Indianapolis Times, Indianapolis, Marion County, 20 August 1938 — Page 8
~ Future Star * Seenin New Loew's Film
"Rich Man, Poor Girl’ Starts Ruth. Hussey Toward Heights. |
Ruth Hussey, with her first leading role at Loew’s in “Rich Man, Poor Girl,” seems on her way to stardom.
She’s lovely to look at and this |
film proves the former stage star can act. Upon her graduation from the Providence Players she appeared on Broadway in “The Old Maid,” “Waiting for Lefty,” “Stevedore” and “Dead End.” z . It was in the latter play that a
Los Angeles agent saw and signed |]
her,’ She also has had radio experience as a fashion commentator. Perhaps it is from there that her unusual voice comes.
Seeing her for the first time, the |§
husky softness of her speech is
» most impressive. It has the richness |
of Ethel Barrymore's voice and the fire of Katharine Hepburn'’s. She is cast as Millionaire Robert .Young’s secretary. When her vacation time arrives, Robert realizes that not only is she indispensable An his office but also in his life. He is ready for a dash to the altar but Ruth insists he meet her family.
Brother ‘Baits’ Wealthy
. Like many another lovely secretary, she lives with a larger-than-average family in a walk-up apart- ~ ment. Jobs have not been plentiful, the laundry is hung on the roof and the neighbors’ radios blare across the courtyard. : Pa (Guy Kibbee) has slaved since 1887 in the same hardware store. He was one of two persons to reach work the morning of New York’s great 1888 blizzard. Brother Frank (Don Castle) is employed with his dad. Helen (Lana Turner). types in a regimented office and the working periods of Henry (Lew Ayres) rarely last long. Henry is the garrulous prophet of the Great Middle Class. He has the voice of a college debating team and the diplomacy of a football squad. He not only vigorously expresses his opinions but usually is carried away to the point of attempted mayhem. His verbal assaults upon the rich are his forte and when Robert is presented to the Thayer clan, Henry: finds fertile ground for attack. Because of the,difference in their social strata, Ruth is certain their marriage would fail.: To Bob those difference don’t exist. He loves Ruth and her family—including Henry. :
Moves in on Family
. When Ruth doesn’t come to work the following day he has a talk with Ma (Sarah Padden), the stabilizer of the Thayers. Her father and grandfather were whaling captains and, like Bob, she loves the sea. Later, on his yacht, she is the only one who really thrills to their sailing. From their talk they evolve a plan. If Ruth won’t come to him then he will go to Ruth. He moves in, using the parlor couch as a bed. This is the test of his ability to acclimate himself to their mode of living. The sofa seems built of nothing but springs, the neighboring radios boom until he closes the windows, then the heat chokes him and finally the Jersey mosquitoes swarm for an attack.
In the morning Henry. finds him gone, but he has left behind a note inviting them to spend the day on his sloop. The waves spoil that excursion for all except Ruth, Bob and Ma.
Plans To Surrender Fortune
‘The Thayer pride continues to block his generosity. Henry is about to sail for South America on his first real job until he learns that Bob arranged it. He wants to put the whole family into one of the apartments overlooking the river he owns and can’t rent, but Pa never ‘had been under obligation to anyone. After one of Henry's tirades about occupational accidénts, he decides to build a clinic for the middleclass man, furnishing hospitalization at cost. Further, he plans to give away all his money. Then there will be little difference between the Thayers and himself, His sister (Rita Johnson) accuses the family of being responsible. Since some of the money he has belongs to her, she plans to get the court to declare him incompetent. Finest acting is done by Lew Ayres as Henry in a part requiring the skilful shading he gives it. Overacting or understatement could have made the class-conscious youth an unbalanced radical. For effective comedy of this t the pace never must lag and should accelerate to a final peak. Under Director Reinhold Schunzel’s able hand, the film does just this, moving as if timed to the second.
BEERY LOOKS TO FLIGHT TO N. Y.
