Indianapolis Times, Indianapolis, Marion County, 29 January 1938 — Page 2

PAGE 2 Grace Moore Here in New Musical Film

'I'll Take Romance’ Opens At Loew's; Jackie Cooper Returns.

By JAMES THRASHER Grace Moore, who brought opera arias to the movie public and made them like it, is back again at Loew's this week in another musical picture called “Tl Take Romance.”

| THEY WELCOME MONTE BACK

This picture isn’t much different | from Miss Moores other starring |

except that contain

efforts, title doesn’t “love.”

the

the picture's | word | Once again she sings fa- |

miliar operatic music in & pleasing |

and palatable manner.

And once |

again there are songs of a more | fiecting, if little more popular. na- |

ture for those who able to understand a song such as they are. Included in the supporting cast are Melvyn Douglas, Stuart Erwin, Helen Westley and Margaret Hamjlton. It is most gratifying to see Mr. Douglas cast in a light-comedy role once more, for he can do such things in an easy and ingratiating way. ’ Begins As a Star As a slight change in procedure, Miss Moore already Is politan Opera star when the picture opens. For some reason or other she doesn’t want to sing in Buenos Aires, though she has a contract to do so. Accordingly, Jim Guthrie (Mr. Douglas), a North American living in the Southern city, is dispatched to New thing about it. He has great trouble seeing the lady, but eventually scores some telling blows through his charming manners. should amuse you baffied alter ego. By a friendly kidnaping, Jim gets Flsa (that's the star) on the boat to Buenos Aires. he's only heen courting her in the interests of Argentine music, and gets mad. To spite him, she sings anyway. And, convinced of his true love, she turns the ta naps him. In fact, the narrative’s firm texture goes a little spongy in the last lap.

as the rather

The opera sequences are well han- |

dled end recorded, and for good measure, Miss Moore throws in «She'll Be Comin’ Round the Mountain.” In fact, it's a typical Grace Moore picture.

Jackie Cooper Back In the other ring at Loew's you may see Jackie Cooper performing as a tough little East Side New York hoodlum in “Boy of the Streets.” This picture can be recommended. It is patterned after “Dead End,”

and the fact that it isn't another | need not count very |

“Dead End” heavily against it. For it shows young Mr. Cooper as an accomplished actor. problem that still needs attention, and in a dramatic, entertaining way. The admiring son of a bluffing. worthless father tries to emulate his sire by being “boss” of a gang of younger boys. When he finds his father's real nature, he becomes bitter and disillusioned, and turns gangster. There are other good performances by Maureen O'Connor, another juvenile; Marjorie Main, the gangster’s mother in “Dead End.” and Robert Emmett O'Connor as the corner cop. The ending is a happy one,

WHAT, WHEN, WHERE

APOLLO

“Hollywood Hotel.” with Renny Geodman, Dick Powell. Rosemary Lane. at 12:27, 3:43. 6°49 and 9.55. * with Fay

Jury's Secret. 11:21, 2:37, 5:43 and 8:49,

CIRCLE

“7 Met My Love Again,” with Joan ' Henry Fonda, at 12:01, 2:31, 5:01, 7:31 and 10:01. “Crashing Hollywood,” Tracy; at 11, 1:30, 4, 6.30

INDIANA

“Happy Landing.” Henie. Don Ameche, Jean Hersholt, © 9:20, 4:50, 7:20 and 9:50. “Mareh of Time’ feature, “Inside Nazi Germany—1938,” at 11:20, 1:50, 4:20, 6:50 and 9:20.

LOEW'S

«pil Take Romance,” with Grace Moore, Melvyn Douglas, Stuart Erwin. at 12:45, 3:50, 6:55 and : “Boy of the Streets,’ with Jackie Cooper, at 11:15, 2:20, *:25 and 8:30.

LYRIC

Vaudeville, with Monte Blue, Mary Dees. on stage at 1:10, 3:50, 6:40 and 30 ;

The Wray, at

with Lee and 9.

with Sonja

9 SU. “Swing Your Lady.” with Humphrev Bogart, Frank McHugh, Weaver Brothers and Elviry, on screen at 11:31, 2:11-5:01, 7:51 and 10:21

KEITH'S

“It’s Love I'm After.” with Bette Davis. Also “Fight for Your Lady,” with Jack Oakie. OHIO

ewest of Shanghai,” with Boris Karloff. Also “Hell to Heaven,” with Carole Lombard.

