Indianapolis Times, Indianapolis, Marion County, 30 April 1938 — Page 6
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‘Gracie Allen
Takes Over
\ “College in Indiana Show; po Pu
Coonan Have Brief Dance Sequence ‘in ‘College Swing.’
By JAMES If you are intrigued with the idea of what Gracie Allen might do with an institution of higher learning, you may find -out in “College Swing,” now at the Indiana. As Gracie Alden, Miss Allen inherits Alden College, and proceeds to change the three R’s to roughhouse, romance and rhythm. Not only does Miss Allen carry the curricular burdens on her fragile shoulders, but the entire film as well. When Gracie is before the camera, the film is terribly funny, just as “The Big Broadcast of 1938” was almost worth the trip for W. C. Fields.
Becomes Ordinary Vaudeville
When Gracie is absent, “College Swing” becomes just what “The Big Broadcast” was—a string of rather ordinary vaudeville acts. It’s remarkable that the makers of these two pictures can assemble such a sterling array of talent and do no more with it than they have done. “College Swing’s” cast includes, besides the blessed Gracie, George Burns, Edward Everett Horton, Martha Raye, Bob Hope, Ben Blue,
Betty Grable, Jackie Coogan, Cecil
7
Cunningham, Florence George and John Payne. There’s enough talent there to turn out two super-musi-cals. But they've used the same old method with the same old result. For the record, it might be said that Miss Allen, beside being an heiress, is a nine-year Alden student. And before she can inherit the college, she must pass an oral examination. An ambitious student contrives to discover the questions, coach Gracie, and receive $25,000 and general management of the college in return.
Loses College for Millionaire
Head of the institution’s trustees a woman-hating millionaire. Gracie overcomes the hatred, but the trustee gets wind of the examination conspiracy and sets another one. Gracie is doing all right again until it is discovered she is receiving the answers through a pair of miniature earphones on her glasses. So Gracie loses her college. But she reveals that she and the millionaire antifeminist were married in the course of a night club excursion the night before. There are a couple of extraneous romances and some good new tunes in the course of events. The legally embattled Jackie Coogan ap-
_- pears briefly with Miss Grable, his wife, in a dancing sequence. * how “The Kid” has grown. Most
My,
famous child star of the pre-Temple days, he’s now big and hefty, and his hair is going the way of his fortune.
SIGNS CONTRACT
Eleanor Powell has sighed a new starring contract and begun dance rehearsals for her next picture, “Lucky Star.” This musical wi have a Honolulu background.
WRITES NEW HIT
Harry Owens, whose “Sweet Leilani” won the Motion Picture Academy award as the best film song of 1937, has written the theme song for “Coconut Grove.”
WHAT, WHEN, WHERE
APOLLO
“Rebecca,” with Shirley Temple Randolph Scott, Gloria St 11:43, 1:45, 3:45, 5:45, 50° and 9:50 :50.
CIRCLE
“Go Chase Yourself,” with Joe Pane Lucille Ball. at 11, 1:50, 4:40, 30 and 10:20.
“Condemned Women,” with Sall Eilers, Souls Hayward, at 12:30, 3:20,
6:10 a INDIANA
“College Swing, * with Burns and Allen, Martha Raye, Edward Everett Horton. Bas ove, at 11, 1:50, 4:35,
“Law or I Underworld,” with Chester Morris, Anne Shirle y 12:45, 3:35. 6:25 and 9:10. y, =
LOEW'S
rest Pilot,” with Clark Gable Myrna Loy and Snencer Trac t 11: 5 8, 15. 4:45, 7:25 and 10. y, =
LYRIC
“Four Men and a Prayer,” with Loretta Richard Greene,
11:2 2:16, 5:14, 7:53 and 10: Li. Vaudeville, with iw Burke, stage at 1:06. 3:45, 6:52 and 9:30. OHIO
“Drift Fence,” with Larry Crabbe. Also “Every Day’s a Holiday,” with Mae West.
ALAMO
“Yodeling Kid,” with ne A del ng a Gene Autry.
AMBASSADOR
“all by Padi 17 and Mary,” with Alice so “A Slight Case of Murder.’ Cwith Edward G. Robinson.
on
Exciting Prama!l
ppets on Lyric Stage
Four Men and a Prayer," Melodrama, Tells of Munitions Ring.
