Indianapolis Times, Indianapolis, Marion County, 25 June 1938 — Page 6
PAGE 6
‘Parolees’ Featured in Lang's Latest Picture;
Movie Honors
Mariners
|
Apollo Fight Film Packs Freddie Bartholomew |
| | |
Action: Lasts for |5 Minutes.
Three gentlemen addicted to violent action are the main attractions on the current Apollo bill. They are Joe Louis, Max Schmeling and Fritz Lang The first two appear the season's best short subjects— and I do mean short. Mr. Lang doesn’t put in an actual appearance. He is the director of “You and Me,” the feature picture starring Sylvia Sidney and George Raft. The Lang predilection for violence has been observable in his two other American pictures, “Fury” and “you Only Live Once.” The first an arresting study of mob psychology as evidenced in the lynching fever. The second, slightlv inferior, dealt with the struggle of a young convict and his bride to escape to happiness. Me” we find a somewhat similar situation. This time system stands in the way of love.
Likes Grim Ironics
Mr. Lang is one of a few voices which maintain a steady cry
in one of
was
! ness esprit
to Sea on
Goes
Loew's Screen.
“Lord Jefl,” showing at
Loew's, |
moves with distinction and a cer- |
tain grandeur against a background of that England we of today are prone to forget. Implicit in every line is the best that is British and you will leave the theater with a heightened consciousde corps and loyally | have not been lost in this muddied | world. The picture is in essence a direct tribute to those unsung heroes, the British Mercantile Marine and Dr. Thomas John Bernardo who made the Russell Cotes School for Or-| phaned boys possible. Boys from | this school are trained for the] merchant marine. And thereby |
| hangs the story of “Lord Jeff.”
In “You and |
the parole |
| back to unreality.
of protest in a wilderness of frothy
entertainment and stock Hollywood situations. the grim and ironic. in punching hard. Yet we find in the present picture some Signs of capitulation. Perhaps less potent story material is partly at fault. The picture opens with a tenor recitative to music by Kurt Weil. “you must pay for everything you get” is the burden of the song, and there is some rather clever photography to go with it. We then find ourselves the Morris Department Store. The owner (Harry Carey) carries on an excellent “reclamation project” by ring some 30 paroled convicts as clerks Miss of
and marr
in
and Mr. Raft are They fall in love The groom's parole is finished, while the bride has three hs to go before she is free d marriage is sanctioned.
Svdney
two them
Discovers Her Parole
She keeps her secret. But Joe, husband, becomes suspicious He goes back to the “mob” and discovers that his wife is on parole The gang plans to do some violent biting of the hand that feeds them bv robbing the Morris store. The wife hears of it, however, and confronts the would-be robbers with Morris and. the store detectives. The men are released and told to to work in the morning. But bitter, and the bride away. Remorse overtakes her spouse too late. He sets his reformed companions on her trail, and they finally find her at a hospital, about to have a child. Parenthood reunites the couple. There are some highly entertaining and amusing spots. One is the sequence in which Miss Sidney, with chalk and blackboard, proves to the store *robbers that crime doesn’t pay—actually, in dollars and cents
1
the
eport
~ 1% n Joe 1s still
He has a love for |
He delights |
The whole scene, particularly the |
gangsters’ reactions, is You also should enjoy the moment when the prospective father is joined at the hospital waiting room by seven companions, vicariously sharing his anxiety.