Times Special HOLLYWOOD, Aug. 20.—When he completes “Stablemates,” Wallace Beery and his 6-year-old adopted daughter, Carol Ann, plan ‘a plane trip across the country. Mr. Beery expects delivery on his new Howard plane next week. They plan to stop at Fish River, Utah, for some trout fishing and then will continue across country to New York to do some sightseeing. This will be Carol Ann’s first trip to New York by air,
HE WINS AGAIN
" Robert Montgomery will star in “The Earl of Chicago,” story of a Chicago vice lord who inherits an earldom in London. The story, by Brook Williams, was bought on Mr. Montgomery’s recommendation. This is the second story Mr. Montgomery has persuaded the studio to buy for him, the first being “Night Must Fall.”
SWIM WESTLAKE
facts than anybody else alive.
Ken Murray’s partner, Oswald (right),
the “Oh Yeah” comedian
The stage revue
Film to Depic
os Vv
: t Salomon,
Financier of U. S. Revolt
5 By PAUL HARRISON ; HOLLYWOOD, Aug. 20 (NEA).—The Warner Brothers, who like to keep abreast of the news with their picture making, have reached: back more than a century and a half into
history for a story that is especially
timely today. . It is the story .of Haym Salomon, American patriot, Jew, refugee from Europe, and the financial savior of the United States during the Revo-
because this country again is offering sanctuary to persecuted people in search of liberty. © Actually there is no very close parallel. It was because they sought political and social freedom. but not because they were Jews, that Salomon’s parents fled from Portugal to Poland and he later came from Poland to America. There was no shadow of the swastika over Xurope in that more enlightened day. Inevitably, though, ‘the picture will assume additional - meaning through the facts of Salomon’s race and the oppression of his race ‘in other countries. It should be a good piece of history for Americans to ponder on; and Hitler, if he sees it, will hate it. Of course the film will not be exhibited publicly in Germany. Warner Bros. have not even tried to exhibit any of their products there for several years.
American History Rich
Hoopla patriotic propaganda, with George M. Cohan music and flag wavings in technicolor, will not be acceptable screen fare until we get into another war. But it does seem that this might be a good time for the graphic restatement of certain precepts which are becoming pretty
Any studio that’s willing 'to forget the foreign market, which is little better than a headache anyway, can find a lot of stirring and important stories in American history. It was a play, produced about 16 years ago, which set Writer-Director-Actor Crane Wiibur to thinking and reading about Haym Salomon. He has been conducting research intermittently ever since, and probably knows more of the He is so full of the subject that he almost tells it in screen-play form, although he only now is beginning to write the script. “There are two lucky things about the story,” Mr. Wilbur said. “One is that Salomon was only 32 when he arrived in New York, That gives us a chance to use a fairly young man, probably Claude Rains. Another thing is that Salomon wasn’t at all a mere money man. If he was a fanatic, it was for freedom. In Poland he was an intimate of Pulaski and Kosciusko and helped plan the Polish revolution against Russia. He was driven out, and chose to come -to America.
Became Ship Broker
“In New York he became a ship broker and built a considerable fortune. As the war came he began to work as a spy for Washington, was arrested twice and sentenced to be shot. But he was spared and fprced to work as an interpreter between the British and Hessians. He kept right on sending out valuable information, and again he was caught and condemned. “In the old Sugar House Prison, Salomon recited a Psalm for the comfort of another man who was waiting to be executed. It was Nathan Hale. I told you there was a lot of drama In this thing! Salomon later escaped, went to Philadelphia and built up another fortune. “The time: came when wholesale mutiny threatened the American Army. Soldiers were deserting because their families were starving. Washington sent a courier to ask Salomon for $400,000, and the courier found him at the synagog on the eve of Yom Kipper. .Salomon got $160,000 from the congregation. He said something like this: ‘We are not fighting’ for ourselves, but that our children may know true liberty and may have the good sense to preserve it. ; . “Next day he made up the balance of the money and sent it to Washington in gold. Neither he nor his heirs ever got back a dime of it. When he died, at 45, leaving $450 to his wife and children, the Phila-
Thursday there died Haym Salomon, broker.’ ”
PUDDING PROOF
ert Taylor, offered the family’s prize recipe for Yorkshire pudding in exchange for an autographed picture.
