Indianapolis Times, Indianapolis, Marion County, 23 April 1938 — Page 6
PAGE 6
‘Test Pilot’
Flies High At Loew's
Loy-Gable R omance Leads to Indianapolis Altar Early in Film.
By JAMES THRASHER
Experience, as well as the advertising, would lead us to expect something big in‘ “Test Pilot,” now at Loew's. It is big, and exciting,
but it also is one of the season’s|
surprise packages: Naturally, one would have no fear for the work of the able starring trio, Clark Gable, Myrna Loy and Spencer Tracy. And we might expect M-G-M to spare no expense in making a “colossal” air picture. The surprising thing, however, is the way in which the story department has held up its end of the burden. When Test Pilot Jim Blake (Mr. Gabie) sets a disabled ship down in a Kansas wheat farmer’s field, Ann, the farmer’s daughter (Miss Loy), greets him sarcastically as the prince of her dreams, who should have appeared on a white charger. Well, queerly enough, she was about right. The fearless breed ~ whom Mr. Gable represents in this picture are lineal descendants of history’s hell-rake swashbucklers operating in the perilous field of modern, invention.
Conceit Believable
Those who have served in the hazardous trial-and-error laboratories of practical aviation advancement doubtless have been of this Jim Blake’s temperament. So his careless, conceited, confident air is believable. To return to the wheatfield. Blake makes another conquest in Ann. But, piqued by her reported engagement before his plane is repaired, he wheels about after his hop-off, lands again, and, instead of hoisting her behind him in the saddle, sets her in the plane as a proper 20th Century knight errant should. They are married, the film tells us, in Indianapolis. Gunner (Mr. Tracy), Blake's mechanic and emotional stabilizer, has come to Kansas from California with new parts for the airplane, and continues with the couple to New York. Blake gets a bit too independent ‘with his boss and is fired. The three go to Cleveland for the Thompson Trophy Race and its $10,000 prize. Blake, in a new ship, wins, though the plane has caught fire. But the man flying his former employer’s entry crashes and is killed. Blake gives the widow half the prize money and blows the rest on a five-day spree.
Must Play Second Fiddle
Ann is beginning to realize what js in store for her. In his cups, Blake talks of “Miss Up There.” the blue sky, which is both enchantress and deadly enemy. Ann understands she must necessarily play second fiddle. She understands her husband’s tenseness and the inevitability of the spree. She knows, too, that eventually Jim’s crackup will come, for he wouldn’t be happy on the ground. So her life resolves into a murmuring of “still living” with each tick of the clock, and waiting. The Blakes’ hard and fast life continues, with new ships tested. power dives, lost wings, parachute jumps. One day Blake and Gunner try to nose a giant Army bomber up to 30000 feet. It goes into a spin and Gunner is killed. Drake, Jim’s former employer (Lionel Barrymore), finally persuades Blake of the torture that is Ann’s each moment he is in the air. Fresh from the crash and Gunner’s death, the flier realizes that perhaps his wife is more comforting, dependable and devoted than “Miss Up There.” So we leave Blake, on the ground, as an Army instructor. Worth Seeing
“Test Pilot” would be worth the seeing if only for the remarkable and spectacular aerial scenes. The story is much better than a synopsis could indicate. Each of the principals is excellent: Mr. Tracy still one of the best in the business and Miss Loy and Mr. Gable better than usual. Vincent Lawrence and Waldemar Young have put fitting and natural words into their characters’ mouths. You may find the film a bit long. But Director Victor Fleming has lavished care and footage in driving his points home as well as giving the patrons aviation thrills, “Test Pilot” offers all the essentials that go toward making a superior movie.
CHURCH THESPIANS TO GIVE COMEDY
A comedy entitled “Polishing Papa” will be given at 2 and 8 p. m. tomorrow by the Holy Name Dramatic Club of Holy Name Church, Beech Grove. Players include Thomas ‘Logan, Mary York, Gladys Gold, Karl Rolles, Dolores Hagist, Elsye Cantwell, Arthur Simon, Violet Gill, William Clements and George Logan. Ray Bruce is the director. Dancing will follow the dramatic performances.
ROSE QUEEN STAYS
Cheryl Walker, queen of the 1938 Pasadena Tournament of Roses, has received a new contract at Paramount Studio, where she has been since film scouts discovered her on a parade float last New Year’s Day.
