Indianapolis Times, Indianapolis, Marion County, 19 February 1938 — Page 2
"PAGE 2
* Fred Waring
Brings New
Breezy Band Actto Circle; ‘Follies’ Are Hit at Loew's
Pennsylvanians Still Keep Collegiate Flavor and Own Style.
After a 10-year absence from Indianapolis, Fred Waring and his Pennsylvanians have returned to play a week's engagement at the Circle. They bring back memories of the day when just plain “jazz” was king and “So’s your old man!” silenced all remonstrances that the younger generation was headed in the wrong direction. Mr. Waring and his boys. have graefully leaped the years since the “Hey-Hey!” era. They have managed to” retain that collegiate freshness for which they are justly famous, to keep abreast of things “swingy” and to improve on their distinctive style of presenting musical entertainment.
They Are “Performers”
It is not just that it is a relatively new idea that “Band Shows” are probably the most popular things 6n the stage today. For when they are intelligently staged, well costumed and full of talent such as . Mr. Waring’s production, they are Variety brought up to date and all the flickers in the world cannot take the place of the very personal relationship between audience and artist when both are enjoying it. The MacFarland Twins—George and Arthur—and Poley McClintock, the frog-voiced drummer, provide the comedy. They.do a creditable job of heckling Mr. Waring and his other people as well as | participating in the activities of the Glee Club and the novelty numbers with lighted tambourines and oversized dominoes. Mr. Waring has eye for beauty as well as for talent. Donna Dae and Ethlyn «Williams are two very pretty vocalists whom you may have heard with the orchestra before and with whom you will want to become acquainted across the footlights.
Soloist Wins Praise
Betty Atkinson; formerly drum major with the University of Southern California Band, has been enged to handle the footwork. Her military title does not do her justice. There is nothing severely military about her appearance. The popularity of football games on the West Coast is now more adequately And then there’s Ferne, a very attractive violinist, whose other name she is quite willing to disclose but she prefers to be known professionally in the singular. As a soloist and later as a member of the band, she is a pleasant note in the affair. Gordan Goodman, erstwhile truck driver, with a pleasant high tenor voice, joins the trio composed of Roy Ringwald, Craig Leitch and
“. Paul Gibbons to carry the masculine
vocal honors. Al Bottorf performs capably on the marimba and a number of other instruments from his back row perch. Mr. Waring will provide you with an hour’s excellent entertainment. as master of ceremonies, - director and disci-
linarian. : “Scandal Street,” the screen attraction, presents Lew Ayres .and Louise Campbell in a story about gossips and how their machinations could go so far as to involve a perfectly innocent person in a murder. But everything comes out ight in the end with a little child, Virginia Weidler, leading them. (L. E. H)
Jane Scores In ‘Checkers’
Erwin and Merkel Form Droll Team in Moppet's Film.
Jane withers’ employers, who also have shirley Temple on their payroll, apparently were impressed when their No. 2 moppet turned up as the.past year’s sixth ranking box-office - attraction. ; For in’ Jane's latest picture, #Checkers,” now at the Apollo, 20th Century-Fox has dorié ‘uricommonly well by ' their chubby starlet. As supporiing players we find Stuart Erwin and Una Merkel, and Jane also has her first beau in the person of Marvin Stephens, former Los Angeles newsboy. : Jane has plenty of “fixingupping” to do in a race-track story with attendant romantic difficulties. Mr. . divides his attentions between Miss Merkel and a horse called “Blue Skies.” But Miss Merkel prefers on her budget to horse blankets in her hope chest. She gives some encourageemnt to Mr. Erwin’s sevenyear courtship, but makes him promise to stay away from the turf
~~ Money Troubles Appear In a: town Jane nearly loses Marvin to a banker's niece, and the banker If appears as a serious threat to the Erwin chances. Even= tually the banker’s ulterior. motives come out, but with the discovery
> Distinguished Cast, Good
Plot Mark Goldwyn's First Musical.