THRASHER Twe and a half hours of enter= tainment, ranging from melodrama to marionettes, await Lyric patrons this week. For the melodrama, there is “Four Men and a Prayer” on the screen, and the marionettes, or rather, Schichtl’s Wonderettes, are included in the hour’s vaude-
ville. With Mr. Disney’s Dopey and Mr. Bergen’s Charlie McCarthy among our leading citizens today, the Schichtls: should find an audience more than ever appreciative of their wares. Their puppets don’t have the “personality” of the above public heroes, but the act does indulge in a little delusion usually reserved for the screen.
Clever String Pulling
By the flick of a string a puppet man turns into a woman, or an egg into a serpent. Another character sprouts an airplane from his coat pockets and goes flying off in it. Also there are ostriches, frogs, clowns, soldiers and dancers in great variety. It is, in short, a clever bit of string pulling. In this changing world it’s nice to meet Johnny Burke again. Mr. Burke has been doing his soldier monolog for—well, it must be at least 20 years. If memory serves, not a jot or tittle of this vaudeville classic has been changed since I first heard it in short-trouser days. That it doesn’t seem so funny now may be more to my discredit than to Mr. Burke’s. There also is a musical afterpiece, with the perennial doughboy officiating at the piano. . For those of us whose mothers never let us bounce on the bedsprings, the Monroe Bros. and their hobo act on the trampoline should serve for vicarious satisfaction of a thwarted urge. One of the broth= ers also offers delicious explanations of how the tricks are done. Then there are Gine, Duffin and Lewis, who do some knockabout adagio dancing with stately dignity; Grant Gardner, who plays the ocharina, fife and musical bells, and his daughter Elleen, who sings, and a dancing chorus.
Victim of Munitions Ring
“Four Men and a Prayer” is the story of four sons who set out to solve the mystery of their father’s dishonorable discharge from the British Army and his subsequent murder. Aiding them is a young lady, in love with one of the brothers. It seems their father was the victim of an international munitions ring. Their chase leads them to India, Washington, London, Buenos Aires and Alexandria. The young lady finally turns out to be the munition king’s daughter, much to her surprise and everyone else’s. She lines up against her father, however, and aids materially in clearing the late officer's name. Needless to say, love also triumphs. The plot seems rather involved and far-fetched in places. But it
| is a rousing, exciting film,- punctu-
ated by no less than three murders, a few incidental shootings and a South American revolution. A cast that features Loretta Young, Richard Greene (a newcomer), George Sanders, David Niven, C. Aubrey Smith, William Henry and Reginald Denny contributes more than adequate performances.
|Charlie Is Slated
To Lose His Body
HOLLYWOOD, April 30 (U. P.).— An operation such as no human ever experienced. is in store for Charlie McCarthy, the dummy used by Ventriloquist Edgar Bergen. They are going to amputate his body from his head, and give him a new body. Mr. Bergen said he has placed an order with woodcarvers for a new torso to replace Charlie's three-year-old Michigan pine body, and new arms and legs that can be moved by wires. The operation will cost $250. Charlie’s discarded parts will be used to build a “stand-in” to place under the hot movie lights, thus saving Charlie’s varnish while the cameras are being adjusted.
K. # CLARK cABLz MYRNA LOY
Starting at Saturday Midnight Show!
:FRENGH
Featuring The 10,000 Dollar Beauty
SUNYA “swiss” SLANE {GORGEOUS GIRLS
Matinee, 2:15—Two Shows at Night, 7 and 9 P, M. LSoNTLY uous ON SUNDAY
FROLICS
STARDOM PLANNED FOR JANE WITHERS BEFORE SHE WAS BORN, MOTHER SAYS
By PAUL HARRISON
HOLLYWOOD, April 30.—Before Jane Withers was born, her mother bought a supply of clothes for a baby girl, chose a career for her, and selected a name that would look well on theater marquees. Being as optimistic as all that, Mrs. Walter Withers naturally assumed that her daughter would be a star. So now she is pleased, if not greatly surprised, that Jane ranks sixth of the 10 leading box office attractions of the movies, topping Astaire and Rogers, Sonja Henie, Gary Cooper and Myrna Loy. The above two paragraphs, unsupported by details, would be very unfair to all the Witherses. The statements, alone, might call up visions of a single-minded, drivingly ambitious mother and a supercilious, typically “Hollywood” brat. Any such ideas would be all wrong. The fact is that Ruth Withers has seen her dreams materialize without doing much of anything about them. She taught Jane to dance a little and sing a little, and then took her to a studio. After that, things happened by themselves. Mother’s Job Done
The mother’s role now is one of good-natured restraint instead éf aggressive promotion. Her job is to keep her daughter natural. Jane is earning $1500 a week, most of which, plus the returns from a recent personal appearance tour ($5000 a week), is going into trust funds and investments made in her name, Among the people who make pictures and act in them, Jane is the pest-liked of all young players. And that’s saying a good deal in a town that has a great many nice kids. She never spoils a scene without trying valiantly to ad lib her way through it. This is often possible because she does not try to learn her lines verbatim before rehearsal, but merely gets the sense out of them. Proves Unselfish. Trouper ..