Fresh Touch Seen
aps, however, Mr. Lang has There is a good bit of 1 There is no tive dramatic intensity i “Fun One a quasi-song at
fresh the also is an extended n the picture in which the evine system dea sort of was meant for heightened excite-
scene
1S
nosphere and ment soun club Summed often inte
ing more like a college glee
“You and Me" is but scarcelv up to ndard Mis: Sidney 0 has figured in each of the directors American films, does a good job. Mr. Raft contributes somewhat But Ty fact
un
erestin
o i i s the Lang sta
ah
less to the enjoyment the fieht pictures are swell! vou'll probablv get more for money the Apollo's modest $100 ringside ticket received. The fights two minutes and four seconds are shot from long range. through the ropes at various other angles. Then abbreviated round is run off slow motion. It all adds up to
J. T.
vOnuY nt il a
fre
the
holders
S
the
in
PRESENTS PUPILS IN DANCE REVUE
Miss Betty Simon will present her pupils in a summer dance revue at 8 oclock tonight at the Music Masters School of Music, 3616 E. Washington St. Piano students of Mildred Taggart Waneta Malke and Mrs. Charles Bromley also will appear, and Martha Hughes is to be mistress of ceremonies
' OFF FOR LONDON
Robert Morley, having completed work in “Marie Antoinette.” goes to
excellent. |
choral chant. | at- |
But somehow it succeeds in |
| der
i
| ing productions. | Kern
London where he will appear in a |
stage play.
He returns to America |
on Oct. 23 to portray Oscar Wilde |
e play of the same name.
IDAHO TROUTER
Clark Gables next outdoor expe- |
dition will be a trout fishing trek to Idaho's mountain lakes.
It can be said that “Lord Jeff” is |
|
THE INDIANAPOLIS TIMES
INCLUDED IN CINCINNATI'S SEASON OF OPERA
| masterfully directed, superbly cast | a and replete with such authoritative
background that the familiar outlines of Hollywood treatment diminish into nothingness. The inevitable “The End” flashed on the | screen comes as a distinct shock |
Freddie Is Starred
The plot concerns one Geoffrey |
Braemer, which Freddie Bartholo- | ii mew plays with skilful feeling for |=
characterization, his regeneration | and his destiny. Having come to England from | India with his parents, who es-| caped death in a train wreck, he is | picked up in London by Doris and | Jim, ‘as slick a pair of crooks as ever | stole a jewel. Sensing the boy's in- | nate gentlemanly qualities they pass him off as a nobleman (hence the! title). They use him as a tool and when finally caught let him take the consequences.
He Knew It All
Through the intervention of the law. he is sent to the Russell Cotes School instead of a reformatory. And a nastier, more priggish, know-it-all little bov never appeared on the screen. From then on you will become so engrossed in the personalities and fortunes of the pupils in the school and their human, kindly instructors that thievery Is relegated to second place. i Special mention should be given to Terry Kilburn, child actor, who makes his screen debut in this film. His charm. concocted of huge eves, a Scottish burr that you could cut with a knife, and the conspicuous lack of a front tooth, can only be described as heartbreaking You will find yourself wishing acutely that he might be sent to some Never-Never-Land where children cannot grow up and then you decide against it because you want to see him in more and more pictures
Mickey Is Good
Mickey Rooney turns in a splendid performance as O’Mulvaney,
Geoffrey's adversary and finally fast
friend, and Herbert Mundin as the crusty Mr. Jelks, an instructor, is his delightfully Dickensian self. You will laugh out loud and you will want to cry. “Lord Jeff” has
tion on you that a gust of cool wind
has in a musty, airless room. Metro-Goldwyn-Mayer deserves high praise for handling a delicate—and surely anything but obviously “box office”—subject with taste and understanding. Needless to say, after many vicissitudes, Geoffrey becomes a man and a “seaman” and we leave him startin his fi voyage to the ports of empire. LO M,
Plan Revival
Of ‘Roberta’
St. Louis Opera to Present
st
Jerome Kern's Hit.
For its season's fourth production. the St. Louis Municipal Opera wiil revive Jerome Kern's “Roberta” for a week beginning Monday. Ray Middleton and Nancy McCord will be starred in the production. Other principals are Fifi DOrsav, screen comedienne making her Municipal Opera debut; the comedian, Jack Durant, Ethel Morrison and Amy Revere, Mr. Middleton will be returning to the stage after 11 inactive months in Hollywood. A singing star of theater and radio, he was put uncontract, but contributed only one bit of off-stage singing to the cinema during his Hollywood soJourn,
"i ill
| state | when the most memorable “Peter Occupant of the place.
