Indianapolis Times, Indianapolis, Marion County, 12 March 1938 — Page 8

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Circle Offers

Lavish Stage

Show in ‘Hollywood Hotel’ Louis Armstrong at Lyric

Swing King, Nicodemus Top Gala Troupe on Stage Here.

If you zo to the Lyric this week to forget your troubles it will require about as much effort as that ‘expended by thirsty fish. For Louis Armstrong “and company: are playing a week’s engagement on the Lyric stage and when that clair nant of the “King Of Swing” ‘itle tootles his “Slush pump,” the very marrow of your bones responds one way or another. The Armstrong show requires abSolutely no audience participation: Either you are conscious of every note and tap, or — well, pinch yourself; youre dead. | Specific: ly, the Armstrong revue is just about as complete, colorful and compelling as any “band show?” you are ever likely to see. Although the accent is on the swing angle, those who go to the theater for variety will find that they have not been alfogether forgotten.

Laughs by Nicodemus

The star performer of the troupe —excepting the trumpeteer of the _ title role—is one Nicodemus, whom you may have heard as a guest on the Eddie Cantor radio show. Nicodemus doesn’t do much (he is reputed to be the laziest man in the world), but what he does is precisely the thing that makes you laugh, and laugh very hard. After the orchesira’s particular brand of penetrating rhythm, the comedian’s routine is = study in stunning and welcome qu etude. Aside from Louis Armstrong, there is one other featured artist who is a true swingster, or jitterbug, or cky, or whatever theyre calling them this week. To swing properly, according fo the authorities, one must be able to improvise. Midge Williams does far more than that. She strolls upon the stage to the accom nent of the orchestra and, for mo:= than 10 minutes, carries on the most amazing extemporaneous conversation with herself . and the microphone that, apparently, the audience had ever seen.

Premcditated Frenzy

If improvization is the foundation of successful swinging, Miss Williams mostec-rtainly is running neck and neck witha the winner. Her performance also is interesting in that

she never gets excited, as do most of her swing brethren. The technique might be callzd, to borrow a courtroom phrase, “cool, premeditated frenzy.” The Armstrong repertoire includes most of the current favorites, played in the leader’s well-known style, which guarantees its success. His style cannot he described, but it suffices to say ‘hat his music sounds the same as it did when he last appeared at Tomlinson Hall and that he works very hard for his audiences. Fe is still hitting “high G” and still seems to have more breath than zany other two men from the trumpet section.

Penrod on Streen

The remainder of the show is handled by sclo artists of the Armstrong band, Hattie Noel, Alan Turner, Maye: and Morrison, The Three Giants of Rhythm and Bobbie Caston. They are all ¢apable performers and without them the Lyric would hzve no more than the personal appearance of a nationally known orchesira, ~ On thé Lyric screen you may see a dramatization of several of Booth Tarkington's famous Penrod stories called “Penrod and His Twin Brother.” Now of course Mr. Tarkington didn’t ever intend for Penrod to have a twin, but the trouble is that Mr. Tarkington didn’t fore- - see the signing of the Mauch twins by the Brothers Warner. Otherwise the production. does not violate the spirit of the ariginal stories and, consequently, is a very pleasing motion picture of life in an Indiana ‘ town of some Sime ago, LEH

SEEK TRUCE WITH CZECHS ON FILMS

WASHINGTON, March 12 (U.P). The State Department announced today that it proposes to negotiate a special agreement which Czechoslovakia to obfain better treatment for American motion picture films. It was explained that the present Czechoslovakian film restrictions require American pictures to pass two

reviewing boards before they are

shown.’ One board is known as a board,” and the other a censorship board. A fee of approximately $700 is charged for each review, making a total cost of approximately $1.400 per film before it is shown. "he proceeds of these - reviewing taxes go to the development of the Czech movie industry. A further re=friction requires that for each five American films imone Czechoslovakian film

must be produced.

ENGLISH

Matinee Today, 2:30 Tonight, 8:30

WAITER HAMPDEN

JSETHAI' "FROME" Byes. 10, 1.65, 2.20, 2.75, | Mat., Soe 3c. ht babel ine.

