Indianapolis Times, Indianapolis, Marion County, 2 April 1938 — Page 8

Fire Scene Thrill Climaxes Indiana’s ‘In Old Chicago’; Marital Comedy atLoew’s

o' teary Story of 1871 % Exciting Romance of

Metropolis. _— By JAMES

Mr. Samuel (Zephyr) Goldwyn had best look to his hurricanes, and the M-G-M people to their plague of “Good Earth” locusts. For Dar- - ryl Zanuck and 20th Century-Fox have labored and brought forth a cataclysm to put wind and locusts in the shade. It is the Chicago fire of 1871, “cli- ‘ max of “In Old Chicago,” that much=-discussed film which- finally has reached town at the Indiana. For noise and thrills and movie magic, with money no. object, “this gigantic bonfire is one of the most exciting things to come to the-screen “in a long time. : Being one who thinks that action and spectacle are the movies’ Supong point and deserving of emphasis; I may be overly enthusiastic about Mr. Zanuck’s mighty blaze. It’s scarcely possible, however; that the picture will disappoint in its. other phases those more romantically inclined.

Fast-Moving Story

It's a good, fast-moving story, and marked by some excellent performances, excluding those of the firemen. Mrs. O’Leary—she whose cow supposedly kicked over the lantern—and her sons are the chief protagonists. Belle, a night-club singer; is the innocent bone of contention. The picture opens with the senior O'Leary racing a train with his team and covered wagon en route to, the sprawling hamlet of ‘Chifgo, and getting killed for his breakneck * sport. His dying admonition ®o the boys is to stick with this town. They do.. While. Mrs. O'Leary takes in washing, Dion grows up to be a shrewd promoter who mixes in Shady politics; Jack becomes an able but struggling young lawyer. Dion opens a cabaret and, to thwart his politically ambitious rival, runs Jack for Mayor on a reform’ ticket and elects him. Jack _turns the tables and pledges to reform | “The Patch,” where the O'Learys live, and where Dion is nixed in some shady business.

Performances | Good

Dion. then marries: Belle, who happens to be the star witness. _Since a wife cannot testify against her husband, he is | safe. When _Jack: discovers this; there is one of .. the prettiest slam-bang fights seen -on" the screen in years. - Then comes the fire. - The town _ hoodlums think Jack has purposely fired “The Patch” and .come to get him. Jack 15 killed-and the family dispersed. But, in an effective ending, they are reunited. Mrs. O'Leary is reconciled to Dion’s marriage and he, apparently; is a chastened man. . Alice Brady deserved her Acad- . emy award for her Mrs. O'Leary. Tyrone Power, as Dion, proves he is more than a pretty boy, both as fighter and actor. Alice. Faye is adequate, and Andy Devine and other supporting players contribute ‘good performances. Doni Ameche plays Jack, a part, <" which to me cries aloud for Spencer Tracy. . . But . Ameche does a satisfactory job. However, the fire's the thing. And it is something to be seen, not talked about. So I'll

Robert Montgomery Star Of Amusing ‘First Hundred Years."

THRASHER What happens when things go against the: grain in the woodenwedding year is set forth in Loew's “The First Hundred Years,” an amusing and sentimental little piece featuring Robert Montgom-

ery and Virignia Bruce. What happens when an authordirector’s fresh approach combines with intelligent acting to rework a well-worn plot also is shown, and to good advantage. Norman Krasna wrote and assembled this picture. And though he’s the man who started the slapstick ball rolling again in “Hands Across the Table,” he has handled this present morsel with refreshing restraint. That's what it is, a morsel, but a toothsome one. It has to do with a couple's stubborn disagreement and the thunderstorm and other forces of nature that reunite them.

' Wife Gets Worst of It Lynn Conway, it seems, makes more money as. an .actor’s agent than: does her husband, David, as

a boat designer. When the husband gets a well-paying position .in a New - Bedford shipyard, Lynn re-

| fuses to leave New York and her | business.