YOUR FAVORITE SPORT
FIELD HOUSE
CLIP THIS AD ———=— his ad will admit your em —DATty_at_25c per person. Void After ‘Aug. 28rd
lution. It has current significance |
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A Yorkshire, England, fan of Rob-
Historic Sets ‘May Be Saved
HCLLYWOOD, Aug. 20 (U. P.).— Producer Samuel Goldwyn today heeded the protests of D. W. Griffith, pioneer movie-maker, and’ offered his co-operation in. a movement to save historic film sets. From his home in La Grande, Ky., Mr, Griffith wired John Abbott, curator of the Museum of Modern Art Film Library in New York, protesting a move destroying the early-day sets to make room for a set needed in “The Last Frontier” at United Artists studio. : The sets which United Artists had intended to destroy date back ' to Mary Pickford’s “Tess of the Storm Country,” Douglas Fairbanks’ “The. Mark of Zorro,” “Robin Hood,” and “The Thief of Bagdad.” “I have heard that Mr. Goldwyn is tearing down all the old Griffith, Pickford and Fairbanks sets,” Mr. Griffith wired Mr. Abbott. “I beseech your museum to step forward and demand that Mr. Goldwyn turn the sets over to you as part of a permanent collection.” Mr. Goldwyn offered to aid ; the museum in saving the sets if some plan could be evolved to move them. The gets will not be torn down until . Mr. Goldwyn receives a reply from the museum.
CLAIM CROQUET ENDURANCE TITLE Times Special HOLLYWOOD, Aug. 20—J. Smith Ferebee of Chicago may be the champion golfer, having played 144 holes in 15 hours 4 minutes, but Buddy Ebsen and his father claim the title for croquet. ; They started a game at 8 a. m. and didn’t finish until 7:30 p. m.
Buddy was defeated by his father, C. R. Ebsen, in the last round.
TAUROG TO DIRECT
Norman Taurog, director of “Tom Sawyer,” “Mad About Music” and currently directing “Boys Town,” has been selected to direct “The Wizard of Oz.” The L. Frank Baum story will be in technicolor with Judy Garland as Alice, Ray Bolger as the Tin Woodman, Buddy Ebsen as the Scarecrow and Charley Grapewin as Uncle Henry. Other roles have not yet been cast.
WHAT, WHEN, WHERE
APOLLO
‘Letter of Introduction,” with Adolphe Menjou, Andrea Leeds, Edgar Bergen, Charlie jcCarthy and zorge Murphy, at 12:34, 3:41, 6:48 and 9:55
“The Devil’s Party,” with Victor McLaglen, William Gargan, Paul Kelly. Beatrice Roberts and Frank Jenks, at 11:29, 2:36, 5:43 and 8:50.
CIRCLE
“Alexander’s Ragtime Band,” with Tyrone Power, Alice Faye, Ion Ameche. Ethel Merman, Jack :laley Jean Hersholt and Helen Westley, at 11, 1:10, 3:25. 5:35, 7:50 and 10:05. “The March of Time,” including ‘Man at the Wheel” and “Th Threat to Gibraltar,” at 12:55, 8:05, 5:20, 7:35, and 9:45.
LOEW'S
“Rich Man, Poor Girl,” with RobDE ri ni iy iy G ana Turner, | nia Grey an u Nii Des, at 11:10, Bis 4:35, 7:25 oy
“The Chaser,” with Dennis O'Keefe, Ann Morriss, Lewis Stone, Nat i‘endleton, Henry O’Neill and Jack Mulhall, at 12:30, 3:15, 6 and 8:40.
LYRIC
“Keep Smiling,” with Jane Withers, Gloria Stuart, Henry Wilcoxon, Helen Westley and Jed Prouty, at 11:36. 2:10, 5:05, 8 and 10:34. Vaudeville with Oswald, Ernie StanIda Lind, Flo Holt,
1 . ns and , L Brooks and the Titan
on, Ti t 1:07, 3:41, 6:36 and 9:31. 5 o
delphia Journal said only this: ‘On |1®f
LAST DAY—DON’'T RAY MILLAND RICHARD ARLEN
MISS hs ‘Ebb Tide’ Fibs ‘Call of the Yukon’
~ Alice Faye, singer with “Alexander’s Ragtime of the radio, is headlining the Lyric stage this week. Shown with him | Band,” steps to the platform to sing “Now It Can . is Ernie Stanton, comedian and harmonica player.