French Actress Stars in Film 'Baroness and Butler.'

You may get a nostalgic feeling for the good old days of the girlshow if you visit the Circle this week. For there, for your approval, is the “Hollywood Hotel Revue,” in all its neo-Ziegfeldian splendor, as the week’s stage attraction. It is a large show, colorful and well-presented. Marty May and Helen Honan head the cast, and there is a lavish assortment of statuesque Joins ladies, feathers and epider in the traditional Broadway manner of 15 years ago. Mr. May and Miss Honan should be familiar to local vaudeville patrons; the former for his slow and easy way of running a show and understating his witticisms, and Miss Honan for her decidedly bet-ter-than-average imitations. There is a wholly excellent juggler in the person of an 18-year-old miss called Mariora. Clark and Eaton present an acrobatic and “control” dance act. The young lady of the act indulges in some limber contortions which tempt one to alter his conception of human anatomy.

Other Acts Entertaining

Then there are tap dancers, and a Spanish tango specialist, and the capable singing of Robert Berry among the specialties. The chorus dances well, and the setfings and lighting contribute an opulent setting not often encountered in a cinema palace. The Circle’s picture feature, “The Baroness and the Butler,” has the distinction of introducing Annabella, the French actress who truly deserves the adjective “glamorous,” in her first American film. It also boasts William Powell. And, aside from these recommendations, it is a fresh and amusing bit of entertainment. It’s all about a Hungarian count (the country’s prime niinister) his daughter and his butler. The butler, of the third generation of Poroks to serve the Sandor family, has political ambitions beneath the polite exterior of his profession. He runs for parliament on the Socialist-Progressive ticket, and is elected. He proceeds to attack the government which the count heads, while still remaining the perfect butler in his political enemy’s household. The count, though entirely sympathe{f€; finally discharges him because he is neglecting his household duties.

Parliamentary Snarl

The Baroness Katinka, the count’s daughter, is furious at the butler’s disloyalty. Her bitterest pill to swallow comes when her philandering, politically ambitious husband asks her to entertain the former butler, now a power in par ent. She receives him at a ball, Porok confesses his love and she reciprocates. In the middle of a kiss, in walks her husband. Using an ensuing scandal as a threat, he forces Porok to nominate him for ‘an important cabinet post for which he is unfitted. But the baroness interrupts Porok in parliament the next day, confesses her love, and brings things to a happy conclusion. Not having seen. the play by Ladislaus Bus-Fekete from which

-this picture is taken, and which

enjoyed some success on Broadway last season, yet I feel safe in saying that many of its political aspects Hive been soft-pedaled in the transition However, it departs from the stereotyped plot-pattern in a refreshing manner. A sort of “Parnell” in lighter vein, it is a decidedly better picture, Annabella, given something worthier of her talents than “Wings of the Morning,” looks like the best bet in the present crop of foreign actresses. Mr. Powell is his usual ble self, and there are fine supporting performances by Helen Westley, Henry Stephehson and Joseph Schildkraut. “The Baroness and the Butler” is commendable screen fare. J. T.

| GEORGE NEWTON

TO SING TC TONIGHT

George Newton, | tndianaplls basso, will give a joint reeital this" evening with Rudolph Reuter, the noted Chicago pianist, at the Cordon Club in the Fine Arts Building, Chicago. Walter Whitworth will be Mr. Newton's accompanist. The recital will be a private performance arranged by Mrs. Walter Mathesius. The singer is a faculty member at Ball State Teachers College, Muncie, and maintains a studio in this city. This will be Mr. Newton’s second Chicago appearance of the season.