Consequently there is a separation. ’ The fix-upping efforts of her partner (Warren William) and their lawyer (Alan Dinehart) don’t help. ‘In fact, the judge awards David $400 a month alimony, since Lynn and the lawyer insist so strongly that “this is the 20th Century” and a woman is no longer a mere homebody. The lawyer tries to get David to disregard the alimony. This infuriates him, so he takes it. Both mope in loneliness. Then Lynn's Uncle Dawson arrives, David agrees to come back for one night, so not to disappoint the old man’s aging and ailing heart. There is a violent storm, and since Lynn fears the thunder, David goes to calm her fears. There is also a detective, hired by the lawyer to secure evidence and end the separation. Uncle Dawson discovers the spying detective. David again is furious and walks out for good.

Cast Is Excellent

But nature hasn't finished. A medical examination for insurance discloses that the Conways are to have an heir. So, after only one more misunderstanding and chase, boy gets girl. Papa, in fact, gets mama. The picture 5 admirably cast and excellently acted. The lovely Miss Bruce, it is good to report, finally is coming to the fore. Mr. Montgomery apparently revels in a

chance to play something beside the |

young wastrel. And all the others are excellent, including Messrs. William and | Dinehart, Binnie Barnes, Harry Davenport, Nydia

wright and the judge, who didn’t get into the billing. Also at Loew’s is the child actress, Edith Fellows, in her first starring part, that of “Little Miss Rough-

~ . leave it up to you.

neck.” Leo Carrillo also is present.

IN NEW YORK —= GEORGE ROSS

'Ti-Pi-Tin' Originally Written in Sean) and Fist Played for Biltmore Guests. \

NEW YORK, April 2—The silly song cycle goes round and round. First it was “The Music Goes,” etc. Then came “Bei Mir Bist Du Schoen,”

after a few intervening fizzles.

. Now the Tin Pan Alley skies are threat-

, ened by “Ti-Pi-Tin,” which, when you say it fast and repeat thrice, constitutes the first few verses of the song. There's no question of its rising

vogue. Ome can tell, after dropping in on some places and hearing it hummed, played and sung on the way in, on the way out and on your way down the street. ~ Like “The Music Goes,” etc, which - was popularized by an obscure pair of musicians (Reilly and Farley are their names) and “Bei Mir,” which was written by a Yiddish composer of Second Ave. --(Sholem Secundah in his), “Ti-Pi-Tin” is the product of a lady unknown to Tin Pan Alley, though she -is well known in concert circles. Her name is Maria Grecia, a Mexican woman who now is a United States citizen and a resident of New York. She is the mother of five children and this is the first tune of her composition that ever got anywhere, though ' she published hundreds of others, many at her own expense.

Written in Spanish

- She wrote “Ti-Pi-Tin” in SpanSsh ‘her native tongue, and had it translated, and she pleaded with bandleaders to give it a chance. One night Horace Heidt generously offered to accord “Ti-Pi-Tin” a hearing and was the first to.play it in the dining room of the Biltmore Hotel. From then on, it was a simple matter to spread it around because the guests who heard it hummed it to their friends and “Ti-Pi-Tin” profited by the word-of-mouth advertising. Anyway, it'should be drumming into your ears by now, via the ether and wax records.

Every time Artie Shaw's orchestra / makes a recording, a wax impression is sent to Charles Laughton in England. Laughton is a great admirer of the Shaw music and the vocalist, Billie Halliday, who has sung with Duke Ellington, Cab Calloway and Louis Armstrong. The meeting between Laughton and the dusky songstress was amusing. Last season while passing through Manhattan en route to London, Laughton noticed that his valet, Charles, was missing. The grips were packed, and sailing time was drawing dangerously close. With police aid, Laughton traced