Be Told,” the song Don Ameche (at the piano) has includes the Singing Ambassadors and the Titan Trio.
The film, at the Circle, is a YORK = . ;
Ferde Grofe, Once an Anonymous Arranger, Becomes
written for her.
[IN NEW
One of Nation's Outstanding Composers.
EW YORK, Aug. 20.—Some day the complete story of Ferde Grofe, or “From Anonymous Arranger to Famous Composer,” will be | written and the world will be the richer for a fine bit of Americana. Mr. Grofe was one of the first arrangers to become identified in the public mind with the band (Paul Whiteman’s) whose fame he did
The latest issue sociate feature. ; GEORGE ROSS.
s 4 =
these laborers in the musical vineyard are*known only to a few students of musical affairs. And now he is rated one of our best American composers with several semiclassics to his credit.
Mr. Grofe never seems to compose in the conventional style. For instance, he was .commissioned by the Kentucky Colonels to write a Kentucky Derby suite. . They took it for granted he would, journey to Churchill Downs to get the color picture of the classic fixed in his mind. ' But Mr. Grofe doesn’t like horses or horse racing so he arranged with Clem McCarthy to get a written description of the race. From the description he wrote the suite which won critical acclaim when if was performed on. the air not long ago.
Then there was Mr. Grofe’s newspaper tone depiction, “Tabloid.” He had asked a tabloid’s city editor for a script: from which to write the opus but the city editor found himself too busy to write one. Mr. Grofe lamented this fact to an insurance agent who showed him a case history of one of his clients whose beneficiaries had filed a death claim; the lad was slain as a holdup man. It was a graphic picture taken from police files for the insurance company—the holdup, the crackle .ef
the screams of pedestrians.
Mr. Grofe got it all down on paper except the scream of the sirens. For the life of him he couldn’t remember the sound. So ‘he picked up the telephone, called the local police department, near his New Jersey home and explained his predicament. The police sergeant backed a patrol car up to the window, handed out the telephone and had one of his men play the siren into the mouthpiece. On the other end, was Grofe smiling beatifically as he set down the appropriate notes.
Se ® # DD to the successful husband and wife literary teams: Frank and Anne S. Hummert, who are responsible for 20 radio programs, some of which have been on the air for more than seven years. A recent estimate placed the number of listeners to their weekly output at approximately half a billion. The Hummerts work on a sprawling estate near Greenwich, Conn. where they dictate script serials and ideas to a battery of stenographers and junior writers. They scan every line of dialog turned out by their subordinates. Mr. Hummert is a former Texas ranger whose pro= lific story telling and manner of operation are somewhat similar to those of Alexander Dumas, the first to run a story factory of writers. His wife was once his secretary. : s 8 2 NCIDENTAL Intelligence: The way to say “Here’s How” in Chinese is “Nee Hong Din!” - Bandmaster Ozzie Nelson and his wife, Harriet Hilliard, think their child is so bright that they recently dubbed him “The Wizard of Oz.” There is a Floy Building in mid-
SWIM—DANCE
WESTLAKE
Chuck Haug Orchestra
MARY BETH—Soloist EVERY NIGHT EXCEPT MONDAY
[APOLLO 22 Final Weex)| MeCARTHY |
ob EDGAR
om », ’
| rgb fon-
VICTOR McLAGLEN - 251{DEVIL'S ARTY “J:
STELLA + MILLS
‘STARTING SATURDAY AT THE MIDNIGHT SHOW
A GREAT COMEDY SHOW
VIRGE (PORKY) DOWNARD—ATT CANDLER—CHAS. (MONKEY) GRIMES—WARREN CANDLER—JIMMY WEST—EDDIE. STONE AND THAT INCOMPARABLE,
m GIRLS
MAT, 2:15—-TWO SHOWS at NIGHT, 7 snd 9—CONTINUOUS ON SUNDAY
BEAUTIFUL . GIRL
oF GAY PAREE
so much to enhance, for. usually ®
‘be at 8 p. m. tomorrow in the
) Poet and Peasant Overture pistol fire, the sirens of the police, |.