SHRINERS

INDOOR CIRCUS

LAST DAY 2 and 8 P. Butler Fieldhouse Ele OTR S OR HOOT GIBSON IN

PERSON D 2 Tmt onightiemm D D

:RUDY BUNDY:

Admission 40¢

AND HIS ORCHESTRA L

ELST

RR O O F

y | Wil #

YUM! TASTES C

noon and tonight. The play opened its brief en-|. gagement last night with Walter Hampden as the star. Adapted from Edith Wharton’s moving novel, and dramatized by Owen and Donald Davis, it tells a story as old as sorrow, yet intrinsically American in flavor and setting. Ethan Frome, a poor New England farmer, has married the woman who nursed his insane mother in her final illness. ‘Not love, but a fear of his mother’s solitude-in-duced madness led him to the step. When the play opens, seven years after this event, we find Zenobia,

.the wife, a whining, mean - hypochon-

driac. Ethan is a bitter, taciturn man, expending his ‘strength in an effort to live from day to day. Coast to Death

Zenobia, over Ethan’s protests, brings her orphan, indigent cousin, Mattie, to live with them. The simple, cheerful pathetically grateful young woman transforms Ethan, and further embitters Zenobia. Her jealousy and suspicion Warm the inarticulate love. Finally, Zenobia orders Mattie away. Ethan drives her to the station. They stop on a hilltop, the hopelessness of their situation engulfs them, and they coast on a sled down the hill to a great elm tree and death. The tragedy, however, is not complete. Death does not come, but paralysis for both. They live and live, for their own love to grow cold, and to bring Zenobia, who cares for them, both an expiation and a tremendous vengeance. Here is, really, a tremendous theme. Often, it is a powerful.play; for instance, the place where Zenobia finds her coveted possession, a cheap little glass dish, broken through an unavoidable accident in Mattie’s hands, Somehow this scene becomes a gripping, terrifying dramatic experience. Then again, there is the poignant simplicity of the speech where the banished Mattie defends her stewardship with the statement that she had “tended like it was her own” a scrawny, potted geranium in a tin can. Continuity Is Broken

As against this, there is the fact that the play is broken up into 10 scenes, a prolog and an epilog There is a consequent lack of cohesion which is largely a matter of bad play construction. Further, prologs and epilogs are things better left alone—though it's a little late to find fault with the dramaturgy of the Davises, pere et fils. Then there are some interminable moments. The Coolidge style of declamation, as practiced by Mr. Hampden, may ‘be typical of New England, but “naturalness” is not always a dramatic virtue. It also

some of his emotional guns too early, thereby weakening his general conception of the flinty Ethan. Though short of perfection, “Ethan Frome” remains a play of admirable qualities. And there are wholly excellent performances by

You may see and hear the Misses Dionne talking, singing, tobogganing in subzero weather, eating and looking at their first movie, all

Relentless Tragedy Stalks ‘Ethan Frome’ at English’s

By JAMES THRASHER

“Ethan Frome,” a tragedy as relentless (and, one sometimes feels, as drawn out) as the New England winter in which it is set, is taking its implacable way across English’s stags; where it may be seen this after-

seemed to me that the star fired |}

Dorothy Matthews as Mattie, Ruth Lee as Zenobia, to say nothing of the delightful and authentic New Englander, Jotham, played by Edwin Redding. An audience short in numbers but of large appreciation, saw the first’ performance and was rewarded by a curtain speech from Mr. Hampden.

Three Music Events Billed

Symphony Tops Program For Tomorrow.

Scheduled music events in Indi-|

anapolis tomorrow include a popu-lar-priced concert by the Indianapolis Symphony Orchestra, a choral concert and a miscellaneous program presented by the Camille Fleig Section, Matinee Musicale. Harold Triggs, pianist, James Hosmer, flutist, and Julio Mazzoca, clarinetist, will be soloists at the symphony concert, scheduled for 3 p. m. in the Murat. Fabien Sevitzky will conduct music. by Weber, Saint-Saens, Gershwin, Tschaikowsky and Brahms. The Matinee Musicale program, at 3 p. m. in the Hotel Washington, will consist of vocal, piano and violin music. Mrs. Albert Reep is the sponsor. At 7:45 p. m. in the Westminster Presbyterian Church, the Scottish Rite Choir will present a cencert of music by Kreuzer, Woodward, Cecil Forsythe, Trowbridge, Schnecker and Mozart, as well as group of Negro spirituals. Soloists will be Terrell Stephens, baritone, and Charles R. Hamilton, tenor.