LAST DAY! ; yIEXAS RANGERS" “SHE LOVED A FIREMAN Dick Foran Tomorrow “SUBMARINE D-B”

his Negro manservant to Harlem, where Charles, an admirer of Billie Halliday’s vocal style, was passing the time in enthralling admiration. After chastising his man for running out, Laughton remained to listen to the Halliday girl and became a confirmed admirer of her vocal style, too. And before departing, extracted a promise from her to forward all her waxed songs to him. Elmer Rice has relented and capitulated again to the stage. Three years ago the famous playwright swore that he never would work on another play and announced his divorce from the theater forever. It all started when Mr. Rice made a little speech before a group of college students one night and proffered some pertinent and impertinent remarks about the dramatic critics. The critics retaliated next day with epithets, vituperation and invective. And Mr. Rice said he was through. But a couple of weeks ago the bespectacled dramatist was urged by his brother playwrights, Maxwell An- | derson, Robert E. Sherwood, Sidney Howard and S. N. Sherwood to join them in a collective producing group. Mr. Rice gave in; said he would join and write a play for them. He is on his way to the south of France now to think of saturdsy

an SKY JE HARBOR

Sat., 60c couple bef 9:30; 80c couple 9:30 to 12:00; 50c couple afies 12:00. Sun. 35¢ couple before 9 fips le After 9:1 Municipal Airport.

50¢ Cou One Block Sout

Westman, and even a young play- |.

WHAT, WHEN, WHERE

APOLLO

“Bluebeird’s Eighth Wife,” with Claudette Colbert, Gary Coopér, Ed--ward Everett Horton, at 12:50, 3:55, 7 and 10:05. 7 “Dangerous to Know,” with Akim Tamiroff, Anna Joy Wong, at 11:40, 2:45, 5:50 and 8:55.

CIRCLE

“Hawaii Calls,” with Bobby Breen, i at 12:05, 2:35, 5:05,

n “Bulldog Drummond’s Peril,” with John. Barrymore, John Howard, Louise Campbell. at 11, 1:30, 4, 6:30, oh X

INDIANA

“In Old Chicago,” with Tyrone Power, Alice. Faye, Don. Ameche, ace Brady. at “11:40, 2: 10, 4:40, March “of Time.” at 11:05, 1:35, 4:05, 6: % and 9

EWS

“The First Hundred: Years,” with Robert Montgomery, Virginia Bruce. Walren Wim, at 12:15, 2:50, “Little Miss oughneck,” with Edith Fellows, Le Coeriilo, at 11:05, 1:40, 4:10, 6:40 and 9:15.

LYRIC

“Calling All Stars,” with Vince ' Barnett. Eddie Tox Jr., on stage at 1:05, 3:50, 6:45 and 9:40. “Island in the Sk y,”’ with Gloria Stuart, Michael Whalen, at 11:38, , 5:18, 8:13 and 10:38.

OHIO

ie a Rangers,” with Fred MacM rray. Also “She Loved a Nomar with Dick Foran.

ALAMO ‘““A Lawman Is Born,” with Johnn Mack Brown. Also “Invisible ny

AMBASSADOR equin,” with Joan Craw. . nea Crashing Hollywood,”

with Lee Tra

WII aR): WIL) HARI

|BLUEBEARD'S STAR AL

Dangerous to Know GAIL PATRICK + AKIM TAMIROFF.

PENNER TO HELP

. NEEDY CHILDREN

Times Special HOLLYWOOD, April 2. —Joe Penner, radio and screen star, will take time out from his current picture, “Go Chase Yourself,” to appear at a benefit in Glendale on April 8. The comedian will help to raise money fo provide summer vacations for 100 underprivileged children.

M. M. Blum, chairman of the Glendale Co-ordinating Council, appealed to Mr. Penner on behalf of the children, and won his promise to be present at the benefit performance.

TIBBETT TAKES PIANO ON AUSTRALIAN TRIP

Lawrence Tibbett, opera and movie singer, was en route to Australia today with a piano in his stateroom on the liner Mariposa so he could practice on the way across the Pacific. He will sing in Honolulu Sunday and give concerts in Australia.

