Indianapolis Times, Indianapolis, Marion County, 26 March 1938 — Page 8

PAGE Tt

D cingudhed

Cast ‘Makes

‘Jazebel’ Gripping Story;

Musical Western at Loew's |

&

Excellent ; Direction and Scenic Effects Mark Circle Film.

The srotears of «Jezgbel, ” which opened - at the Circle yesterday, ‘have stolen a march on David O. Selznick and his “Gone With the Wind.” “It may seem, pertiaps, unfair to compare a finished picture with one which has not yet been produced. But it is inevitable that the two will be compared. They both deal

with the same country, the same .people, the same life and they both deal with them in much the same manner. And, inasmuch as “Jezebel” pre-

cedes the cinema version of Mar-.

garet Mitchell's story, those who have read “Gone With The Wind” - and: who have been so anxiously awaiting its production, probably will find much of what they hoped . for in the current film. “Jezebel” has been so beautifully produced by everyone connected with it that it cannot help but fulfill the seemingly endless and empty promise of those who are “looking for a suitable Scarlett O'Hara. 2.

Strong, Gripping Story

This is not to say, however, that “Jezebel” cannot stand upon its own feet. It is a strong, gripping story. Bette Davis is at her unquestionable best, eclipsing her performance in “Of Human Bondage,” and the finest talent of the Warner Brothers organization evidently has been lav- . ished upon her. The peg upon which the author, Owen Ilavis, and the producers hang the story of “Jezebel” is the scourge of yellow fever rather than the scourge of civil war. The heroine of the story is one Julie, a spiteful, greedy and passionate New Orelans Dee. Julie is in love with Preston Dillard (Henry Fonda) and her love is of the most possessive kind. Her technique is to bully her fiance into an attitude which, like her own, highly exaggerates the importance of her every waim and wish.

Results in Quarrel

But Preston is not a bully, nor is he one to be bullied. At one point in the story an elderly friend of his suggests a good whipping “for Julie, the thing that would probably’ have done her the most good. But Preston would rather win her over with reason and so fails. They quarrel, fall out 4nd he leaves forthe North and a banking career. Wher: New Orleans is racked with “yellow jack,” Preston, always a disbeliever in the superstitions regarding it, rushes home to lend a hand. Julie hears of ;his coming and prepares a' tremendous welcome for | him zt their plantation ‘up the river. He arrives with his Yankee | wife.. * This is precisely the point _ in the story which makes it “outstanding |’ and gives it force and punch. Julie reacts magnificently and shows that she is something more than spiteful and greedy. She instantly assumes command of the situation and, though she: brings about the. death of a friend, she seizes what she proves to be hers. Preston is taken down with the fever and she follows him to the isolation island > to nurse him—perhaps—back to life.

Cast Is Top Notch

It is presumed ‘that Julie wins out. In that, she differs from Scarlett O'Hara, but she is the same utterly disagreeable person and for many of the same reasons. As for: the players in “Jezebel,” they are -all absolutely top notch. There isn’t a mediocre performance in the entire picture. Particularly outstanding are Donald Crisp as the Doctor, Fay. Bainter as Aunt Belle, George Brent as the colorful Buck Cantrell, Richard Cromwell as Ted and Henry O'Neill as Gen. Bogardus. They form” an excellent troupe and:add distinction to the generz] effect. William Wyler, the director, has reprociuced faithfully the sets and costumes. But more than that, he has reproduced the atmosphere of the plage and the period; the slipshod speech,.the easy manners and the smoldering emotions of the South. As for the “message,” if the author intended one, the director has conveyed it in a subtle and convincing way. It is very much a part of the picture and yet there is never

too much of jt—rather too little, which is good theater and, there-:

fore, compelling. A Romantic Era

New Orleans of the period is seen in “Jezebel” just as it probably was, a dirtr city whose inhabitants were

; too busy having a good time to.care

much about anything but their pleasures, [t- was a romantic and: excit™> ing ers. which had ¢o pass. “Jezebel” brings it back for the moment. It is doubtful whether “Jezebel” would ever have been produced if Margaret Mitchell had net written “Gone With the Wind.” But as it is, there will have to be 10 better-than-¢olossal screen dramas turned * out br the picture people between now 21d December if they want to keep thls one off the. all-American list. L. E. H.