7)
For a half hour before the choir arrived by an improvised train and bus schedule, Marie Zorn, Indianapolis pianist, entertained those assembled with an excellent, spur-of-the-moment recital. A group of some half-dozen Bach chorale preludes, a sheaf of Brahms waltzes and ‘Poulenc’s “Perpetual Motion” were presented. Unperturbed by the mishaps besetting their tour’s opening program, the 48 St. Louis singers sang a lengthy and taxing concert under William B. Heyne’s able direction. Impeccable ensemble and intonation, purity and beauty of tone, and sensitive response to musicianly direction marked each offering. In fact, there are few choral virtues
which the group does not possess. Religious Selections
Mr. Heyne confined his program selection to music of a religious nature. Composers represented were the Englishmen Orlando Gibbous and Henry Purcell, the Italian Francesco Durante, Bach, and, in the second group, the Russians Glinka, Tschaikowsky and Rachmaninoff. Three folk-song carols followed, and the last group consisted of compositions by Lutkin, Senfl Liszt, Christiansen and Wood. The choir followed the. presentday commonplace of beginning eac song without an audible giving of the pitch. Many choirs do this, but not all abide by the given tonality so faithfully. In this, and in the matter of voice coloring, Mr. Heyne seems to follow the St. Olaf Choirs’ exemplary practice. For the program’s liturgical character, the conductor's insistence upon a clear, white tone in the women’s voices was excellent. This may produce some sacrifice of brilliance, but the abiding advantage lies in the orchestral quality of effects that sacrifices no vocal beauty. The concert, sponsored by the
‘Lutheran Orphans’ Welfare League,
attracted a fair-sized audience which waited with patience and listened with obvious pleasure.
Drama Pupils Give ‘Revolt of Beavers’
One of last season’s “songs of social significance” arrived from Broadway at the Odeon last night, where the Jordan Conservatory’s drama department presented Oscar Saul’'s and Lou Lantz’ “The Revolt of thé Beavers,” under the direction of Mrs. Jane Ogburn Bruce. There
was to be another performance at 3 p. m. today. The play, a sort of streamlined fairy tale, was presented by a cast ranging from 7 or 8 years old to actors of collegiate age: It may be doubted that some of the younger performers realized that they were symbolizing the capital vs. labor struggle, but they had a grand time being beavers, owls, breezes and whatnot. And the audience, for the most part, took them at their false-face value. Two youngsters named Paul and Mary go to the forest to gather sticks and fall asleep, even as did Hansel and Gretel. But instead of a wicked witch and a gingerbread house, they discover a beaver colony in a sorry economic plight. The Chief (Old Moneybags himself) has installed some bark peeling machines, and the Barkless Beavers are left without employment. Comes Oakleaf (who might even be called the Organizer in this workaday world) to do something about the Barkless Beavers’ condi-
-. LAGE BRIAN DONLEVY LOUISE HOVICK ‘BATTLE OF BROAD WA
* yd
ster ag ti “The Grime of Dr. Hallett”
With ie of Bellamy
shown here signing a contract as the first member of Mary Pickford’s screen stock company which she plans to form soon. Mr, Fitzgerald will be back with
Faultless Intonation Marks St. Louis Choir Program Here
It’s an ill wind, they say—so when the St. Louis A Cappella Choir ran into a little bus trouble, last night's audience at Caleb Mills Hall was treated to more than their money's worth.
