Indianapolis Times, Indianapolis, Marion County, 1 February 1938 — Page 11

the been by

TUESDAY, FEB. 1, 1938

Monte Blue

Recalls His Film Debut

Lone Survivor of 'Class Of 1912' Got Start as Tree Chopper.

By JAMES THRASHER If you dont think that movie making is a pretty crazy business, consider the case of Monte Blue. Mr. Blue entered the movies in 1912, and after 26 years, he’s the only member of the class of '12 who still is earning his living before the camera. The funny part of it is, Mr. Blue didn’t want to be an actor in the first place. The veteran screen star, making a personal appearance at the Lyric this week, strode about his dressing room and puffed a pipe yesterday as he recalled his early days in the industry. “Boy, that’s a long time ago,” he said. “Let's see, who is left? Raoul Walsh is a director now and Tod Browning is a writer. There are a few others still in the business, but 1 guess I'n the only one who is still acting. But when I realize how long it’s been, I say to myself, ‘Why, you darned old fossil'!”

Succession of Odd Jobs

Between the time he left the Soldiers’ and Sailors’ Orphans’ Home in Knightstown and his first appearance before the camera, Mr. Blue had led a full and exciting life. A succession of odd jobs—and hard ones—brought him to Los Angeles in 1912 aboard a boat that sprang a leak and went into dry dock. Meanwhile the young seaman had no money. He was going to China to work for the Standard Oil Co. but he had to eat in the meantime. Someone suggested he might get work out in a suburb called Hollywood, where they were making a picture called “The Birth of a Nation.” “In those days,” Mr. Blue recalled, “Hollywood had mud streets. One little ‘dinky’ car line ran out from Los Angeles. There were only three studios there at the time, Griffith and Universal—that was the big one —and the Christie Comedy lot. Tom Ince was still out in Inceville and the American Studios were in Santa Barbara.” Hired to Chop Trees

A good many aspirants were at the Griffith Studio that day. But Mr. Blue was the only one who could chop trees, so he got the job. They were cutting down a fig orchard where they planned to erect a concert stage. The next day the young woodsman found himself differing with some I. W. W. members regarding working conditions and the $9-a-week pay. The argument wound up with Mr. Blue felling two assailants with a two-hy-four. A few moments later he was told Mr. Griffith wanted to see him, “I'm fired,” thought Mr. Blue. But instead, the director wanted him to quiet a lynch-crazy mob in one of the picture's scene. That done to Mr. Griffith's satisfaction, his latest discovery wanted to return to his job. “I've got some cement hardening over there,” he said. “No,” Mr. Griffith replied, “you're all done with that now.”

Plays 9 Different Roles

So Monte Blue became an actor. In fact. he played nine parts in “The Birth of a Nation.” “I'd put on a blue uniform and fight with the Union army. Then I'd change into gray and a slouch hat and move over to the Confederate trenches. They'd give me boots and a saber and I would be in the Rebel cavalry. Then another change of costume, and I'd be leading the Northern artillery to a change of position. “When that picture was done I saw myself rushing out of the Union trenches, and then I'd be shown jumping out on the other side to repel the attack. They even put whiskers on me and made me a Southern general for one scene.” Mr. Blue stayed with the Griffith company for nearly five years. Then he went to Paramount, but returned to the Griffith fold to play Danton with the Gish sisters in “Orphans of the Storm.” That was his

. favorite role.

Today, husky, healthy and eager, he’s planning to return to Hollywod following this tour and do a series of Zane Grey “westerns.”

Laughs at ‘Hard Work’

A suggestion that this might be rather strenuous for one no longer in the heyday of youth, drew him out on a topic evidently near to his heart. “Hard work?” he repeated, a bit scornfully, “I should say not. I love it. That's the trouble with a lot of actors. They'll sit down and tell a writer what hard work it is to act in pictures. What's difficult about standing around while somebody focuses a camera? Or going through a scene—that’s mental, emotional? And it’s fun. “Do you know what I call hard work?” Mr. Blue continued. “Shoveling coal on a locomotive all through a winter night when it’s so cold you don’t dare leave the door open or the cold air would kill your fire. Opén the door, throw in a shovel of cal, shut the door—repeat that over and over again. “Or rounding up cattle on a Wyoming range, when they're lost or

Joel McCrea

ND HONEYMOON” Young—Tyrone Power

“DEAD END”

SIR EDWARDS

“The Man Who Sees Tomorrow” MENT ALIST—ASTROLOGIST Appearing at the

HOTEL RILEY COCKTAIL GRILLE

Commencing ed a re. 2 Just Com Suece: i Ehrarement CLAYPOOL Armin Care Come—-Le

Also Burton & Simpson

Clever Instrumentalists

16TH & CAPITOL AVE. For Gur Patrons

Cait cleat:

IN NEW YORK —8y ceoree ROSS

New Yorkers Form 5 A. M. Box Office Line to See Goodman; Peychalogist Asked to Explain.

