Indianapolis Times, Indianapolis, Marion County, 14 March 1938 — Page 16
RL Seat 7 i |S
i
a.
Symphony,
_Triggs, piano
Eeiremen,
Pe yap = “At New lew High
Harel re James Hosmer Among Soloists.
By "AMES THRASHER Once ag=in the Indianapolis Symphony Orchestra and its conductor, Fabien Sevitzky, have proved that their “popular” concerts are deserving of the adjective in svery sense of the word. Yesterday afternoon's performance, fourth: in the popular-priced series, drew what appeared to be the largest audience of the season. Again every seat was occupied and, for the first time, the Murat’s orchestra pit was pressed into service to accommodate the overflow. And ence more there was a liberal representation of standees. The program, too, was popular, in that most of the music is well known and well liked, At the beginning stood that work of elfin charm and undying freshness, Weber's “Oberon” OQverture. ‘played admir ably, with Mr. Sevitzky summoning up all the delicacy or spirit which this lovely music demands. The same virtues were apparent in the second and fourth ‘movements of the Haydn C Minor which was heard in its rely at the last subscription
ork £ spplasided Warmly
_- Turning from these charming, sunny compositions, the orchestra next plunged into exciting, martial measures of Tschaikowsky’s “Marche Slave.” There was. little in yesterday's performance to account for the work’s great popularity, but the hearers, undoubtedly
stirred by the clashing climax, un-
leashed a storm of applause. + There were other receptions of
‘high enthusiasm for the Tarantelle
for flute and clarinet, by SaintSaens, and the Fifth and Sixth Hungarian Dances of Brahms. James Hosmer and Julio Mazzocca came forth from their places in the orchestra to account for the two solc parts in excellent fashion.
- Saint-Saens’ music is inconsequen-
tial, in this case, but he understood how to show these woodwind instruments to advantage. ThLe work demands little but tone and technique, ‘and these the soloists had in gratifying abundance, . “The afternoon’s crowning ovation, reserved for Harold soloist; Mr. Sevitzky, the orchestrz and the late George Gershwin for the “Rhapsody in “Blue,” which closed the program.
Piece Ectains Popularity
Despite its being rather overdone, the Rhapsody still stands, after more than a decade, as the most successful transplanting of jazz to the concert hall. Gershwin had an unmistakable ‘gift, and this music remains fresh and satisfying to many points of view. : The Rhapsody, I imagine, was written spontaneously and in all seriousness. Yet Mr. Sevitzky yesterday chose to deliver it in broad, exaggerated strokes. Mr. Triggs’ solo parts, on the other sand, weré straightforward and virile, and when .the occasion demanded, had musicianly refinements that never stepped out of character. It was unfortunate that the piano was tucked back emeng the strings, rather than at. the front of the stage where solo instruments seem to belong. This was especially true,
however, was
since Mr. Triggs would have needed.
to be a super-Titanic pianist to ‘make himself heard in passages with the orchestra, even under tances. es nothwithstanding, the audience recalled soloist and conductor agzin and again. Finally, as an encore, there was a repetition of the Rhapsody’s lyric middle theme, the one that has been ushering in Paul Whiteman’s radio programs for lo, these many years. On March 27, there will be an added popular concert, made up of an all-request program submitted by patrons’ ballot.
Musical May
~ Appear Here
"You Nevar Know' Tentative Dat=s May 24-25.
. Announcer ent has come from the
Shubert offis in New York that . "the new Cole
Porter musical comedy, «you Iicver Know,” will play a two-nigh’ SSEascment at Eng-
Yshi's, May 2 Vincent Sirke, English’s man-
ager, said today that definite ar-
“rangements to bring the revue here * had not
not been completed, but that there was 1kelihood that the ‘engagement wold go through. At present therc are no definite bookings for the ~emainder of the local dramatic se son. : “You Nev r Know” has a triplethreat arra; of stars in Clifton Webb, Lupe Velez and, Libby Holman. Other featured players are ‘Rex O'Malley, Toby Wing, Charles Kemper and George Dobbs. It is scheduled to Ve seen here before its
Broadway cr-ping.