You always can trust your Uncle Samuel Goldwyn to have something beside a straight, fast ball when he goes in to pitch. So when word came that he was warming up for a musical picture, a great many of us chalked off an evening in the date book to see it when it came around. - Well, it’s here, at Loew’s. ‘The Goldwyn Follies” is the name, and it is. an excellent example of its kind. Musical pictures have been something of an abiding plague ever since Al Jolson first sang on celluloid. Mr. Goldwyn has fought shy of film revues until now, apparently waiting until he had what he wanted. The result should win him many blessings from the public.
Plot Is Extra Good “The Goldwyn Follies” has just
about everything from Charlie Mc- |,
Carthy to Vera Zorina and a corps de ballet. The array of talent, however, doesn’t get in the way too much, for Ben Hecht has concocted an extra-good musical comedy plot, and George Marshall has kept things moving. | First of all, however, you should have the impressive list of performers, all doubly resplendent in technicolor. Adolphe Menjou and Andrea Leeds bear the dramatic brunt; Miss Zorina plays a temperamental Russian picture star, and dances as only a Ballet Russe alumna could; Edgar Bergen and Master McCarthy quip their way blithely through the picture; Kenny Baker sings and takes the romantic lead; Helen Jepson and Charles Kullman are excellent in excerpts from “La Traviata”; Bobby Clark and Phil Baker contribute their vaunted comedy; the Ritz Brothers are funnier than’ usual; Ella Logan alsoe adds a light touch, and the American Ballet from the Metropolitan Opera dances with -Miss Zorina ¢ . . There!
Ballets Are Dazzling
That shows you that Mr. Goldwyn hasn't spared the horses or the pocketbook. Perhaps the outstanding contributions in the dazzling array are the ballets. It takes a pioneering spirit to put anything more “highbrow” than tap dancers before the camera. Mr. Goldwyn has that spirit. His results may lead other producers to do likewise, and relieve us from our current barrage of taps. Miss Zorina is ‘beautiful and a capable actress besides being an excellent dancer. And the’ballet productions are sumptuous to behold, with settings that depart from the stereotyped musical pattern. The story, briefly, has to do with a simple small-town girl whomakes some sensible comments about the movie which a location company is making in her native village. The Dicture’s’ producer is impressed, taks her back to Hollywood as “Miss Humanity,” representing the typical “audience reaction.” Once there, she opposes originality in screen plots so ardently that you may be led to suspect there is a real “Miss Humanity” in Hollywood supervising . real-life pisses production.
Note of Satire in It
The young lady meets a singing lunch-wagon proprietor and gets him a movie tryout without his knowing it. The ypung man loves her and so does the producer. So the usual complications set in. The outcome, of course} is satisfactory, and the story stands up as better than the average prop for music. It is interesting tp note that even here some amusing jsatire on movieg has crept in. And it is refreshing to see [the “production numbers” part of a movie-within-a-movie, thereby removing the curse of unreality and joutrageous proportion. Here is one tuneful film, then, that merits four rs, three bells and other critical kudos. From the stars to the Gershwin tunes and technicolor, it is refreshing, brilliant, fast-moving tertainment. J.T)
comes financial difculties for the heroine. So, over her objections, Jane and Mr. Erwin enter “Blue Skies” in a race to save the Merkel farm. This isn’t all the trouble, either, but you can guess who wins the race, and which boy gets which girl. Young Miss® Withers gives her usual effervescent performance. The Erwin-Merkel team is as droll as ever and young Stephens scores as the tough little jockey. If you're a Withers enthusiast, your move is to the Apollo for a session of “Checkers.” The Apollo’s second feature is a British thriller called “Non-Stop New York.” ' The beauteous Lee and John Loder have the p cipal roles, There are exciting doings in a trans-Atlantic passenger Plane, with shootings, parachute jumps, and so forth. Desmond Tester, another youthful performer, indulges in some helpful precocity that rivals Miss Withers’. J. TD. d Cork's
KY .:t. HARBOR
800 before 3 ple op: 30 Eo Soo cou) Ra
Se Lau
Saturd 8a a: Sunday
One
‘We are heat pur Sadi thr out the week, which will + floor
moisture exporienced the last 3 weeks, OPEN HOUSE-! 4
Our Sixth Anslversary
"STARTING AT SATURDAY MIDNIGHT SHOW
HIGHF
LYERS
with DOTTIE MAE-MILDRED SAAL
GORGEOUS US BIN GING AND. DANCING
CHORUS
EVERY ONE A FEATURE
|| VICTORIA’ OPENING
IS AWAITED
four-performance engagement.
terday afternoon and
soloist, and Ernest Bloch “America.”