Leading figures in Indianapolis Symphony Orchestra’s closing activities of the season this weekend are shown above. In the top row, left to right: Elmer Andrew Steffen, director of the Indianapolis Symphony Choir, which will be heard with the orchestra in Beethoven's Ninth Symphony tonight and tomorrow afternoon; Fabien Sevitzky, the orchestra’s conductor and musical director, who will con-

HOLLYWOOD, April 2 (U. P.).—|.

these concerts.

concert;

'Hawaii Calls’

Story—and Babby Breen

It takes something unusually wonderful to carry ‘a movie without a

romance.

This miraculous ingredient in “Hawaii Calls’ —

duct both performances; Bomar Cramer, Indianapolis pianist and soloist in a Mozat concerto at

Below, left to right: ‘Rafael Druian, boy violin soloist with the orchestra at today’s children’s David Blair McClosky and Edna Merritt, who with Jeanette Vreeland and Edward Grobe, will form the quartet in the Ninth Symphony.

Has No Love

now at the Circle—is

College Choir

To Sing Here

Hiram A Cappella Group ‘Concert Tomorrow.

‘ The Hiram (O.) College A Cappella Choir, a 48-voice mixed chorus under George Howerton’s direction, will give a concert at 7:30 p. m. tomorrow at the Third Christian “The group is now on a spring va cation tour of Ohio and Indiana. They have been heard in broadcasts over both NBC networks, and have sung several times in Cleveland. ~Music from the 16th Century to the present is contained in the Indianapolis program, which is as fol-

lows: 1 Chan .Jann wn, (16th Cent. French) “Ween. 0 Mine

celles (English Sis 1083) “Alla ira wi eee: string

“Exulta Pajestrina A Cappella Choir.

“Rest, Sweet N.

‘Come, ¥ollow s Bateson (English 1575-1630)

“So Well I Know Vecchi {Italian 1550-1605) Madriga Group II

Selections From the Motet, “Jesu, Priceless Treasure’

A Ca A Choir. Iv

“ous of "ihe sierice A" Cappena Choir. v

“A Sweet Country Life” Holst “The old Woman and the Peddler”.

Kinscella Madrigal Group. : VI

Son, s of Praise’ (Welsh) ....Arr. Jones 's Wedding Day” (German n)

“Los he Night” (Finni : Luvass ie ” nn sh bine : Arr. Lbistinsen Dance Song (Czechoslovakian)........ Arr. Maney

DIVORCED MATE

OF HARLOW BROKE

HOLLYWOOD, April 2 (U. P.)— —Charles F. McGrew II, who inherited a fortune before his marriage to the late Jean Harlow, was

broke today. McGrew, who was divorced from Miss Harlow before she attained fame, testified that he inherited $190,000 from his grandfather on his 21st birthday but said he has none of it left to pay his second wife $4000 on a separation agreement. A court commissioner delayed ruling on the case for a week.

Bobby Breen’s voice. »

The nearest thing to a "love in-

terest” that Sol Lesser permitted to.

invade the picture is a dinner of pig knuckles at which Ned Sparks sits beside an exquisite Hawaiian, Mamo Clark. That is enough, of course, to make Mr. Sparks a permanent resident of the Islands. The rest of the story is equally vacuous. It is a tale of a boy who stows away on a liner bound for Honolulu, sings ‘his way into the heart of the Captain, Irvin S. Cobb, with a tender Irish ballad, is chased all over Oahu by a fat policeman,

| escapes by going to the Island of

Maui, where he saves some elaborate naval defense plans from foreign spies and is rewarded with adoption by a naval officer involved. The publicity says the story was written by Hawaii's “poet laureate,”

Don Blanding. Perhaps it is not surprising that a poet's drama should be mostly Song. Delightful song it is. That Master Breen can thrill audiences with his voice is no news to radio and movie fans, but this time it seems

‘even more silver than usual.