PAULETTE GETS ROLE

Paulstte dard, recently signed to along term contract by David O. Selznick; has been assigned a co“starring role with Janet Gaynor and Douglas Fairbanks Jr., in the forthcomin “The Young In Heart.” This is the production: which will be picturizec from L A. R. Wylie’s “The Gay Eanditti.” —

Jeanette MacDonald and | Nelson Eddy Star in - Belasco Play.

sonnette MacDonald and ‘Nelson wardrobe department, and with ‘an

sical comedies or whichever you prefer. This time Miss MacDonald ‘and Mr. Eddy chose: the section marked “Northern Mexico-Southern California” and “Girl™of the Golden West,” which opened at Loew's yes: terday, is the result. As it is, “Girl. ‘of the ‘Golden

ous tale of a girl who:keeps a saloon, and of a bandit who falls in love with her. They had almost

hearing each other sing, never forgot it. Sheriff Is An Admirer By the time Ramerez and Mary had grown up they had .decidedly different ways of looking at things, Ramerez disliked civilized life and spent his time shooting up the ¢itizenry of Southern California. Mary, on the other hand, was a pillar of

Also Mary had a devoted ad-

story revolves around this tried and true triangle. between a bad man whom she loved

‘and a good man whom she : only

admired.

called “Mariachie,” which is beautifully done against a Mission background. The leading lady’s rendition of Gounod’s “Ave Maria” will probably be the best remembered “song” of the picture. Miss MacDonald, too, is. ‘amusing in the early scenes of. the film, where she impersonates the cowboy swagger and later when she does the same trick in hoop-skirts.

Mystery Is Second Film The second attraction on Loew’s screen is a mystery thriller entitled “Who Killed Gail Preston?” It is the story of a night “club singer whose affairs become so involved that any one of a dozen men might

have murdered her. Don- Terry, Rita Hayworth, Robert Paige, Wyn Cahoon and Gene Morgan, all newcomers, appear in the film. : L.E H.

Story Rights Plays And. Novel Are Purchased HOLLYWOOD, March 26.—Ac-

quisition of four - story properties was announced. today by M-G-M.

Three

of Glass,” “Roosty,” and “Courier de Paris.” i “The Rosary,” by Edward E. Rose, and “The House of Glass,” by Max, Marcin, are based on the international stage successes of the same names. Each was produced in New York and London, some years ago. “Roosty” is the play by Martin Berkeley, produced on the New York

“Courier de Paris” is an unpublished novel by Laszlo Fodor set against a modern. Parisian newspaper background.

Script Revised’ To Fit Injury

HOLLYWOOD, March 26 (U. P.). —Paramount Studio took advantage of an accident ‘and rewrote the script of the picture, “The Texans” today to include the scene in which Joan Bennett ‘was slashed on the

cheek by a Confederate soldier's bayonet during a Civil War battle. Miss, Bennett was: being rescued by Randolph Scott from - Union

troopers when an extra’s’ bayonet

struck her. Studio executives decided the scene was too good to lose,

Miss Bennett wounded Suring: the rescue.

TRACY STARTS ON SIX WEEKS’ TOUR

‘HOLLYWOOD, March: 26 (U. P.). —Spencer ‘Tracy, film actor, sailed for New York today to meet his| wife, and together they will board: the liner Rex for Genoa and’a six weeks’ tour of ,Italy, France and England. Dr. Howard Dennis, physician, will accompany Mr. because E ‘the actor's 'recent illness. Mr.

One Night Only i"

TOMORROW 8 7

| GLEN GRAY.

Casa Loma a Orch, ;

Tickets on Theatre

a Shon 80c, incl. tax till “s Pp. Mm. tomorrow evening. -

: Za

DANCE "TONIGHT

RUBY BUNC NDY »

Eddy have assumed command - of | '| another section >of the M-G-M|

old David Belasco play, have turned out another in their series of mu- | light : operas,

West” is the colorful but preposter- |

met as children years before and,

law and order in her community. mirer in the sheriff and the entire} Mary bad a choice!

One merit of the picture is dts | F presentation of a dance - sequence ||

They are “The Rosary,” “The House |

stage during. the 1937- -38 season. |

aty had been planning the tour : Jor tres years : p

Miss Sara Miller, pianist, ‘ts to givesa recital at 3 p. m. tomorrow : in : the Indiana World War :Memorial auditorium. Her program: lists music by. Bach-Liszt, Brahms, Schumann, Ravel, Medtner, Rachmaninoff and Balakirev. The 'pianist is a ‘teacher at the Bomar Cramer Studios.