~'Mr. Webb will be remembered for
pis role in ‘As Thousands Cheer”
and the Thealer Guild's “And Stars Remain,” hic most recent assignment. | The ‘iery Miss Velez’ stage ‘experience ‘includes parts in Ziegfeld’s “Hot “ha” and in “Strike Me r- in a lcition to her film apces. merging from a ale Miss Holman will “irst professional a since “ne pe Fiat Little Show.” Te
THEY'RE OLD FRIENDS -
; ies Men er. ho is sppearing { TE oh gov: the Buglsh ad. his
screen role “When he was a movi aiecor in 1308.
mm Toriorrew Night asm D “ruoy BUNDY A adler age 150 a c Genti>71en 25¢ Before 9
It was|
Long-Delayed | May Be Here at Last ©. ==Or ls It?
By PAUL HARRISON HOLLYWOOD, March 14 (NEA).
—Has true love come to Greta Gar-|
bo—énd will it last?
These ‘are the questions being].
asked by movie fans the world over as Greta wanders along the rocky paths that skirt the
arm in arm with pold Stokowski,
world-famed musician and sym-|
phony conductor. . Rumors from the villa Cimbrone, Ravello, where Greta is enjoying an idyllic holiday with Stokowski, insist that the two artists may be married within the week, probably at Turin, Italy. But similar and no less forceful rumors have circled about the head of Greta Garbo before. In a Hollywood where most stars marry early and often, Miss Garbo, unmarried at 32, has stood out as unique.
Her magic name has been ro-|
mantically connected with practicaliy every leading man with whom she has appeared, and even to be seen frequently in company with ships’ officers during a trans-Atlantic voyage has been enough to set linotype machines clanking. Should Garbo find fulfillment in her present attachment to Stokowski, it would be for the first time in her life. no romances. She has. But always fate, or. death, or circumstance, came between and prevented the complete unfolding of romance.
* 1qyHic Spot ‘Chosen
Now, in“company with the brilliant Stbkowski, musician, conductor, composer, scientific experimenter, whose alert mind and forceful personality mark him out in any company, Garbo. may be forgetting her long devotion to Mauritz Stiller, ahd her ill-fated romance with John Gilbert. In the warm Neapolitan sunshine, the early days in Stockholm must seem far away to Greta Garbo, great as her attachment is for her native city. But perhaps she may remember the days when a poor shop girl with theatrical ambitions, she stood at stagesdoors hoping for a glimpse of Einar Hanssen or Carl Brisson, then matinee idols. Hanssen later went to Hollywood and was killed in an auto crash. Brisson is a star there today. Neither was more than a schoolgirl crush.
Stiller Never Forgotten
But Mauritz Stiller, the Swedish director who turned the chunky little Gustavson girl from a hat model into a movie actress, was a far greater influence in Garbo’s life— an influence that will probably be life-long. It was Mr. Stiller who taught her all he knew about acting, It was Mr. Stiller who gave her that first “picturas break.” It was Mr. Stiller who’ insisted on taking her along to Hollywood when he had his chance there. Mr. Stiller was a man old enough to be father of the 19-year-old girl who went after a Hollywood career with such determination. It is unlikely that there was any romantic attachinent between them in the ordinary sense. But for many years, until his death in 1928, Greta Garbo held a deep. affection, tinged with admirati'n and gratitude, for the man whom she rightfully regarded as the master from whom she had learned her craft. In earl-
ier years her dog-like devotion to|”
Mr. Stiller and her eagerness to obey his slightest command was noted throughout Hollywood.
y Fate Steps In
Here Fate stepped in. Mr. Stiller, who brought Garbo to Hollywood as a mere appendage of his own directoral genius, failed as a director of American pictures. - But Garbo, his protege, went on to greater and greater success. When Mr. Stiller died in 1928, the news was brought to Garbo on the set. She went dead - white, then pulled herself together and played out the scene. But her association with Mr. Stiller definitely marked her entire life. - It was even rumored, but without the slightest substantiation, that Mr. Stiller and Garbo were once married. In fact there were some who believed that even when a more romantic attachment came to Greta Garbo, the gaunt ghost of Mr. Stiller stood between them. No one can be sure what curdled the Gar-bo-Gilbert romance. As early as 1926 the two were rumored to be engaged. = Gilbert, young, impetuous, .and handsome, was riding the crest as star of the Big Parade. Gilbert and Garbo were seen everywhere together.
