Indianapolis Times, Indianapolis, Marion County, 17 February 1938 — Page 9

is T I A acEs THURSDAY, FEB. 17, 1988. — HE IN ANAPOLIS TIME TT RITA TABIC ae ME? ‘Ballet Russe Albert Spalding Chooses VICTO R S 4th Semi-Annual a ——— “Symphonie Espagnol’ as L (BD SYNE VB Return Here| JE Bl | Symphony Contribution

‘Three of Four Offerings Th | Sevitzky to. Conduct Orchestra in Ernest Bloch's| “» Are Seen Locally for * Lg ‘America’ in Friday and Saturday* Concerts; “ : / . : * £ : ¢ ; Pd rs : gh f Indianapolis Symphony concerts this season | gun MEV y : in ; ‘ jor; (Manmpn Column, Page 10) Boe a it Anan] music, Fabien Sevitzky has chosen | the market for something . “Since the Ballet Russe de Monte | BF ] | for the performances tomorrow alternoon and Saturday night, N : ; . _ Carlo, like Christmas, comes but {i To, 0s Albert Spald- § 19; the both vhs leit = HS aN ~~ You will at least VISIT the “7.once a year, Indianapolis has a way 3 ing, violinist, who for many years |inscribed 1620; the Soil; the In-|w : of making the most of a festive 0c- has maintained a foremost place |dians; England: the Mayflower; the ET 1 Vielor before ou buy, “,casion. Local balletomanes await among native-born artists. Re- |Landing of the Pilgrims"; “1361- a hil /4 y 2 vidity, turn out in large numbers— | e % : own country, Mr. Spalding has con- |row”; “1926; the Present; the Fu-| mm ARES . You will find that the CLE BEY ne FURNITURE ~~ BoNUS SALE offers golden at B averaged: more than 100 concerts |use of American material, inclu . 8 he 3 So at the Murat last night, at the 4 each season. For his first appear- |hymn tunes and: Civil War gs. “2a “ » chosen to play the “Symphonie [is heard in fragments and various ON . thy ® hea Sus ore Espagnol” by Bdouara Lalo. Shises ey movement elite oe A j dose: : 4 furnish three rooms for, For Indianapolis is undismayed by : Aside from ‘i close. : a > the price of AD teas you + posedly reci d exotic -art; able for the absence of either the © opening work on the week- : : a pick and Fl it with appreciation hy traditional symphony or concerto. [end program is Handel's “Water kf 3: can ip many odd Three of the four ballets last eve- | KEE 3 BE and material, is a departure from |into a suite of six movements by the : ton “20 rice. - ee Homs for the i] : u ning were seen here for the first the classic concerto model. And, in Sng conductor, Sir Hamlin 3 » mt 3 ar 10 : eu a d i f plc a on : : 1837, and th 1 is the Pricess Victoria in the act of being . re » IR rocks ceed tO amor at "aw i the Par a on Ge oa eT tne Joune a England’s throne. This is one of the hear Ernest Bloch’s “America. : P ¥ o up to : y EN ET rien ce CRB, oh pot wl | Ce Recital TTR En em S00 § PAY A SMALL DEPOSIT fo hold ha Spang ene sr first in Philadelphia, New York (the Oo ive eC ita Ww go 8 3 bonus ras ete. UP Wt ing 30 ‘yo ar purchase $a Clifford, is drawn in part from : 20 and 21, 1928. Dats, and it is sensible and absorb- The reason for these simultane-

Keith K. Shock, tenor, and Miss Roberta Bland, harpist, are to be presented in recital by. Clifford D.