LB > The Indianapolis muse ‘program for. In

- The Indiana Roof will” present ‘Glen Gray: and his Casa’ ‘Loma Orchestra for: a single engage- | The: or=-. ~ chestra. comes: here in’ the ‘course |

ment tomorrow night. . ‘of & month’s: tour ‘of Florida, Texas

and the Middle West. Pee Wee

Hunt and Kenny Sargent will be featured entertainers.

artists at 8:15 p. m, Le in the Herron Art Museum. The members are, standing, left to right, Paulo Gruppe, cello; and Avram Weiss, - violin, ‘Seated are Boris Schwarz, violin, and Jules Salkin. . The group will give a public recital Thursday in the J. A. Goodman home on

Kessler Biv.

Mouse: Chanoss Into Man

. Priscilla. Lane; - attractive. young alchemist, is turning mice® into men on the Lyric screen this week in “Love, Honor and Behave.” ' Specifically, she is stiffening the spine of’ young Wayne Morris, who this time is portraying a meek young man with an overdeveloped sense of sportsmanship. The film opens hack in 1922, and there are accurate and nostalgic reminders of the. 16-year-old fashions, thetic gin, ‘the feat. of getting station KDKA with ear phones, and the general hysteria of the time. Sally Painter makes a fetish, of being a good loser, and she passes this philosophy along/to her young son, much to his two-fisted father’s annoyance. That’s one of the things that leads te a divorce. Barbara

Blake, young Ted Painter’s childhood sweetheart, also has parents

who wind up in the divorce court. Fall in Love! The next time the two meet, Ted is in Yale. Barbara falls in love with Ted all over again. She engineers an elopement. All the es-

tranged parents meet for a clucking |

of tongues, but Barbara triumphs. Ted, however, flops all along. the line. His training at being a good

loser make it easy for him to lie |.

déwn and let the world walk over

so the script was revised to have him

His business fails. He almost lets an old sweetheart run off with Barbara. father’s advice, and Barbara's. goadings, he snaps out of it, spanks the

Then, thanks "to his |

bride and, presumably, . lives iy

pily ever after. Lamberti on Stage

‘Headlining the stage show is Prof,

Lamberti,» who has just ret

from a European tour. . Europe may

| have : changed, but the ;oessor ‘hasn't, He's still as predictable as

old Faithful,‘ but®. infinitely more |

CTC LAST DAYL : rwaveneE SF SEE THE 2 WasteLaD: Plus “MAKE WL FOR TOMORROW”

ic oore Tomorrow's Hit TFrue. Confession”

As Plot of Film at Lyrics

amusing. That means he still lopes

out on the stage with his xylophone, |

knocks the instrument’s blocks off, chews an enormous amount of gum, kicks off a shoe and loses his shirtfront. He has done the act dozens of times before in Indianapolis, but he still contrives te remajn outrageously’ funny. The show has the smooth-per-forming: Ted Mack as master of

ceremonies and orchestra leader.

The other acts include Rex Weber,

whose ventriloquism is. amusing; |

Ray and Geraldine Hudson, acro-batic’-dancers; Pinky Lee, comedian; Madie and Ray, who do some clever rope. twirling, and: a

knockabout trio called Dick, ‘Don | - dL ge

and Dinah. : BALCONY 30c AFTER 6.

“1938 FOLLIES

LT LAUGH AND. JAUGRIER

ils Indiana’ s Diverting Film|

|Claddote ard & and Gory Give

“Eublisch touch” ‘|is—turns up at’ the Indiana this | week as producer and director of |!

| of pajama€ whose “tops” to purchase,

over ll

: night thinking of the young lady. | and the family are clamoring for a

a busigess. agreem {but of course Michael is ‘both in J love and stubborn, so refuses her a

bi Treatment Is Excellent

| has been done -many, many times

‘rather than the. plot, that count. ‘And | never lets one down. If you saw

| with Mr. Lubifsch.

{ Miss Colbert is her pert and equally

“Symon Siting Quartet willy. a "chamber } dianapolis Art Association members and Indiana

radio |

Sun.

LAV.

Blusbsard

Pleasing Touch to Clever Farce.

.. By JAMES THRASHER + Ernst Lubitsch, ‘noted for his » “purple melodrama and the —whatever - that

“Sige s ‘Eighth Wife”. a light‘hearted farce starring Gaty. Cooper and Claudette Colbert. From: the moment - Miss ‘Colbert comes into Mr. Cooper’s life by offering to ‘buy ‘the pants to a suit wants’ ‘until the final moment when she gets the hero into a sirait> jacket and wins his heart, there is ne no liu in the pleasant amusepicture hurdles lightly obvious situations. For ‘Mr. Lubitsch, when he makes a comedy, “usually manages to make it more deft than daft.