‘Miliza - Korjus, European singing
GOLDEN
Harlem, home of Flat Foot Floogie with the Floy-floy. And we've just run across a publication: for children in Manhattan that calls itself Whatsit . . . also a Dr. Gentle Julius Stern who practices dentistry over on the East Side. The cab drivers in front of a 52d St. swing den play the new fivesuit bridge in the taxi last in line while waiting to pick up a fare, On the Astor Theater three
names are billed in blazing electric | #82
lights: Norma Shearer, Tyrone Power and Marie Antoinette. We heard a passerby ask if the Antoinette girl was now in Hollywood.
OUTDOOR CONCERT "TO BE TOMORROW
The ninth of 10 concerts by the Indianapolis Concert Band, conducted by William Schumacher, will
outdoor theater in Garfield Park. The program follows:
“Washington Post March’ Selection — ‘Student Prince’”..... “Star Dust” “My Regards” Carolyn Schmidt, cornetist. Unfinished Symphony (lst movement) ; Schubert
«...von Suppe Herbert Mercer
lewellyn
Intermission.
Al Fresco Intermezzo “I'm An Old
Scenes Napolitaines Selection — “Rio Rita’
Massenet Tierney
EUROPEAN SINGER GETS HARD SONG
Times Special HOLLYWOOD, Aug. 20.—One of the most complicated coloratura musical passages ever written for a woman’s voice is being recorded by
star, for “The Great Waltz.” Spe-
cially designed to show the range]:
and flexibility of her voice, it was composed by Dmitri Tionkin, and introduced into a song number, “There’ll Come a Time,” based on the music of Johann Strauss.
chronicle of 28 of Irving Berlin's songs written since 1911. Tyrone Power is the conductor of the band.
of the March of Time is the as-
O— »
6 Fall Films Nearly Ready Clark Gable Will Portray
News Cameraman.
Times Special HOLLYWOOD, Aug. 20.—With the end of summer approaching; Metro-Goldwyn-Mayer today is preparing six pictures to open the new season. “Too Hot to Handle” casts Clark Gable and Myrna Loy in a story of newsreelmen. “Boys’ Town,” which costars Spencer Tracy and Mickey Rooney, presents a story of Monsignor Edward J. Flanagan and the selfgoverned school for homeless boys which he founded and now conducts. Tracy will play Msgr. Flan-
n. Another film for Dennis O’Keefe, who has appeared in “Bad Man of Brimstone” and “Hold That - Kiss,” is “Vacation From Love,” in whicn he appears with Florence Rice. Strauss Life Filmed “The Great Waltz” will be the life story of Johann Strauss with Luise Rainer, Fernand Gravet and Miliza Korjus, European opera star. Julien Duvivier directs with a cast including Henry Hull, Minna Gombell, Hugh Herbert, George Houston, Lionel Atwill and Herman Bing. Another fall film is “Three Loves Has Nancy,” teaming Robert Mont-
Sousa | gomery and Janet Gaynor with
Franchot Tone, Reginald Owen, Guy Kibbee and Claire Dodd. “Sweethearts,” current Jeanette MacDonald-Nelson ° Eddy musical,
will be released shortly in Teclini-|"
color, the film’s cast includes Frank Morgan, Ray Bolger, Florence Rice, Mischa Auer and Herman Bing.
MARCH OF TIME
At Your Neigh
jealous of her cinema connections,
| Jane Withers Imitates Hollywood Neighbors Again; 'Oh Yeah' Oswald Yields Top Spot on Stage to Acrobatic Trio.
With Jane Withers in’ “Keep Smiling” and a stage bill headed by Ken Murray's partner, Oswald, the Lyric is presenting three hours of | | comedy. this week. : 3 Jane is the niece of a famous Hollywood director (Henry Wilcoxon) who keeps her in an exclusive boarding school. When the story opens, she is directing the school’s “Julius Caesar.”