These stars will glitter in Cincinnati's musical! firmament when that
city's Summer Opera
season opens tomorrow night.
Above, left, is
James Melton; the radio and screen tenor, who will make his operatic
debut in “Madame Butterfly” on Tuesday night.
politan opera soprano (right), will be starred in tomorrow's opening
production, “Il Trovatore.”
Below,
| Rose Bampton, Metro-
left to right, are Aroldo Lindi of
WwW
IN NE
YORK —#
Aaude Adams Biding Her Time Meditatively Until Hollywood Moguls Ask Her Return. |
GEORGE ROSS
NEW YORK, June 25.—Aurora is a shy little town in upper New York | whose 389 inhabitants tilt their farms and are hardly aware that among
| them quietly live one of the most colorful women of our times.
Within the walls of a convent there, Maude Adams is biding her time | | meditatively until the movie moguls (to whom she recently capitulated) exactly the same chemical reac- | Peckon her back to Hollywood and her first motion picture.
That she chose a convent at Au-*¢ {rora as a temporary home was a]
secret, apparently, because Pan” of all time rode off from Hollywood, word went out that she was returning to Long Island. And it is safe to venture that this was done to throw aspiring newshawks and interviewers off the trail. Convents have been her home for over three decades. Miss Adams’ absorption in the Cenacle Sisters, a Belgian teaching order, is intense. And, though it isnt generally known that Long Island home of hers actually is the Cenacle Convent. She gave the sisters this estate with its many-windowed house of gray
stucco a long time ago and after-
The week-end’s attraction at St. |
Louis is “White Horse Inn.” the
New York Center Theater success |
of last season.
Billy House, Melis- |
sa Mason and Tommy Gavin of the | original cast are in the St. Louis |
production, along with Al Trahan. |
|
Gladys Baxter and Ronald Graham |
Despite
caused three postponements in two |
intermittent rain that!
|
weeks, the Forest Park outdoor thea- | ter drew 135,000 persons for its open- |
operetta, “Gentlemen Unafraid,” which had its world premiere, and a revival of the political satire, “Of Thee I Sing.”
SWIM WESTLAKE
SPACIOUS PICNIC GROUNDS Plenty of shade, tables, ovens.
LONGACRE PARK
4700 Madison Ave. On State Rd. 31. Fifteen Minute Drive From the Circle.
HEALTHY SWIMMING IN 1,000,000 GALLONS
DR-4523.
They were the new |
WHAT, WHEN, WHERE
APOLLO
“Yon and Me,” with George Raft Barton McLane at 1116 1:24 3:32 5:40 7:48 and 2:38 Lonis-Schmeling fight pi 11:01, 1:09, 3:17, 5:25, 7:33 and 94
CIRCLE
Svivia Sidner
LOEW'S with Freddi= sartholRooney. Charles Co1:43, 4:30. 7:13 and :0:03 he Headlines,” with Jack 35. 3:20, 6:05 and 8:30.
“Lord Jef.” omew, Mickev burn. at 11 “Making t Holt, at 12
LYRIC
“Geld Diggers in Paris,” with Rudy Vallee. Rosemarv Lane. Hugh Herbert, at 11:05 2 4:45 7:40 and 19.25 Vaudeville, with Toby Wing Charles Kemper, at 12:53, 3:40, 635 Saturday
and 9:20. Open Air or Covered Sundav Convertible
Sat., 60c couple before 9:30; 80c couple 9:30 to 12:00: 50c couple after 12. Sun., 35¢ couple before 9:13 50¢ couple after 9:13 One block South Municipal Airpert
> <
Dance
Enroll Now
BLACK'S
DANCE STUDIO Summer Term Begins $1.00
Monday, June 27th Special Private Lessons TAP—TOE—ACROBATIC BALLROOM—STAGE
48 N. Pennsylvania St, 2d Floor |
'‘BARTHOLOMEW Mickey ROONEY
“In Metro-Goldwyn- Mayer's
"LORD JEFF
j CHARLES GAL
Loew's Is Carefully Air-Conditioned for Your Health and Comfort!
