Indianapolis Times, Indianapolis, Marion County, 30 June 1938 — Page 8

THURSDAY, JUNE 30, 1938 Disney Aids Hear Profit To Be Split

Creator of "Snow White! | ie, wibiots sv May Share $800,000

“Making the Headlines,” with Jack With Employees.

THE INDIANAPOLIS TIMES Dean Heavy Opening ‘Tomorrow

Circle Problem for

“HAVING WONDERFUL TIME”—Ginger Rogers, Douglas Fairbanks Jr, Peggy Conklin, Lucille Ball, Lee Bowman. Directed by : Alfred Santell; adapted from Arthur Kober’s stage play by the author. Li tH J The combination of fresh air and young love finally provides Any Way Comedian Spins 320-Pounder in Film It Looks Phoney.

Holiday Bill Scheduled For Fourth:

WHAT, WHEN, WHERE

APOLLO

“You and Me.” with Sylvia Sidney aft Barton { 11:16, 1:24 3:32 5:40. 7:48 88, Louls-Schmeling fight pictures ab 11:01, 1:09. 3:17, 5:25, 7:33 and 9°41.

CIRCLE

“The Birth of a Baby.” with King. Richard Gordon. at 11:35, 3:05, 4:50 6 35. 8:20 and 10.

CITY TO SEE 'RAGE OF PARIS

wonderful time for New York stenographer at Xamp Kare-Free. But not until a quarrel with a penniless sweetheart and an innocently compromising situation have been patched up. “THE SAINT IN NEW YORK"”—Louis Hayward, Kay Sutton, Sig Rumann. Directed by Ben Holmes; from the novel by Leslie Charteris. No less than seven murders embellish this story of an interna- | tional adventurer who unstraps his shootin’ irons and cleans out a | nest of Gotham gangsters.

Ruth 1:20,

Loew's, Lyric, Circle Plan

Holt, at 12:35 3:20. 6:05 and 8:50. LYRIC

“Gold Diggers in Paris,” with Rudy Vallee ¢ s, Hugh Hers bert, at 11:05 2 4:45 T 9 and 10:25, Vaudeville, with Toby Win Charles Kempet, at 12:55, 3:40, 6 38 an

Varied Programs for

Week-End.

Loew's

“MAN'S CASTLE"”—Spencer Tracy, Loretta Young, Glenda Farrell, Walter Connolly. Directed by Frank Borzage. A depression-born romance of shantytown, “Man's Castle” is a reissue of a 1934 success. In it love conquers the wanderlust of a penniless roamer, and joins him to his wife and child. “WOMAN AGAINST WOMAN"—Herbert Marshall, Virginia Bruce, Mary Astor. Directed by Robert B. Sinclair; from a story by Margaret Culkin Banning. Divorced from a selfish wife, a successful lawyer brings home a new bride from Washington. With the town's “society” behind her, Wife No. 1 uses their daughter to make former husband's life miserable. Wife No. 2 retaliates. From then on it's woman against woman, with no holds barred. The conclusion is a happy one.

Lyrie

(on screen)—Claude Rains. Fay Bainter. Directed by Edmund Goulding; from

HOLLYWOOD, June 30 (U. P.).— The men and women who helped Walt Disney on his great gamble | [that succeeded, “Snow White and! the Seven Dwarfs,” were jubilant | today over reports that he will give them 20 per cent of the profits. It was estimated that the fairy tale film, the first feature length

cartoon movie, will gross $9,500,000 within the next year or two, of is Famous 14 which $5,400,000 would be profit. The 800 Disney employees would receive coTToN’ PICKERS $800,000 to $1,000,000, or the equival- | BILL GOODEN and MISS NINA CHERRY ent of 12 or 15 weeks’ salary. TP VISSTON, S00 il 1 Nigitly ___ Mr. Disney had to borrow to pro- | TRY A WANT AD IN THE E TIMES

LAST DAY « ‘The BIRTH of a BABY’

By Besides

3 £11 tioned » ioneq reiu

duce “Snow White” but already it has brought in $2,300,000, or $600,000 more than it cost to make, and the profils are just beginning.

plosions have : tertainment Dav

or week-end Those planning to celebrate the For rth within the city limits will find Loew s providing a contrast of romance in Shantytown in society's upper Lyrics stage and 3 offers old-fashioned : le. 5 | So Brown set his mouth in one audeville with of Lloyd C 3 1 3 4 | long line of grim determination, ouglas’ cinematic homilies; ro- | and he jumped in there and sparred summer camp will vie i for a moment and got under Mr. h gangsters’ guns on the Circle | Dean and began hoisting. It was | The Apoilo’s pians are of an |a terrible thing to watch, because -the-record nature unill tomor- | 1 knew that at one time or another