Most of the other girls, taunt her because her uncle never
has asked her to visit him. Her histrionics get ahead of her when she lies that he has asked her for the coming vacation. Even she is surprised by this idea, but decides to go. She wires the head of the
‘| school - (how this is done isn’t ex-
plained) and then sells her clothes to the girls for her train fare. She, of course, will be getting new clothes in Hollywood, she tells them. Additional funds are obtained by selling parts in “Julius Caesar” and getting girls out of roles they don’t want. She arrives at her uncle's mansion in the midst of a public sale of the furnishings. From Gloria Stuart, Wilcoxons’ secretary, who is in love with him, she learns he has taken to drink and is now without a job and penniless. gs ‘When Gloria takes her home, she talks the landlady, Mrs. Willoughby
board and room. With the help of three jugglers, she finds her uncle and brings him hame to occupy a vacant single room. The next morning, sober, he demands to know who the brat is who lectured him for ruining his eareer. aT Comedy Outlines Tragedy Meanwhile Gloria’s hometown sweetheart (Robert Allen), an opinionated young Babbitt, comes for her. This, plus the knowledge that the brat is his niece, sobers him enough to want to make a comeback. : : While he looks for a job, so does Jane at his former studio. f Pedro de Cordoba and a crew who remembers Wilcoxon fondly manage to get him reinstated. Although the film is touched by a tragedy and has moments of drama, it is primarily a comedy. Jane is very much the same, as far
other films. Still her ace is her ability to imitate other stars. Among those she impersonates are Joan Davis, Harry Ritz, Deanna Durbin and Eleanor Powell, “Keep Smiling” is one of those pleasantly innccuous movies with family appeal which neither causes a boxoffice rush nor keeps people away. The audience was well sprinkled with children who seemed to get much enjoyment from Jane’s antics—judging from the applause. Jane's effervescent nature keeps the picture moving and the heterogeneous group living at Mrs. Willoughby’s is a “You Can’t Take It With You” cast in miniature. Although Oswald, the “Oh Yeah” comedian of the radio, receives top-
> hy 4
(Helen Westley) into a job for Her.
as acting ability goes, as in her|
billing on the Lyric stage, three young men from Colorado are the hit of the revue. Acrobats listed as the ‘Titan Trio, are far above the usual vaudeville strong men who lift each other and pull for applause. With three of the most perfect physiques this reporter ever has seen, they perform a type of acrobatics known as “slow motion” work. SEs This form of gymnastics not only is. more graceful than the ordinary acrobatics, but is quite as difficult ‘as it appears. The presentation of the trio is as clean-cut as they are. Jans and Lyton, the dancing couple, continue entertaining as in the previous times we have seen them. Still: their best number is the doll dance. ! New to Midwestern audiences are the Singing Ambassadors, a male octet ‘singing virile, robust songs of operettas and the football field. Their voices blend harmoniously
jand their soloists, especially the
tenor and bass, sing with much expression and warmth. : Completing the bill are Doug Leavitt and Ruth Lockwood, screen
many a short comedy and they are as funny off the screen as on. High spot of their act is the skit of two deaf oldsters at a ball game.
Saturday Coverea ay & - Sunday Convertible
HARBOR
Sat., 600 le bef 9:30; 80¢ couvle 9:30 to 12:00: 500 ot ple after 12 Sun., 85¢ cou :
a Ons block South Municipal Airport
HEALTHFULLY COOL!
Em plug “THE CHASER" ~~ DENNIS O'KEEFE
Balcony 30c After 6
hs ERNIE STANTON
nmrn
JANS & LYNTON OTHERS »
Sg1113d
OZONIZED
AIR
orhood Theater
EAST SIDE
Tacoma 2442 E. Wash. St.
