
It took me an hour|’
Colman Does
actor a cloak.” Well, the cloak flourishing and swashbuckling in the Indiana’s “If I Were King” (1938 version) is safe in the capable, restrained hands of Ronald Colman, who plays Francois Villon. The film also benefits from Basil Rathbone’s most interesting performance in a long time, and from the excellent production and direction of Frank Lloyd. Mr. Lloyd hasn't quite equalled the job done by David O. Selznick
swashbuckler, “The Prisoner of Zenda,” in which Mr. Colman also starred. There isn’t quite the lightness, gaiety and interest. Nevertheless, it is a sumptuous retelling of an oft-told tale.
A worthy cast caparisoned in 15th Century finery lends some new interest to the story of Villon, the Parisian poet and rascal who killed the King's traitorous’ Grand Constable, won the office himself for a week, saved the City from the Burgundians and suffered banishment. And of course you remember he won the fair lady Katherine, too. It’s a sentimental, dated story. But Mr. Colman does everything with such grace and good humor as to make you thrill again at the operetta plot. Mr. Rathbone cannot be said to do a great piece of acting. He has, however, departed from his usual British suavity and collected some interesting mannerisms and cackles in giving us that cruel and querulous monarch, Louis XI. His makeup, too, is excellent. On the colossal side, there is the battle with the Burgundians which should quicken your pulse. In the quieter moments, all the scenes between Villon and the King are done exceptionally. Elsewhere, as might be expected, are some dull spots. Frances Dee, as Katherine, contributes little but a passive beauty. Honors among the ladies go to the newcomer, Ellen Drew, who plays the euphemized role of Huguette, the tavern girl—J. T.
Last Day—Midnite Show Tonite Lily Pons Jack Oakie "THAT GIRL FROM PARIS" Joe E. Brown "Sons O' Guns"
in FRANK LLOYD'S
IF | WERE KING"
Se LT
McCREA - LEEDS YOUTH TAKES A FLING
and John Cromwell in that other].
Poet-Rascal
With Finesse at Indiana
There is a famous quotation in which a famous drama critic once summed up a performance in a costume play by saying, ‘Never give an
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a ILLEGAL 2 LD
a Lit LE)
(PLUS 2nd HIT)
PAUL KELLY
“JUVENILE
NEXT THURSDAY! “The Shining Hour’ Joan CRAWFORD Margaret SULLAVAN
At Your Neighborhood SR
: EAST SIDE
114 E. Washington B | JOU Last Times Tonight : Jackie Cooper “BOY OF THE STREETS” “RANGE DEFENDERS” Sunday’s Features—Sally Eilers
“CONDEMNED WOMEN” “INTERNATIONAL CRIME”
Strand 1332 E. Wash. St.
Sat. & Sun. Two Big Features Ginger Rogers Fred Astaire “CAREFREE” Marjorie Weaver, Richard Greene “HOLD THAT CO-ED” Matinee Sat. & Sun.—13¢ Till 1 EXTRA! Late Showings Tonight Box Office Open Until 10:30
2930 E. 10th § Pa rke r Eddie a Roland Young “ALI BABA GOES TO TOWN” Loretta Young “RAMONA” . Sunday—Joan Bennett, Randolph Scott “THE TEXANS” Don Ameche “JOSETTE”
R | VOLI 3155 E. 10th St.
Errol Flynn—Olivia De Havilland “FOUR’S A CROWD” June Lang “MEET THE GIRLS”
EXTRA! last Sh Toni Box Office Open’ Till Th ight, only
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“FOUR DAUGHTERS”
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Open Sund 2 Aduten : ‘150 till 1P. on or or
Emerson 4630 E. 10th
5:45 to R—15¢ Gloria Stuart “LADY OBJECTS” “Bulldog Drummond in Africa” Bing Crosby Featurette plus Novelty Sunday Through Wednesday “SPAWN OF THE NORTH” Plus “SONS OF THE LEGION”
Tacoma Se Teme Lew Ayres “RICH MAN, POOR GIRL” Geo. O’Brien “BORDER G-MAN” Sunday—Edw. G. Robinson, Wendy Barrie “I AM THE LAW” “RAGE OF PARIS” 4020 Tonlent, Tomorrow
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ranchot Tone, Poy Gaynor “THREE LOVES HAS NANCY” Wm. Gargan “Private Secretary” Monday “ALEXANDER'’S RAGTIME BAND” Plus “SAINT IN NEW YORK”
IRVIN 5507 E. Wash St.
pauart Ewin uline Moe! “PASSPORT HUSBAND" Geo. O'Brien “PAINTED DESERT”
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WEST SIDE
STATE ‘2702 W.. 10th St.