“epic rhapsody” offered an absorbing 50 minutes on its first performance here. The subtitle is well chosen, since a musical consideration of America’s three epic centuries of English settlement must be of like proportions. In hearing the music, one naturally thinks of Walt Whitman, who was the composer's direct “inspiration,” and whose sweeping measures, unencumbered by formal restrictions, are not unlike the music’s. The music also puts one in mind of a musical mural, if the term may be used. It is huge in conception and scope; it is painted in vivid colors and in fluid movement. It teems with national allusions, yet it has the breath, perspective and wonder conceivable,
was a comparative newcomer to our shores when he wrote the music. “America” -depicts first the coun= try’s Indian population, the coming of the Pilgrim Fathers, their lone-
land. The second movement deals with the Civil War, its songs, its conflict, and Lincoln’s death. The finale opens with a picture of contemporary (1926) life. There is what the swing connoisseur will recognize as “corny” jazz of the period. “Wabash Blues” is quoted; there are automobile horns and. the literal sound of hammer on steel. Then the turmoil and cynicism give way. to the original idea. In fact, Mr. Bloch foresees the depression threat of ‘giving the country back to the Indians,” for the aboriginal themes reappear. And the work closes with a burst of the anthem which has made fragmentary - appearances throughout the three movements. - Some may question the ability of music to fill such a huge canvas adequately. But few can question the genius with which. Mr. Bloch
mate skill as contrapuntist and orchestrator. “America” is of fragmentary construction, but it is marvelously cohesive. And Mr. Bloch can illustrate an idea or character with the deft direction of a Richard Strauss. The work’s chief weakness, perhaps, is the fact that the closing anthem does not possess the musical grandeur its setting calls for. Mr. Sevitzky proved himself a conductor of the first rank—if such proof is necessary—in the reading of the Bloch music. The score makes gargantuan demands upon its interpreter. Not only is it terrifically involved, but the conductor’s scope of imagination must equal the composer's. Mr. Sevitzky
expansive narrative in a consummate manner. Continuing toward the beginning, there comes the “Symphonie Espagnol.” Mr. Spalding brought to the
ception, technical mastery, a tone of
LYRIC
Aways A GOOD SHOW
|| ON SCREEN | |
HI1T SLI RN MADNESS TO LOVE!
GSE SALE
ILIA) i ] HILL JUNE LANG IL
ing of Handel's “Water Music” (six movements as arranged Hamilton Harty); Lalo’s “Symphonie Epsagnol,” with Albert Spalding as
To begin at the end, Mr. Bloch’s®
perhaps, in one like Mr. Bloch, who |.
liness and eventual love of the new |
has met his task, nor his consum--
and his valiant players unfolded the
solo part a lofty and dignified con- |.
The long-awaitéd opening of Helen Hayes in Laurence Housman’s “Victoria Regina” will take place on Monday night at English’s, where the popular actress is assured of sold-out houses for her three-day,
Symphony's ‘Americd Is Colorful Musical Mural
By JAMES THRASHER The current Indianapolis Symphony Orchestra program, played yesto be repeated tonight at the Murat, offers a hear-
by Sir
{ purity ‘if not great size, and a definitely . Nordic approach to a warmly Latin, work. So there was no sentimentality, or even compelling sentiment. But there were infinite niceties of phrase and pace and musical diction. As| for his reception: “Ovation” is a word tossed about with some lack of discrimination, but that is what the American violinist received. He was recalled repeatedly — seven times, I believe, which is real enthusiasm for our Friday audience. After ‘all, though, George Frederick Handel was the afternoon’s hero among the composers. Epic grandeur and sensuous Spanish tunes fade in retrospect before the ageless and universal genius of the German-Englishman. Mr. Sevitzky conducted the “Water Music” with a fine balance of reverence and enthusiasm, and the music came forth as one would wish. The vigor, healthiness, the patrician humor, and the ineffable beauty .of the slow movements—all were there. In fact, conductor, soloist and orchestra were excellent in the course
of a stimulating and satisfying
afternoon.
