Indianapolis Times, Indianapolis, Marion County, 19 March 1938 — Page 8

THE INDIANA

Rhy im Ripples on Circle

Shep Fields;

a I armonicas Hum at Lyric

Bill n Vaudeville Bill Sigg arts Band; Gladys 2.8 warthout in Film.

+2 1fyc 3 on know what “rippling rhyghr’ , you'd better go to the Cirale ‘his week for a first-hand der#ins| retion by - its originator, Shes Folds, who is playing a week’s sen; there. 3 hU may have discovered rig’ rg Jshythm” was founded . §eve al 32 brs ago as Mr. Fields sat |biiw ng bubbles through a straws ‘ino what had been ‘a chocolgge oda. But the Fields discovery: 82 o longer a nostalgic gurgle zt 3 sda fountain. It's music! “Ri fin: rhythm” as music might be desirib>d by saying that when Mr. Fi {ds and his musicians are busy there's always something going on. Someone in the band is always nak ng some kind of a noise and thi ef ect is such as fo convince the lis; ner that the checolate soda stor i incs the work of a press ager t | ¥ vo jumps ahead of the man in the] Lo e uniform, known to his friends’ / “Keeper.” “Rippling rhyths > 3 a pleasing reality. { (fo: Vaudeville Bill Tk} banc and its leader, however, are Ig % the whole show. Mr. Fields has ¥ com pact and brilliant short vaudérille bill. All are headliners in t¥ + variety—and, therefore, the best-~% nse of the word. And they were nn 1g neck-and-neck at the lest LN . er of their appearance, they hy hb Dupont; Ruth and Billy Ambrdse and The Three Nonchalaris. ir. Dupont, though the identification does not do him justice, i§:a comic juggler. Even with the very fire work 31 this sort local theatargoers e seen this year, Mr. Ttpor is outstanding. His is the soit of thing W. C. Fields used to do for Ziegfeld and it is surefire. Rutf anc Billy Ambrose head the hoofin{ de artment of the bill and are on: of the few acts of the ballroom . darcing variety to draw heart}! an. spontaneous applause from "a predominantly = movieminde¢ auviience. They are young, gracefil ard resourceful, with none of the'pla tered hair, false eyelash and. Lat: name monkeyshines. They-smnak 2 an ‘excellent dancing

team. ; And} ithe 1 there are The Three Nonchalar ss - bringing “muscle comedi” to the bill. They are quite as elcell ‘nt as any of their colleag 1es and contribute more than their #haie to the general enjoyment. | t Gla dys: Swarthout on Screen On Fhe Jircle screen you may see the i .and by far the pest, & &warthout vehic cle. Swartlioul is not a great" a =oducers finally have found oresent her fine contralto =, manner that makes it a ae ‘show, rather than sometl ne upon which a creaking produltio may lean. _ Theibicfure is entitled “Romance = Dark,” and if the patron waste time trying to find the title has to do with » she should have an enter- > minutes. 13:ce In The. Dark” tory about .a girl who { sing on the stage. Un- ; secure an audition with if Kovach (John Boles), a baritone, Ilona Boros Swarthout) secures a job n his house. Becomes a Princess na evidently doesn’t read st’s gossip columns, for she & Inow that Tony and his Jason (John Barrymore), ing on another of #heir * a pretty lady, a countess. ‘ay, however, when Tony nself running behind in the race Por! ‘the countess’ hand, he decides lo use Ilona as bait to draw ay from his adored. He up in a Persian loungsand turban and presents Zgoua, the Persian princess-

is® “wowing ’em” in Jason's re It wouldn't be fair to tell t¥2 rest of the story. It's not strong. ‘enough to stand it. But the gener! effect is one of good fun with the idiocy kept at a minimum. Misi Swarthout! sings Rimskyizov’s “Song of India” and a numb # of other songs, written especially “or the picture. On the whole she his fared well in this effort with ‘ory, direction and recording and 5 is thoroughly worthwhile scree entertainment. - L.E H.

MARIE ZORN IN : PIANO RECITAL

p.m. “tomorrow in the Indiana Vorld War Memorial auditoriun, Marie Zorn, pianist, will give “Jer first local recital of the

season Mis, Zorn is a member of the Jorda: Conservatory of Music facpity. er recital, which is open to blic without charge, will ini music by Beethoven, Scarlatti, fos, Bach and Brahms. 7

\Minevich s Rascals Mix “Music and Comedy; Dancers on Bill.