She’s an unselfish trouper. I watched her play a scene .with a colored woman who had a long, difficult speech and was faltering in it. Miss Withers voluntarily turned her back to the camera, thus sacrificing a closeup, and silently mouthed the woman’s lines to cue her from one sentence to another. And Jane is conscientious. Off the set she may be full of pranks and an agreeable precocityt But notwance, during five years in Hollywo has she ever held up production a minute with temperament or tardiness, or even illness. Now vou know why movie-makers like her. Mrs. Withers almost always is on the sound stage, but she does not watch the shooting and she never enters a suggestion or a protest. So she has Plenty of time for talking: Just Reached 12
“Jane was 12 on the twelfth of April. The studio is finding stories for her that represent her exact age. After this one; ‘Hello, Hollywood,” she'll do ‘The Texas Kid,’ then ‘Salome Jane,’ and probably one called ‘Meet the Girls.’ “She is under contract for four pictures a year, and has six weeks for personal appearances. The tour this spring went to Chicago, Cincinnati, Cleveland and Detroit. Jane loved it, and not for the $5000 a week, either. She’s as thrilled as the fans are, and never would let us take her out a side door to dodge a crowd.” Miss Withers grew an inch and a half last year. and now is 59 inches tall. She weighs 94 pounds, and thus is plumper, or at least solider, than any other star. Her parents haven't required or even permitted her to diet, though.
Patsy Kelly Her Ideal “She doesn’t expect to be a romantic leading lady, anyway,” Mrs. Withers continued. “Jane doesn’t seem to have a bit of personal vanity; never has used a trace of makeup on or off screen. She wants to be something like Patsy Kelly or Martha Raye.” “Eventually, though, she'd like to write. Jane already has written a
ELBERT A. WICKES PRESENTS
THE WORLD FAMOUS
ABBEY THEATER
PLAYERS
In Gay Comedies and Stirring Dramas
EVES., Or ; ‘ $1.65, 'sL 0. Gar i She TORS, $1.10,’ Gal. S5e rs, Stes, 5 ae
INDIANA |
ENGL ISH—MON., TUES., May 2-3 |
"Playboy of the Western World"
and Lady Gregory's “Rising of the Moon” LENNOX ROBINSON’S FINE COMEDY
SEAN O’CASEY’S GREAT COMEDY DRAMA
It takes only a glance at this picture of Jane Withers to believe
that she’s one of movieland’s most
natural “naturals.”
fairy-tale picture and would like to cast Don Ameche in it. “Jane most likes to play with older children, partly because she is so good at sports. “We let her have a lot of things, but she doesn’t abuse her privileges. Her allowance is $5 a week, but it goes for things for other people. “She has five dogs, four cats, two horses, ducks, chickens, pheasants,
rabbits, a parrot, and a canary on our four-acre place. She also has two motorbikes, and a boat at Lake Arrowhead. “We always have made a point x discussing money matters before er.” Walter Withers is the representative here of a wholesale furniture company. He leaves the movie business strictly to the women.
2 Towns Compete
For Cowboy Films|
HOLLYWOOD, April 30 (U. P.)— A battle was on between two hamlets today over which will become the Hollywood of cowboy movies. The towns are Kernville and Lone Pine, north and east of Hollywood, on the bare hot flats. Kernville, to attract film companies making Westerns, built its Main Street in old-time Western style. Rental for movies has been profitable. Lone Pine the past year took in $700,000, about $1000 per capita of its population, from film companies. The chief spender was Producer Harry Sherman, making “Hopalong Cassidy” Westerns. When Mr. Sherman was forced to move over to Kernvile to use the Western street, Lone Pine announced that it would spend $10,000 building a similar street.