g. 4 . 1 . ous performances was the fact that ee aang vad strength aid || New Play, ‘How to Get Tough About It." Tries fo Get |{22 Performances was the fact tha ye ol Stutios of

purpose, and set forth the narrative | chestras, Messrs. Stokowski, Dam- ’ in an ideal and idealized form. Tough About Class Struggle. rosch, Koussevitzky, Stock and Spink Heels Yaloneia. Reo 3 Oliver Messel’s scenery and cos- 7 , : . Hertz, had given the work first |Madelyn L. Anderson, is to sing tumes were of later Italian period NEW YORK, Feb. 17.—In a lean theatrical week, the sold new offer- |place in a contest the previous | arias from Handel's operas “Atalan- ~ than Dante, but they were for the ing has been a play mirroring the class struggle. The title is “How to | june. Since this auspicious begin- ta” and “Semiramis,” and “Commost part imaginative and fitting. | Get Tough About It”; its author is Robert Ardrey, who is being hailed | ning it has suffered some neglect, | fort Ye My People” from “The One might be hard put to explain | ¢ o playwright of considerable promise and talent: and its producer is | a5 is the case with so much of our Messiah” in his first group; Lieder. the visions of Launcelot and|guthrie McClintic, who strayed from his own theatrical metier when he contemporary music, and it is being [by Schubert and Brahms; songs by} | Guinevere and the other appari- | put this one on. heard in Indianapolis for the first [Dupont and Giordani and a cone tions, and some might have felt, as For “How to Get Tough About It” ndt a genteel play. Its partici- | time at these concerts. cluding group of folk songs. I did, a too-Russian flavor in the pants are the disinherited of this earth, the labor racketeers, the mud- Mr. Bloch’s intention to write| Miss Bland will play compositions

costuming and conception of this|gicheads; and the play tells how é— A o : 5 : this work, however, antedates the |by Handel, Poenifs, MacDowell and Italian tale. two young softies caught in the [to her hotel the other dg ; : = | mi y and in- |actual beginning of composition by |Schuecker., : a ov Taher dove sre} Pa middle of the hardboiled class |gisteq upon a three-hour interview [10 years. A native of Switzerland, tar aii Ro and Fran Surugsie, find, out-ow to, get tough (with ‘the diva, Analy sett srr |an.. Bloch came to take up his resi INDIANAPOLIS testa, and Vera Nelidova, the Nurse.| pofert Ardrey writes with an|P2iT Of tickets to one of Miss|dence here in 1016, and it is re-

They and others of the ballet, 100 | gythehtic ear for what he hears| MC®'S OPers performances. Ro ant as his boat approached || SYMPHONY ORCHESTRA numerous to list here, kept their among the average lot and Mr. Gotham Chop Suey tent of planning a musical: tribute FABIEN SEVITZKY, Conductor

artistry above purely technical dis- | proclintic has given the lines to a : before he Play at all times, andin a highly | .onopie cast including Katherine | Around the Town: Eleanor Holm (to his adopted country CONCERTS

satisfying manner. Locke, the girl from “Having Won- {20d Billy Rose emerging from a |bad set foot in it. ; Friday Feb. 18, 3:30 P. M.

; The. poetry of Walt Whitman also ihe program's opening offering, |Gormick, ‘who funs the danger of|two minutes before Art Jarrett en- Is given to Are ptarose The aturday Feb, 19,

“The Hundred Kisses,” is based on becomin as d as Burgess : " emo of st: . o gee an Anderson fairy tale and choreo- eomne 800 ters alone. work is dedicated to the memory Soloist Albert Spalding, Violinist

: : : in | Abraham’ Lincoln and Walt Whit- : ; oA o o ; graphed ‘by Bronislava Nijinska to! But the trouble is that the play-| Sif Cedric Hardwicke, stepping man, and the score abounds in MURAT THEATER | SL The Newest in Victor Frederic D'Erlanger’s music. De-| wright still is mixed up himself | Out of the stage door of the theater Whitman quotations, RIley 9597 | ; . . ie : ’ spite the gifted efforts of Irina Bar-| pone the class struggle and in|where he is playing and addressing | “America’s” three movements are > : “ t i onal” Livin i mn Suite |nova and Davia Lichin e or caine straddling the fence to be on both [his female admirers, “Well, girls,” | — ; 3 | n er na i g 00 Jorth 8s. innocuous and pretty dull | gids of a labor dispute, he has he murmurs while he obliges. with | = [yk (Exactly as Pictured)

stuff. : his dramaturgic pants caught on er “Le Spectre de la Rose” is, of |g rusty Ee He oe only | Dis signature. “I'm glad to give you