‘Take It Easy’ Is
Studio Fight Rule
~ HOLLYWOOD, Feb. 18 (U. P). —Universal studio officials announced today that they were forced to warn the cast of the picture, “State Police” against ‘“unnecessary roughness” in fight scenes, on pain of dismissal. - William Lundigan, a featured actor, was knocked unconscious in| a fight that was supposed to be harmless, the studio reported. His jaw was swollen so badly that he is not expected to work: for two or three days. The player who hit Lundigan said the punch was unintentional, and pointed out that the script had called for “fiery action” at this point. His identiy was not revealed. {
Will Make You
It § Laugh» Iter”.
THEY: RO
Pr aT
Civic Revue
orn
| Avalon
Scores With Tunes, Dance]
“ ["Dollars to Douighnils"
Wins Praise - of First Nighters... .
(Mannon Column, Page Four) :
Appraising the me new Civic revue its title, “Dollars to
to report that the show definitely Se Solus than erulless to Ne
There are a great many unfamiliar faces in the cast, course Charles Gaynor has brought all ‘new tunes sketches from New York for his third production here. With hard work and ample talent, ‘the new show holds up to the - standard that has Wade its predecessors popular. Already tagged for the revue’s hit tune = a song called “Za-Zu-Zay,” and the logical successor to Katie
a young lady called simply Abravaya, in accordance with the current theatrical trend toward onecylinder, streamlined nomenclature. ‘Miss Abravaya, it is true, had a few exigent first-night moments last evening, but she also has a Fannie Briceish quality which covers a mul‘titude of nerves.
Etcheverrys Score Hit
The real hit performance in the comedy line was by Alfred Etcheverry, the Civic’s director, and Mrs. Etcheverry. They were delightful as” the quate, quate unemotional British couple in a skit depicting the eternal triangle’s workings on the ) Darts, ‘London and Hollywood
Another delicious bit was by William Cook .and Fanchon Fattig as a temperamental orchestra conductor and his wife in the Hollywood triangle sequence. This sketch is dwelt upon because, alas, it is shout the only one worth mentioning. In the comedy department the current revue has hit a bad slump. The dancing, however, is much improved. Anna Ludmila, the show’s “prima ballerina,” is back in her professional stride. Johnnie Sweet, the male dancing lead, likewise, has new grace and ease since his last season’s Civic debut. And Jac Broderick, who also appears as a dancer, hag done yeoman work in the dancing ensembles and staging the productions. His production of “I Heard a Waltz in Vienna” was the evening’s most eye-filling offering. This song, incidentally, is by Louise Sparks, Mr. Gaynor’s excelJons local assistant in matters musical. Children’s Ballet Praised
The principal singing honors go to Sally Maurer, Carl Baker and Kathleen Wallace. The cast’s mag-
4 DELL. COON
N d His Orchestra g 16—ENTERTAINERSi8 400 All Evening
RENE
SE Lan
N g
revue b Charles a0.
ig Fo spectator is pleased |
Ye of |
Morris’ cometly mantle seems’to be |
p wm TONIGHT sms p |
Alle
WHAT, WHEN, WHERE BREET Oa 11: iS. be 1:51. 4:38
New Torus with 4 Tee 3nd a'Sohn Loder,
at 12:35, 3: como
Fred Waring and His Pennsylvanjana, i) gis at 12:43, 2:46, 5:00, “Scandal Street,” with Lew and Louise Campbell at 11,’ 3:46, 6:09, 8:35 and 10:4
CIVIC TREAT
“Dollars to Doughnuts,” a musical ynor. Curiam at
INDIANA “Snow White the Seven Dwartar farst featuge- e th animate ed co 3 Jrom tale, ae 1 11°90, 142,
Brothers. Tai Jal wos
3:45, 5 fi i 2
LYRIC
Cen Boke of Fun,” on Siage at TOT: Chaz Cha othe , at 1:07, 3:48, 6:49 Ed 9:30. Interna onsl Bettlem ent,” with : Dol! Ber Rio and George Sanders, at 11:28, 2:09, 3:10, 7:51 and 10:32,
KEITH'S
Bundy and His Or ~ Also “Mama Runs Sy Boland. ORIO
T Broad Girls,” with J mR, hich or reer h Roscoe Karn
2%
with Ada. Menjou hers and or ina. at 7:25
Rudy on stage with
“Weat of Rainbow's End,” with Tim McCoy. Also “Feder al Bulle ts,” with Preston Foster.