» The Chase Begins

‘Mr. Cooper: plays Michael Brandon, an with dollars and seven. former wives, Miss Colbert is seen as Nicole De Loiselle, daughter of one of those impoverished French noblemen who always are turning up in the films. She not only helps ‘him with the pajamas, but tries to help out with his ‘insomnia. Nicole suggests that ‘Michael try spelling Czechoslovakia backward, - yawning between each letter. Instead, he lies awake all

So the chase starts. She -discov‘ers his marital record, but father

settlement; so she: capitulates. The marriage is a ent,

divorce, of You may guess the rest of the story. Nicole goes a bit too far in her divorce efforts and makes| Michael furious. He has a nervous breakdown. So Papa De Loiselle finally has to buy the sanatorium where Michael is staying and put him in the strait-jacket before Nicole :can convince him of her love.

of course, the. fact that all this

before doesn’t matter. It is the embellishments . and performance,

“Bluebeard’s - Eighth Wife”

Burgess Meredith’s latest, unhappy} screen vehicle then see this picture,

actly the difference that treatment, can make. 'Of course the ‘two stars are the type who can collaborate perfectly Mr. Cooper is droll and engaging, as always, and

self. The other players ‘numk er Edward: He and "Elizabeth Patterson among

them, so you know: what - that means. The picture is an ideal ' way to spend a diverting 90 minutes. And if you want more and varied fare, the Incliana also - has ga gangster picture called “Dangerous tofKnow.” Akim Tamiroff, Anna May Wong,

th 50 million |

Everett Horton, Bing, Franklin Pangborn |.

IN NEW YORK—r ommrvon

NEW YORK, March 26.—Facts’

Most Beautiful Girls in New York. Ado Found a at Hamburger Stand After 2 A. M.

the most, pulchritudinous girls in town js a Street a. m., where showgirls assemble before going Alfred Lunt rehearses 8 esr, Inder the din of the Ninth Avenue “L.”’

from the File: Best place to see stand on 50th home.

Hanily ever recognized, too Red suspen

Fully 5 per cent of Manhattan's population has never been over to Brooklyn, a few minutes away. Main Stem Sights STREET Sights: Alfred W. Mccann Jr., the pure food commentator, looks on interestedly as a health lecturer asks his audience if anyone knows anything about vitamihs. Frances Farmer is startled as a number of shots ring’out while she’s strolling down 42d St.—but she continues her leisurely pace when she ascertains it’s from. .the shooting gallery. + Gene. Krupa, the famous: drummer, alights at Pennsylvania Station ‘after a trip to the Midwest in quest of swing musicians for his band 1 and exclaims that he has some sensational finds. Broadway's. Extremes PERSONAL Data: Broadway's youngest showman is Orson Welles, not yet 25. : The oldest of active producers is William A. Brady, who has passed his seventh decade. Vinton Freedley is the most enthusiastic fisherman along .Theater "Row; his weakness, barracuda. George S. Kaufman walks farther within the walls of one room, while writing a play, than any other dramatist. George M. Cohan has. the record fof more mileage than his contemporaries in open air strolls. Lee Shubert’s limousine was constructed from special plans to pro-

| vide an unusually wide rear com-

partment. And yet he prefers to ride alongside the chaufeur in the front seat.

distance phone call as Jed Harris. California is a local eall for him.

i

What Is in a Name

names Sad Jollie and Pump Haendle,

respectively. ‘Uday Shan-kar, the dancer, has.

ater, - Alexander Woollcott sees red’ i typesetters spell his name incorrectly.

| very similar in ‘plot, youll know ex-|-— Bunny Berigan got his nickname childhood

because: his playmates found it easier to say than Bernard. "The _ giggliest cnorus girl’s- name

Symphony Orchestra Fabien Sevitzky, Conductor POPULAR CONCERT

TOMORROW JMURAT THEATER 3 P. M.

Gail Patrick and ry Nolan are the featured players.

Reservations Not Called for J) by Concert Time Will Be Sold

‘No one is as addicted to the long- |:

NAME Oddities: Sammy Kaye's | | secretary and arrangers sign their

the most unusual name in the the-

Orlova. ‘And another’s; Ima Smile. Sle 8a Yllis. Keirt'

new trick of writing backward which is spreading ell over town. One, fellow wanted to send “his ex-girl friend a telegram, but the company said no dice. It looked like code to the clerk. - But others don’t mind, irritating as the words look.- The trick amuses them and fi uoy teg dekooh otni gniyrt ti, uoy era a. mitciv.