Ranking along with the accordion

and electric organ as current favorites of American musical expression, the harmonica is having itself a field day at the Lyric this week. The harmonica, or rather, several of them, are in the capable hands of Borrah Minevich’s Harmonica Rascals. The Lyric act, be it known, consists of the Rascals without their maestro, Mr. Minevich. But such is the latter's fame that even the name will draw the crowds—combined with the humble mouth’ organ, of course.

If you have seen the Minevich troupe in the movies you surely will remember its stormy petrel, the little man who gets.into more trouble than his scant four feet of height would warrant. Well, this lively Lilliputian is among the Lyric performers. In addition to playing the harmonica cleverly, he has an amusing gift of pantomime. Also present is a blackface virtuoso who announces his solo in Yiddish.

Troupe Plays Well

One who yearns for the harmonica’s dulcet strains—and these performers do play excellently— might wish that there were more music and less knockabout. But you never are allowed to concentrate on the music. The “little man with the big stuff” is always into

NEW: NEIGHBORHOOD THEATER

something, getting crowded out or |g

pushed around or slapped down.

Two items of standard, old-time |&

vaudeville, also are on the bill. One is the comedy act of Sully and Thomas. They propose riddles and crack jokes and do/a little dance routine just as comedy teams did when father was a boy. Then there is Tito Coral, formerly starred in Ziegfeld and Shubert revues, who sings in the traditionally expansive manner of vaudeville baritones. Audrey Dempsey has a solo turn of. the soft-shoe type of tap dancing. Nothing spectacular, but plenty of rhythm, and yesterday’s opening audience seemed to enjoy her efforts. A mixed dancing ensemble, called the 12 American Rockets, completes the vaudeville, and offers a particularly good acrobatic dancing performance.

Show Story on Screen

What happens to show girls after the show closes, instead of before it opens, i§ the theme of “Walking Down Broadway,” the Lyric screen attraction. The six chorines are about to quit hoofing when the picture opens. ’ They agree to meet a year later, on New Year's eve. During the year one girl is run over near a theater; another falls to her death from a balcony during a quarrel with her jilted fiance. A third girl acciden-

tally shoots a gangster and is sent

to prison. The woes continue; yet another of the six is engaged to a young man who steals the company’s money to make an impression. When his theft is discovered, the girl goes with him into a fugitive’s life.

One Wins Suecess

That leaves two. One, Dixie Dunbar, snares a wealthy and aged husband. The other, Claire Trevor (who claims most of the picture’s attention), staves off two or three faithful swains, wins success as a dress designer, and finally gets the right man. “Walking Down Broadway” is a fairly exciting melodrama, slowed

up by a good many banal speeches

and situations. Miss Trevor again appears as a performer who deserves a better chance than she has been getting. Others in the cast are Michael Whalen, Phyllis Brooks, Leah Ray, Lynn -’/Bari, Tom Beck and Walter Woolf King. J.T.

Goldwyn to Sail "For Korda Deal

Times Special ' HOLLYWOOD, March 19.—Samuel Goldwyn, independent film producer, said today he had just had a telephone conversation with Alexander Korda, independent British producer in London, and that he would leave for New York immediately to board the S. -S. Berengaria, sailing for Europe Wednesday. Mr. Goldwyn’s action was believed prompted by a financial arrangement the Korda company has just made with a British insurance firm whereby the profit from all Korda films will be used to finance new productions. A similar arrangement failed to materialize two years ago,

|ments of dramatic intensity.

| musie is reminiscently French. Yet

Here is an architect’s drawing of the new Vogue Theater, which is

to open at 6259 College Ave. about May 1.

Carl Niesse, manager of

. the Ambassador, Alamo and Cozy, will operate the new theater.

"The First Legion’ at Civic Is Story of Faith and Doubt

Should: Mr. Shakespeare visit these United States today, he would

find not only sermons in ‘stones, but in theaters as well.