World Hails Romance
For him she cast aside her dislike. for society and “glamour” clothes, and appeared at premieres, large social gatherings, and public events with evident pleasure so. long as she was with Jack. There were various clashes of temperament, however, ‘for Gilbert was in love with life, fun-loving and irresponsible. He wooed her in the grand manner, and few doubted that here was to be the romance of the century. Then the affair came to a climax.
HollywoodeAs Pyle Sees it Ernie: Pyle, the Vagabond from Indiana, is in Hollywood again. ' For breezy, informative chatter about the goings-on. in the film capital, follow - Ernie daily in The Times. His Column today is on Page 9. ,
True Love'l E
ay of Maples, | &
Not that she has had| |
Here is a picture review of Greta Garbo and the : men with whom her name has been linked romantically. Upper left are Garbo and John Gilbert in a: scene from “Flesh and the Devil,” the picture which started reports of their impending marriage. low, the star is shown : ‘with the - Swedish director,
Al the right, top one of Garbo’s
Be-
Spanish Film
Is Powerful Fact. Drama
| Absence of Heroism in
Modern War Shown ~ Graphically.
Partioalnty appropriate in view of recent grim international events,
}“The Spanish Earth” was seen by
‘| two Indianapolis audiences yester-
day at 3:30 and 8 p. m. in the Civic Theater. The showing here was sponsored by the Indiana Medical Bureau to aid Spanish democracy. For the most part, “The Spanish Earth” is an honest and accurate
. | newsreel. At times there are at-
- Mauritz Stiller, ‘who gave her her: start: in pictures.
to bottom, are Rouben Mamoulian, Hollywood directors; Carl’ Bris-
son, said to have been a girlhood idol, and the latest - candidate, Leopold Stokowski, noted. conductor, ‘with whom Garbo is reportedly vacationing. :
Garbo actually went HN a little Mexican town below the bérder with the apparent intention of‘ meeting Gilbert there and setting the seal of marriage on the romance.of which a world was talking. Exactly what happened. there, nobody knows. Nobody but Garbo, that is, for Gilbert is dead. But somehow, at that high point-of the most-talked-of romance of tHe decade, (Garbo drew back, eluded : Gilbert, hidvout on him, and finally’ flagged a train and came back to California —alone. or Romance Washed Out Less than-a month later Gilbert was married to Ina Claire, Broadway stage star. But this was a short-lived romance. It is quite true, however, that Garbo continued to be very fond of Gilbert, and in her infrequent interviews spoke of him inthe highest terms. More indicative still is the fact that when she came to produce Queen Christina, she insisted on Jack Gilbert as her leadiig man at a. time when her own fame and prestige-had definitely eclipsed his. From this time on, Garbo - retreated more and more into seclusion, and the ‘character of the Spinxswoman of ‘the = scréen wis crystalized. ’ Didn't Like”’Em Young ° She was reported as going about frequently with - Max Gumpel, -a Swedish engineer. She met and was reported much interested in Prince Sigurd, son of Crown Prince Gustav of Sweden, hut all these rumors were quickly denied.
Garbo tate got their biggest _romantic thrill after the Gilbert attachment, - Observant hotel-keepers during January of 1934 ' thought they recognized-a queenly figure which swept through various Ari-
Brown” who registered. She was accompanied by a man who was soon recognized as Rouben: MamouTo Grand Canyon, and through carrying the two. vacationers, no longer as carefree -as they = had started out. of both became clear, dogged their - footsteps throughout the remainder of the expedition. Rumors of an “elopement; and JAmpending ‘marriage ‘again’ failed to jell. . George Brent, her :next. leading man, became. ‘ close “friends with Garbo, and there were the usual ro-: mantic rumors. Brent, a gay, irrepressible: Irishman with no awe of the Garbo legend, is believed to have done much to produce the: change in Garbo ‘that began to be apparent last year—a gayer, more human figure than: the cold: automaton and recluse. Everyone about ‘the.movie lots noticed the change. But in the meantime, & new interest came into Garbo’s life. Leopold’ Stokowski. is. not only a-.great, but: an unusual musician. Conductor cf the Philadelphia Orchestra, he has also been interested in improve~
curiosity
It was . after her return that
ments in the ‘recording and broad-.