Harry Fitzgerald of Dublin and Hollywood is |
tion. he gets in among the Busy-Busies, who run the machine, and persuades them to unite with their unemployed brothers. : Utopia at Last
A general fight starts between the workers and the Chief's soldiers. This settles down fairly to a scrap between Oakleaf and the Chief. Oakleaf gets the decision by a technical knockout, the Chief is driven from the land, and Utopia descends upon the busy broadtails. With or ‘without social overtones, “The Revolt of the Beavers” was light-hearted fun, done with speed and spirit against a clever setting. Amusing costumes, capable -direction and incidental music added to the evening’s pleasure. In a large cast, Arnold Wajenberg and Joanna Jennings, the two youngsters who played the only “human” parts of Paul and Mary, were entirely delightful. Marion Bruce
as the Chief also did commendable work. The performances were for the benefit of the Jordan student scholarship fund. J.T
n| TWO KILER PUPILS
IN VIOLIN RECITAL
Olive Kiler is to present two of her violin pupils, Betty Mitchell and Dorothy Olsen, in a recital at 3 p. m. tomorrow in the Cropsy Auditorium, Central Library. David Starr Jordan, tenor, a pupil of B. F. Swarthout will assist. Accompanists will be Ruby Bell and N. William Jackwitz. The program, to which the public is invited, will contain the following numbers: "Famtasie Brilliante”
Betty Mitchell “Where’ er You Walk’ 1orgo David Starr Jordan
..Ha “Prize Song” ‘(Die "Meistersinger) - Wagner Obertas Wieniawski Beil? Mitchell
“Brown Bird Sing: «ss. Wood David ETT Jordan Finale from Concerto No. 22........Viotti Dorot othy Olsen “To a Hilltop” dst vee av arr Jordan “Fra. squita ”»
(Souvenirs de Artot «+. Handel
ndel
+s. COX
Dorothy Olsen
U. S. ARMY FLIER - SPURNS FILM OFFER
HOLLYWOOD, April 23 (U. P.).— Lieut. Thomas B. Hall of the Army Air Corps today became one of the few persons to refuse a chance to become a movie star. Lieut. Hall was offered a contract by Metro-Goldwyn-Mayer after appearing briefly in a flying picture. He turned it down to stay with the Army Air Corps. His bride didn’t want him in the movies, he said,
HOW COMEDIANS START
One of the first jois obtained by Joe Penner was as a mind reader’s assistant in vaudeville.
Disguised as. a polar bear,
as the Professor and Jayne Sumner |
the Abbey Players, whom he left for screen work, when they come to English’s for a two-day engagement of four plays May 2 and 3.. will appear in two plays here,
Mr. Fitzgerald
WHAT, WHEN, WHERE APOLLO
Old Chicago,” with Don. Tyrone Power. Alice Faye. at 11:47, 2:14, 4:41, 7:08
1:47,
“In Ameche, Alice Brady, a
“March of Tite,” at 11:20, 4:14, 6:41 and 9
CIRCLE
“Fools for Scandal,” with Carole Lombard, Fernand Grayet, at 11, 1:50, 4:45, 7:35 and 10: ‘Battle Over a. with Vieor gdckaglen and Brgy Donlevy, at 2:25, 6:15 and 9:05.
INDIANA
“Joy of Living,” with Irene Dunne and Dou lay a oanks Jr, at 1 3:47, 0:03. is a of Dr. Hallet,” with Ralph Bellamy, at 11:31, 2:39, 5:47
and 8:55. LOEW’S
ost Pilot,” with Clark Gable Myrna Loy and Spencer Tracy, at 11: i 2:15, 4: 5 7:25 and 1
LYRIC
“Women Are Like That,” with Kay Francis and O’Brien, on _ screen at 11:36, a. 5:14, 8:08 and 10:32. “Maj. Bowes All-Star Revee, ” on stage at 1:08, 3:52, 6:46 and 9:40.
. OHIO
“Thunder, Trail” with Gilbert Roland. Also “Swing Your Lady,” with Humphrey Bogart. ALAMO
“Heart of Arizona,” with Bill Boyd. Also “Non-Stop New York.”
AMBASSADOR
“The Goldwyn Follies,” with AnSees Jeeds, Also “I Met My Love
Dog Actor Has Assistant Now
HOLLYWOOD, April 23 (U. P.)— A dog actor gained full star status in Hollywood today by being assigned a “stand-in.” A “stand-in” stands before the cameras while the long preliminary adjustments of lighting and focus are completed. When all is ready, the star steps forward and the cameras begin. “Blitzen,” a giant Great Dane, is the dog with the stand-in. The animal is young and nervous, so an old and steady Great Dane named “Von” was hired to sit while the scenes are prepared on the picture, “Letter of Introduction” at Universal.
WAITED LONG TIME
Charles Coburn appeared on the stage for 40 years before making his screen debut in “Of Human Hearts.” Dance Cork’s
5. SKY 5, “IHARBOR
Sat.. 60c couvle before cou= ple 9:30 to 12:00: 50¢ En 0 he 12:00. Sun. 2 38 couple before 9:15 Couple After 9:15 One Block South Municipal Airport,
Harold
E HORA SON
he. = and His CBS Oly
ANCE Pa and 2
BALCONY 30¢ After b
— HEIGHTS in Screen Thrills!