Bandleader Benny Goodman plays Pied Piper to crowds of swing addicts, shown here waiting in line to hear him during his engagement at Broadway's Paramount Theater.

NEW YORK, Feb.

into the Paramount Theater.

bonfires in the street.

the fire department. Inside, pandemonium reigned when Benny and his band appeared. The swing maniacs gyrated in the aisles, stamped their feet in rhythm with the music and piercing cries of “Send me down, Benny” rent the auditorium. So eerie was the sight that the next morning a psychologist was brought around to explain this insatiable frenzy for swing. He wound up by beating time to the gutbucket tunes himself. A sinister rumor is going around, incidentally, which would have you believe that much of this swing mania is manufactured at the Paramount and that the holy-rolling exercises are inspired by the publicity department.

What a Song and Dance!

Joy Hodges, who, after all, is a il’ gal all alone in the big city, even though she is the heroine of a big musical show, developed a yearning nostalgia the other night to hear the song of a canary. It seems that rollers and choppers, as the warblers are called, always have had a niche in Joy's life. In any

event, she stopped at a pet shop en |

route to the theater and ordered the best songster in the place delivered to her hotel. Hurrying home after the show, she found. the bird safely ensconced in her suite, but also found that the little thing suffered a crippled leg. She phoned the pet shop: “Why did you send me a canary

with a crippled leg?” was the plaintive complaint. Through the receiver sifted a weary voice: “Listen, lady, what

sort of a bird do you want, a singer or a dancer?” The paved walks of sumptuous Idle Hour—the $2500,000 Vanderbilt estate on Long Island—will echo soon to the placid footsteps of “Truth” students, as a result of the sale of the famous property to the Royal Fraternity of Master Metaphysicians for the almost nominal sum of $50,000

Upkeep Is Heavy It must have cost that much to decorate the huge ballroom of the 70-odd room stone structure crown-

ing an eminence at Oakdale, IL. I. But none of the Vanderbilts wanted the burden of keeping up the 30-year-old place and executors got the best price they could. After all, not many buyers want to undertake the expense of maintaining a mansion containing 39 bedrooms and 18 baths, not to mention a score of other rooms. The Royal Fraternity is a cult

buried in a snowstorm—that’s hard work, too. I've ridden out after cattle when it was 40 below, and you'd have to lash them with a buliwhip to start them moving and save their lives. . . . Or working all day in a lumber camp in a cold rain.” And Mr. Blue, be it known, has done all those things since he left the orphanage in his teens to make his way in the world. With such a background, it’s understandable that Mr. Blue would consider a series of “horse operas” as little more taxing than a week-end at Malibu.

>00L 3

Entertainment Daily From 7 P. M te Closing

BERRY

and His Band Featuring

ELEANOR & MARIE

$s T OF SON PRR ALIST

No Cover

1—The swing craze never was so epitomized in this town as on the morning Benny Goodman brought his contingent Devotees of the off-beat, most of them young, arrived at the box office at 5 a. m. and fought off the cold with By 7:30 a. m,, the theater was beginning to jam and at 10 a. m. the box office closed ¢ and no tickets were sold by order of

Fortune to

GLASGOW, Scotland, Feb.

a fortune for him.

THE INDIANAPOLIS TIMES Broadway Hit Promises

PAGE 11

Glascow's

$30-a-Week Teacher

Paul Vincent Carroll of "Shadow and Substance" Fame Lives In Tenement and Refuses To Worry About Success.