AMBASSADOR

wrThe Firefly,” with Jeanette MacDonald. Alto” “Murder on Diamond

ow. ALAMO

“Partners of the William ovd. Also * with Lea Carrillo.

lains.” with he Barrier,”

| |

a Metro- |

Through it all, Mr. Erwin | But she discovers |

bles and kid- |

TONIGHT ik RKARTH'S JGNNY BCs Ne » A

LL EVENING NEXT TU

ESDAY LADIES’ NIG

insist on being | 's words, |

Four girls from the Soldiers and | Home in Knightstown i the institution's most distinguished Blue of the movies, » ”

Firm. Ve

Manner

York to do some- |

{ Monte Blue is really ‘appearance this week. | on Bloomington St.. spent

where he has spent 26 years. | There are few. if any, actors or| | directors with so many years of | | consecutive cinema service to their credit. But Mr. Blue has acquired no theatrical mannerisms. He is informal and unassuming. He ‘makes no effort to give a dramatic | performance, and he seems gen- | uinely glad to be back here again. | The opening audience yesterday gave him a royal welcome. With Mr. Blue is Mary Dees, Jean Harlow's stand-in who completed the late star's part in “Saratoga.” | From the audience, Miss Dees looks | surprisingly like her former em- | ployer. She also is reminiscent of | | Miss Harlow in a brief excerpt with | | Mr. Blue from “Blonde Bombshell.” Most of their act, however, is taken lup by a conversation before the public-address microphone.

| There are other acts, of course. ' cluding Manager Humphrey Bogart | champion.

are shown here chatting with

who is appearing at the Lyric

| sisted by

| assistants,

Sailors Orphans’ this week. The alumnus, Monte

" #

teran’s Informal

Wins Friends

the Knightstown orphanage, the movies,

Joe Besser, the rotund and fluttering comedian whose identifying line is “Oh. vou're crazy,” is back, asa “straight man” who O'Donnell and Blair, with do some slapstick as is slapstick in a Plasterers.” Dorothea Sisson whistles, and Marguerite plays creditably upon the harp. And the bill is opened by

sings.

deal of toe dancing. Even if the Weaver Brothers and Elviry don’t have as much to do as some of us would wish, “Swing Your Lady,” the Lyrics screen offering. js an unusual and hilarious comedy about the manly profession of wrestling. Joe (Hercules) Skopapoulous ( Pendleton) and his entourage,

Nat in-

mons. Earline Kimberin, Mary Redford Sazmann. They called on Mr. Blue before yesterday's opening performance.

turn called “The |

girls are, left to right, Juanita Timand Vivian

«pack home agein in Indiana” for his Lyric stage : : 3 < . 4 and Sadie meet and fall in love. The Joli sie husky film veteran was bOrn OVer | wpe Jove match won't fight, but worked at a variety of hard jobs and finally wound up in

i | Sadie’s local suitor, in the bearded

| the Six Lucky Girls, who do a great | some rich moments, such as when

| Mr. Pendleton tells Miss Fazenda | of his ring prowess—with gestures— and when the two get together for a ‘wrestling lesson, all the time enter- | taining the most tender feelings for | each other. | And of course the actual wrest[ling is good, since Mr. Savage is well up in the professional ranks, while | Mr. Pendleton is a former Olympic ov. T)

It underlines a social |

Picketing the Picket May

Kostelanetz Is Ac

IN NEW YORK —sy ctoret ross

Be New Union Wrinkle;

e Air Passenger.

career. If she can find a way of getting space rates for her byline. The impression seems to be grow- | ing among those musicians who | ought to know that Swing is on { the way out. The latest to express | this belief is Fats Waller, the 250- | pound Negro pianist, whose throaty | voice and eccentric rhythms have | made him a fortune. Some of the | band leaders whose stock in trade | js sweet music might have their own