GABLE + LOY « TRACY
MICKEY MOUSE
And a Host of
STARTING AT SATURDAY MIDNIGHT SHOW!
"LAFFN THRU"
Featuring the 10,000 Dollar Beauty
SUNYA sus SLANE PRETTY GIRLS
Matinee 2:15—Two Shows at Night, 7 and 9 P, M. Continuous on Sunday
-a prospective bridegroom.
Hoosier Villain Stars in Circle's ‘Fools for Scandal.’ “Joy of Living’ at Indiana
Carole Lombard Finally Jilts Ft. Wayne Suitor
For Marquis.
A Hoosier is the villain of “Fools for Scandal,” now at the Circle. He is supposed to be from Ft. Wayne, the town where Carole Lombard, leading actress of the movie, really was born. And a very nice sort of a Hoo
sier villain Ralph Bellamy makes. Most girls probably would be more delighted than is. Miss Lombard in the film to have such a person .as He is really a most substantial man and he worships + the very air around her dizzy h He is y ead but certainly not unromantic. His clients are perhaps insurance policy numbers to him, as Miss Lombard charges, but she at least is much more. It is therefore almost incomprehensible that Miss Lombard, in her movie role, should throw over her excellent Hoosier for a penniless marquis, played by Fernand Gravet
Looks Like Duke of Windsor
M. Gravet, who looks like the Duke of Windsor, must always be a nobleman, since David Windsor has been so long the American ideal of what nobility looks like. The young Frenchman prcbably will be put to playing a Russian emigre soon; he now proves he can lobk quite at home in a Montmartre garret. It is in Montmartre where he almost loses Miss Lombard. He met her the day before in front of a church where a wedding was being held. Being an alert Hoosier, he seized the opportunity to pretend he was a member of the wedding party and kissed her, in alleged French fashion. The kiss leads to a long taxi ride around Paris and a dinner date for chicken a la rene in Montmarte. He almost loses her because his only suit is at the pawnshop when she arrives and she is insulted by the figure he cuts wrapped in a rug as a Persian hawker.
Actress in Disguise
It is the taxi driver who identifies her as a famous movie actress, despite her bewigged disguise. The ne’er-do-well marquis’ irrepressible and faithful Pythias, Allen Jenkins, pawns a lost diamond clip of Miss Lombard’s to get M. Gravet to London and reunion with her just when Mr. Bellamy was wanting to press his proposal. It is in London that Mr. Bellamy meets his Waterloo. The one redeeming feature of his worthless rival is an ability to cook eggs divinely and make love furiously. The combination of the two is too much for Miss Lombard’s better judgment and Mr. Bellamy’s ambitions. It is almost too much for Miss Lombard’s reputation. London lords and ladies and London newspapers become suspicious that a movie actress should have so noble looking a cook as M. Gra-
DANCE
LADIES FREE SUN. NITE
AT BLUE MOON
46th and Keystone Gentlemen—25¢
HU-6754
one Dunne and Douglas Fairbanks Star in 'Fun’
Picture.
“Joy of Living,” or “Fun at the Roller Rink,” “holds the Indiana screen this week. Irene Dunne an Douglas Fairbanks Jr. are the stars, and if the chaff from Hollywood's grist mill doesn’t get in your hair, you probably will enjoy it. Miss Dunne plays a musical comedy star who makes, on the New York stage, the decidedly cinema salary of $10,000 a week. On this she supports a family of. assorted leeches, sponges and barnacles. The. parents are theatrical has-beens, her sister a jealously ambitious young actress, her brother-in-law just lazy. Mr. Fairbanks is one of those persistent movie heroes—a sort of Mary's lamb in wolf’s clothing. He follows the actress everywhere. She has him brought into court for annoying her. He makes her sing for the judge (with an orchestra in the background) and the judge puts him on probation in the actress’ custody. All this time Mr. Fairbanks is preaching the philosophy of just having fun and doing what you want to when you want to. He can do this because he is, fortunately, the black sheep son of
a Back Bay Boston family. He also|
owns an island in the South Seas. Well, he finally persuades Miss Dunne to go out for an evening's proof that money isn’t everything. He plies. her with pitchers of beer. They go to the skating rink, make a recording in a litttle recording shop (there is another orchestra in
vet. They lay siege to her house and make her attempt to fire the persistent suitor-servant unavailing. The uproarious climax of almost too uproarious a movie is a dinner, at which Miss Lombard and Mr. Bellamy have planned to set their wedding date and which M. le Marquis has planned as his triumph of culinary and romantic skill. He says as much: “I makes me mad to think of anyone getting married in. Ft. Wayne.” Miss Lombard almost outwits his plan by announcing to the papers her engagement to Mr. Bellamy, but M. Gravet finally wins a pair of kisses on the Covent Garden stage to seal his victory. Even at the end, there was a suspicion that Miss Lombard’s better judgment still preferred the Hoosier... But neither Miss Lombard, M. Gravet nor the movie is serious. (S. E. H)
O'BRIEN, KAY FRANCIS IN COMEDY AT LYRIC
“Women Are Like That,” which opened a week’s engagement yestere day at the Lyric, is an amiable bit of fluff—hard..to distinguish from hundreds of other harmless fables of marital vicissitudes. The plot has to do with Claire King (Kay Francis) who elopes at the moment before her wedding to Martin (Ralph Forbes) with Bill Landin (Pat O’Brien), her father’s ace advertising man.