By WILLIAM CUMMING United Press Staff Correspondent 1 (U. P).—A gentle-mannered school teacher working among slum children of Glasgow and contentedly supporting his family on what he considers to be a comfortable income— $30 a week—seemed slightly bewildered today by news from New York that his play had rocketed overnight into fame and probably would yield

Carroll; the play, “Shadow and Substance,” which has just opened in New York to the thunderous acclaim of critics and immediately crowded houses. The correspondent found the Irish teacher-playwright in the dingy old-fashioned Saint Joseph Boys’ School, hidden in a gloomy tenement district, teaching division to 45 boys of 7 to 10 years. He could not be interviewed until the lunch period of one hour. He took a penny street car ride to a tenement flat almost as grimy as the school, which has been Carroll’s home since he arrived from Dublin 17 years ago. The kitchen and an untidy “study” where books and papers were scattered right and left were dilapidated, but there was a comfortable armchair in which Carroll wrote “Shadow And Substance” and also his earlier play “The Things That Are Caesar's,” working above the rattle of sireet cars and the raucous cries of peddlers. Congratulations Pour In

Into this room came a telegram yesterday from Sara Allgood, one of the leading members of the cast in New York, detailing the excited

superlatives of New York's critics. “It glows like a cathedral window,” was a typical comment. There were scores like it. The play, if it is as successful as its reception indicates, normally should bring its author as much as $800 to $1000 a week in royalties, aside from possible motion picture rights of perhaps $50,000. Yet the cablegram from Miss All-

Dieting Called Blow at Beauty

which believes that all afictions can be cured by thought. For instance, headaches, they believe, are due to an irritation from a deepseated resentment. Remove the resentment and it follows (they think) that the headache goes likewise. Other ailments are attributed to subconscious sources.

The leader of this affluent cult is called “The Messenger” and the Premises are known to the cultists “Pearce Haven, the House of the New Commandment” and the password among those who inhabit the place is “Peace.” Its similarity to the shout of Father Divine's followers is an accident, though the Peace Haven is often mistaken by the uninitiated as one of the Harlem Jehovah's “heavens.”

HOLLYWOOD, Feb. 1 (U. P.).= Hollywood movie stars were warned today that they are aging themselves prematurely by dieting for slimness. Dr. Erno Laszlo, noted Hugarian beauty authority, in Hollywood on a

M.-G.-M. TO GET FOREIGN RIGHTS visit, said through an interpreter: “If the stomach is empty, the

HOLLYWOOD, Feb. 1 (U. P)~ eye and expression are vacant. One Hollywood studio arranged for ‘Hunger always ages, starvation is an inside track today on ible | always horrible. If your stars con-

tinue trying to starve their way movie stories written in Scandi- | tq beauty, they will soon be neither

navia. | beautiful nor young.” Metro-Goldwyn-Mayer signed a] He urged a “medical” reducing contract with Albert

Bonniers, | method.

Stockholm publisher, covering all EERE important fiction works in Swedish, ESMOND ARRIVES WITH 60 TRUNKS

Norwegian and Danish that BonHOLLYWOOD, Feb. 1 (U, P.).—

niers accepts. He will submit a synopsis of each to the studio which Carl Esmond, Viennese actor, are rived in Hollywood amid a luggage

will have movie priority rights.

WHAT, WHEN, WHERE mountain of 60 trunks plus assorted APOLLO suitcases and boxes, to make American movies. “Holl | Gor vend otal, weil Rosny He was signed by Producer Louis Lane YT 38. 43 55 ha 8.8. B. Mayer in London, where he was Wray, at 11:21, 2.37, 5°43 and 8:49, a matinee idol starring in the role , CIRCLE of Prince Consort in “Victoria ReMet My L gina.” He arrived on the same Bennett Hen Fort 2 13:00 230 || train with Margot Grahame, Cecil rah J} Rolly 1.» with Lee ||B: De Mille and Akim Tamiroff, Tracy, at 11, 1:30, 4 6.30 and O. be a ———-. . INDIANA CANTOR REVEALS “Hap Landing. » with oa ' rte wn lil || DAUGHTER'S TROTH March ‘or’ Ts, feature, “Inside ———————— 0 Cae A 1120, 1:30, HOLLYWOOD, Feb. 1 (U. P).—

Eddie Cantor today announced the engagement of one of his five daughters, Edna, to Jimmy McHugh Jr, 21, son of the Irish movie songwriter. Edna and Jimmy Jr. will be married in May and spend their honeymoon in Honolulu.

LOEW'S

“I'll Take Romance” with Grace Moore, Melvyn Dou 18s. ang Frwin, at 12:45, 3:50, nd 10, “Boy of the Streets, > Cooper, at 11:15, 2:20,

LYRIC

Vaudeville, with Monte Blue, Mary So. on stage at 1:10, 3:50, 6:40 and

“Swing Your Lady,” with HumphFrotive ear. Jaank ) McHugh, Weaver on 10:21 at 11:31, 2:11, 5:01, 751 and 1

With Jackie £:25 and 8:30.