One ies

religious drama is the Civic Theater's. current “The First Legion,” moving and well-produced play: which Opened last night and will con-

tinue through Wednesday. In an excellent program note, Al-

fred Etcheverry, the Civic’s direc-.

tor, wonders if perhaps the dramatic trend is back to the church, whose ritual gave rise to the modern theater. There is proof to the supposition, for most of this year’s New York popular serious dramas treat of religion or death. And “The First Legion,” though -of an earlier vintage, is cut to the same pattern.

Scene in Jesuit Home

It is a story of the Jesuit House of St. Gregory; .a ‘story; also, of shaking - doubts and - discontent among the order’s younger members. In the story of three wavering priests, who forsook love and music and the law for the church, in the story of the charitable and wise Father Rector and his successor, a former Indian missionary, is found much of absorbing interest as set forth by Emmet Lavery, When Father Jose is cured of paralysis by a seeming miracle, two of the doubters are reconvinced.

‘WHAT, WHEN, WHERE

APOLLO

Deano White and the - Seven warfs,” at 11:43, 1:49, 3:55, 6:01, nd 10:13.

5 07 a CIRCLE Shep Fields and his Qroliesits stage at Ja:40, 3:42 6:35 a Mo. in ath” with

e Gladys Swarthout and Dark; Ba more, on Sorgen at 11:10, 2:04, 4:

7:50 and 1 : CIVIC “The First Legion,” by Emmet Lavery, Curtain at 8:30. * "X INDIANA

“Mad_ About Music,” with De Pugin and Berber t Marshall, Tat

12:4. :46, 6:50 and 9:54. ihe ‘Black Doll, withe Nan gra

and Donald Woods, at 11:36, 5:44 and 8:48. ‘LOEW'S

“The Adventures of Tom Sawyer,” Rly. an and ioe son,

Chee; ing,” ith Durante and W; at of, Connolly, yg tL: :15, 2:25, 5:30 ana

LYRIC

Vaudeville, with Borran Mievien's Harmonica Rascal Sth or on stage at 1:05, 3: 50, Sg s'4% and alking Down dw Claire Trevor and haar pid ore at "11:41, 2:26, 5:21 end

OHIO

“Hop-A-Lon Cassid with William fod. Also Take,” with Marsha Hunt.

ALAMO

“Headin’ East,” with Buck Jones. . Also “Murder In Ggeenwich,” with Richard Arlen. AMBASSADOR “Lives of a Bengal Lancer,” Gary Cooper. Also “You're a heat,” Vith Alice Faye.

Returns,” “Easy to

with eel-

Jestroying a Goldwyn-Eorda merg"Harold

25 SKY Ji. HARBO

Su %: 60c couple before 9:30; 80c

oko 2 to 12:00; 50¢ couple after BES Soy 3 500 One Block

ple before 9:15 After Sou hb Municipal Airport.

HE’LL FILL YOUR HEART with laughter! Dampen your eyes with tears!

MARK TWAIN'S GREATEST! 2

GREATEST! 7

IN TECHNICOLOR * TOMMY KELLY - ANN GILLIS + Huge Cast 5c to 6 © BALCONY 30c AFTER 6

Jimmy wg a

8 Stooges ® Prof. Quix

“START CHEER ING

<®-

But Father Mark Ahern, the third, still is beset by doubts. To bring him around, the Father Rector appoints him postulator for the can-

‘onization of the Blessed Joseph

Martin, St. Gregory’s founder, who came to Jose in a dream. But the recovered priest’s agnostic physician tells Father Mark the cure was no miracle. Honest with himself and true to his own belief, there is ‘but one course open. How the problem ‘is solved is yours to see,

“Play Is Successful

Excellent acting and Mr. Efcheverry’s intelligent direction and handsome sets contribute much to the play's success, for successful it it is. Admirable work is done by David = Milligan as the Father Rector; Sidney Sanner as Mark, and James Muller and ' Thomas Sinclair as the other doubt-ridden brethren, And there are above-the-amateur-average performances by Hal Hawkes, Eugene McManamon, Jac Broderick, Clifford Courtney and the ether principals. Such a play as this is a difficult assignment, requiring reverent approach and sustained atmosphere. These are present. And when the

play skirts “hokum,” the perform-

ance carries the day. However, it is a sincere, compelling work, relieved by a rich and quiet humor. And it is well worth seeing.