Life is complicated for the happy ® couple after the first year when Claire’s capricious father (played with finesse and humor by Thurston Hall) skips off to Europe with most of the firm's funds. Bill, racked with worry, takes to drink and wife neglect. Wife Shows Up Hubby The crisis arrives when his up and coming wife wins a big contract that had slipped through his fingers.
Then ensues Bill’s trip around the |
world, going from bad to worse in true cinema fashion, while Claire rises to fame and fortune as the smartest advertising woman in New York. During these sequences her hand
clenching is increased to depict the|
broken heart under the brave and smiling countenance. All in due time the traveler returns and is fired by his wife's suc-
the background). They wind up slapping each other's faces to the strains of Hawaiian music. Next morning Mr. Fairbanks wakes up in the actress’ sitting
room. The family is aghast, fearing it will get in the papers and hurt the show. He insults the family and Miss Dunne gets mad. So Mr. Fairbanks plans to leave for the South Seas. : She proposes, he accepts, and they are married. But the ink on the license is scarcely dry when troubles of South Seas Vs. career bob up. Mr. Fairbanks insults the family again. But when the bride arrives home all her dependents show themselves in their true light. So she advises them to go to work, and gives her shoes to her sister, who has always wanted to be in them. Then, shoeless, she paddles out into the rain. Mr. Fairbanks, still lurking around the corner, catches up with her. He, too, throws away his shoes. For wading barefoot in the rain is one of the cardinal principles of his fun-is-where-you-find-it philosophy. That’s about all there is to it, except that Guy Kibbee, Alice Brady, Lucille Ball, Jean Dixon and Billy Giibert are in it, along with some good Jerome Kern tunes.
LAST DAY “Thunder Trail” Gilbert Roland “Swing Your Lady” Frank MeHugh Tomorrow! dean 11 Harlow “Platinum
me 9 cteen
HOME OWNED HOME liad
[ ‘Kay says: “To Heck “With the’ Groom”
cess to outsmart her—which he does as .the employee of a rival firm. The film ends entertainingly with poor Martin once more left in the lurch as Claire and Bill straighten out their difficulties.
O’Brien Typically Cocky
The cocky, devil-may-care Bill is played in typical O'Brien style and Ralph Forbes does as well as possible with a stodgy and uninteresting “other man.” Kay Francis, throughout the length of the piece, wanders about wringing her hands, wearing incredible “creations” and dwopping huh r’s consistently. HH you are addicted to vaudeville you will find the Maj. Bowes Alle Star Revue right up your alley. Sally Swing, tap dancer, bids fair to be competition to Eleanor Powell, and Gay Allen’s husky torch singing is highly effective. Don Chester impersonates radio and screen personalities with amazing skill and O’Brien and Goldberg's parody on radio programs will be applauded loudly by fans. There are 12 acts altogether with Buddy Page as Master of Ceremonies and Eddie Rudley as musical director.—L. O. M.