KEITH'S “Second Honeymoon,” ath Lorelta Be Racy Th Young. Also “Dead End BING CROSBY Bunnctt OHIO “TWO FOR TONIGHT”

Eddie Cantor “Ali Baba Goes to Town”

The playwright is Paul Vincent ®—

good cost more than Carroll's entire weekly salary, on which he supports his wife and three school girl daughters. “I Jove this room,” Carroll remarked, leaning back in his chair, “It is my very own.

“I am writing another play, but I have not developed the entire idea yet. I write plays because I love doing them. The actual writing in cases like ‘Shadow and Substance’ takes only about two months, but the idea germinates in my mind sometimes for a year or two.

“I don’t worry about boxoffice success. As I said, I write for the love of it. While naturally I am delighted if my work achieves success, I do not worry about anything but the play itself.

“My father taught school in Dublin. I frequented the Abbey Theater there in my ‘teens and got to know the ins and outs of the theater business. The Abbey became my spiritual home.

Staged Play at 21

“I presented a small play, “The Watched Pot,’ at the Abbey at the age of 21. Then I became a teacher in Scotland, but the Abbey traditions never left me. “‘The Things That Are Caesar's’ was produced by the Abbey Players in 1922 and constituted my first triumph. It was produced in London in 1933. “Shadow and Substance’ was my next play. I do not believe in rushing output. It was produced in Dublin by the Abbey Players in 1937. It attracted the attention ot Eddie Dowling and he produced it in the United States.” Carroll is 37, slightly built and gray-haired. He has a marked Irish brogue. He watched the clock as he talked and finally it was time to return to school. As we descended from the streetcar, we found the urchins milling outside the school and he remarked: “Just in time. Plays or no plays, the school bell rings, and children, after all, are the substance of drama. “I enjoy their company. It is a relief from the searching and questioning adult world.” As the boys sat down, Carroll pointed proudly to a silver shield. “I have a drama team in the school and write plays for the boys,” he said. “We won the West Scotland Catholic Shield, which is even more of a reward than making a success of my plays in the outside world.” I left him, chalk in hand, telling the slum children about Columbus discovering America. It seemed easy to believe that no matter what his material success, he will prefer to remain a school teacher.

ACTRESS IS SUED ON GROCERY BILL

HOLLYWOOD, Feb, 1 (U, P).—Lyda Roberti, motion picture actress, and her husband, Hugh (Bud) Ernst, radio announcer, were sued today over a $122 grocery bill. Grocer William F. Webb said he delivered the food to their Hollywood home last year and has not been

paid.

No -2.K LD \

HOLLY WOOD"

picture, superstitions,

Mrs. Cooper is glad to oblige.

his mother is able to look in on them in the course of production,

The proud looking lady is Mrs. Charles Cooper, shown Jere making her usual “good luck” visit to her son Gary during the course of his new “Bluebeard’'s Eighth Wife.” Mr. Cooper feels that good fortune follows his films if

Though he doesn't have many

And

Novis and Bride Reach Hollywood

HOLLYWOOD, Feb. 1 (U, P).— Don Novis, blond radio tenor, and his bride, Dorothy Bradshaw, stage

and film actress, were on honeymoon here today. They flew back last night from Phoenix, Ariz, where they were married at Sky Harbor Airport 20 minutes after stepping from a plane. Novis, 30, who gave up college football to preserve his voice for a radio and motion picture career, and Miss Bradshaw, 23, an actress and dancer for nine years, met while cast in the Broadway show “Jumbo” two years ago. The marriage ceremony was broadcast by radio.

FILM STUDIO SUES ACTOR FOR $51,200

HOLLYWOOD, Feb. 1 (U. P).— Skarbo Productions, Inc., sued Tito Guizar, movie actor, for $51,200 damages today, charging breach of contract. The studio charged Mr. Guizar violated an agreement to act in a Spanish language picture, “Alma En Pena.”

DONALD STEWART OUT OF HOSPITAL

HOLLYWOOD, Feb. 1 (U. P).— Donald Ogden Stewart, scenarist, who was critically injured by an automobile several months ago, was

ning to return to his home in Connecticut.

EI HEN IE DON AMECHE

Znidluy FREDRIC MARCH FEN IE RE

MARCH OF TIME

Offers Uncensored Nasi Expose Films!