First Time. = | . "Water Music’ Opens Program. i er yy x Ba WE HOPE that if you are “By JAMES THRASHER A & program predominantly native, as regards soloist and subject SE » 2 vy | That a fur store sells - the Russian dancers’ coming with a J nowned ‘in Eurepe as well as his |1865; Hours of . ‘and enjoy themselves to the ut-| : | mous. For many years, he has| Mr. Bloch has made considerable + nost of your oym selection at no " i al : ‘end of three hours and four bals ? ance with the orchestra, he has [And there is also an anthem which | additional cost. Foye opportunities 183 you can the fact that Russian ballet is sup- Americanism, the program is notand intelligent appraisal. gs = The “Symphonie Espagnol,” in form | Music,” arranged and condensed time, “Le Spectre d la Rose” being The scene is the entrance hall at Kensington Palace. The year is place of the sympliony, “me oro bo i“ 9 A / Ig you uy ue FOP $12.00 » °° y o : 8 : cidedly the most enjoyable. early moments in “Victoria Regina,” which Helen Hayes will bring to Opened Five Places Teno r, Ha rpist { = : shalt son 4 ao gS ready for delivery-you can ire ne title. : g ‘||New York Symphony), Boston, | pike o Mr. Lichine and Henty IN N EW YORK ~—=By GEORGE ROSS | | Chicago and San Francisco on Dec. | » 00 ANd your 8 8 2 ® 8 e 8

course, a prime favorite. It again |g near not. to know where he|my autograph; but I'm warning you, = gi bi ADL. I’ : presented the lovely Miss Baranova, ds, but.where he sits. When | I'm not one of these glamour boys ’ 6 : | - |

whose beauty and dancing are a |i. ns Sb pe feast to the eye. And the hatde TTY. a. get tough about you know.” |

working Mr. Petrov (he was in-three} r= ex dramae] or Martin sta nding on his 'F ia 2 Se ° a 2 & ballets) Prougin forth a ge of ap- Play. trom this ambitious sre head near the threshhold of a mid- : ofa, ” Chair & Ottoman Plsuse as his leap throught the'cagec| TW, i Jarvest town club to prove. to his friends “N BN | ment climaxed an excellent exhibi-{ rs leg | AS J608 his TATU os friends : tion. : I autograph ‘hounds were’ wise | fo oly 8 Ta practice. | Liquors The program’s final number, “The | strategists, they would save them- Lupe Velez -exhibiting Mexican Gods Go A-Begging,” is new to the | selves: a lot of shoe leather by tak- |. g D AN CING

7 P.M ; : 1 . : : company’s repertory this year, along {ing up positions in the RKO Brey how Seropie ino nev Till Closing ¢ hig ATLY with “Francesca.” It isa bit heavy.| Building of Radio City or that they ‘are the true progenitors ZEKE CAMPBELL M despite the efforts of Mr. Lichine's building on 49th St. and Broadway, | of orig iow vA y MBI. 4 J Nb

choreography, Leon Bakst’s scenery | poised with pen and pencil. and Juan Gris’ costumes to bring to| Statisticians at these points claim : : life a Watteau “fete champetre.” that 85 per cent of the local and ' 3 . + look at the graceful styl- ti Closing Ballet Best visiting stars ply through these two| Last Day 18 te re ‘up to the minute, yet not : The scenario seemed somewhat|lobbies on their way to song pub<| : ] . come and see the suite : YES — A Small

2 corr > : . y : ; extreme . . designed to show of the. easseable| ann dims moons 0 °2- | SONJA HEINIE Vc ffee Deposit ofs!