ONCE DID ODD JOBS _

Don Ameche at one time held

such odd jobs as laying cement|:

walks, bolt ® tightener in an auto plant, working in a mattress factory and digging ditches.

DEANNA SCORES AGAIN

- “THE BLACK DOLL” With Donald Woods, Edgar Kennedy

Featuring 3 NONCHALANTS BOBBY GORDON ® BOB DUPONT RUTH and BILLY AMBROSE } ARR HOLDEN

GLADYS SWARTHOUT JOHN BOLES

a pwn |

Featuring Warren Candler as Uncle Ezra — Jack Ward the Dancing Demon — Billy Gordon, Earnest Candler, Jack Clifford, Arthur Watts, | Dottie Mae, Ann Dnvis, Opal Hudre :

.|far as my enlightenment goes.

: opera to enjoy the music. The first ‘movement is joyous and charming

{ style from the former’s Tristanlike story and music.

{ Music which contributes to a drama,

| tion of Bach and Handel.

” |Oriental

| Lincoln

| Musical Youth Accented

‘On Symphony Program;

Feuermann

Premiere by Local

Be Reported Tonight.

Is Solo Star

Score Frank Opera, by Deems Taylor Given World

Orchestra; Bill to

5 : By JAMES THRASHER ; : There . an accent on musical youth in the Indianapolis Symphony

Orchestra’s current program, played

yesterday and to be repeated to-

‘night’ at the Murat. Of the six compositions heard, three were by 20th

‘Century composers, and a fourth was arranged by John Barbirolli, ne New York Philharmonijc-Symphony « conductor.

Sharing honors were a world pre-® miere of Deems Taylor's second DE PE a Som, e ap ce O nd PFeuermann as soloist. The “Iba2 include a Molto and an Andante. Not being familiar with the opera, this is as

However, one need not know the

music of gossamer orchestration. The second surely must be some of the “dream music.” It develops} from a whispered beginning to mo-

If one has heard Mr. Taylor's first opera; “The King's Henchman, » he will notice an abrupt change of

The later opera calls for delicacy, and the

in the ‘Andante was. a typically Wagnerian forward movement and avoidance . of - definite cadence.

must have this. But robbed of ac--‘tion, this sustained reeling-off of phrase after phrase may be a little disquieting. » This is emphasizing one listener’s reaction too much, perhaps. Considered as a whole, the new suite shows artistry and great skill of expression, and is a welcome addition to recent concert repertory.

Feuermann Is Soloist *

.Mr. Feuermann chose, in place of a concerto. Weber’s ‘‘Concertstueck” and the Tschaikowsky “Variations on a Recoco Theme.” Both music and performance were captivating. The folklike, almost popular, character of the Weber composition is charming, and the Tschaikowsky Variations are wholly enjoyable. "Of course, Mr. Feuermann is a consummate artist, as Maennerchor audiences here have learned al8 | ready. He plays the cello with the flexibility of a violinist, and with’ his contempt of technical difficulties goes a tone of eloquent beauty.

Mr. Barbirolli’s transcription of six Purcell excerpts began the program. All except. the celebrated “Dido's Lament” from Purcell’s opera, “Dido and Aeneas,” were incidental music to plays. They were unfamiliar to this listener, but filled with typical . Purcellian beauty. Hearing this music, one is reminded again that tonal interpretation of human emotion was not an inven-

The transcription for modern or-' chestra is reverently done. And it might not be amiss to call attention to a. clever bit of scoring wherein a flute, violin, viol and cello contrive to sound for all the world like a “consort of recorders.” Incidentally, though the program lists the work as a Suite for Strings, the score also’ called for flutes, horns and English horn.’ : Mr. Sevitzky’s lavish assortment of. good things also included two

igecond suites”—that from Casella’s

‘opera, “La Donna Serpente,” and

from Ravel's ballet music for “Daphnis and Chloe.” Whether he meant to or not wnd. he probably did), Casella has given us a delightful burlesque on the music of 18th and early 19th, Century Italian opera. There is a