~ SUNSET TERRACE

3 INDIANA AVE. JULY 2 TO JULY 9 pond” FLOYD In Person

bi terswee tratum { him on his noggin.”

reen

“WHITE BANNERS" Jackie Cooper, Bonita Granville, a story by Lloyd C. Douglas. The story of a mother's devotion to a son who does not know of her existence. Armed with a turn-the-other-cheek philosephy, she moves in on a schoolteacher-inventor's household. She readjusts the family finances, helps the teacher and her son to perfect an invention and, having put things in apple-pie order, departs.

one

mance inn a

3 3 Li L | in his career almost every bone in |

Arthur Kober's comedy success of vear’s Broadway season, “"HavWonderful Time,” will Circle's chief attraction. Rogers and Douglas Fairbanks hare starring honors Ginger Proves Herself is will be the second time that Rogers has appeared in a 1936oadway In “Stage

145 be Ginger Jr.

st ing

Mis Bi success } fman-Edna Ferber play in name nly—Miss Rogers proved herself ne of the screen's more adept ~omedienne She clinched that in * Viva cious Lady.” Now, aply, her udio has decided e possesses too mi ich talent > a film cluttered up d dancing

yroof

w hich Loew's will the seecond revival to Made has cash in on 7 Academy-

summel

his

apparentls ipparetl

\ a) its 193

Bill Billy House > has caught Billy House back from a St. Louis Opera engagement to holiday variety attraction. The rotund comedian recently concluded a week at St. Louis in White Horse Inn,” in the role which he created for the New York

on his wav Municipal

headline its

storv bt

Indiana

Vhite Banners,” from a ndiana author tting, will accompany the stage It's latest of Mr. Dougstories to reach the screen. And t's the one that had its world premiere in Columbia City a fortnight at which time the citizenry turned out to fete Columbia City’s most famous son since Thomas R Marshall.

with 2n iui] all

the

ago,

Inferior’

Welles Asserts

Films Excel

Orson

Stage.

EW YORK, June Orson Welles from Kenosha ritics have -called » force in theater:

sort of

M0 (U the Wis , the the mod believes way gone to pot

Pp \ young man whom most dyern Amer=in a rogretful that the has Mi lles, founder of the Mercury Theater group asked to address a section of National Education Associatic n on the drama. The 23-vear-old who played Brutus in a bluesuit spoke wearily as though from a deep depression The he began, “is

attent: 1" attention

was the

erge

theater,” not nw 1 he a Dlace

orth vou: theatel

he continued. “is come in out of the The theatet a place clo hes ’ Mr Welles

derstand

he went on

is to wear your dress-up said he couldn't un

wn hy SO mans people theate: came to the Mei much greater numbers have anv business to, I'hen he delivered unkindest cut In entertainment said, “the theater is ferior to the movies.”

went to the They in

they

ury than he said his “most

he in-

value,” vastly

SWIM—DANCE

WESTLAKE

Chuck Haug Orchestra

M Sk x BET H—Soloist

the |

which was wed to the George | i+

rough her first Hollywocd movie,

San

“The Rage of Paris,” Danielle

Darrieux’ employers hope to make her the rage of America—including

Indianapolis, where the film will show the week of July to a Universal

Miss Darrieux was signed erable American success Charles Boyer

in the

15 at the Circle. contract after her consider-

French movie, “Maverling,” with

Mary Traub Busch Pupils To Appear in 3 Recitals

Mary Traub Busch is to present three recitals by her voice pupils in |

the Anthenaeum’s small auditorium at 8:15 p. m. tomorrow and Saturday

and 3 p. m. Sunday Louise Hardesty, soprano, will Virginia Bassett, piano student Bomar Cramer. Miss Hardesty's program will include the following operatic excerpts: The Polonaise from Thomas Mignon”; the “Jewel Song” from Gounod 's Faust,” and “Porgi amor” and "Voi che sapete” from “The Marriage of Figaro,” by Mozart. In addition, there will be traditional French and Irish songs, and | compositions of Mozart, Handel, | i Brown, Boyle, Arditi, Toselli, Dvorak, Rogers and La Forge. Miss Bassett will play prelude and fugue, the Paradies Toccata, a prelude by Debussy, and two of Mompou'’s “Scenes d’Enfaht.”