ERROL, KENNEDY SIGNED Edgar Kennedy and Leon Errol, popular funmakers in the. shortsubjects field, have been signed by REO for a series of six two-reel comedies, each. Bert Gilroy will be the producer. ;

WHAT, WHEN, WHERE

APOLLO iad Avent Mausie,” with De

Herbert, 13; i336. 3:38" 35, 8: 4 and Hearts and B Donald * Woods. 20, 398

8:38 and 8:47. 34 11:30, CIRCLE “Jezebel,” with Bette D e! Fonda, at +12:32, 338 Hi

an “HH ae Douldn’t a a with Tito, a Se gs ena ag, Tan. at |

INDIANA

“Bluebeard’s Eighth -. Claudette Colbert d Ga at 12:53, 3:57, 7:08 “an, 3 peDange rou Bail aire Fi Atta 2:47, 5:51 and 8:55. :

“5 ‘with ooper,

ol

‘wit

the Gold

Ds, Ta 2: 18, 0 and 8: 50, LYRIC

with Prof. at 1:06,

Vaud Lamberti

149, 6:42 and

and 0 wore anor and Behave,” with ni Morris and Priscilla Lane, at 2:24, 5:17; 8:10 and 10:35, : OHIO

“Wanderers of ‘the . Wasteland,” with Gail Patrick. Also “Make Way for Tomorrow,” with Victor Moore.

ALAMO’

live 18 Easter, vii, Se 8 ergean : with Mary Brian sea pny,

_ AMBASSADOR

“Bad Man ot Drm 3» Wa 0 “She's ot 0

ey ers,

‘Symph

J within i Somers methoty ts Cay |

"JED HARRIS has introduced a}

Tomarro ow's

ony ls Request Bill

ey — : Program to Include ‘Blue Danube,’ Bolero’ and

Liszt Rhapsody.

A program of Indianapolis Syme: phony. Orchestra pajrons’ “favorite music, selected by popular poll, will be conducted by Fabien Sevitzky at the orchestra’s last Sunday concert,

The concert is to begin at 3 p. m. in the Murat. “The most frequently requested compositions were Strauss’ “The Beautiful Blue Danube” and Liszt's Hungarian Rhapsody No. 2, both of which will find a pldce on tomor~ row’s program. Other listed nume bers are Elgar's “Pomp and Cire | cumstance” March; two movements from the Symphony No. 5 by Tschaikowsky; two intermezzi from Mascagni’s operas, “Clavalleria Ruse ticana” and “L’Amico Pritz” and the Ravel “Bolero.” ‘Because of the large demand for tickets, Franklin Miner, orchestra manager, has announced that all reservations not called for by 2:30 Pp. m. tomorrow willl be placed on

|

Till @ 30c-40c ; @After 6

25¢

They Called Her |“JEZEBEL"”

with llace Beery t Ev- . erything,” With 0 Sothern. ;

CAL Your Neighborhood Be

WEST ‘SIDE

is = 2702 W. 16th St.

Double Feature “Frank Morgan “BEG, BORROW OR ST | «SUDDEN BILL DORN” sunday—Eleanor Powell Nelson Eddy “ROSALIE” : Plus. “OUR GANG” Comedy

Belmont”

& Belmont “ Dotble Feature ‘Boris Basin

“THE INVISIBLE MENAC “HEROES OF THE ALAMO”. "' Sun. Double Feature~Wallace Beery “BAD MAN OF 8

' “NO TIME TO 1

DAISY | “Babe B DAISY Jy =

“BIG TOWN GIRL” Lok d Colman son. Double Feature PON" po. «LIVING ON Love: cl. peedway City

5; peedway 2 Double he fa 2 Ssh OF THE ALAM Will Rogers “JUDGE PEST ‘Double Feature—Humphrey Bogart “SWING YOUR LADY” Geo, Arliss “DR: SYN” | EXTRA! Dionne Quintuplets ~.. ,“QUINTUPLAND"”

! Ohapir A. tie

|Oriental

| “TH

Hollywoo

SOUTH SIDE

: Ava lon obi Oe Eas ha : vu Sdh Clark Gable ~ “MANHATTAN MELODRAMA” Chas. Starrett “TRAPPED” " Sun. Double Feature—Bert Lahr Y-GO-ROUND OF 1938” “DANGEROUSLY YOURS” 1105 Seo. Meridian