_———————a
IS WHERE VO LIBR BY
Extra Hit—Jones Family “Love on a Budget’
At Your Neighborhood Theater
WEST SIDE Belmont”
«WELL-FARGO” Jean Parker “PENITENTIARY”
Sunday Double Feature—Robert Taylor “A YANK AT OXFORD”
“GOLD IS WHERE YOU FIND IT”
Double Feature
DA SY John Barrymore
“Bulldog Drummond’s Revenge” “ROLL ALONG COWBOY”
Starts Tomorrow—Walt Disney’s “SNOW WHITE AND THE
SEVEN DWARFS” Complete With Short Subjects A FULL TWO-HOUR SHOW
way City Speedway SEF, “ROLLING CARAVANS” “WOMEN IN PRISON” Starts Tomorrow—Walt Disney’s
“SNOW WHITE AND THE
SEVEN DWARFS” Complete With Short Subjects A FULL TWO-HOUR SHOW
Howard Bai fates” “PAINTED TRAIL” Warren William “MADAME X” Sunday Double Feature—Alice Faye “YOU'RE A SWEETHEART”
“CHAN AT MONTE CARLO” Double Feature
STAT E Bob Baker
“COURAGE OF THE WEST” “Manhattan Merry-Go-Round”
Sunday Double Feature—Alice Faye “YOU'RE A SWEETHEART”
& Belmont ‘Doble oature Burns
"2510 W. Mich. St.
2702 W. 10th St.
* Jane Withers “CHECKERS”
SOUTH SIDE
G R oV E Beech Grove
Double Feature Jack Holt “TRAPPED BY G-MEN” “SPRINGTIME IN THE ROCKIES” Sunday Double Feature—Judy Canova * “THRILL OF A LIFETIME” Joan Crawford “MANNEQUIN”
Av a | oO Nn ’ & Churchman
Pr vile Feature Smith Ballew _ “ROLL ALONG COWBOY” “FIGHT FOR YOUR LADY” Sun. Double Feature—Wheeler & Woolsey
“HIGH FLYERS” Frances Farmer “EBB TIDE”
Oriental "armen:
j Richard “Murder in Greenwich Village” Selected Shorts Sun. Double Feature—Sally Eilers
/]
| Talbott
East at Lincoln
SOUTH SIDE i : Double Feat Lincoln Hida
“FIT FOR A KING” “Renfrew of the Royal Mounted”
Sunday Double Feature—Carole Lombard “TRUE CONFESSION” “LIFE BEGINS WITH LOVE”
New Garfield
2203 Shelby St. Double Feature Today and Tomorrow
Sonja Henie he “HAPPY LANDING"
Stuart Erwin and All-Star Cast “SMALL TOWN BOY” ~ Plus Selected Shorts
Fountain Square
Double Feature Eleanor Whitney “THRILL OF A LIFETIME”
Frederic March “BUCANEER” Sunday Double Feature—Alice Faye “SALLY, IRENE AND MARY”
- “LOVE IS A HEADACHE” Double Feature
S a n de rs Gene Raymond
“SHE’S GOT EVERYTHING” “ROLLING CARAVAN”
Sunday Double Feature—Ben Bernie “LOVE AND HISSES” “CHAN AT MONTE CARLO”
NORTH SIDE
At Fountain Square
Talbott & 22nd Double Feature
Glenda Farrell “BLONDES AT WORK” ~ “THE BARRIER” Sunday Double Feature—Lewis Stone “YOU'RE ONLY YOUNG ONCE” Joan Crawford “MANNEQUIN”
24 EX 80th at Northwestern
Double Feature Peter Lorre “THANK YOU, MR. MOTO” Humphrey Bogart “STAND-IN” Sunday Double Feature—Wallace Beery “BAD MAN OF BRIMSTONE”
NORTH SIDE
Hol lywoo 1500 Roosevelt
Double Feature Edmund Lowe “MURDER ON DIAMOND ROW” “SHE’S GOT EVERYTHING” Sunday Double Feature—Wallace Beery “BAD MAN OF BRIMSTONE” “SWING YOUR LADY”
Central at Fall Crk. Now Showing
Za ri ng : Walt Disney's “SNOW WHITE AND THE SEVEN DWARFS”
Adults, 25¢ Children, DON'T MISS IT! 16th Double Feature
C i nema Peter Lorre
“THANK YOU, MR. MOTO” Miriam Hopkins “WISE .GIRL”
Sun. Double Feature—Jeanette MacDonald. “NAUGHTY MARIETTA”
“CHANGE OF HEART”
15e
& Delaware
2nd & College tk hs Feature
U p town Wayne Morris
“THE KID COMES BACK” Jack Holt “UNDER SUSPICION”
Sunday Double Feature-—Alice Faye
“SALLY. IRENE AND MARY” “NO TIME TO MARRY” b pe pie F on S {. C a [ r Wallace Ford. “SWING IT, SAILOR” Clark Gable “HELL DIVERS”
Sunday Double Feature—Wayne Morris
“THE KID COMES BACK” Joan Crawford “MANNEQUIN” 1 E. Wash.