AMBASSADOR
"with le
“Tru Caro fio *Baichter of of Shang-
Lombard, by 17 hai, * with Anna
nitude prevents, mention of other deserving performances, but a special word must go to the children’s ballet and the increasingly expert dancing of Harriet McCord. Costumes, lighting and stage management are quite the best seen in Gaynor’s three shows. Altogether it is a remarkable achievement by composer, directors and a busy cast which must take rehearsal time out the wee hours and be up betimes of a morning. And incidentally, “Dollars to Doughnuts” is corking good fun. (J.T.
BING HAPPY AGAIN
Bing Crosby and the publicity department at Paramount have made peace a . While Crosby was working in “Doctor Rhythm,” Gonzaga University conferred upon him a doctor’s degree. He loaned the sheepskin to the publicity department and it was “lost.” It was finally found in the department safe where a stenographer had placed it.
TODAY! ‘ON STAGE
RUDY BUNDY
and His Famous NBC
ORCHESTRA 4 >= VAUDEVILLE
Acts —ON SCREEN—FIRST RUN—
MARY BOLAND “MAMMA RUNS WILD”
Shanghai Bombing Theirs |
Of Lyrics F Chaz Chase
eature Film; on Stage Bill
"International Settlement" Porirays Life of Americans in China War Zone: Dance Numbers Presented.
-
i!
“The Lyric is showing the first edition of the motion picture “living
newspaper” this week with the screen presentation of “International Settlement,” which takes you to a Shanghai suffering the Japanese in-
vasion. It is probably not a conscious
“steal,” but the movie people are
aping the New York's Federal Theater group's journalistic dramatics on
an international scale. With the®first ‘bombing of Shanghai history of but a few months past, the cine producers have taken the best ‘of the newsreel shots of the affair and have spun around them the story of the American residents in ‘China and their eventual escape. “International Settlement” may not be editorially sound, but i; does manage to get to the screen first with some of the facts of the case in so-called ‘entertainment form and, incidentally, manages to palm off the very old story about the
| soldier of fortune:and the beautiful
spy. : George Sanders and Dolores Del Rio their second appearance to as the principals of the film. They manage as best they ca nwith the material at hand. Chase Displays His Antics - On the Lyric stage this week you will have an opportunity to enjoy the return of the Hoosier “Ton of Fun,” Johnny Perkins in a show’ which tries, but does not come up to the standard the management has been setting lately. . The outstanding and most amazing performance of the production is one by Chaz Chase, pantomime comedian last seen here in George White’s “Scandals.” Mr. Chase is almost indescribable. With the
burlesque routine directly into the realm of calm and calculated insanity. He eats his cigar—lighted— and then his shirt, his boutonniere and other sundry articles of his attire. He must be seen to be believed and appreciated. Grace and Nikko, ballroom dancers, make fun at the expense of their professional brethren; Ruth Petty sings a number of popular songs in an acceptable and pleasing manner; there is some very good acrobatic dancing by Vern Wilcox, and a group of instrumentalists known as Texas Jim Lewis and his Lone Star Cowboys will satisfy you if like modern versions of American folk music.