ward was satisfied merely to be an
rarely intrude upon the grounds | of this institution, Once, incidentally, a friend of Miss Adams undertook to explain this love of a meditative life amidst the sisters. “She likes the convents,” this friend said, “because all the sisters have to be in at 9 o'clock every | night and no men are allowed on | the grounds.” And this would seem | to be borne out by the pen |
that no man has figured in Miss Adams’ life nor has public mention |
| been made of one.
CAST IN "DRUMMOND" |
H. B. Warner and Heather Angel | are new additions to the cast of | Paramount's “Bulldog Drummond” | series. Miss Angel will portray | “Phyllis,” and Warner, “Colonel | Neilson.” in “Bulldog Drummond in Africa.”
Inow SHOWING
CIRCLE irth of a a
Human life comes into the world, Truly, Beautifully, Reverently Revealed!
[2 FEATURES
JACK HOLT
“Making the Headlines”
BALCONY 30c After 8
XR
the San Carlo Opera, and the La Scala contralto, Maru Castagna, who will be seen and heard in “Il Trovatore,” and Rose Tentoni and Joseph Royer, both of the Metropolitan, who are to appear in “Madame Butterfly.” The latter opera is to be repeated Friday night, and “Il Trovatore”
will have another performance Thursday There will be opera every night except Monday
the first week's bill
Gounod's “Faust” completes
through Aug. 6 at the Zoological Gardens.
Morgan Joins
Music Faculty
Bass-Baritone to Teach at)
Burroughs School.
Tom Morgan, Indiana bass-bari-tone, has been added to the voice faculty of the Burroughs Schools of Music, Jane Johnson Burroughs, director, announced today. He is to begin his new duties July 1.
Mr. Morgan has had experience
Outsiders | in concert, light opera, vaudeville, |
radio and motion pictures. Among the musical and dramatic productions in which he has appeared are “What's in a Name,” “The Climax,” “Grand Street Follies,” “Broadway.” George Abbott's “John Brown” and “Sweet River.” A native of Liberty, Mr. Morgan studied under several noted teach- | ers, including Percy Rector Steph- | ens, Romano Romani and M. Mar- | tini.
|
| | | LAST DAY JIMMY DURANTE THREE STOOGES “START CHEERING” DER
Il JACK HOLT (uN
SUSPICION”
J SATURDAY, JUNE 25, 1038
‘Gold Diggers in Paris’ Runs True to Formula; Toby Wing on Lyric Stage
Rudy Vallee on Screen Is Exponent of Wooden
Indian School of Dramatic Art: Revue
Could Use Touch of Polish.
By JAMES THRASHER
Hollywood's Toby Wing is on the Lyric stage and radio's Rudy Valles is on the Lyric screen, which may cause a slightly confused feeling in audience minds this week. But once the patron becomes accustomed to this different setting, he'll find himself judging the entertainment ac= cording to the usual standards of weights and measures.
The vehicle which has coaxed Mr. Vallee away from his microphone is “Gold Diggers in Paris.” This I believe, is the eighth annual edition of the Warner Bros. classic. Fundamentally, it differs no more than one jot and a couple of tittles from its predecessors. Anyone who has seen a “Gold Digger” picture knows, in fact, that it will proceed as predictably as do the planets in their courses.