NEW YORK. Jan. 20—The next thing you know youll be seeing 8 | . oc to grind in predicting the de-

sandwich man stroiling alongside a forth the information that: | “This picket is unfair to organize

You see, New York's pickets are Just the other day one of the boys, his heels run down from on unsympathetic pavements in the interests of belabored labor, was complaining as how he didn't think the pickets were |

| union now. | trudging back and forth

{

picket with his signboards blaring

d pickets—Picket Union, Local 1000.” threatening to organize their own

| paid enough, worked good enough hours, or were given proper protection

| “they're trying to get 52 cents an | vorced from Spouse No. 8, she was |

| hour and I'm getting paid only 30 | | cents an hour. And they want an | | eight-hour day and I'm going a full | | nine.” Of all the aerial-minded public | | entertainers, Andre | whose name is linked with radio, | screen and Lily Pons, seems to stay | up in the air longest. Four com- | | mercial air lines, computing his | | flying activities for the past year, | find that Mr. Kostelanetz has | | journeyed 136,000 air miles during | | 1937. That's more mileage than any | | other paying passenger has flown | lin an equal length of time. Most | of these aerial junkets are necessary | | if Mr. Kostelanetz is to keep abreast | | of his radio and film work and he | { now makes excursions from coast to | | coast as casually as if he were com- | | muting from his office in Manhat- | | tan to Jackson Heights. | | There's a young lady around town | with 10 names who is wondering | which combination to use in free | {lance writing. She is Mrs. (take a {long breath) Mrs. Virginia Cogswell | | Patterson Freiberger Stark Seegar | | Gilbert Kahn Gould-Porter. The |

| | | { | |

New Midnight Show at 11:3¢ P. M.

Carol Lombard JACK

OAKIE “FROM HELL TO HEAVEN" Plus! “WEST OF SHANGHAI”

RANADD

1045 VIRGINIA AVE. Two Hits—Tonite, Tomorrow

ROBT. YOUNG—JAS. STE LIONEL BARRYMORE RICHARD “It Happened | DIX in Hollywood”

tarting at

4 New

THE TWO High-Stepping BLONDES

Get Up a Party and Attend

amous Midnight Show Tonight

FEATURING

Loraine Tumlin & Lucille Abbey * NIFTY CHORUS

Mat. 2:15 Two Shows at Night, 7 and 9. Continuous on Sunday

Yorkers

o Singing F and Dancing

GIRLS

Our Midnight

Show Tonight

CE mira Ee oh

lady, an attractive redhead of 30,

thereafter. Having just been di-

delighted to learn than Spouse No.

| 3 had left her $100,000 and a title | Baroness von Freiberger—on his | The Baroness |

death in Germany. said she wasn't going to let the

Kostelanetz, | windfall distract her from a writing

NOW!

15¢¢°

First Run

pL AT OHIO] 4

Lule]

eo C rrillo—Jean Parker Rex Beach's “THE BARRIER”

| mise of the current Tin Pan Alley | craze, but Fats does not fit into

this category. “The band leader who ; |

can tag the next fad will make him- | self a mint,” said Fats, “It might

WHE TNDIANAPOLIS TIMES

Wanger Gets

Second Hit In Circle Film

'l Met My Love Again’ Is Intelligent Story of

Roaring Twenties. —pitn

SATURDAY, JAN. 29, 1038 ;

EATING SCENE IN ROOM SERVICE

Walter Wanger~has done it again with “I Met My Love Again” this week’s attraction at the Circle. By “doing it again,” the producer has accomplished what he said he| hoped he would in a recent radio | interview. Mr. Wanger, when asked for his working formula, stated that he used the system of the famous! batter, Willie Keeler, who “hit them where they ain't.” Mr. Wanger went on to say that he tried not to be| afraid to take a chance, as he did | in “Private Worlds.” Again placing Joan Bennett in a | leading role, he has taken his | chances, and now they don’t seem | to be such long ones after all. For “I Met My Love Again,” in spite | of its title, is a fine, intelligent picture. Mr. Wanger has worked over very familiar ground and he has managed to turn up something new | and refreshing. Viewing the play as| a whole, it does not seem so much a | question of taking chances, but, rather, one of making few concessions to the picture makers’ Talmud.