.. CARY NOW WRI GRANT Katharine Stage Door

LER:

THE DIONNE DARLINGS Annette, Cecile, Emelie, Marie and Yvone in “QUINTUPLAND”

L SEATS 25c UNTIL 6 . 40c AFTER 6

CONSTANCE

‘BENNETT

I'S ALOVE RIOT!

The romantic surrises of “The Awful ruth” plus the hilarious fun of “Topper” !

. AHERNE

“THOROUGHBREDS DON'T CRY”

{MECCA

(Copyright;

in “Quintupland,” ” ‘which is now at the Indiana slong with “Bringing

Up Baby.”

WHAT, WHEN, WHERE

APOLLO “Bordertown,” with Paul Muni, Bette Davis and Eugene Palette, at 11:15, 1:24, 3:33, 5:42, 7:51 and 10. . CIRCLE wit need Hotel Revue’” on stage, by Fh Ms Mutsy y May A and others, at 12:57,

ne Baroness and the Butler,” with William Powell and Annabella, at 11:18, 2: 02, 5 7:48 and 10:32. CIVIC ATER

. "erhe Spanish arth,” Civil War film with n ingway, at

“Ethan Frome,” with Walis Hampden. Curtain at 2:30 a: 8:30.

INDIANA “Brin Up Baby,” with Katharine I Png Cary Siant, at 11:21, 1:56, 4:32, 7:08 and 9 LOEW'S “Merrily We Live,” with Constance Bennett "and Shan Aherne, at 12:40,

4, 7:15 «Arsene Lupin,” with Mel n Doug. * Virginia Bruce, at 11:1

las and +20, 5: LYRIC Louis Armstrong and a Qrehesia on Srage, pt 1 1: 98 3:62, 6:46 and 9 enrod Oat Twin with “the ach pa at 11:51, 2 5: 29, 8:13 and 1 OHIO

“My American Wife,” with Francis Lederer and Ann Sothern. Also “Seeond Honeymoon,” with Toons Power.

“Heart of the Rockies, with Bob Dingo: Alo “She Loved a Fireman, tok Foran.

‘AMBASSADOR

“The Hurrietne,” with Dorothy L La. mour. r. Cupid,” with Por

TWIN SIX FILM DEBUT

A talented pair of 6-year-old twins, Dorothy and Estelle Steiner, make their film debut in the new musical, “The Joy of Living,” starring Irene. Dunne and Douglas Fairbanks ‘Jr. satuday Cork’s

z= SKY Ji. HARBOR

Sat., 60c. couple before 9:30; 80c_couple 3:30 to 12:00; 50¢ ie after 12:00.

30 _co ple Before

Brother :35,

‘Star From Oslo’ Born in Brooklyn

HOLLYWOOD, March 12 (U. PJ. —The captivating accent of ‘sultryeyed Sigrid Gurie, mysterious movie star discovered by Samuel Goldwyn, Inc, and also Ltd. in far off Norway, turned out today to be pure Brooklynese. Not, only did La Gurie astound Goldwyn Inc., Ltd.,, by admitting she was the anxious-to-be-divorced wife of an American business man, but that instead of being born alongside an icy fjord, she first saw the light of day in a flat in Flatbush,

{almost within smelling distance of

Coney Island's hotdogs. While Goldwyn was keeping her

1 in seclusion with an English teach-

er in a lavish Hollywood Hills bun-

| galow last August, it developed that

Miss Gurie was wearing a cotton house dress in her home at Cucamonga, Cal, and having recurrent spats with her husband, Thomas W. Stewart. “I merely tried to use a showman-

"ship way of getting into pictures,”

she said. “Marlene Dietrich did the same thing by wearing trousers and Greta Garbo kept silent to achieve the same end. I merely wanted a chance to prove my ability on the screen and Mr. Goldwyn kindly gave me that chance.” :

"500 FR One Blo Souls’ Municipal Airport.

[Return of ‘Bordertown’ -

To Apollo Confirms Fame

Of Pa ul Muni as Top Actor

Three years ago before Paul Muni became My. Paul Muni, he made a pibture with Bette Davis which was called “Bordertown.”