“triumphal march” and. all the loud

bustle that Wagner described as

“the clatter of dishes at a royal

banquet.” Also there is a slow move=ment, sinuously apt for an opera, about a lady who got changed into a snake, and displaying Casella’s fondness for dissonant counterpoint; in ‘a neo-Gregorian style. Particular thanks are. due to: the | conductor for giving us the Ravel § music, as a further tribute to the composer’s talent. For the “Daphnis and Chloe” music is perhaps the most original and satisfying thing in his orchestral legacy. It is a score fill of sunshine and warmth, a classic. fable happily painted in modern tones. Mr. Sevitzky again was in top form for the occasion. His conception of the many styles and idioms presented was unquestionably fitting, and ‘his incisive authority never faltered. Special mention should go to his conquest of the technical difficulties of the Casella score, and his penetrating projection of the “Daphnis and Chloe” suite. And, except for some unhappy nioments in Mr. Feuermann’s solos, the orchestra responded in noble fashion. =

MUNCIE INVITES STRING QUARTET

The Indianapolis Symphony String Quartet has been invited by

william H. Ball, Indianapolis State Symphony Society president, and Mrs. Ball to give a concert at Muncie tomorrow. The entire Ball State Teachers College ‘student body will be among the. 1200 invited guests. The program will include quartets by Schupert and Borodin and several shorter numbers. Among these will be the first Indiana performance of Turina’s “Oration of a Bullfighter.” Quartet members: are Boris

‘Schwarz and Avram, Weiss, violins;

Jules Salkin, Gruppe, cello. 2

viola, and Pdulo

y X Plus! “EASY TO TAKE” Marsha Hunt Tomorrow's Hit “The Awful Truth”

a ry - :

| rence, fearing for her life, traveled

| vigilant huskies. We were given to

IN NEW YOR

"NEW YORK, March 19.—Those

Kis GEORGE ROSS 8

* Sinister Noor to Geriruds Lawes Not So Térrifying; Signed "Whippoorwill".

threatening notes Gertrude Law-

rence has received engaged: the attention of our local G-Men a while, From her backstage dressing room at “Susan and God,” came dire and sinister excerpts from the “blackhand” missives; threats of kidnaping, ‘mayhem and bodily harm. Or so the verbal reports went.

Rumors had it that ‘Miss Law-©

nowhere about town without a secret bodyguard of at least six

understand that Miss Lawrence was forbidden to charter cabs unless the driver was well known to her and that no foods or drinks were to pass her lips until sampled by the one who had prepared the concoction. Undoubtedly, - the intimidating notes to the beautiful actress were serious enough to warrant a close investigation. But we have it from an inside track that all those dangerous missives were signed “Whip.poorwill” and discoursed in fanletter style .on Miss Lawrence's ‘admirable qualities. Furthermore, that ~ the letter-sender is a lady. And moreover, that not-only has Miss Lawrence received notes from the offenter, ‘but frequent Phone calls as well And that these ‘telephonic conversations usually start as follows: “Hello, Miss Lawrence, this. is the ‘Whippoorwill.'” Whereupon Gertie hears an expert simulation of the noises of the country whippoorwill —and no more. The. Stranger hangs Ap. Actor-Athletes “Lou Gehrig, the first baseman Po the New York Yankees, has just received a sizable check from the film moguls for his emulation of a cowboy hero in a Western entitled “Rawhide.” Gehrig's Hollywood activities have aroused the thespian urge in all the other athletes of the diamond. The other afternoon, Allen Joslyn, the actor, stepped into the Tavern and spied Hank Greenberg, slugging first baseman of the Detroit Tigers. “Tell me, Hank,” asked Mr. Jos-

Hollywood—As Pyle Sees It Ernie Pyle, the Vagabond from Indiana, is in Hollywood again. For . breezy, informative chatter about the goings-on in the film capital, follow Ernie daily in The Times. His Column today is on

lyn, “how far from the tip of a bat should the hitter hold his wrists?” “I'll answer that,” said the Detroit star, “if you'll tell me something—how does a movie actor know when : he’s ‘mugging’ too much?” No Boy Heroes

The late critic, Percy Hammond, once said he put himself to sleep

“on nights ‘when slumber was elusive

by counting stage juveniles instead of sheep. If current critics trfed that ruse, they would be an insomnia be deviled crew. For showmen bewail the absence of young musical comedy heroes. Where have they all fled? Well, a check-up reveals that: Jay Gould (he was famous in “Tick

Tack Toe”) has a seat on the Stock Exchange. J. Harold Murray (one of the handsomest) is president of a brewery in Connecticut. Harry Fender (remember “Lady in Ere mine”?) is-a motorcycle cop in St.