‘Spectacles’ Present
Busby Berkeley will direct the dances. There will be two or three “spectacles” beside the grand finale. About 80 acres of floor space will be used. Mr. Berkeley will have devoted hours to selecting the most beautiful and shapely chorines. Then the cameras will shoot the girls from above and below and on the bias until you wouldn't know your own mother if she were second from the left in the front row. Each “Gold Digger” picture will have so many romantic duets and So many comedy numbers. Interspersed will be a story. It will be about someone who goes broke while trying to put on a show. Usually the police get mixed up in it. Then the hero and heroine will quarrel. At the last moment the show will succeed and the lovers will patch things up. Then all the principals will join the chorines for a colossal windup.
And That's It
There, I've given the story away. Now that you know it's only neces-
sary to say that Mr. Vallee is the |
boy, Rose i y mary Lane the girl, and | name role for the 83d time,
comedy is in the hands of Hugh Herbert, Allen Jenkins, Melville Cooper and Ed Brophy. Mr. Herbert is sent by the French Government to invite the American Ballet to the Paris Exposition. He gets confused, and hires the girls at the Club Balle, which is run by Messrs. Vallee and Jenkins.
| | |
|
|
And that's how the gold diggers |
get to Paris. It isn’t hard to explain Mr. Vallee'’s three-year absence from
|
|
the screen. He still is one of the foremost exponents of the cigarstore Indian school of dramatic art. Mr. Hubert and his companions are as funny as the script allows, and Miss Lane's looks and singing are quite stunning.
Band Is Best
Perhaps the best feature is the Schnicklefritz Band, six amusing instrumentalists. But they can't save the film from being just ane other of those things. The stage bill doubtless is better than when this reviewer saw it at the first performance yesterday. It needed cleaning, renovating and accelebration, and the astute Lyrie management can be depended on to make the necessary adjustments in short order.
Miss Wing, late of Cole Porter's “You Never Know,” sings—or, rather, talks some songs before the microphone. She appears again in a sketch with Charles Kemper, who also was here in the Porter show, and Ken Nichols. The skit is one in which Mr. Kemper was featured in the revue, “New Faces.” Other acts include George Campo, a clever pantomime comedian: the Five Maxellos, acrobats; Mirth and Mack, a comedy dancing team, and Ruton’s Dogs.
ROLE IS FAVORITE
When Isa Miranda, European star importation, faces the cameras for her American screen debut in “Zaza,” she will be playing the same She played “Zaza” in European stage productions.
WESTLAKE
Chuck Haug Orchestra
MARY BETH-—Soloist EVERY NIGHT EXCEPT MONDAY
COOL OZONIZED AIR
ROSEMARY LANE « HUGH
RUDY VALLE HERBERT « ALLEN JENKINS
GLORIA DICKSON. MELVILLE COOPER. MABEL TO00+ FRITZ FELD and
THE SCHNICKELFRITZ BAND
Next Fri. BILLY HOUSE on stage
Se
At Your Neighborhood Theater
EAST SIDE
Pa rke v 2930 E. 10th St.