Double Feature Joan Blondell “THERE'S ALWAYS A WOMAN” _ Parkyakarkus “NIGHT SPOT” Sun. Double Featuré—Shirley Temple “Little Miss Thoroughbred” Ginger Rogers “VIVACIOUS LADY” T d Oo ie No tre uxe Johnny Mack Brown “BILLY THE KID” Laurel & Hardy “SWISS MISS’ Sun. Double Featurg—Alice Brady
“GOODBYE, BROADWAY” Warner Baxter, “KIDNAPPED”
5507 E. Wash. St. |
Ritz Bros. All-Star Cast
“KENTUCKY MOONSHINE” Selected Shorts Sun. Double Feature—Fred MacMurray “COCOANUT GROVE” Luise Rainer “TOY WIFE” Hamil tonsies ms a m I on Me hrmer Baxter “KIDNAPPED” Jane Withers “RASCALS” Sun. Double Feature—George Raft “YOU AND ME” Luise Rainer “TOY WIFE” 6116 E. Wash.
Air-Conditioned Mickey Rooney
“HOLD THAT KISS” “DIVORCE OF LADY X” _ Sun. Double Feature—Lewis Stone “JUDGE HARDY'S CHILDREN” “MAD ABOUT MUSIC”
S Fran d 1332 E. Wash. St.
1 Sun., on. pte Bie Hits Ginger Rogers Ir, “HAVING
IRVING *gc%
‘Doug. Fairbanks A WONDERFUL TIME” Virginia Bruce—Herbert Marshall “WOMAN AGAINST WOMAN”
Emerson oS
EAST SIDE
Park ha Fens ar er in Stone “JUDGE HARDY’S CHILDREN” “SWING YOUR LADY” Sun. Double Feature—Irene Dunne
“THE AWFUL TRUTH” “SON OF THE SHEIK”
RIVOLI Sic Cont. Mat. 15¢ Till 6 Louis Hayward, ‘Saint in New York’ Dick Purcell “AIR DEVILS” EXTRA! Last Show Tonight Only! Box Office Open Till 11 p. m.
Tyrone Power—Loretta Young Don Ameche—Slim Summerville
“LOVE IS NEWS” Sun., Mon., Tues.,, Wed. Ginger Rogers—Doug. Fairbanks Jr. “HAVING A WONDERFUL TIME” ‘Claude Rains “WHITE BANNERS”
630 E. 10th 8 Deanna Durbin “Mad About Music” “LONE WOLF IN PARIS” stor Sun., Mon., Tues, Wed.—Warner Freddie Bartholomew “Kidnaped” Luise Rainer “TOY WIFE”
WEST SIDE
Belmont W. Wash, & Belmont
Double Feature Jack Holt “MAKING THE HEADLINES” Dick Purcell “AIR DEVILS” Sun. Double Feature—Herbert Marshall “WOMAN AGAINST WOMAN” Jackie Cooper “WHITE BANNERS”
d Dy Speedway uses : “DAREDEVIL DRIVERS” “LAW OF THE UNDERWORLD” ' Sun. Double Feature—Fred MacMurray “COCOANUT GROVE” Geo. Raft “YOU AND ME”
tinee Sat. & Sun.—15¢ =i 1: 1 TRA i onight ERA the Open Until 10:30" =
# ERE Paramoun toys ses: “PUBLIC COWBOY No. 1” Chas. Quigley “THE SHADOW” Sun. Double Feature—Charlie McCarthy
“GOLDWYN FOLLIES” Geo. O’Brien“GUN LAW”
Bl1JOU 114 E. Washington
Double Feature Tony Martin “SALLY, IRENE AND MARY” “THE SINGING OUTLAW” Sun. Double Feature—Robert Wilcox “CARNIVAL QUEEN”
ST ATE 2702 W. 10th St.