It has re-

that the actor deserves his “title.” “Bordertown” was produced before there was too much fanfare attending his appearance and, though it is not as handsomely mounted as have been his more recent efforts, it is nevertheless one of the best things he has done for the screen. Partly taken from Carroll Graham’s novel, it is the story of a Mexican boy named Johnny Ramirez who is seeking a place in the world outside the Latin quarter of | the city of Los Angeles. / Johnny

is encouraged to do so and so comes to despise everything that he is by birth. The trouble is that Johnny really knows very little about his own people and even less about others, which all makes him very much of a human being.

Loses All in End

. Off the right path, Johnny proceeds to take several wrong ones. Disbarred for losing his temper during his first appearance in court, he turns to grabbing everything in sight and before he finishes he has grabbed himself quite a pile. known to him, however, his ignorance is still working against him. In the end he loses all the things he thought he had, retaining the one thing he understands—money. And then he finds that his “victory” has been a pretty hollow one. Trite as that all may sound, Mr. Muni and Miss Davis give it a convincing ring of truth. They struggle with an old but very substantial theme and give the public welcome respite from the usual wobbly “I love you-em e-curtain” fin-

ish. Interest Is Undaunted

“Bordertown” isn’t just amusemen{—it has unpleasant moments.

But it is honest in conception -and |.

intelligent in execution. It would be unsportsmanlike to pull a. punch, and Mr. Muni and his associates are sportsmen, not sports. The fact that three years passed since the picture was first released and the fact that it is not at all dated must reaf-

firm the public confidence Mr. Muni |

“My American Wife’ Francis Lederer Plus! “Second Honeymoon?’ Tyrone

wants to outgrow his environment, |

Un- |

turned for a week’s engagement at the Apollo and is conclusive evidence

enjoys. There is nothing “Bore dertown” which would in te that it was not produced yesterday, or perhaps the day before. Margaret Lindsay, Eugene Palle ette, Robert Barratt, Hobart Cave anaugh and Gavin Gordon are seen

‘to excellent advantage in the supe

The picture was die

porting roles. L. E. H.

rected by Archie Mayo.

GABLE LEARNING CAMERA TRICKS

Times Special ‘ HOLLYWOOD, March 12.—Armed with a ‘month’s card in the Cameramen’s Union, Clark Gable now is taking instruction in the art of filming with a newsreel camera. : Following “Test Pilot,” Gable will spend two weeks: with the News of the Day newsreel cameramen, learne ing the tricks of their trade in preparation for his sta role in Metro-Goldwyn-Mayer’'s “Too Hof to Handle.”

Hollywood—As Pyle Sees It

Ernie Pyle, .the Vagabond from Indiana, is in Hollywood again. For breezy, informative chatter about the goings-on in-the film capital, follow Ernie daily in The Times. His Column today is on

Pow: Tomorrowetochs “DEAD END”

KEN MURRAY .£:"urin-

MINEVICH'S | Marmonica

| civic THEATRE

Vida KING of SWING!

and His

At Your Neighborhood Theater

NORTH SIDE

Cinem {Double Feature 3 uble Featu ine a Clark Gable “MANHATTAN MELODRAMA” Sun. Double Feature—Frank Morgan

“BEG, BORROW OR STEAL” Ginger'Rogers “STAGE DOOR” Contingous Daily from 1:30

Uptown 42nd & College

Double Feature Pinky Tomlin “SWING IT, PROFESSOR” Ginger Rogers “STAGE DOOR” Sun. Double Feature—Dick Powell “HOLLYWOOD HOTEL” “CHAN AT MONTE CARLO”

St. Clair seul Fame

Double Feature Wheeler & Woolsey “ON AGAIN—OFF AGAIN” “SERGEANT MURPHY” Sun. Double Feature—Pefer Lorre “THANK YOU, MR. MOTO” Eleanor Powell “ROSALIE” ’

% Talbott & 22nd ! a ! bott Eleanor Powell Nelson Eddy Frank Morgan—Edna May Oliver and Many Other Stars