TWO RESEARCH CREWS Three attaches of Cecil B. DeMille’s production unit are working in San Francisco and Omaha on
research for the producer’s next epic |
film, “Union Pacific.”
( TD 0B
Pe Id 207 wots, Aas YOURSELF
“CONDEMNED WOMEN"
Sally_Eilers—Ann Shi LOUIS HAYWARD ©
MATINEE TUESDAY
MONDAY NIGHT
TUESDAY MATINEE
"THE FAR OFF HILLS"
TUESDAY NIGHT, MAY 8 "Juno and the Paycock"
EXTRA! | FUN NEW
: reer ]
LASKY TO RESIGN RKO JOB TODAY
HOLLYWOOD, April 30 (U. P.)—Jesse L. Lasky, pioneer Hollywood motion picture producer, is to resign from RKO studios today. He will engage in film and radio work. Mr. Lasky was one of the founders of Paramount Stuido.
MARY CARLISLE BUSY
Mary Carlisle, who plays the lead opposite Lloyd Nolan in “Hunted Men,” has been assigned to the new W. C. Fields starring production, “Behind the Eight Ball. »
RANADAL
TONIGHT—TOMORROW
—EXTRA HIT— Joan Bennett
Henry Fonda “I Met My
With PATSY KELLy Love Again”
Mrs. Wines’
Recital Set For Monday
Program to Include Arias From 'Otello,' and 'La Forza del Destino.’
Mattie Loretta Stovall Wines, Indianapolis soprano and teacher at the Cosmopolitan School of Music and Fine Arts, will be presented in recital at 8:15 p. m. Monday in the Greater Bethel A. M. E. Church by the church’s Silver Leaf Art Club. The singer has studied at the Jordan Conservatory of Music, the Chicago Musical College, and for three years was a scholarship pupil at the New England Conservatory. Mrs. Wines’ program will include arias from “Otello” and “La Forza del Destino” by Verdi and Rossini’s “Semiramide”; Mozart's ‘Alleluia’; a group of Schubert songs; a miscellaneous offering of music by Bishop, Brogi, Luzzatti, Purcell,
| Rasbach and Goatley, and a group
of Negro spirituals, arranged by Clarence Cameron White.
2 8 =
A play, “The Spirit of Music,” by teachers and pupils of Stephen Collins Foster School 67, will be presented at 7:45 p. m. next Friday. It is based on the life and music of the composer for whom the school recently was named. The performance is to be given at the school, 3615 W. Walnut St.
8 ” 2
Reid Chapman and Dorothy MecCleaster, Broad Ripple High School students, are to present a comedy and musical sketch, “Yacht Club Revue,” at a banquet of the Adelthian Class of Meridian Heights Presbyterian Church on Monday night. The revue originally was a part of the school's “Ripples of ’38” last February, and since has been given at the Columbia and Riviera Clubs.
JEAN ACKER GETS BIT ROLE IN FILM
HOLLYWOOD, April 30 (U, P.).— Jean Acker, once the wife of the late Rudolph Valentino, was working in a low-paid motion picture role today. She is one of three once well known persons taking small parts | for the picture, “The Rage of aris The others are Harry Meyers, former leading man who did the “drunk” role in Charlie Chaplin's “City Lights,” and his wife, Rosemary Thedy, a star of silent films.
TO FILM "ORPHAN ANNIE!
Paramount studio has completed plans. to bring to the screen ‘Little Orphan Annie, Detective.” Based on the popular cartoon strip, the film is scheduled for early. production.
SHIRLEY
TEMPLE
REBECCA OF SUNNYBROOK
‘| ing. For the Abbey
ABBEY PLAYERS ACHIE / BALANCED PRODUCTIO
When the Abbey Players of Dublin arrive in town tomorrow. for
Monday and Tuesday
engagements at English’s, they will bring = on
again a living confutation of the dictum that art is long and time
ments in theatrical history. We are inclined to think of the English-speaking theater as one steeped in a tradition four centuries old. Yet there is a branch of our vernacular drama that has flowered snd developed within the last 50
or The Irish renaissance, so called, has little to do with its sister culture across the Irish sea. Most of the dramatic literature is written in English, to be sure, yet in approach and subject matter it stands unique today.