It is unfortunate that Bobby lacks the simple naivete that characterizes the acting and singing of Deanna Durbin. He would do well to learn how to perforth without showing off, to acquire a naturalness that lets one forget the masquerade. It is to be hoped that this naturalness will come with matty, for his exhibitionism is child-

he rest of the characters are of no consequence. They are just scenery and rather overshadowed by the beauty of the real and Hol-lywood-created scenery. Best of the lot is Pua Lani, Bobby's little Hawaiian companion. Pua’s gigantic

ig” NED SPARKS IRVIN S. COBB RAYMOND PAIGE AND ORCHESTRA -

John Barrymore n “Bulldog Drummond’s Peril”

ith John Howard. hi rR Campbell

(RHR

= ROUGHNECK

RGN EDITH FELLOWS E BR

LEO CARRILLO

STARTING AT THE SAT. MIDNIGHT SHOW

: RETURN ENGAGEMENT OF THE $10,000 DOLLAR BEAUTY

SUNYA ss SLANE

wn ORIENTAL GIRLS

aunt, Birdie De Bolt, also does a good job. Raymond Paige’s fine orchestra, which gets a “with” billing, appears only once, playing one number and accompanying Bobby's “Macushla.”

In the second feature Bulldog Drummond is again kept from the altar by the necessity of solving a

INDIANAPOLIS

FABIEN SEVITZKY, Conductor

~ BEETHOVEN NINTH © SYMPHONY

Indianapolis Symphonic Choir BOMAK, CRAMER, Pianist:

Tonight 8:15

Tomorrow 3:15

MURAT THEATRE

Box Office Open 9 A. M.- Tomorrow

murder, in which nobody ew | fis ‘who was murdered S. E. .

SYMPHONY ORCHESTRA }|

D eums TONIGHT sm D A Dance fo rhythms set by A

NDIANA

R O O

Eddie Foy Jr.

Riley 9597

Le (English 1564-1638) -

| completely mystifying. -

s | available in acts by the Hazel Man-

tinal’s former school teacher, and

RTEL-A-TEMPOWX

A Star-Studded Revue with _ and Vieki "Cummings

12 Hollywood Starlets:

MAGIC SHOW. FOY JR. AND BARNETT HEAD BILL

Mystified by Keith Clark’s- deft legerdemain, and amused by the

foolery of Eddie Foy Jr. and Vince Barnett, an April Fool's Day au yesterday saw inaugurated on the le stage an appropriate sho

nce hich

will hold forth for the coming week Speed and informality are the chief virtues. of this production, titled “Calling All Stars.” Mr. Barnett, the movie comedian, is the chief attraction.. He surprises one with his passable, singing voice, wanders on and off the stage to trade gags with Mr. Foy, his assistant, and a trio of adagio dancers, and indulges in a bit of knockabout comedy. Some of the blackouts are of a burlesque vintage, and -Mr. Foy, who collaborates in them, certainly is not quite the comedian his ‘father was. He has the assistance of Vicki Cummings and a very blond male partner who “swings out” agreeably on the ukelele.

Magician Best

The show’s smoothest ‘bit ‘of entertainment, to this writer’s notion, is Mr. Clark’s sleight of hand. For one thing, most of his patter is in French, which is on the unusual side. Unencumbered by elaborate paraphernalia, he does tricks with cigarets and handkerchiefs that are

A liberal supply of dancing is

gean Girls, an acrobatic turn; the Mia Miles Foursome, made up of Miss Miles and the three adagio

artists already mentioned, and the 12 Hollywood Starlets, who give you everything from taps to ballet routines. On the screen is a murder mystery film, “Island in the Sky,” with Gloria, Stuart and Michael Whalen featured. Mr. Whalen plays a district attorney’s investigator. At a party announcing his engagement to his secretary (Miss Stuart) he is called upon to investigate a murder. The victim's son is arrested and sentenced to death. But the bride-

elect, intent upon justice, uncovers |

clues which lead to a former racketeer, now in jail. It develops that the murdered man was the crim-

INDIAN

DIRECT ane TO sou—FEOM REGULAR PRICES!