‘Louis. Vinton Freedley (he started

as a chorus boy) is a theatrical producer himself now. Howard March - (famed in ‘“Showboat”), owns a roadhouse in New Jersey. All staid and sedate businessmen and not a little proud of their Adonis days.

Carroll Relents

Now that Paul Vincent Carroll has looked around at New York a while, the eminent Irish play-~ wright (he authored “Shadow and Substance”) is willing to concede that this town is o. k. He didn’t think so the first day he arrived, but he changed his notions over= night. It seems that Mr. Carroll could not sleep and after staring up at the ceiling of his room in the Als gonquin, got out of bed and set to work on his new play. The next morning, he was glad to say that he actually can do some work in this country.

> SEEMERTonight! —

x RUDY BUNDY = IL NN

NED EAN

| 2 SE 8 J

Time Here

CLL

MINEVICH'S NE ON ASLALS rey SLY 112 AMERICAN ROCKETS

L : Plus Orie: 4 Acts

At Your Neighborhood Theater

‘SOUTH SIDE

Fountain Square Double Feature Don Terry “PAID TO DANCE” - Dorothy Lamour “HURRICANE” Sun. Double Feature—Dick Powell “HOLLYWOOD HOTEL” “SHE'S GOT EVEBYTHING”

\ At Fountain Square Sanders nies “ADVENTUROUS BLONDE” “FEDERAL BULLETS” Sun. Double Feature—Lionel Barrymore

“NAVY BLUE AND GOLD” “BORROWING TROUBLE”

GROVE

“THANK YOU, MR. MOTO” “OUTLAWS OF THE PRAIRIE” Sun. Double Feature—Ben Bernie 3 “LOVE AND HISSES” “KING SOLOMON’S MINES”

Pros. & Churchman Avalon “iherain “HOPALONG RIDES AGAIN” “ON AGAIN—OFF AGAIN” Sun. Double Feature—Judy Garland “THOROUGHBREDS DON'T CRY”

“Bulldog Drummond Comes Back” 1105 Seo. Meridian

Bauble Feature k Holt

Beech Grove Double Featore Peter Lerre

. “TRAPPED BY G. MEN" Joan Blondel] “STAND-IN” Sun, Double Feature—Ben Bernie “LOVE AND HISSES” * “THANK YOU, MR. MOTOR.

"hls dine NIGHT CLUB SCANDAL" | Hooded

“Mystery of Horseman” Sun. Double Pesture—Carole Lombard

~_°. “NOTHING SACRED” Pat O'Brien “SUBMARINE D-1”

‘New Garfield |

2203 Shelby st John Wayne

2 MECCA &

' NORTH SIDE

Up town 42nd & College

Double Feature Joe Penner “LIFE OF THE PARTY” “TALK OF THE DEVIL” Sun. Double Feature—Grace Moore “PLL TAKE ROMANCE” Geo. Arliss Sl SYN”

St. Clair * seule Fesurs™

’ Dab Feature James Dunn “LIVING, ON LOVE” : “THE GAME THAT KILLS” Sun. Double Feature—Ben Bernie “LOVE AND HISSES” | “HITTING A NEW HIGH”

Talbott mie sme

- Double Feature John Boles - “SHE MARRIED AN ARTIST” “ADVENTURE’S END” Sun. Double Feature—Edw. G. Robinson “THE LAST GANGSTER” “YOU'RE A SWEETHEART”

DC ; 30th at Northwestern REX Three Big Features: 2 . Dorothy Lamour “THE JUNGLE PRINCESS” " “YOUNG DYNAMITE” “IT’S ALL YOURS” Sun. Double Featare—Irene ‘Dunne

“THE AWFUL TRUTH” Claudette Colbert “TOVARICH”

Garric 30th and Iineis

Geo. O'Brien “The Windjammer” Sun. Double Feature—Wheeler & ‘Woolsey “ON’ AGAIN—OFF AGAIN” Walter Huston “DODSWORTH”