Parnell Is Credited
To call Irelands dramatic awakening a “rebirth” is almost to indulge in understatement, since there was no national drama over a space of some 800 years. Between the ancient bards and Yeats and Lady Gregory there were centuries of invasion, oppression and internal -strife that consumed all energy and hope. ’ Curtis Canfield credits the Irish patriot, Charles Stewart Parnell, with being the indirect stimulus to the awakening. His labors had brought Ireland to the brink of freedom when a divorce and subsequent scandal ruined his career and dashed the country’s hopes.
Failing at emancipation in one field, the indomitable Irish turned to escape in another. . The literary societies that preceded the National Theater were set up, according to the Abbey Theater’s Lennox Robinson, “to counter the disillusionment of Parnell’s fall.” William B. Yeats and Lady Gregory, this renaissance’s guiding spirits, first turned to Ireland’s wealth of legend for subject matter. Later such artists and patriots as Edward Martyn, Sean. O’Casey, John M. Synge, Padraic Colum and Mr. Robinson wrote of contemporary life, characters and struggles. An incidental incentive to the true and characteristic modern plays was the revolt against the red-nosed, flannel-mouthed “paddy” Irishman of the English and American theater at that time.
Founded in 1904
The Abbey Theater was born of vicissitudes and numerous parents in 1904. Its organizers had been the brothers W. G. and F. J. Fay, the first its leading actor, the other, its director. Since then the Abbey not only has served as‘ an ideal instrument for Irish playwrights, but it has sheltered and developed writers and actors as well.
Soon after its founding, the Abbey Theater started its dramatic school which still continues, with
so i GINE, DUFFINE & LEWIS :
STREAMLINED DEBUTANTES
Theater is part of one of the most unusual} :
bE
quirements are stringent, but. here always is a long list of a nts, who must pass a six-month al period before continuing as ser students. Most of the plays in the A repertory have been written and introduced by them. has been a systematic dew of playwrights through freg play contests and careful cor eration of all submitted
scripts. d Pays Its Own Way
Most remarkable of all, is the fact that the Abbey Theat has survived by its own effort: There is a small government - sidy but, for the most part, the theater pays its own way. BL outstanding acting groups have been founded during this century: The Moscow Art Theater, the New York Theater Guild and the Abbey group. Of these, only the last has retained its original identity, There has been no effort to secures sure-fire “hits,” nor has there been the attractions of a star ‘system. \ Each player knows that he will play “bits” as well as leading parts. AS 8 result, the Abbey Players a: y een able to present well-rounded, integrated productions that would be impossible elsewhere. For its Indianapolis engagement, the company will play Lady Gregory's one-act drama, “The Rise ing of the Moon” and Synge’s “The Playboy of the Western World” on Monday night; Robinson’s “The Far Off Hills” at the Tuesday matinee, and O'Casey’s “Juno and the Pays cock” on Tuesday evening.
Dance Every Sat & Sun.
Sat., 60c counle before 9:30; 80¢ ole 9: 3 to 12:00; 50c couple after
50c Couple After 9:15 : One Block South Municipal Airport. |
INDIANAPOLIS—2 DAYS
SAT. 7 SUN. MAY MAY
Southeastern & Keystone Aves. | Auspices Orphans Home Auxiliary |
COLE BROS |
CIRSY
CLYDE B
IINR AA ord KEN MAYNARL
Wike Joiw Presenting 39.900n the aw Worlds
FLORENZO 5
SOMERSAULTING ATauomis ana DOROTHY HERBE MOST DARING RIDER IN THE WO THIS IS THE BIG SHOW, 1,100 PEOPLE...600 ARENIC CHAMPIONS... CLOWNS ...4 GREAT HERDS OF ELEPHANTS..d 500 HORSES... 900 MENAGERIE ANIMALS
Daily pm=Doors Open1 8 "Downtown Seat Sale Circus Day Haag’s Drug Store, Claypool Hotel
At Your Neighborhood Theater
EAST SIDE Strand 332 E. Wash. St.
; Now Showing Last Time Thursday “SNOW WHITE AND THE SEVEN DWARFS” Charlie McCarthy “PORKY’S POPPA” Cartoon Lew Lehr—News Saturday Night Show Starts As Late as 1 wo i ; Donic E. Wash.