“ROSALIE” Sun. Double Feature—Claudette Colbert “TOVARICH”

Joan Blondell “STAND-IN”

30th at Northwestern REX Three tures g Johnny Davis “OVER THE GOAL” 3 Bing Crosby “ANYTHING GOE "DANGEROUSLY YOURS” . Sun. Double Feature—Kenny Baker “FIFTY-SECOND STREET” + Myrna Ley “MAN PRODI ana Bri

Garrick ‘Pritba:

“IDOL OF THE CROWDS” “HISTORY IS MADE AT NIGHT” Sun. Double Feature—Barbara Stanwyck | 3 “BREAKFAST FOR TWO” ©. “GARDEN OF ALLAH”

Noble & Mass. Double Feature

' “A STAR IS BORN” | “FIRE OVER ENGLAND” Sun. Boatis Faiuee -Carvle Lombard :

TROUBLE AT MIDNIGHT"

& College

NORTH SIDE

~ [llinois and 34th R IT Z Double Feature Clark Gable “MANHATTAN MELODRAMA” “ON AGAIN—OFF AGAIN” Sun, Double Feature—John Boles “SHE MARRIED AN ARTIST”

IRVING

Janet Gaynor iis 2

Geo. Arliss “DR. SYN” 1500 Roosevelt Double Feature

H Oo | lywoo Onslow Stevens

“EASY MONEY” Gladlys George “MADAME X” Sun. Double Feature—Gary Cooper “SOULS AT SEA” “HOOSIER SCHOOLBOY”

Zz i Cn Penta ork aring Wheeler & wv “HIGH FLYERS” ‘Jones Family “Borrowing Tonic’ All Next Week—Dorothy Lamour “THE HURRICANE” ' “SHE'S GOT EVERYTHING”

Udell at Clifton U D EL L. Double Features Ritz Bros. “LIFE BEGINS IN COLLEGE” “NIGHT OF MYSTERY” Sun. ‘Double Feature—Wm. Gargan “SHE ASKED FOR IT” Sonja Henie “THIN ICE”

EAST SIDE

5507 E. Wash. St. Double Feature Carole Lombard

“TRUE CONFESSION” “ADVENTUROUS BLONDE” Sun. Double Feature—Ben Bernie

VE AND HISSES” ATEAZ ISLAND” Hamilton Sosa : ami on Wm. Gargan “SHE ASKED FOR IT” “IT’S LOVE I'M AFTER” Sun. Double Ben Bernie

“LOVE AND HISSES” “Bulldog Drummond's Revenge”

GOLDEN SRE “THE BARRILE" “LOVE ON TOAST” i Sun. Double Feature—Carole Lombard

UE CONFESSION” VY BLUE AND GOLD”

solsey

Emerson. oni, Satine Fons |

: arena (First

BLJOU

RIVOLI

EAST SIDE Wash. FL Feature

Pa ra mo u n Smith Ballew

“ROLL ALONG, COWBOY” Dick Purcell “Missing Witnesses” Sun. Double Feature—Wheeler & Woolsey “ON AGAIN—OFF AGAIN” “HIGH, WIDE AND HANDSOME” 114 E. Washington Double Feature Ralph Bellamy “IT CAN'T LAST FOREVER” “God’s Country and the Man” Sun. Double Feature—Rosalind Keith “CRIMINALS OF THE AIR” Geo. O’Brien “WINDJAMMER”

Parker 2030 E. 10th St.

Double Feature John Barrymore . “NIGHT CLUB SCANDAL” Jeanette MacDonald “FIREFLY” Sun. Double Feature—Bert Lahr “MERRY-GO-ROUND OF 1938” “MY DEAR MISS ALDRICH” 8155 E. 10th St. Cont. Matinee Today Adults 15¢ Till 6 Boris Karloff “Invisible Menace” Roland Regan “Sergeant Murphy” ADDED! Three Stooges EXTRA! Last Show Tonight Only! Sonja Henie—Ritz Bros. . Don Ameche—Adolph Menjou “ONE IN A MILLION” Starts Tomorrow—Dorothy Lamour ‘Jon Hall “THE HURRICANE” “PAID TO DANCE”