Noble & Mass. able Fears

“PRISONER. OF ot 30m A ACADEMY AWARD

REVUE San. Double Feature—Barbara Stanwyck |

“STELLA DALLAS” “BOSS OF LONELY VALLEY”, College ' hs Feature

[Stratford | SEALE

“TROUBLE AT MIDNIGHT” : «I STAND CONDEMNED” pe Double Feature—All-Siar Cast

SMEN ARE NOI GODS" oy

'S END” -

Chan at Monte Carle”

Hollywoo

{Tuxedo

trond 5

NORTH sige

Double gd Chas. Bickford “THUNDER TRAIL” Paul Muni “SCARFACE” Sun. Double Feature—Frank Morgan “BEG, BORROW OR STEAL” Myrna, Loy “MAN-PROOF”

EAST SIDE 4020 E. New York Nelson Eddy Eleanor Powell “ROSALIE” , PATROL, CHAPTER 4” Feature—Edw. G. Robinson LAST GANGSTER” Claudette Colbert “TOVARICH” 5507 E. Wash. St. | RVI NG Double Feature Roland Young “KING SOLOMON’S MINES” “IT’S LOVE I'M AFTER”

Sun. Double Feature—Edw. G. Robinson “THE LAST GANGSTER” Joan Blondell Sao 2116 E. 10th St. Hamilton Dewi

Feature Roscoe Karns “PARTNERS IN CRIME” “SHE MARRIED: AN ARTIST” Sun. Double Feature—Jed Prouty “BORROWING TROUBLE” Claudette Colbert “TOVARICH”

GOLDE i suis E. Wash. ouble Feature Pv Wheeler & Woolsey “ON AGAIN—OFF AGAIN” Kenny Baker “52D STREET” ~.DINNERWARE TONIGHT Sun. Double Ee J aokis Cooper F THE STREETS” “THE HIT PARADE" * 10th Emerson cm. u

“RADI Sun. Dou “

T1332 E. Wa an st. night 4 : - Tomorrow

1: Double a— 5 da—Humphrey Bog

| Showings ax Office Open: Tin En Wash.

1 E. F densi Feature | -

Gate Autry.

a Sime Trevis SCIROUS GIRL®

Sun. Double Feature—Carole ash (“TRUE CONFESSION” “TRAPPED BY G-MEN"

|BLJOU 114 E. Washington

Double Feature ZWVIFE, DOCTOR AND NURSE" ‘Rides With the Boy Scouts”

EAST SIDE

2930 E. 10th St. Parker Buin: “NOTHING SACRED” “MANHATTAN: MELODRAMA” Sun. Double Feature—Fred MacMurray

“TRUE CONFESSION” “DAUGHTER OF SHANGHAI"

RIVOLI Adults 15¢ Till 6

Melvyn Douglas Stuart Erwin “PLL TAKE ROMANCE” “Charlie Chan at Monte Carlo” EXTRA! Last Show Tonight Only! Robert Taylor—Janet Gaynor “SMALL TOWN GIR1” Sun. Double Feature—Rosemary Lane Dick Powell “Hollywood Hotel” Humphrey Bogart—Frank McHugh + “SWING YOUR LADY”

10th_St. Cont’ Mating Today

T ) i ATRL acoma "Gis sew “ROLL ALONG, COWBOY” Pat O’Brien “SUBMARINE D-1" Sun. Double Feature—Ben Bernie © “LOVE AND HISSES” “THOROUGHBREDS DON'T CRY”

WEST SIDE h. & Belmont “ Dyable Feature

Be : mon tt" Grace Moore

“PLL TAKE ROMANCE” “SUDDEN BILL DORN” Sun. Double Feature—Ann Sothern “SHE'S GOT EVERYTHING” “SWING YOUR LADY” Double Feature

"IDAISY “igui ish

- “HOLLYWOOD ROUNDUP” “PARTNERS IN CRIME” Sun. Double Feature—Dick Powell . “HOLLYWOOD HOTEL” “FORTY NAUGHTY GIRLS"

2540 W. Mich. St

[Spesdway | Povile ER “CRASHING HOLLY HOG, Wheeler-Woolsey “HIGH FLYERS” Sun. Double Feature—Dick Powell | “HOLLYW ) HOTEL” “THE INVI MENACE”