Hear
Dr. John J. Haramy
"DICTATORS IN ACTION"
> Sponsored by Lions Club of Se dianapolis
Caleb Mills Hall Shortridge High School
usual dead pan and ridiculous get
MONDAY, FEBRUARY 21 8:00 P. M. 40c
up, he proceeds from the anticipated
Plus! Bob Short
“At Your aghborhood Theater
SOUTH Sme Meridian 1 oable Feature
Ori r § e n ta | Leslie Howard
, “IT’S LOVE I'M AFTER” “FORTY NAUGHTY GIRLS” Sun. Double Feature—Franchot Tone ° “BETWEEN TWO WOMEN” Pat O’Brien “SUBMARINE D-1” Double F
East at _ Lincoln
NORTH SIDE
30th at Northwestern Three-Hit Feature
REX Edna May Oliver
“MY DEAR MISS ALDRICH”
Buck Jones “LEFT HANDED LAW” Dick Powell “Footlight Parade”
Sun. Double Feature--Loretta Young “SECO HONEYMOON”
Li Lincol n Jack Holt
“ROARING TIMBER” Buck Jones “BLACK ACES”
Sun. Double Feature—Ann Sheridan
“ALCATRAZ ISLAND” Shirley Temple “HEIDI”
New Garfield
2208 Shelby Franchot Tone “BETWEEN TWO WO “LONDON BY NIGHT” Sun. Double Feature—Warner Baxter “YOGUES OF 19 “ALCATRAZ IS Added—Charlie McCarthy _ “NECKING PARTY”
Fountain Square Double Feature John Wayne “IDOL OF THE CROWDS” Kay Francis “FIRST LADY” EXTRA! March of Time's Daring Expose “INSIDE NAZI GERMANY” Sun. Double Feature—~Anna May Wong “DAUGHTER OF SHANGHAI” Ginger Rogers “STAGE DOOR” Sanders “Smuniee an ers Robt. Montgomery
“NIGHT MUST FALL” \ “ANNAPOLIS SALUTE”
Sun. Double Feature—Eddie Cantor
«ALI BABA GOES TO TOWN” “MAN WHO CRIED WOLF”
Beech Grove Double Feature | Lew Ayres “HOLD ’EM, NAVY” * “HOLLYWOOD ROUNDUP” ‘Sun. Double Feature—Eddie Cantor "ALL HAST TO GOLD"
Pros. & Churchman
Elosnore Whitney | ' “BLONDE TROUBLE" “ROARING SIX GUNS” i sun. ‘Double: Featdre—Joe E. Brown
rr
Ee “FIT FOR A KING” : wis. Powell “Double Wedding”
[RITZ
Zaring
' Pat O’Brien “SUBMARINE D-1” Double Feature
Garrick = “oiezets
“BRIDE FOR HENRY” “BLAZING BARRIERS” °
Sun. Double Feature—Laurel & Hardy
“WAY OUT WEST” Paul Muni “GOOD EARTH” Double Feature
MECCA beubie’sete: “THE AWFUL TRUTH” - “ANNIE OAKLEY” Sun. Double Feature—Franchot Tone
“BETWEEN TWO WOMEN” “ESPIONAGE” oe. ee :
S t r a tfo r d = Ronald Colman
“LOST HORIZON” “MAN WHO CRIED WOLF” Sun. Double Feature--Patsy Kelly “KELLY THE SECOND” “SINNER TAKE ALL” Double Feature
DREAM Eid
“THIS WAY, PLEASE” “ALCATRAZ ISLAND” Sun. Double Feature—-Robert Young _ “NAVY BLUE AND GOLD” * Leo Carillo “52D STREET”
80th and Illinois
Noble & Mass.