GIVI 133

“Al Baba Goes to Town,” with Eddie Cantor. Also “Twe for Tenight,” with Bing Crosby. . AMBASSADOR

“Stage Door,” Wilh, Ginger R Also “Living on Love ' at

ALAMO “Partners of the Plains,” ith

AT YOUR NEIGHBORHOOD THEATER

William Boyd. Also “The Barrier.” with Leo Carrillo.

WEST SIDE SPEEDWAY Bir ufos

BALCONY SEATS After 6PM

BENNY CODDMAN & WS SWING BAND

LOUELLA PARSONS SOME DAVIS

_ “DINNER AT THE RiTZ HOWARD "Eh hi __Also_ Selected Shorts 2702 W. 10th St. pin S T4 A T E Irene Hervey DICK POWELL s Herre ROSEMARY LANE Also Comedy ng Ruveity a BELMONT “THE ADVENTUROUS DAISY “outs Bibi

FOR A KING” Howard & Blaine “THE PERFECT SPECIMEN" Kent Taylor “THE LADY FIGHTS W. Wash. Jeanette MacDonald “FIREFLY” ros

“LIFE BEGINS IN COLLEGE" “LOVE FROM A STRANGER" SOUTH SIDE ranee vars || FOUNTAIN SOUARE ENGLISH Beginning Double Feature Y) Astaire

NEXT THURSDAY NIGHT “THERE GOES THE GROOM” "Ss SANDERS At Fountain Square

Double Feature Ke a Taylor

“LOVE IN A BUNG Wm. Powell, “DOUBLE WEDDING” _ Beech Greve GROVE Double Feature Robt, Dontiomery 75, $2.20. Bale, “MYR, LOVE AND "

$2. Gal, 85 (tax included). FOR A

en Site oa AVALON

SATURDAY MATINEE: 55¢ to $1.65. “DOUBLE OR NOTHING”

SEATS ATS NOW ON BA ON BALE. __ “CHARLIE CHAN ON BROADWAY”

ENGLISH—Mon., Feb. 7 5A N_ON_BROADW ORIENTAL

A KING”

Pros. & Churchman Double Feature Bi Crosby

CORNELIA OTIS 1105 S§. Meridian Double Feajure

SKINNER we TOR In Her Latest New York Triumph LINCOLN Boi fmm

“Edna His Wife’

From the Novel by MARGARET AYER BARNES

Soon nets

m. “SHE ASKED FOR IT” Joel McCrea “DEAD END”

2208 Shelby Double Feature Tyrone Power

New Garfield ne Withers DN!

GARRICK ie.

NORTH SIDE

MECCA able Fy

"SEED TO SPARE” SECRET AGENT”

19th & College Stratford Double Feature “HIDEAWAY” “WOMAN ALONE”

Fred Stone TT; UN Station Sh D R kb A M Double Feature Mex AR HORSES" “WINE, WO Dick Powell VARSITY CROW"

R I T z HNlinois and 34th

Double Feature Lionel Barrymore “NAVY BLUE AND GOLD” “SWING IT, PROFFESSOR” 1500 Roosevelt Double Feature

Hollywood Jack Oakie

FIGHT FOR YOUR LADY" “GET ALONG LITTLE DOGIE”

ZARINC G “Central at Fall Creek

Double Feature All This Week Lew Ayres ing Ginger Rogers *

“HOLD ‘EM ‘STAGE DOOR” " 16th & Delaware CINEMA Double Feature THE AWFUL TRUT “ITs LOVE rm TAFTER" Continuous _From 1:30 42nd and ‘College UPTOWN Double Feature Scott Colton “ALL-AMERICAN SWEETHEART” Jeanette MacDonald “FIREFLY”

ST. CLAIR St. Cl. & Ft. Wayne

Double Feature Franchot Tone "BETWEEN TWO WOMEN" Pat O'Brien "SUBMARINE D-1"

TALBOTT Talbott & 22nd

Double Feature Warner Baxter “VOGUES OF 1938” "IT'S LOVE I'M AFTER”

“30th at Northwestern Double Feature Loretta Young “WIFE, DOCTOR AND NURSE” Shirley Temple “HEIDI” 80th and Illinois Double Feature

ast

phos Dunne

REX

EAST SIDE

B I J Pe U Uhh

Double Feature “CRIME OF DR. FORBES” “PHANTOM OF THE RANGE” “Shadows of Chinatown”—No. 11

PARKER 2030 E. 10th St.