Double Feature Jeanette MacDonald “NAUGHTY MARIETTA” “ROARING TIMBER" Sun. Double Feature—John Boles “ROMANCE YN THE DARK” “DANGEROUS TO KNOW”
Bonita Granville Dolores Costello “THE BELOVED BRAT” The Jones Familr ALLY TO PARIS” Box Othes Open Top Joe E. Brown—Joan Blondel “SONS 0’ GUNS” Starts Tomorrow—135¢ Till 2 P. M. Joan Blondell—Melvy “THERE'S ALWAYS A WOMAN" Mickey Rooney—Lewis Stone
“JUDGE HARDY'S CHILDREN"
3155 E. 10th St. Comfortably Cool Adults 15¢ Till 8
\
242 E. Wash. St. Double Feature
Tacoma Don Ameche,
“IN OLD CHICAGO” “HAWAIIAN BUCKAROO” Sun. Double Feature—James Stewart “OF HUMAN HEARTS” “LOVE HONOR AND BEHAVE” New York
Tu xedo = Double Feature
Binnie Barnes “Adventures of Marco Polo” “LITTLE MISS ROUGHNECK” Sun. Double Feature—Victor McLaglen “BATTLE OF BROADWAY” Shirley Temple “REBECCA” | RVI NG Double Feature Mary Carlisle
“TIP OFF GIRLS” Shirley Temple “REBECCA”
Sun. Double Feature—Gary Cooper
“ADVENTURES OF MARCO POLO” “THE GAIETY GIRLS” 6 . Double Feature
H a m I ton Jack Hulbert
“GAITY GIRLS” Shirley Temple “REBECCA” Sun. Double Feature—Martha Raye
“COLLEGE SWING” “Adventure of Marco Polo”
GOLDEN, #4 oi ouble Feature Edw. G. Robinson “SLIGHT CASE OF MURDER” “ROMANCE IN THE DARK” Sun. Double Feature—Gary Cooper “BLUEBEARD'S EIGHTH WIFE” Clark Gable “HELL DIVERS” 4630 E. 10th Comfortably Cool
Eme rson Adults 13¢ Till 8
Merle Oberon “Divorce of Lady X” Peter Lorre “MR. MOTO'S GAMBLE” Starts Tomorrow—Adults 15¢ Till 2 P. M, Clark Gable “TEST PILOT” ’
5507 E. Wash. St.
2116 E. 10th St.
EAST SIDE
| S tran d 1332 E. Wash, St.
Sat., Sun., Mon. Lewis Stone
Two Big Hits Mickey Rooney “JUDGE HARDY'S CHILDREN” Loretta Young—Richard Greene “FOUR MEN AND A PRAYER” Merry Melody Cartoon in Color
Matinees Sat. & Sun. 15¢ Till 1 EXTRA! Late Showings Tonight Box Office Open Until 10:30
Pa ramoun Double Feature Don Terry “WHO KILLED GAIL PRESTON” “HAWAIIAN BUCKAROO” Double Feature—Dorothy “THE HURRICANE” “OVER THE WALL”
1JOU © 114_E. Washington Double Feature Wheeler & Woolsey “OFF AGAIN ON AGAIN” “GUN SMOKE RANGE” Double Feature—Gloria Stuart
“CHANGE OF HEART”
Sun, Lamour
| B Sun.
2702 W. 10th St, Double Feature Fredric March
“THE BUCCANEER” “HIT THE SADDLE” Sun. Double Feature—Victor McLaglen “BATTLE OF BROADWAY” “FIRST HUNDRED YEARS”
Be | mont Wath: Siumont Myrna Loy “TEST PILOT” Flash Gordon's Trip to Mars No. 7 Sun. Double Feature—Mickey Rooney
“JUDGE HARDY’S CHILDREN” “STOLEN HEAVEN”
™ A 1 2510 W. Mich. St. D A | SY ~ Double Feature Alice Faye “IN OLD CHICAGO” “DANGER—HIGH VOLTAGE” Sun. Double Feature—Bobby Breen
“HAWAII CALLS” “TIP-OFF GIRLS”
Speedway City
Double Features
Speedwa Joan Blondel
“ACCIDENTS WILL HAPPEN” “THE OVERLAND EXPRESS” Sun. Double Feature—Deanna Durbin “MAD ABOUT MUSIC” “Adventures of Marco Polo” Adm. Always 10e-185¢
U DEL 4 ; Double Feature