EXTRA! Charlie McCarthy F SNL “ADVENTUROUS BLONDE” “HITTING A NEW HIGH” Sun. Double Feature—Kenny Baker - “FIFTY-SECOND STREEY”

Myra Loy “MAN PROOF" “1Oriental =

4020 E. New York Double Feature

Tuxedo ogi reuse “MERRY-GO-ROUND OF 1938” “BIG TOWN GIRL” Sun. Double Feature—Ben Bernie “LOVE AND HISSES” Joan Blondell “STAND-IN” ~ WEST SIDE : ; W. Mich. St. _ Roland Young “KING SOLOMON’S MINES” “THE GAME THAT KILLS” Sun. Double Feature—Dorothy Lamour

“THE HURRICANE” Gay “ANNAPOLIS SALUTE” y City

|Sanders *

—|Lincoln

WEST SIDE

2902 W. 10th st ST ATE Double Feature Carole Lombard “NOTHING SACRED” “WHERE TRAILS DIVIDE” Sun. Double Feature—Dorothy Lamoup

“THE HURRICANE” “BRIDE FOR HENRY”

Belmont "ik fun e mon Lily Pons “HITTING A NEW HIGH” “HIGH FLYERS” Sun. Double Feature—Dorothy Lamour “THE HURRICANE” ‘Miriam Hopkins “WISE GIRL”

SOUTH ny

untain Square + Row Feature June Travis

“OVER. THE GOAL” : “AFFAIRS OF CAPPY RICKS” Sun. Double Feature—Marx Bros. “A DAY AT THE RACES” “THE THIRTEENTH MAN”

GROVE =u.

Double Feature ; Smith Ballew “ROLL ALONG, COWBOY” Frances Farmer “EBB TIDE” Sun. Double Feature—Laurel & Hardy

“BEAU gS” : Eleanor Powell “ROSALIE” Pros. & Churchman Double Feature

Ava lon Buck Jones .

“LAW FOR TOMBSTONE” “IT HAPPENED IN HOLLYWOOD” Sun. Double Feature—Lionel Barrymore “NAVY BLUE AND GOLD” “TROUBLE AT MIDNIGHT" Meridian t= or . “IDOL OF THE CROWD”. Ian Hunter “52D STREET” Sun. Double Feature—Lionel Barrymore “NAVY BLUE AND GOLD” “MERRY-GO-ROUND OF 1938"

East at Lincoln Double Feature

New. Garfield

| 1—Frea Stone e pint City hati VICK MONE x”

~ STARTING AT SATURDAY MIDNIGHT SHOW - dank 3-daek. Holt inger Suspicion”

DIVMPLED DARLINGS

W BILLY GORDON, WARREN C. CANDLER (Uncle Ezra), JACK CLIFFORD, JACK WARD (the Dancing Demon), ARTHUR ATT: EARNEST CANDLER, DO MAE, MARIE ¥OOD >, MILDRED SAAL, ANN DAVIS, VERNA BARTON

a. GHORUS of 8 ous AT of GORGEOUS GIRLS 2 :15—-TWO SHOWS AT NIGHT, 7 AND 9 P. M.

“‘Speedwa = Speedway stun “SERGEANT EANT MURPHY" “HOLLYWOOD ROUNDUP” Sun. Double Feature—Mae West “EVERY DAY'S A HOLIDAY” | Dorothy Lamour “H “HURRICANES : HE | Howa rd & "Base Feature : “LAW FOR TOMBSTONE"

Stratford Bes

“HISTORY IS MADE AT “THAT'S MY STORY” So a 1 Sun. Double Feature—Ronald Colman ‘| Ann “PRISONER OF ZENDA” = HE WESTIAND oAsEr

—

By Director and od stirgar’ *Topper’’ ALAN MOWBRAY . RAK - TOM Bag paTSY

ll TE TE ,

Plus Second: M-G-M Hit Melvyn Douglas Virginia Bruce ‘ARSENE LUPIN RETURNS”