t their classic best. le, 0-minute : | ” Gh ole ; : music (a miscellany acranged by Sif wait In the. SIKO.oghy. soe DON AMECHE Gallopeg To weartst (f - | | Torms as Low as $I Por Week WP Bhd Be 0, | a

NOTICE that this is a full size

wir i

music (a miscellany arranged by Sir| wait in the. RKO lobby the other gheinap Bessuam) wes, hough de- | afternoon, one could have caught 2 : i tful, too robust for its caté | glimpse of Eddie. Garr, George Ol- : A : 3 surroundings. :|sen, Bob: Ripley, Eleanor Powell, “Happy Landing” : fer uproar This closing: ballet, however, | Gertrude Lawrence, Judy Garland, : i And Jove at brought forth the evening’s most Lillian Gish, Jed Harris; Burgess an J ain fhe welcome dancing by Yurek Shabe- Meredith, Katharine Cornell, Gary fe / EN fous best.. tue levsky and Tatiana Riabouchinska, | Cooper and Phil Baker passing in ; A ) hy " on who seemed to one spectator a much (and out. , : Aili: i improved performer over her last Incidentally, that determined fan ‘appearance here. : who rode the fender of Grace 1 Dorati conducted all four | Moore’s car.from the Opera House scores with care and consideration, but he was unable to save the or- aturday f) HIO® Ei han Ever

chestra from a good bit of uneven wma casions.

playing on several oc Walt Disney’s “Round Up!” ‘All New |

The gompany again was presented || ‘Mothers! DON'T FAIL by the Junior Chamber of Commerce, TO BRING THE KIDS-TO THE BIG

thanks of a near'capecity suaiencs | MIC KEY 2 SHOW 7 = sun per,hestick |f- || 0 RQQV \§

that reveled in ‘the entire pro-|(|"¢ sr. ls—Lots of Fun—Be Sure : oan A : : N 1 Be : ry — 50 | - > : : ; : amen \ - New and eau L. h NON-STOP yy “ME [met Dining Room, Suites

gs. 2 0_Come . arly—Saturday Is N Ww YORK of hb 13 : i 5 : onary ject Dy NE : : oS y A 3 Fara 0 ; Heavy Beply wainuy $Q so

LJ /

p " re ches pe 3 aes oat 8 . . . waters Zh Anna LEE Jobn LODER i : : \ \ fll i 1 : : | a tor BE». full ze, , Oy ; for ig . —— FLiaml fat 3l] | TERMS AS LOW AS $1.00 PER WEEK! ° Friday Only

Bale. WSR B PE.) Va ».

30c 4 Sli “ — Regular $19.50, 8-Pe. Dining Suites $5050 Re gular $14.95

C- re ane Tan leno] men sien, , oo Butte, Extension $1600 5-PIECE - tm NOBTHSIDE "i RAST SIDE CRF Ras | pe ll iss sri bedlintoitine REX ™BASEE=STRAND “hie TEATS | esssnegSEERGEEN BREAKFAST SET

4 | |GARRIcK SHEE Paramount EEE DAISY Semmes] | = . ly, | $0.95

é

» of F To xs ALL YO i deleine Carroll fF : 1 oP \ - a Fo : | » NATUR ALLY PR Vecca Emi | EARL SPEEDWAY fSvafiy | ) ase | own TE, S00, There hasn't been a hit =

o 20 po < in C like this since ithe bf hello AOI + ARKER. Bi jus x HER ST

| Dorothy Lamour * de “MAN

movies began fo talk! ‘GM DREAM ois gprs to talk! DREAM TET |

»

a Lisone Eo 3 RITZ ess |... Cy tesr| TT sovTH SDE | A guetta F-L-A-S-H-!' Victor's “Carter”

vn i hoor | EER Fee |LINCC LY, wo iim | \™—— Twin Studio COUCH

i

| eshia Yerturs : woe “ x a La J - : oh - r e Bei = r g oh 1 : ry of guaran E+ % 75 5

CHILDREN UNDER 12 YEARS Any Seat, any time during this engagement only |