“THE BUCCANEER” “HOPALONG RIDES AGAIN” Kun. Double Feature—W, C. Fields “THE BIG BROADCAST OF 1938” John Payne “LOVE ON TOAST” »o
Lh
Udell at Clifton
§
Ji
=
At Fountain Square
SOUTH SIDE Double Feature
Sanders ; "pote Gargan
“FURY AND THE WOMAN” “NATION AFLAME” fun. Double Feature—George Brent “GOLD IS WHERE YOU FIND IT” “YOUNG DYNAMITE”
GROVE Beech Grove ouble Feature Dolores Del Rio “International Settlement” “HAWAIIAN BUCKAROO” Double Feature—Mary Boland “MAMA RUNS WILD” “IN OLD CHICAGO” Pros. & Doubles Feature
Ava lon fast Times Tonight
Fredrie March—Franciska Gaal “THE BUCCANEER” Sun. Double Feature—Deanna Durbin “MAD ABOUT MUSIC” “CHAN AT MONTE CARLO” 1105 Double Feature
Oo r en ta : Wallace Beery
“BILLY THE KID” “NO TIME TO MARRY” Sun. Double Feature—Beverly Roberis “CALL OF THE YUKON" Shirley Temple “REBECCA” Fo ouble Feature
ncol n Bob Burns
“TOMBSTONE CANYON” “FEDERAL BULLETS” Sun. Double Feature—George Brent «GOLD IS WHERE YOU FIND IT” “ARSENE LUPIN RETURNS”
New Garfield 2208 Shelby St. Barbara Read “MIDNIGHT INTRUDER” Shirley Temple “REBECCA” Sun. Double Feature—Joe E. Brown
“WIDE OPEN FACES” “OF HUMAN HEARTS”
& Churchman
105 8. Meridian
Li
t at Lincoln
Fountain Square
Double Feature William Boyd “CASSIDY OF BAR 20” “JUDGE HARDY’'S CHILDREN" EXTRA! Laurel & Hardy Comedy Sun. Double Feature—Martha Raye “COLLEGE SWING” “TRIP TO PARIS”
NORTH SIDE
VOGUE SF fulis
NORTH SIDE
DREAM 2351 Station St.
Double Feature Constance Bennetd “MERRILY WE LIVE” “BORDER WOLVES” Sun. Double Feature—Herbert Marshall “MAD ABOUT MUSIC” Shirley Temple “REBECCA”
RI TY Hiinois and 3dih
Double Features “TEST PILOT” “MAIN EVENT” Sun. Double Feature—Lewis Stone “JUDGE HARDY'S CHILDREN" “FOUR MEN AND A PRAYER" TY "1 1500 Roosevelt Hol lywood Double Feature Maueh Twins “Penrod and His Twin Brother” “THE KID COMES BACK”
| Sun. Double Feature—Jeanette MacDonald
“The Girl of the Golden West” “WHO KILLED GAIL PRESTON?" SE a Central at Fall Crk.
Z a ri N g Double Feature
June Travis “GO CHASE YOURSELF” “DANGEROUS TO KNOW”
Sun. Double Feature—Alice Brady “IN OLD CHICAGO” “CONDEMNED WOMEN” a & Delaware
Ci Nn e ma "Double Feature
Geo. Houston “Wallaby Jim of the Islands” Paul Muni “SCAR FACE” Sun. Double Feature—Claudette Colbert “BLUEBEARD’'S EIGHTH WIFE" “LITTLE MISS ROUGHNECK” * St. Cl. & Ft. Wavne St. Clair vss open 35 Madeline Carroll “I WAS A SPY” “NON-STOP NEW YORK”
Sun. Double Feature—Carole Lombard
“FOOLS FOR SCANDAL” “FIRST HUNDRED YEARS”
42nd & College Uptown bahia “OUTLAWS OF THE ORIENT” “WHEN G<MEN STEP IN” Bun. Double Feature—Irene Dunne “THE JOY OF LIVING” “THE BELOVED BRAT
Talbott TT Talbott & 22nd
Double Feature Kay Francis “WOMEN ARE LIKE THAT" Fay Wray “JURY'S SECRET"
Sun. Double Feature—~Joe E. Brown “WIDE OPEN FACES” “Adventures of Marco Polo” - 80th at Northwestern REX Double Feature Wallace Beery “BILLY THE KID” “WALKING DOWN BROADWAY" Sun, Double Feajure—Tyrone Power
MEY