IN OLD

CHICAGO

that the suspect is the former rack eteer’s son. How things get straightehed out completes the story of a better than ordinary mystery film, in which excitement is maintained without too

much strain upon one’s credulity. The principals, and Paul Kelly as the racketeer, perform well. J.T.

MODEL YOUNG WOMAN

Lucille Ball was formerly a model for Hattie Carnegie in New York, She made her fm debut in “Roe berta.”

INDIANAPOLIS

= -17-18

Mon, Apr. -

Auspices Indianapolis Police Shirt Fund SHOW GROUNDS KEYSTONE & SOUTHEASTERN

SEC ECK -WALLACE

CIRCUS

FIRST TIME IN AMERICA

BLACAMAN

HINDU ANIMAL HYPNOTIST,

De w dungls 18 Lions and a r Nile

oPmoTsCTED Sa oi — maxpEn

POODLES H/ HANNEFO

- FA MiLY -

MORE HORSES and BEAUTIFUL GIRL RIDERS in the Together,Than Evér Before Loa in Circus Hist |

LES REBRAS—Loop the Loop Cyclists! MICKEY KIN Chinese Contortionists'

AERIAL THRILL GIRL| Acrobatic Jugglers { PHILIPPI—Siack Wire Wizard,

ESCALANTE DARE- DEVILS

MID<AIR ARGENTINE MARVELS

WONG TROUPE

FEARLESS FRENCH GYMNASTS REALLY FUNNY CLOWNS

26 —-ELEPHANTS~26 BLOODED HORSES SUPERBLY Iralusn UNIQUE CROCODILE VILLA

Tce 008 £90PH roca

TICKETS ON SALE Sat., April 16—HAAGS DRUG STORE CLAYPOOL HOTEL

At Your iohbarhood Theater

Hamilton

MAT. 2:15—~TWO SHOWS AT NIGHT—7 P. M. AND IP. M. CONTINUOUS ON SUNDAY—25 AND 40 CENTS

EAST SIDE

RIVOL 8155 E. 10th St.

Cont. Matinee Today Glen Morris

Adults 15¢ Till 6 Eleanor Holm «“TARZAN’S REVENGE” Glenda Farrell—Barton McLane “BLONDES AT WORK” EXTRA! Last Show Tonight Only! Box Office Open Till 11 p. m. Alice Faye—Ritz Bros. Adolphe Menjou—Patsy Kelly “SING BABY SING” Starts Tomorrow—Speneer Traey Joan Crawford “MANNEQUIN Bob Burns—Jack Oakie “RADIO CITY REVELS” EXTRA! 1928 Academy Winner “THE OLD MILL”

Music Feature Tacoma “rk i “MANHATTAN MELODRAMA” “EXPENSIVE HUSBANDS” Sun. Double Feature—Edw. G. Robinson “THE LAST GANGSTER” | Claudette Colbert “TOVARICH”

Tuxe do / E. New York

3020 Special Feature Sat., Sun., Mon. Dorothy Lamour—Jon Hall Mary Astor—C. Aubrey Smith “THE HURRICANE” Ann Sothern—Gene Raymond °* “SHE’S GOT EVERYTHING”

IRVI NG 5507 E. Wash, 81.