zona towns as being someone other : than the “Miss Jones” and “Miss |
lian, Garbo’s director at that: time. | the Arizona mountains went the. car had
For ‘as identification {
closely |
casting of music, and; on composing. He was the first conductor of
again revealing his ive And it was while .in Hollywood ' a year ago in this connection that, he met Greta Garbo.” :
: - Divorce - Cleared the ‘Way
Soon ‘they: were being ‘seen. - toér at night clubs and. concerts. R ors, long current, of Stokowski's separation - from: ~hisisecond wife, grew. sitohger, _His first wife “been Olga Samaroff,: «concert pianist. Late last year “Mrs. ‘Stokowski established residence "at ‘Reno, and on Dec. 2 the divorce was granted. A few days later Galo’ sailed for Sweden for the Christmas holidays. In early February Stokewski- sailed for the Mediterranean, but not. be-fore-both had denied any romance or any intention to marry, both insisting that Lier careers came, first. “We are only friends,” said Garbo as the Gripsholm sailed. “And | ‘all this ‘Bossip is: idiotic.” “I am. not going to rema remarry,” Stokowski: had said after the - divorce. “My plans are for work.” Then, in the ancient: te-walled villa on the sunny shore, they. met. And fragmentary reports of the dis-tinguished-looking gray-haired man and “la: donna misteriosa” filtering ‘out from the closed confines of the villa tell of a pastoral idyll shared by two great artists. Has lasting love ‘come at last to Greta, Garbo? The white walls of
Villa Cimbrone have not yet: given forth. an answer. in
Spanky Visits
Saturday in St. Louis, Spanky. McFarland wanted to be a G-Man. Yesterday, when he arrived in. In-| dianapolis, ‘he: had deserted this idea ang was furiously : concentrating on bécoming an airplane pilet.’ Mrs. Robert McFarland, Spanky’s mother, Ee this isn’t at all: unusual and that the. former: leader of Hal Roach’s “Gang” probably will have. run. through; his entire list of ambitions several times before he’s really ready to go to work. The McFarlands,. “mother, father and’ brother Tommy, are: motoring from Hollywood to Hartford, Conn., for the first engagement of a short |’ personal appearance tour. The arrived’ in Indianapolis yesierday to spend "the evening with - Mr. and Mrs. George Sleeth, 3867 Ruckle St.
Mrs. Sleeth and Mrs. McFarland are |
sisters. Every kid for five blocks: around was on hand to welcome : Spanky. They were a little overcome by: ali the Hollywood . glamour ‘and ‘just stood “and stared. Spanky soon! stopped that. He suggested. a game. of “Murder. ”
Spanky" Questioned
Master McFarland - didn’t ; mind having the reporter: question’ him. He’s used to:it. ‘But he .did think] some of the questions ‘were, pretty silly. Por instance:. Did he have a girl? = He used to, but didn’ want to talk about it. Mrs. McFarland said it was much nicer going to ‘Hollywood the . first time than it was leaving last week. Their home wasn’t damaged much | by the flood. They were just about to go on tour: anyway and’they’re ela to ‘get away from it ‘all. .
tour was prompted by, the| fact. that “Spanky's contract with|.
"APOLLO
Hal" Roach expired’ March 9. The
1—A wire-haired terrier named
34 tion picture actor of the year.