EAST SIDE Double Feature
Pa ra mou n t Boris Karloff
“THE INVISIBLE MENACE” “TRAIL OF VENGEANCE” Doors Open 1:30 P. M. Sun. Double Feature—Dick Powell
“HOLLYWOOD HOTEL”
. Cl. & Ft. Wayne
“I MET MY LOVE AGAIN” Double Feature
DREAM Ei,
“EVERY DAY'S A HOLIDAY” “SUDDEN BILL DORN”
Sunday Double Feature—Wallace Beery “BAD MAN OF BRIMSTONE”
Joan Crawford “MANNEQUIN”
2351 Station St.
Chas. Bickford “THUNDER TRAIL” Double Feature
B 1) Ou - Eddie Cantor
“ALI BABA GOES TO TOWN” “UNDER STRANGE FLAGS”
Sunday Double Feature—Zasu Pitts “FORTY NAUGHTY GIRLS”
114 E. Washington
RITZ 3 Illinois and 34th
Double Feature * Dolores Del Rie “International Settlement” Jane Withers “CHECKERS” Sunday Double Feature—Judy Garland, “EVERYBODY SING” ~. “RADIO CITY REVELS”
“DANGER—LOVE AT WORK” 2930 E. 10th St Double Feature
Pa rker . Edw. G. Robinson
“THE LAST GANGSTER” “LIVE, LOVE AND LEARN” Sun. Double Feature—Wheeler & Woolsey “ON AGAIN—OFF AGAIN”
Gladys George “MADAME X”
EAST SIDE
R | VO L 3155_E. 10th St.
Cont. Matinee Today Allan Jones Garland
Adults 1} 15¢ TN 6 y "EVERYBODY SING” e Jones Family “LOVE ‘ON A BUDGET”
EXTRA! Last Show Jonisht only Box Office Open Unt Miriam Hopkins Ry MeCrea Merle Oberon “THESE THREE”
PIL LULA Ai mn s orrow—Special rac an Sunday. Double Feature—E Edw
*SLiGHy Case OF MUR DER™ Alice F Tony AE Ry”
“SALLY, TRENE AND EXTRA! Audioscoptik Many Tacoma. pein
Today and Tomorrow Sonja Henie—Don Ameche “HAPPY LANDING”
Re PR GEANT Mary Prronire 4020 Dunia Feature
T u Xe d 0 Eleanor Holm
“TARZAN’S REVENGE” Joan Crawford “MANNEQUIN” Sunday Double Feature—Bob Burns “RADIO CITY REVELS” Jane Withers “CHECKERS” Starts Thursday—‘ ‘SNOW WHITE”
IRV] NG 5507 E. Wash. St.
Double Feature “CHAN AT MONTE CARLO" “SH! THE OCTOPUS” Sunday Double Feature—Wallace Beery “BAD MAN OF BRIMSTONE” “PAID TO DANCE”
Hamilton 2116 E. 10th St,
te Double Feature “SH!
Hugh Sproert THE OCTOPU “TARZAN’S I Sunday Doible Featute—Joan Crawford “MANNEQUIN? Jane Withers “CHECKERS” 6118 E. Wash.
GOLDEN sz.
“THE LAST GANGSTER” Myrna Loy “MAN-PROOF” Sunday Double Feature—Dorothy Lamoup “THE HURRICANE” “LOVE IS ON THE AIR”
Emerson com Sst.
Cont. Matinee Adults Till 6 1 Bob Barts hn Baker “RADIO CITY REVEL 2—Eleanor Holm “Tarzan’s LE renpe” 3—Laurel & Hard “COUNTY HO SPITAL” Satie Tope 5s 42
Jane Withers “CHECKERS” 182 E Wash, SGC Strand “Fes
sar’ ThiG Mos, Alice Faye Mar, “SALLY. IRENE Judy Garland Fanni "“EVERYBODY
edy—Night at Newsoloell Thomas, dr, te tnt 1
lh Showin SrEdus
New York
rie Weaver MAR