Pa ra moun t Ann Sheridan
“THE PATIENT IN ROOM 18” “HOPALONG RIDES AGAIN”
.Sun. Double Feature—Humphrey Bogart
“SWING YOUR LADY” Frederic March “BUCCANEER” Double Feature
BLIOL) pein
“100 MEN AND A GIRL” “FEUD OF THE TRAIL” Sun. Double Feature—Warner Oland “CHAS. CHAN ON BROADWAY” “THE LADY FIGHTS BACK”
Pa rker 2930 E. 10th St
Double Feature Olivia DeHaviland “THE GREAT GARRICK” Francis Farmer “EBB TIDE” = Sun. Double Feature—Jackie Cooper “BOY OF THE STREETS” “I MET MY LOVE AGAIN”
114 E. Washington
S [EXTRA!]
STARTING
IS OPEN FOR THE SUMMER
RIDE THE GIANT
OCTOPUS
New to the Middle West—the Supreme Thrill of Thrills—Not for Pantywaists! 33 other Major Rides and ' Fun Devices. Free Sylvan Picnic Grove.
RIVERSIDE
TONIGHT
BULLETIN
“There will be absolutely no admission: charge to enter Riverside Park at any time this summer—all Sundays, weekdays and picnic days are free.”— A. W. COLTER, Mgr.
VISIT THE NEW
SHOWBOAT
- Indiana’s Largest and Most Beautiful Refreshment Gardens —Grand Entertainment — No Admission or Cover Charge. Golding ManagepensNw Ced!
Big Surprise.
Next Monday—First Outing Sponsored Dealers—All Afternoon and Evening—All FresDon Miss the
by District Col-Tex
3135 E. 10th St. Matinee dd
R | VOL | on Adults 15¢ Till
Mauch Twins Billy and Bobby “Penrod and His Twin Brother” “NON-STOP TO NEW YORK”
ADDED! Andv Clyde Comedy EXTRA! Last Show Tonite Only! Boxoffice Open Till 11 P. M.
Madeloine Carroll—Alice Faye Bros. —Dick P well “ON THE A
Starts Sundav Wm. Powell “BARONESS AND THE BUTLER” Constance Bennett—Brian Aherne “MERRILY WE LIVE” EXTRA! The Three Stooges
Tac oO m a 2442 E. Wash St,
Double Feature _Bob Burns “RADIO CITY REVELS” “INVISIBLE MENACE” Sun. Double Feature—Wallace ‘Beery “BAD MAN OF BRIMSTONE” “YOU'RE ONLY YOUNG ONCE” 5 New York
Tuxedo Walt it Diners “SNOW WHITE AND THE SEVEN DWARFS” Dav miss (hls magpitiqent Hppoyation. in LAST TIMES WEDNESDAY NIGHT 25c — |
EAST SIDE
RVI NG ~ 5507 E. Wash. St. Double Feature Gloria Stuart “CHANGE OF HEART” “Bulldog Drummond’s Revenge” Sun. Double Feature—Charlie McCarthy
“GOLDWYN FOLLIES” “RADIO CITY REVELS”
2116 E. 10th St. Double Feature
Hami ton James Stewart “NAVY, BLUE AND GOLD” “CHAN AT MONTE CARLO” Sun. Double Feature—Charlie McCarthy “GOLDWYN FOLLIES” “SCANDAL STREET” outs 18 EW Wash.
GOLDEN id,
“HOLLYWOOD HOTEL” “SERGEANT MURPHY” Sun. Double Feature—Gary Cooper “LIVES OF A BENGAL LANCER” “BLOND TROUBLE”
4630 E Emerson gt fists, Charlie McCarthy Ritz Bros. Kenny Baker “Goldwyn Follies”
Dolores Del “International Settlement”
Starts Tomorrow—Adults 15¢ Till 2 p. m. Chas. Ruggles—Katherine Hepburn
“BRINGING UP THE BABY” “ARSENE LUPIN RETURNS”
WEST SIDE
ST ATE “Double 10th St.