Relatives Here, Youre To Be Airplane Pilot—or Maybe G-Man
trip is to fill in until terms with another picture outfit can be made. Spanky ‘has’ an act with Jack Pepper, ‘a vaudeville veteran. His parents think he’s a born’ trouper—he eats up applause—and that all this’ nonsenge . about, gangbusting . and airplanes will pass. ‘has “appeared: in - ‘more than /50. “Our Gang” films and: a half /dozen full-length features. His
ren ather the drive. from St. ‘Louis’
Animal Oscar - Goes to Terrier
- HOLLYWOOD; ‘March 1 (U PB.)
Skippy had a silver “Oscar” tied to: his ‘kennel ‘today. ~It: meant that | Skippy was. the best animal’ mo-
“Oscars” ‘are the: gold. statuettes awarded ‘by the ‘Academy: of Moti Picture Arts and Sciences’ to best ‘players, of the’ year. - Luise Rainer and: Spencer were
given « " Thursday. -
Skippy’s “Oscar” came sot’ trom: §
the Academy, but from a fan: ‘hallot conducted ‘by * ‘Hum
phrey ‘Bogart, | It ‘was a statuette. of a 0g siting
up: aud ‘begging.
[SHOW SHOWS wt 1:0, a rye
for the comih
ond Penper. gave him.
of the child to Mr. Roach. about six
years. ago. When Spanky gets: through work
onthe lot and at- the studio ‘school,
he: ‘usually Joins the: neighborhood
kids. for a game of baseball on a ‘vacant ‘lot. He’s enthusiastic -about ‘baseball
this business ‘but ‘hadn't thought much ‘about the’ best’ Bets g season. = “In fact, Spanky -wasn't thinking much ‘about anything: He was tired and “workout with | a. pistol - o. had taken’ pot - at at he ~ | everything that moved g belwesp here and" the Mississippi Ri And. what did Rpanky ‘think ot
_| his nickname?, Not much. He'd: to: 1ikwe. peoble Use his: iret mame,
which 1s’ George. «Later pany disa,
him ‘a ‘glass of nl 5a san
‘wich in the Kitchen.
SWISS | DANCER SIGNS.
~ HOLLYWOOD, March’ 14 (U. 2). —Albert Fisher, the’ Austrian ‘pro=-
‘ducer ‘and manager: of Trudi Schoop, dninouniced that he Has made a con- = ‘tract. for the noted Swiss dan
with an’ a ii 8 AaB oS
LULL SWING
a great symphony to make. a talkie, |,
xed CINEMA
I TALBOTT _
sacs. aT HPET y
tempts at a purely -artistic use of the camera, but the film is most ‘powerful as a straightforward, face tual medium. After all, when one has recorded the actual bombing of a Madrid street and has added a visual impetus to the mind’s indignation at civilian slaughter, there is little need for embellishment. Joris Ivens. and ' John Ferno, Dutch director and cameraman, respectively, went-to Spain with a script presumably to film an approximate counterpart of “The Life Ro Death of a Spanish Town.” A meeting with Ernest Hemingway and the proximity of Madrid seems to have altered their plans. They threw away their story, joined the Loyalist farces and entered into the thick of the fighting.. Battle Scene Shown One scene: shows the actual battle fér possession of an important bridge on. the 5 the Valencia-Madrid highway. battle may serve to dis‘pel the last romantic vestiges of an illusion of heroism which the word “battle” may arouse in our minds. There were no furious charges, no hand-to-hand | encounters. = There stood the bridge. In/the distance one; saw the smoke of the enemy’s Men walked slowly, in small Death came, ct way. And life seemed snyssword-
picture comparable in a istry to “The River’—as this specta
Any continuity was absent, and the e was some downright dullness. One
{was distracted by efforts to piece
together the semblance of a s . concerning the efforts of villa, TS near Madrid to complete an | gation project in the midst of war. . ‘This is mentioned not to discredit the film, but to dispel certain misconceptions that may have come in advance of it. For it is to be hoped that the picture may return. In | these times such documents deserve circulation. So, if you see it in the future, you will find Mr. Ivens as a realist and reporter. Mr. Hemingway's: commentary is brief, for few words are needed. Both men have an eloquent case for their abhorrence of fascism and ‘ championship of Spain’s government forces in “The Spanish Earth.”—J, T.