Pat O’Brien Jas. Cagney “BOY MEETS GIRL” “GUNS IN THE DARK” Sunday—Robt. Young, Guy Kibbee
“RICH MAN, POOR GIRL" ' “ROMANCE OF LIMBERLOST” Spencer Tracy
Be mon t Mickey Rooney
“BOY'S TOWN” “OUR GANG FOLLIES OF 1938” Sunday—Fred Astaire, Ginger Rogers “CAREFREE” Richard Dix “SKY GIANT”
Only West Side Theater Participating in MOVIE QUIZ CONTEST
W. Wash. & Belmont
Speedwav City Geo. O’Brien
Speedway Rita Hayworth “THE RENEGADE RANGER” Laurel & Hardy “BLOCKHEADS”
Sunday—Sonja Henie, Richard Greene “MY LUCKY STAR” Edw. G. Robinson “I AM THE LAW” Ken Maynard
New Daisy Joan Barclay “WHIRLWIND HORSEMAN” Jane Withers “RASCALS” Sunday—Humphrey Bogart—Geo. Brent
“RACKET BUSTERS” Richard Dix “SKY GIANT” Howard St. at Blaine Robt. aun
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-SOUTH SIDE Pros. & Churchman Warren illi Ava lon Gail iim “WIVES UNDER SUSPICION” “SAINT IN NEW YORK” Sunday—Lewis Stone, Mickey Rooney “LOVE FINDS ANDY HARDY” __Shirley Ro: Ross * “PRISON FARM” "1105 S. Meridian Oriental ia sim “TROPICAL HOLIDAY” “SPEED TO BURN” Sunday—Robt. Taylor, Maureen O'Sullivan “THE CROWD ROARS” Joe E Brown “THE GLADIATOR” East at Linceln Victor McLaglen Brian Donlevy “WE'RE GOING TO BE RICH” Chas. Starrett “CATTLE RAIDERS” Sunday—Edw. G. Robinson, Claire Trevor “The Amazing Dr: Clitterhouse” “I'LL GIVE A MILLION"
Fountain Square Lane Sisters . , Claude Rains “FOUR DAUGHTERS" Paul Kelly “MISSING GUEST” Sunday—Geo. Murphy. Marjorie Weaver “HOLD THAT CO-ED” _ Lanny Ross “LADY OBJECTS”
New Garfield
Pat O'Brien Jas. Cagney “BOY MEETS GIRL” Lewis Stone “THE CHASER” Sunday—Tyrone Power, Alice Faye “ALEXANDER’'S RAGTIME BAND” Laurél & Hardy “BLOCKHEADS”
At Fountain S§ Sa Nn d ers Foal Kelly ! Sally Eilers “NURSE FROM BROOKLYN” Cary Grant “HOLIDAY” Sunday—Tyrone Power, Alice Faye “ALEXANDER’S RAGTIME BAND” “CRIME OF DR. HALLET”
Beech Grove Louis Hayward Kay Sutton
“SAINT IN NEW YORK” Geo. O'Brien “PAINTED DESERT” Sunday—Geo. Brent, Humphrey Bogart . “RACKET BUSTERS” Laurel & Hardy “BLOCKHEADS”
NORTH SIDE
2351 Station St. DREA Gene Autry Smiley Burnette “GOLD MINE IN THE SKY” Lynn Bari “SPEED TO BURN” Sunday—Martha Raye, Bob Hope
“GIVE ME A SAILOR” Joan Bennett “THE TEXANS”
llinois snd 84th RITZ . sistem “THREE LOVES HAS NANCY” Vie McLaglen “DEVIL'S PARTY” Sunday~3, Barrymore, Mazjurie Weaver
NORTH SIDE Central at Fall Crk. ond Astaire
Z a r [ n g nger Rogers
“CAREFREE” Richard Dix “SKY GIANT” Sunday—Priscilla, Rosemary & Lola Lane
“FOUR DAUGHTERS” Don Ameche “GATEWAY”
16th & Delaware Starts 1:30—150
Cinema 10¢ Till 6
" Tyrone Power Alice Faye
“ALEXANDER’S RAGTIME BAND* Vic. McLaglen “DEVIL'S PARTY”
Sunday—Geo. Raft, Dorothy Lamour “SPAWN OF THE NORTH" “Bulldog Drummond in Africa”
Hol lywood 5 150 , Bot
“LITTLE TOUGH root Scott Colton “EXTORTION” Sunday—Jane Withers, Gloria Stuar$ “KEEP SMILING” Laurel & Hardy “BLOCKHEADS” | St. Cl. & Ft. Wayne St. Clair Deets open 6:45 . Brent “RACKET BUSTERS" Laurel & Hardy “BLOCKHEADS”
Sunday—Janet Gaynor, Robt. Montgomery “THREE LOVES HAS NANCY” “HOLD THAT CO-ED” oo Rennes
Uptown mer “I'M FROM THE CITY” “MEET THE GIRLS” Sunday—Spencer Tracy, Mickey Rooney
“BOY'S TOWN” Lanny Ross “LADY OBJECTS” Talbott wed. rraine Krueger “I'M FROM THE CITY”
“BORN TO BE WILD”
Sunday—Phil Regan, Leo Carrillo “Manhattan Merry-Go-Round” Geo. Brent “RACKET BUSTERS”
Only North Side Theater P. HoTdy Thea 5% Anticipating in Ruby Keeler
R EX e Shirley
“MOTHER CAREY'S CHICKENS” Robt. Paige “HIGHWAY PATROL” Sunday—Jas. Cagney, Pat O’Brien “BOY MEETS GIRL” Jane Withers “KEEP SMILING”
VOGUE
“ALEXANDER’S RAGTIME BAND” “I AM THE LAW”
42nd & College
Talbott & 22nd
30th at Northwestern
College at 634 Ee Tyrone Power Alice Faye
Sunday—Lane Sisters, Claude Rains : ] ! :
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