Double Feature Eleanor Whitney “THRILL OF A LIFETIME” “SERGEANT MURPHY”

Sun. Double Feature—Dorothy Lamour “THE HURRIC »

Geo, Arliss “DR. SYN”

2116 E. 10th St. Double Feature ! : Gary Cooper “LIVES OF A BENGAL LANCER” “MURDER ON DIAMOND ROW” 3 Sun. Double Feature—Melvyn Douglas “PLL TAKE ROMANCE”. Dorothy Lamour “HURRICANE”

h +.6116 E, Wash. GOLDEN Sasa. : : Judy Garland “THOROUGHBREDS DON'T CRY” Pat O’Brien “SUBMARINE D-1” Sun. ‘Double Feature—Warren Hull

Eleanor Powell “ROSALIE”

Emerson Conte I “Matinee o Today ‘Spencer Tracy “SKY T DE Preston Foster “DOUBLE aR" Sta Tomerrow—15¢ Till 2 p. m. : Dorothy Lamour “HURRICANE” “YOU'RE ONLY YOUNG ONCE”

Strand EEE"

Tomorrow 8 al Double Fonture nie ‘

Bob “RADIO CITY REVELS" YOU'RE ONLY YOUNG ‘once

“A BRIDE FOR HENRY” ‘1

|Lincoln

EAST SIDE Wash. So Feature

Pa ra mou n Buck Jones

“BOSS OF LONELY VALLEY” “THE GAME THAT KILLS” .Sun. Double Feature—Mae West “EVERY DAY’S A HOLIDAY” Frances Langford “HIT PARADE”

: 114 E. Washington B | J ou 3 Double Feature Tony Martin “LIFE BEGINS IN COLLEGE” Tim McCoy “THE TRAITOR” ‘Sun. Double Feature—Kent Taylor “LOVE IN A BUNGALOW” “SWING IT, SAILOR”

Parker 2930 E. 10th St.

Double Feature Joan Crawford “THE BRIDE WORE RED” Joan Blondell “STAND-IN” Sun. Double Feature—George Murphy “WOMEN MEN MARRY” Nelson Eddy “ROSALIE”

WEST SIDE

|GROVE

Howa r el Howard & Blaine

Double Feature Ronald Reagan “SERGEANT MURPHY” “THE SINGING OUTLAW” “Tim Tyler's Luck” Sun. Doubl¢e Feature—Edw. G. Robinson “THE LAST GANGSTER” “SHE'S GOT EVERYTHING”

ST AT E 2702 W. 10th St.

Double Feature Tim McCoy “WEST OF RAINBOW’S END” ‘Phyllis Brooks “CITY GIRL”

“THE LAST GANGSTER” “CHANGE OF HEART”

Sun. Double Feature—Edw. G. Bobinson’

Belmon ¥ W. Wash. & Belmont

Double Feature E Joan Bennett - “I MET MY LOVE AGAIN” “SH! THE OCTUPUS” Sun. Double Feature—Lewis Stone

Joan Crawford “MANNEQUIN”

DAISY “uli fk. will Rogers “HANDY ANDY” Wm. Boyd “TEXAS TRAIL” Sun. Double Feature—Irene Dunne “THE AWFUL TR

_ John Beal “DANGER FPATROY"

“CALL OF THE . Jack Holt “UNDER SUSPICION” " Sun. Double Feature~—Franeisks Gaal . “THE BUCCANEER” “CHANGE OF HEART”

“YOU'RE ONLY YOUNG ONCE”

Speedway Bead | ROCKIES

SOUTH SIDE

New Garfield

Special Feature—Last Times Tonight Nelson Eddy—Eleanor Powell

“ROSALIE” ¢ Sun. Double Feature—Alice Faye “YOU’RE A SWEETHEART” “TRAPPED BY G-MEN”

Fountain Square Double Feature Humphrey Bogart “SWING YOUR LADY” John Beals “DANGER PATROL” ‘Sun. Double Feature—Bob Burns + “RADIO CITY REVELS” Jack Holt “UNDER SUSPICION”

NORTH SIDE Cinema 16th & Delaware

Double Feature Edw. G. Robinson “THE LAST GANGSTER” “NIGHT CLUB SCANDAL” Sun. Double Feature—Humphrey Bogard “SWING YOUR LADY” ' “BORROWING TROUBLE”

U town Foes pP Roland Young “KING SOLOMON’S MINES” ! “ADVENTURE’S END” Sun. Double: Feature—Jeanette MacDonald