Lyda Roberti Funeral Set
Heart Attack Causes Death ‘of Polish Comedienne.
HOLLYWOOD, March 14 (TU. P). —Puneral services for Lyda Roberti, blond movie comedienne who died Saturday of heart disease, will be held tomorrow at a Hollywood mortuary, with prominént movie colony Bgies in attendance. Miss Roberti was 32. The heart ailment that caused her ‘death had
years.. She suffered an attack last Friday and sank steadily, despite stimulants, until she died. ° At her bedside was Hugh Ernst, her husband, a radio announcer. They fell in love three years ago when both were in a hospital, Mis Roberti with * heart trouble. Ernst suffering from auto wreck -
: Roberti was born in Poland. Her father was Roberti, a famous European clown, and she had trayeled with him on circus tours. The show went bankrupt in Shanghai and the little Polish actress spent: all her money coming to America. Her intriguing accent first brbught ES on thy stage, and liter in S.
curtailed her movie work for two}
82 8 8
NEW YORK, March . 14—~Contrary to popular belief, -Manhattan’s after-midnight glow and glitter is not confined to the gayspots frequented by noisy, rollicking sun=dodgers. - A large number of matter-of-fact New York folk come out of their domiciles only at night, take a deep whiff of the nocturnal air and—go to work. You can spot them in the subway frains in the tiny hours of the ‘morning seated next to dizzy, home-ward-bound celebrants. They are a sedate looking tribe, these newspapermen, photo-engravers, telephone operators, technicians, nurses, hospital attendants, transit employees, beef and barley merchants. Their own relaxation takes palce not at night, but beneath the glare of a midafternoon sun. A glimpse from the topmost pinnacle of Radio City before dawn affords a first-class view of their working habita and offers convincing proof that the. illumination from the night club belt is nothing more than a mite in the: Manhattan mazda firmament.
Signs of Early Activity
The offices of over a dozen telephone exchanges gleam brightly through the Gotham gloom, the varios newspaper shops sprawling distinguishable by the blue lights from their photo-engraving plants. And stretched ouf along both waterfronts are the wholesale food emporiums, where the hired hands go to work at 4 o'clock in order to get out the rolls and coffee for Mr. and Mrs. New Yorker’s morning - breakfast.
There’s a dusk to dawn death watch among- the city’s newsphoto. and newsreel - headquarters, too, For news cameramen are on call for fires, catastrophies and what-have-you no matter how late the hour. As for the boys in the city’s firechouses, only a tiny, shaded lamp burns over the desk on the main floor nearx the firefighting trucks ‘themselves. The firemen in this city, with the exception of the one on duty—and those who maintain a 24-hour vigilance at headquarters—sleep ‘like any other citizens.
Vigil of Science
On the East Side, up beyond the {llumination from the towering mass of steel and stone that is the Cornell Medical Center, the lights are
WHAT, WHEN, WHERE APOLLO
“Bordertown,” with Paul Muni, Bette Davis and Eugene Faleute, at 11:15, 1:24, 3:33, 5:42, 7:51 and 10,
CIRCLE as
‘‘Hollywood Hotel Revue” on stage, with Marty May and others, at 12:57, 3: 41, 6: ” and 9:27. “The end 52 and the Butler,” with William Powell and Annabella, at 11:18, 2:02; 5:04. 7:48 and 10:32.
INDIANA
“Bringing Up Baby,” with Katharine Hepburn and Cary grant at 11:21, 1:56, 4:32, 7:08 and 9:44.