2351 Station St.
fiinols a 34th Double ture Smith Ballew - “ROLL ALONG COWBOY” : Ginger Rogers “STAGE Bagg . Revesling Inside Nifzi German: - MARCH OF TTME—No. 6 rd Sun. Double Feature--Wendy Barrie “A GIRL WITH IDEAS” Eleanor Powell “ROSALIE”
Hollywood a]
Buck Jones
“THERE GOES THE GROOM” Sun. ‘Double Feature—Joe E. Brown ~~ “FIT FOR A KING” * Jeanette MacDonald “FIREFLY”
hE W HIGH" “HITTING A NEW oo \ "ADVENTURES 'S END” « Bowbie FesttrsCariia 1a Lombard
« [Pores
“HOLLYWOOD ROUNDUP” |
«NIGHT CLUB SANDAL” i
NORTH SIDE
Upt Double Feature ptown “Bert Lahr “MERRY-GO-ROUND OF 1938” “GIRLS CAN PLAY” Sun. Double Feature—Ben Bernie “LOVE AND HISSES” “THERE GOES THE GROOM”
St. Clair "geil rear
bh Feature Lionel Barrymore “NAVY BLUE AND GOLD” “BIG TOWN GIRL” Sun. Double ature icanse MacDonald E FIREFLY” Kay aa “FIRST LADY”
= EAST SIDE Emers E. 10th
4630 Continuous Matinee Today1s * Adults 15¢ Till 6 P. Ginger Rogers “STAGE DOOR” Jones F, y “Borrowing Trouble” Starts a Young “NAVY BLUE AND GOLD” “THOROUGHBREDS DON'T CRY”
Strand 1332 E. Waa st
Tonight & orion 1—Ben’ Bernie “LOVE & HISSES” 2—“SHE LOVED A FIREMAN” 3—“GERMAN NAZI RICTURES” MARCH OF TIME - 4—Donald Duck-Mickey Mouse 5—Lew Lehr-Lowell Thomas “NEWS” g Continuous Matinee Sat. & Sun. Adults—15¢ Till
Extra! Late Showings Tonight Box Office Open T LE sn» Wash. abe Feature
Pa ra mo u n June Travis
“OVER THE GOAL” “THE BIG SHOW” Sun. Double Feature—Richard Dix “IT HAPPENED IN HOLLYWOOD” “SOULS AT SEA”
BIJOU “oouw'raus®
Double Feature James "Cagney - “SOMETHING TO SING ABOUT” “ACES AND EIGHTS” , ‘Sun. Double Fenture—Walfer Connolly “LEAGUE OF FRIGHTENED MEN” ©. Guy Kibbee “BIG SHOT”
2030 E. 10th St. Double Feature
: “STELLA DALLAS” “LOVE ON TOAST” Sun. Double Feature—Deanna Durbin : SH MEN AA ah
= Y
Tuxedo
|ISTATE
Z IDAISY
EAST SIDE
4020 E. New York Double Feature Joe E. Brown
“FIT FOR A KING” Jeanette MacDonald “FIREFLY” Sun. Double Feature—Judy Garland
“THOROUGHBREDS DON'T CRY" Adolphe Menjou “STAGE DOOR” Double Feature
1 RVI N Jack Oakie
“FIGHT FOR YOUR LADY" Pat O’Brien “SUBMARINE D-1” Sun. Double Feature—Mickey Rooney
“THOROUGHBREDS DON'T CRY” Ginger Rogers “STAGE DOOR”
5507 E. Wash. St.
2116 E. 10th 8¢&, Double Feature
H a mi ton Claire Trevor “BIG TOWN GIRL” Jane Withers “45 FATHERS” Sun. Double Feature—Ann Dvorak
“SHE'S NO LADY” Joel McCrea “WELLS FARGO” Double Feature
GOL D E N Barbara Stanwyck
" “BREAKFAST FOR TWO” : Warner Baxter “BROADWAY BILL” Sun. Double Feature—Robt. Montgomery
“LIVE, LOVE AND LEARN” Greta Garbo “CONQUEST”
6116 E. Wash.
WEST SIDE
2702 W. 10th St. Double Feature Bob Steele
“BORDER PHANTOM” “PORTIA ON TRIAL” Sun. Double Feature—Will Rogers “JUDGE I PRIEST"
ACADEMY AWARD ) REVUE
Belmont "gh fe
* Eleanor Po si=Frank Morgan “ROSALIE”
Sn. Double Feature—Lealie Howard Joan Blondell “STAND-IN” - Kay Francis “FIRST LADY” i
5.7 Bh |
“HOPALONG RIDES A ZAI “THE ADVENTUROUS
E” i "Sun. Double Festure—Stuart Erwin . = “SMALL TOWN BOY” Joel McCrea “WELLS
Sw y hed