Double Feature “PRISONER OF 2 3155 E. 10th St. R | Y Oo L | Doors Open 5:45 “NAVY BLUE ANP GOLD 2442 E. Wash. St. TACOM A Double Feature “STELLA DALLAS” 4020 E. New York TUXEDO Double Feature THF AWFUL TRUTH” Jane Withers “45 FATHERS” 4 550 Double Feature Irene Dunne “THE AWFUL TRUTH" “FORTY NAUGHTY GIRLS” Double Feature Irene Dunne “THE Awrb tL TRUTH” 0 NAVY” ” ~~ AIL E. Wash. GOLDEN Pinky Tomlin “STELLA DALLAS’ 48 . 10th EMERSON Doubie Feature “THE AWFUL TRUTH"

Ronald Colman Dick Merrill “ATLANTIC FLIGHT” Robert Young Ginger Rogers “STAGE DOOR” Barbara Stanwyck “LIFE OF THE PARTY” Irene Dunne IRVING TE. Wash. St. HAMILTON 2116 E. 10th St. Extra “CORONATION” in Technicol Claire Rochelle “PERFECT SPECIMEN" aa Dunne Jane Withers “45 FATHERS”

EXTRA! Latest MALE OF TIME" Wash. St. STRAND “pautic fextine

“NAVY BLUE AND GOLD” “BIG TOWN GIRL"

6 E. Wash, Paramount Downie Feature

Bar

out of the hospital today, and plan- |

REMOVES BEAD, HALTS DISPUTE

NEW YORK, Feb. 1 (U. P)— Annette Margules, leading lady of “White Cargo,” ended a labor controversy last week by removing one of three beads from her scanty costume, Members of the Theatrical Costumers’ Federal Labor Union discovered that the beads had been sewed on by a nonunion seamstress. Pickets marched to the theater where Miss Margules is appearing, and there were threats of a strike. As Tondeleyo, a native girl, in the play, Miss Margules wears only a few patches of cloth augmented by

three beads. Today, she had only two and was looking for a union seamstress.

LAST 8 DAYS! 2c to 8 Bale. 30c After 6

Streets’ FRIDAY:

WALLACE BEERY “BAD MAN OF BRIMSTONE"

Movies Bid For Services Of Composer

Gaynor, Here to Direct His Third Revue, Goes To Coast in June.

Charles Gaynor, New York coms poser who is here to direct his third original revue for the Civic Thea= ter, will go to Hollywood in June to turn out tunes for one of the major picture studios. Just who will get his services Mr, Gaynor does not know at present, since two companies are dickering with his agent in New York. But it's certain, Mr. Gaynor says, that he'll be heading for the happy land where all good song writers go when summer comes around. Meanwhile, work is going on for the opening on Feb. 18 of “Dollars to Doughnuts,” the title selected after the usual shuffling and dis carding of names. Director Alfred Etcheverry and Louise Sparks, muse sical assistant, expect that all parts will be cast for sketch and solo spots today and that really intene sive rehearsals will get under way in all departments.

Two Dancers Return

Two dancers from last year's show will be featured in the coming pro=

duction. They are Anna Ludmila and Johnnie Sweet, both of the Broderick Dance Studio faculty.

Mr. Sweet recently returned from New York, where he has been study= ing for the past several months. Mr. Gaynor will remain here for the show's rehearsal and six-night engagement, after which he is to re= turn to New York before proceeding to the West Coast. At present sev eral of his songs are being heard in New York and Boston night clubs, where they were introduced by Barbara Towne, who is appearing in Ed Wynn's “Hooray for What.” Two Gaynor numbers also are being used by Elizabeth Love in the American Music Hall's burlesque melodrama, “The Fireman's Flame.”

TOMORROW AT 2 P. M. On the Mezzanine!

MARY DEES

« « « Will meet her fans personally and give autographs as requested!

Who Replaced JEAN HARLOW in **SARATOGA"

Presented by

Indianapolis’ Movie Favorite

NUMPHREY BOGART . FRANK McHUGH . LOUISE FAZENDA - NAT PENDLETON PENNY SINGLETON ALLEN JENKINS . TNE WEAVER BROS. & ELVIRY

ES ILLS THREE STOOGES

IN PERSON

1431 N. Meridian St.

BOMAR CRAMER STUDIO

Rl ley 7706

A Story of the War of 1812

For Love of Polly

Teper Then so am 1!”

BEGINNING TOMORROW IN

The Indianapolis Times

A Scripps-Howard Newspaper

FER Sasser J

wl RRA