Double Feature Bob Livingston “COME ON, COWBOY” Bing Crosby “DR. RHYTHM” Sun. Double Feature—Robert Taylor “THREE COMRADES” “SEA RACKETEERS” =
) SOUTH SIDE
New Garfield
~ 2208 Shelby St. Ginger Rogers “VIVACIOUS LADY” : Geo. O’Brien, “WINDJAMMER” Sun. Double Feature—Robert: Taylor “THREE COMRADES”
Avalon
\
SOUTH SIDE San ders At Fountain Square
Double Feature Wayne Morris “LOVE, HONOR AND BEHAVE” “PRISON NURSE” Sun. Double Feature—Clark Gable Myrna Loy “TEST PILOT” Parkyakarkus “NIGHT SPOT”
G R oV L Beech Grove
Double Feature Chas. Starrett “CATTLE RAIDERS” Mary Carlile “TIP OFF GIRLS” Sun. Double Feature—Warner Baxter “KIDNAPED” Jane Withers “RASCALS”
Pros. & Churchman Double Feature Noah Beery
“FORBIDDEN VALLEY” “BARONESS AND THE BUTLER” Sun. Double Feature—Gladys Swarthout “ROMANCE IN THE DARK” R. Montgomery “YELLOW JACK” Oriental se ros rien a : Wayne Morris “LOVE, HONOR AND BEHAVE” “FORBIDDEN VALLEY” Sun. Double Feature—Robert Montgomery
“YELLOW JACK” G. Raymond “STOLEN HEAVEN”
Li ncol Pa East at Lincoln
Double Feature : Lloyd Nolan “DANGEROUS TO KNOW” “LAW FOR TOMBSTONE” Sun. Double Feature—Jones Family “LOVE ON A BUDGET” Clark Gable “TEST PILOT”
Fountain Square Rudy Vallee Rosemary Lane “GOLD DIGGERS IN PARIS” ; “GUN LAW” Sun. Double Feature—Ginger Rogers
| “HAVING A WONDERFUL TIME” | Claude Rains, “WHITE BANNERS”
~ NORTH SIDE Holl 00 : Double Feature yw Victor McLaglen “BATTLE OF BROADWAY” R. Montgomery “YELLOW JACK” “Sun. Double Feature—Wallace Beery
Warner Baxter “SLAVE SHIP” Laurel & Hardy “SWISS MISS”
Zaring Central at Fall Crk.
Double Feature Ritz Bros. “KENTUCKY MOONSHINE” “ACTION FOR SCANDAL” All Next Week—-Ginger Rogers’
[REX
“HAVING A WONDERFUL TIME” “THE IN NEW YORK”
NORTH SIDE
C nema 16th & Delaware
Double Feature Laurel & Hardy “SWISS MISS” Jane Withers “RASCALS” Sun. Double Feature—Fred MacMurray “COCOANUT GROVE” “WOMEN ARE LIKE THAT”
S ¥ Cle o St. OL & FL, Wayne : air Doors Open 5: nn “THE TOY WIFE” “LAW OF THE UNDERWORLD” Sun. Double Feature—Rudy Vallee “GOLD DIGGERS IN PARIS” “THREE BLIND MICE”
U p town v 42nd & College
' Double Feature W. C. Fields “DAVID COPPERFIELD” “OVERLAND EXPRESS” Sun. Double Feature—Virginia Bruce “WOMAN AGAINST WOMAN” “CRIME OF DR. HALLET”
Talbott & 22nd Talbott Zoli “WHEN WERE YOU BORN?” Richard Dix “BLIND ALIBI” Sun. Double Feature—Evelyn Venable “MY OLD KENTUCKY HOME” Luise Rainer “TOY WIFE” 30th at Northwestern
Double Feature Peter Lorre
“MR. MOTO’S GAMBLE” Paul Muni “BORDERTOWN” Sun. Double Feature—Robert Taylor “THREE COMRADES” Laurel & Hardy “SWISS MISS”
College at 63d VOGUE ‘some Bob Burns “WAIKIKI WEDDING” Also Vogue VARIETY HOUR Starts Tomorrow—Ritz Bros.
“KENTUCKY MOONSHINE” VOGUE VARIETY HOUR
DREAM 2351 Station St,
Double Fea Bonita Gran “BELOVED BRAT” “HEART OF ARIZONA” Sun. Double Feature—Robert Taylor “THREE COMRADES” “ONE WILD NIGHT”
RITZ ia “DAREDEVIL DRIVERS”
Sun. Double Feature—Claude Rains
comedians. You've' seen them in
I's Comedy Week at Lyric, So ‘Keep Smiling” Sets Appropriate Pace
oF
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