. Double . Feature Clark Gable

MANHAT TAN MELODRAMA” - “SHIEK STEPS OUT” San. Double Feature—Mickey Rouse? ROUGHBREDS DON'T CRY” Loy “MAN-PROOF™ le F Lincoln "Bouvie Feature “IT HAPPENED IN HOLLYWOOD” “ROLL ALONG COWBOY” Sun. Double Feature—Otto Kruger

“COUNSEL FOR CRIME” - Ginger Rogers “STAGE DOOR”

NORTH SIDE

1500 Roosevelt Double Feature . Pat O’Brien | “SUBMARINE D-1”. Lito Carillo “THE BARRIER” ’ Sus ‘Double Feature—Laurel & Hardy | “BEAU HUNKS” t

Eleanor Powell “ROSALIE”

., |Zaring Boe boaters “LOVE AND HISSES”

| ri ‘Blondes Are Dangerous”

‘Sun. Double Featurs—sloan ‘Bennett’ fet MY LOVE AGAIN” at Miriam Hopkins “WISE GIRL” SL '* James Dunn

RITZ

NORTH SIDE

RE XX PN 30th at Northwestern

Nelson Eddy Eleanor Powell “ROSALIE” : Cartoon and News

“THE LAST GANGSTER” “YOURE A SWEETHEART”

Ga rrick and_Diinois

eubie Feature hi John Boles “FIGHT FOR YOUR LADY” “FURY AND THE WOMAN” / Sun. Double Feature—Barbara Stanwyck “STELLA DALLAS” “DAMSEL IN DISTRESS” -

M ECCA Noble & Mass,

Double Feature Wheeler & Woolsey “ON AGAIN—OFF AGAIN” “THE MELODY LINGERS ON” Sun. Double Feature—Kenny Baker “FIFTY-SECOND STREET” “ADVENTURE’'S END”

S tf 10 3 Soles tra or Wheeler & Woolsey . “ON AGAIN—OFF AGAIN” “Man Who Could Work Miracles” Sun, Double Feature—Barbara Stanwyck . “STELLA DALLAS” 4 “FIT FOR A KING” DREAM Suita ; ‘eature Wm. Boyd: “PARTNERS OF THE. PLAINS” Joan: Blondell “STAND-IN” Sun. Double * Feature—Edw. G. Robinsen' !. - "THE LAST GSTER” “FRUE CO ON” | “‘Mlineis and 84th uble Feature. : Wheeler & Woolsey | “NIGH FLYERS" “THE INVISIBLE MENACE” sen. ‘Double Feature—Wallace Beery

: He Doutie atte Wendy Barrie

‘Sun. Double Feature—Edw. G. Robinson |

EAST. SIDE -

| 2116 E. 10t Hamilton Beuws fut cel © “MISSING WITNESSES” Kay Francis “FIRST LADY” Sun. ‘Double Feature—Alice Faye “YOU'RE A SWEETHEART” | “SHE LOVED A FIREMAN” ; =\ 0} | 6116 E. Wash. OLDE | Double Feature a "| Patricia Ellis “RHYTHM IN THE CLOUDS” ! Bob Burns “WELLS-FARGO” | DINNERWARE TONIGHT!

8 in. Double Feature—Jeaneite MacDonald 1. “THE FIREFLY” 4 Walt Disney's 2 | ACADEMY AWARD PEEVE — :

Eme r SON © Cont. M Matinee "Today

: Bay Mulng J Miriam "Hopkins . : i wa IRL” \ 0TO”

Ly IMR. Starts Tomorrow-—Joan nnett

“I MET MY LOVE AGAIN” . ~ “YOU'RE A SWEETHEART” |

Strand a

% ron ight & Tomo morrow ial Do! Feat tani ue et ache DING Gloria Stuart—Michael len

“CHANGE OF HEART” Continuous Matinee ah &> Sun.

Sonja

wings Tani; fice Open: Till 10:

Boron

“SHE LOVED FIREMAN" : . Wm. Boyd S TRAIL® Sun. Double Fou John Wayne

' “BORN TO THE WEST” _ Ginger Rogers “STAGE DOOR”

BIJOU Hem Senn = “LIFE OF THR PAR Buck Jones “BLACK A Sun. Double Feature—Pinky T

RIsSES" “Wallaby Jim of’

Islands” Parker EEE

cony —_ STREET” Sun. Double Featuro—Mae West “EVERY DAY'S A HOLIDAY" “BEG, BORROW or STEAL"

Wash, Jeature heridan

[ i |

zowsier | R| RIVOLI