Double Feature Travis “OVER THE GOAL” “BOSS OF LONELY VALLEY” Sun. Double Feature—Wallace Beery “BAD MAN OF BRIMSTONE” “LOVE IS A HEADACHE” & Belmont * Double Feature
Be mon +t” Mauch Twins “Penrod and His Twin Brother” : “BILLIE THE KID” . Sun. Double Feature—Judy Garland “EVERYBODY SING” F YA SLIGHT CASE OF MURDER”
DAISY Boi Fishes 3 Ann Sheridan “PATIENT IN ROOM 18” “ROLLING CARAVANS” Double Feature—Humphrey “SWING YOUR LADY” Jean Parker “PENITENTIARY” Doabie eras
Speedwa Preston Foster
“DOUBLE DANGER” Jack Oakie “TEXAS RANGER” Sun. Double Feature—George Brent
Sun. Bogart
“GOLD IS WHERE YOU FIND IT”
SOUTH SIDE At Fountain Square Double Feature
Sanders zoe Fase”
“HIGH FLYERS” “MISSING WITNESSES” Sun. Double Feature—Dick Foran “SHE LOVED A FIREMAN” Sonja Henie “HAPPY LANDING” Double Feature
G ROV E John Barrymore
“Bulldog Drummond’s Revenge” “COURAGE OF THE WEST” Staris Sunday Spout Miss It! ney “SNOW WHITE AND THE SEVEN . DWARFS” :
Beech Grove
Fros. & Churchman Harry Care
|Ava lo Nn Edwina Boo
“TRADER HORN” Also Radio Patrol
Sun. Double Feature—Carole Lombard “TRUE CONFESSION” “YOU'RE A SWEETHEART” 1105 So. Meridian 'm. Hall
0 r i en ta Anne Nagel
“ESCAPE BY NIGHT” Selected Shorts Sun. Double Feature—Mary Boland
: “MAMA RUNS WILD” Jane Withers “CHECKERS”
East at Lincoln Double Feature
Li Nnco n Peter Lorre “THANK YOU, MR. MOTO” «SPRINGTIME IN THE ROCKIES” Sun. Double Feature—Sonja Henie “HAPPY LANDING” “THE THIRTEENTH MAN”
New Garfield
2208 Shelby S% CITY REVELS®
“MURDER ON DIAMOND ROW” Sun. Double Feature—Wallace Beery “BAD MAN OF BRIMSTONE” “YOU'RE ONLY YOUNG ONCE”
Fountain Square Double Feature - John Wayne “BORN TO THE WEST” Clark Gable “HELL DIVERS”
SSS OF MOET
“YOURE ONLY YOUNG ONCE” NORTH SIDE
St. Clair™ Cl. & Ft. Wayne
Double Feature Ann Harding “LOVE FROM A STRANGER” “Wallaby Jim of the Islands” S Sun. Double Feature—George Brent
NORTH SIDE
Ta ho F v Talbott & 22nd
Double Feature Anna May Wong “DAUGHTER OF SHANGHAI” “RADIO CITY REVELS” Sun. Double Feature—Richard Arlen “NO TIME TO MARRY” Fredric March “BUCCANEER”
REX
“THE LOST HORIZON” Plus Selected Shorts
Sunday—Double Feature—Sonia Henfe “HAPPY LANDING”
“TARZAN’S REVENGE” Double Feature
DREAM Buin
“INVISIBLE MENACE” : Franciska Gaal “BUCCANEER® Sun. Double Feature—Alice Faye “YOU'RE A SWEETHEART” Jane Withers “CHECKERS” Double Fe
RITZ gr
“UNDER SUSPICION” “LOVE ON A BUDGET” Sun. Double Feature—Constance “MERRILY WE LIVE” “ARSENE LUPIN RETURN
Hollywoo “THIEF, MEET THIEF” “HIGH FLYERS”
Sun. Double Feature—Glienda Fa “BLONDES AT WORK”
“WELLS-FARGO”
30th at North Ronald Co
2351 Station St,
Illinois and 34th
. Central at ) "| Zaring Shen “SNOW WHITE AND THE § DWARFS” Sun. Double Feature—W. C. “BIG BROADCAST OF
Jane Withers “CHECKEI oust ¥
Cinema “I MET MY LOVE AG “HIGH FLYERS”
Sun. Double Feature—Ronald
“SERGEANT MURPE Sonja Henie “HAPPY
Uptown “RADIO CITY RE ' “FIT FOR A KI) Sun, Doubls Feature ]
42nd & Col Double Fea
“GOLD 1S WHERE YOU FIND IT” : Y, IRENE
Z
=