Ruth Swain to Sing

On Saturday night Ruth Swain. | sing a program of | The first half of |

soprano, is to German Lieder. the program will include by Mendelssohn; “Im Kahne,” Grieg: “Wiegenlied,” Brahms; Haidenroeslein,” Schubert; “Br ist gekommen,” Franz; ‘Fruehlingszeit,” Becker; ‘Ich liebe dich.’ Grieg Following intermission, Swain is to sihg “Gute Dvorak; “Traeume” Wagher; bist die Ruh,” Schubert: Herbst,” Franz, Prayer from Wagner's er. Miss

“Gruss,”

the Nacht,” “Du “Im “TannhaeusHardesty and Miss also are to appear in the Sunday student recital. Other soloists will be Rosalind Phillips, Mary O. Hardesty and Virginia Meub. Mrs. Buse

to be the accompanist for ail three performances.

AD LIBBERS

When the Dionne quintuplets completely dismantled a microphone during a scene in of a Kind,” most of those watching thought the scene had been But Director Herbert I. Leeds liked it and it will appear on the screen

Swain

ruined

of ¢

Miss |

and Elisabeth's |

broadcasting ; “Five |

first

give the program, assisted by

FIGHT FAN

When Mickey Rooney could steal a moment from work in “Boys’ Town,” he was seen watching Max | Baer plant punches for Pate Smith in “Fisticuffs.”

| Brown's body had been broken. They | held together, though, and the lit-

comedian. ent that he couldn't stop spinning him; couldn't do anything but col-

huge Dean. cording to the script.

heavy, rector.

“I guess we'll try wires.” went through pulleys on the rafters

tackle at the edge of the sound | stage. Four husky stagéhands were |

[ling still looked funny,

assigned to the hoisting. The wrest- | but also phony. Sometimes the wires showed, Sometimes the stagehands antici- | pated Brown and jerked the gar-|

| gantuan gruntsman five feet into

The result was funny, but not ac- | “Kind of isn't he, Joe?” asked the di- |

So they put a sort of steel corset | on the Man Mountain, and to the back of it hooked two wires which |

overhead and thence to a block-and- | |

| New York. Broadway,

VAUDEVILLE (on stage) —Billy House, stage and screen comedian;

Diamond Brothers, Mildred Mulcay, harmonica team;

The | | motor mogul suggested that he play | “Humoresque,” and the violinist re- | fused. Said it was a composition suitable only for amateurs. “I'll give you $3000 more if you'll | play ‘Humoresque,’ said Ford. And Heifetz played “Humoresque.”

2 ” ”

Once upon a time (and it wasn't | many days ago, at that) there was | (a very cute, popular, ingratiating little blond who was homesick. She was homesick—oh, so awfully!—Ifor She just had to see and maybe buy an evening gown or two, and say hello to the old gang. And besides, her dear old grandmother or somebody was

! the air before the comic even got | so ill that she scarcely could totter

hold of him. Sometimes when | Brown tried to spill Dean on the

i let go. Then Dean would just sprawl |

there in space, a ridiculous victim | |

of movie levitation. I don’t know what they ever did | {about it. When I left, there was

| some talk of using the original shot,

done without wires. » ” »

Jascha Heifetz is burning while

Sam Goldwyn fiddles with the story |

| for the great musician's first piectur® The producer had wanted | him to be a refugee from Austria | who comes to this country and be- | comes famous. Heifetz wants | fictitious role, though; he insists | upon being himself in the same way that Stokowski was Stokowski in' the Durbin film | Their differences probably will be

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all, and six of these gruff creatures | plane tickets and train reserva- | tions (round trips, too) and gave | her trifling checks so she could »uy the old lady a nice shawl or a bot- | tle of champagne. When each of her friends went to | the airport or the railroad station from which he expected her to | leave, the cute little blond didn’t | show up. | It seemed that she sold all the tickets, cashed the checks, married an impoverished saxophone player, and now was driving back to Broadway with him in a new, snappy little roadster.

ST DAY—DON'T ¥ Lira

TOMORROW! THE BIG SHOW! 2 GRAND ROMANTIC HITS!

| Two great stars in one of the screen's greatest love stories!

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LAST DAY

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Ginger and Doug... too poof to marry,

but madly in love.

“Yes sir. No sir. Ratta-tat-tat/’’ Fitty weeks at the Underwood, while she dreams of two weeks in the moonlight. TWO WEEKS WITH PAY! OR boy, what a girl con de when she's got ideas!

inger Ging

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