“NAUGHTY MARIETTA” “BLONDES AT WORK”

San ders At Fountain Square

Double Feature Grant Withers “PARADISE EXPRESS” “BEG, BORROW OR STEAL” Sun. Double Feature—Eleanor Powell Nelson Eddy “ROSALIE” “SHADOWS OF THE ORIENT”

Beech Grove Double Feature Edw. G. Robins

“THE LAST GANGSTER” “HEROES OF THE ALAMO”

Sun. Double Feature—Humphrey Bogart “SWING YOUR LADY”

“YOU'RE A SWEETHEART” Double Feature

Ava lon Kermit Maynard

“ROUGH RIDING RHYTHM” “MUSIC FOR MADAME” Sun. Double Feature—Preston Foster “THE WESTLAND CASE” Myrna Lby “MAN-PROOF”,

Oriental 1105 Se. Meridian

Double Feature Warner Oland “CHAN AT MONTE CARLO” Miriam Hopkins “WISE GIRL” Sun. Double Feature—Robt. Armstrong “THE GIRL SAID NO” “SPRINGTIME IN THE ROCKIES”

NORTH SIDE

RITZ Mlinois and 84th

Double Feature Gloria Stuart “CHANGE OF HEART” “CRASHING HOLLYWOOD” * Sun. Double Feature—Sonja Henie ' “HAPPY LANDING” ‘ Phyllis Brooks “CITY GIRL” Doubia Fe Feature

‘Hollywood sees

“MISSING WITNESSES” “NIGHT CLUB SCANDAL” Sun. Double Feature—Edw. G. Robinson LAST GANGSTER” Kenny Baker “52D STREET”

Pros. & Churchman

: East at Double Claire’ Trevor = “BIG TOWN GIRL” ‘ - Dick Foran “TRAILIN’ WEST” Sun. Double Feature—Ben. Bernie “LOVE AND HISSES” : BLUE

‘Central a Fall Crk.

Zaring “Temes

| “MURDER ON DULLOND ROW”

Jane Withers “WILD & WOOLLY” Sun. Special Festure—

noisks Gast TERRY

St. Clair sk Fa

ayne Double Feature Wheeler & Woolsey “HIGH FLYERS” “ALL-AMERICAN SWEETHEART” Sun. Double Feature—Sonja Henie “HAPPY LANDING” Miriam Hopkins “WISE GIRL”

- Talbott & 22nd Talbott . pei resture “TRUE CONFESSION” “ON SUCH A NIGHT” Sun. Double Feature—Dorothy Lamour

“THE HURRICANE” “SH! THE OCTOPUS”

R I xX 30th at Northwestern

Double Feature Dick Foran “SHE LOVED A FIREMAN” Wm. Boyd “BORDERLAND” Sun. Double Feature—Dick Powell “HOLLYWOOD HOTEL” ' “TRAPPED BY G-MEN”

G Tri k Double Feature: a C Regis Toomey “SHADOWS OF THE ORIENT” “THE BAT WHISPERS” Sun. Double Feature—Joe E. Brown “FIT FOR A KING” : Sylvia Sidney “DEAD END”

MECCA Noble &

Double Fea Miriam Hopkins “WOMAN CHASES MAN” Doug. Fairbanks Jr. “ACCUSED” Sun. Double Feature—John Boles “FIGHT FOR YOUR LADY” Joan Blondell “STAND-IN”

=v Stratford | Dousie Fo

“FORTY NAUGHTY GIRLS” ~ Chas. Laughton “REMBRANDT” ‘Sun. Double Feature—Carole Lombard “NOTHING SACRED” “DAMSEL IN DISTRESS”

DREAM ai HE

Peter Lorre

“THANK YOU, MR. MOTO” “ROLL ALONG COWBOY"

Sun. Double Feature—Wslter Winchell

“LOVE AND HISSES”

= He a