LOEW'S /
“Merrily We Live,” with Constants Bonnets 21 and Etian Aherne, at 12:4 5 re 0 an with Melvyn Doug" las and yirginia Bruce,’ at 11:1
2:20, 5:40.an LYRIC '
Louis Ammisirons and His Orchestra on Jiage, Bt 1 08, 3:52, 6:46 and 9:30. Penrod His Twin B rother,’” with the Mauch h twins, at 11:51, 2:35,
5:29, 8:13 and oHIo
“Dead End,” with Sylvia Sidne Also “Ebb Tide,” Frances Farm Te
ALAMO
“Heart of the Rockies Livingston. Also “She man,” with Dick Phos
AMBASSADOR “The Rurricane,’ with Dorothy La-
mour. A Cupid,” with Ken Muzray.
with_Bob | oved a Fire-
hout the midtown area are;
IN NEW. YORK—+ ceorot ross |
sr 7. »
“New: York's Night- Lifers Include Brigades of Workers as Well as Ranks of Revelers.
never dimmedin a block-long building fronting the river—the Rockefeller institute. Here a scientist or two—in keeping with the not-so-fictional tradition of Sinclair Lewis’ “Arrowsmith”—is constantly .keeping sentry duty over some bacteria culture or another. Out of thess vigils one is liable to read, in the years to come, of how a now dread Sisease was finally conquered for all £8 -
Of all the lights that burn steadily throughout the Manhattan night, none has the eerie quality of the pale green lamps fronting half-a-hundred municipal buildings from one end of the island to the other. These absinthe-colored beacons are the sole signal lights offering sanctuary ‘to the harassed, the troubled and the beguiled. Ironically enough, they are the identifying symbols of —the New York police stations. Working Like Hecht Gotham Gleanings: Ben Hecht still toils over that novel that has been occupying his time, between excursions into the cinema and the theater, for the past two years. Libby Holman’s son is growing up —she has imported her attorney: from North Carolina to take care of his finances. Thomas Wolfe, author of “Look Homeward, Angel,” is at work on another arm-hreaking novel. Construction started this week on the city’s largest motion picture s t u d i o—Twentieth-Century-Fox ‘cinema headquarters on 10th Ave. Clifford Odets is ceserting the city limits for Hollywood once again —this time to be near his mother-in-law, who has just arrived from Vienna and is visiting Miss Rainer on the coast now. Jan Kiepura, who seems ‘to have captured the majority of the laurels at the Metropolitan Opera this season, has the comeliest frau of any singing star in aeons—she’s Marta Eggerth, the European actress. And Tommy Manville seems to be settling down for once and all —he’s now squiring his mother around to the various night clubs!
Choir and Organ Program ls Set
The Indiana Chapter, American Guild of Organists, will sponsor a. concert of choral and organ music at 8:15 tonight at Central Chris tian Church. - The church choir,
directed by Fred Jefry, will present s which is as follows:
£ illie Kine, So orpa-chiilE in A A rginia Jefry. Choir—"Darest ou Now, O Soul?”.. Thelma Grannis and Josephine 5
rwin, 0 “For Ah! The Master Is So Fair”..
“Lead Me, O Lord” . “Song of Rejoicing”
Constance BRIAN AHERNE
MERRILY WELIVE:
mmm BRUCE MELVYN DOUGLAS
“Arsene Lupin Returns’ |
"Chartered Bus Days" are here again. Schools, civic clubs and church organizations are enjoying group visits to our many public institutions and points of inferest in- “Indianapolis.
It's Great Fun to Go Places Together! Chartered Bus Department
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“LOVE AND SSE” “BULLDOG DRUMMOND’S “meveNGE” 6116 Wash. Double. Feature
GOLDEN . posi riers
“TRUE CONFESSIONS” “NAVY BLUE AND D Soup
0th mosis yg Th e Ra nd _ “SHE'S GOT v1 y (First Eastside Showing) { waney Winchell—Ben Bernie ‘LOVE AND HISSES”
“HOLLYWOOD HOTEL’ “SHE'S GOT E EVER VTRING”
EAST SIDE : Fa ; 411 E. Wash. Paramount | iouble Feature a: AG. OFF HANDSOD “HIGH. W ME
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SANDERS
WEST SIDE
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SPEEDWAY ooubic Basture
Double Feature Mae West EVERY DAY'S A HOLIDAY" - Doroth HURRICANE'
HOWARD
“ HE LOVED A A FIREMAN"
STATE he STATE Bul ithd
“BRIDE F )R H Fax BELMONT "Sf Sa
Dorothy enon Miriam THe “WISE GIRL” SOUTH SIDE At Foustain Square : Oars ‘Be ron.
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