Scene Is on Campus

«I Met My Love Again” is a story of the impulsiveness and the impatience of that recent period in our history now known as “The Roaring Twenties.” The scene is the campus | of a small Vermont college, and, as | Mr. Wanger stated with some pride in his voice, there isn't a 40-year-old freshman in sight. Julie (Miss Bennett) is engaged to marry Ives (Henry Fonda), the son of a famous biologist and a promising student in his late father’s branch of science. And then one night Julie does one of those things that neither she nor anyone else could ever explain. She marries a total stranger and runs away to live in Paris. Ives is left to wonder why and finally resign himself to having been jilted. Julie’s husband turns out to be a very gallant, but very drunken and worthless person. During the 10 years of their marriage, in which they have a child, he refuses to even try to write the “great American novel’ he has promised her. Then one night he is killed in a mock duel with a friend.

Returns to America Acting on another impulse, Julie

goes back to America, hoping to see Ives again. She finds him a suc-

cessful, but very bitter person. He refuses to see her. Unknown to either of them, however, the past is about to repeat itself. One of Ives’ students has fallen in love with him and is planning to do something more flagrantly impatient than Julie had done. That is the situation in which the

— 2 DELUXE FEATURES - CEL

Last Times Today

2 JT'S LOVE Bette Davis vm AFTER” ohn Boles—Jack Oakie “Fight for Your Lady” | ——————— Sunday! Joel McCrea | “DEAD END” and

«SECOND HONEYMOON” | CAE

This is the already-famous “ea “Room Service,’

The players, left to right, are Mary Cheffey, Reed Brown Jr., Clin

» which is coming to English’s for {three evenings and a matinee beginning Thursday. Michael Dalmatoff,

’

ting scene” from and Producer

ton Sundberg and

achieved a season’ by pursuing the ancient premise that funny when they're eating.

James Lane. Authors John Murray and Allen Boretz George Abbott S

are said to have high in farcical situations simply people look

characters find themselves and it is a pleasure to see impulsive thoughtlessness given a sound drubbing as such in a motion picture. There is cause for rejoicing when someone with authority labels it “selfishness,” which it very often is. This is typical of “I Met My Love Again.” It is shocking to think that simple, forthright thinking should appear daring, but there jt is. For instance, Miss Bennett is not a great dramatic actress, nor does she pretend to be. However, it would appear that Miss Bennett is a willing worker with whom to place her con-

| fidence. Consequently, she manages

to give a highly convincing performance. Again, the story probably will

| never hold the attention of the odd-

ity hunters, But human stories

never do. Ignores Taboos

As for the taboos, Mr. Wanger is supposed to break, he ignores them rather than consciously circumventing them. Miss Bennett and Mr. Fonda are natural and charming. They have never been seen to better advantage. Much of the credit, of course, must go to Arthur Ripley and Joshua Logan, the directors, and to David Hertz, the author, for gheir highly important parts in the production. You will most certainly enjoy the performances of Dame May Whitty, as Julie's Aunt William, and Louise Platt, as the “other girl.” They both

‘Grace Pr ERAT Y ROMANCE

JACKIE Taina Melvyn Douglas

COOPER IN “BOY OF THE STREETS”

And MICKEY MOUSE

AID TREND

The Hawaiian trend, already evident in the opening of native restaurants, popularity of native songs and color in clothes, is given further local impetus in “Hawaii Calls,” Bohby .Breen’s latest musical.

V cn - ——

I ALWAYS A GOOD SHOW

STAGE rerson

First Appearance Here!

Who Replaced JEAN HARLOW in ‘SARATOGA’ Presented by

LER:

(LDL LARS J

CL NAS

® JOE BESSER & CO. © 0'DONNELL & BLAIR * SISSON & NEAL * 6 LUCKY GIRLS

SCREEN : LQOKIT the

dos eid AW sR SB Be

nth Ores 1 HUMPHREY BOGART. FRANK McHUGH {1 LOUISE FAZENDA - NAT PENDLETON PENNY SINGLETON - ALLEN JENKINS | THE WEAVER BROS. & ELVIRY |

NEXT FRIDAY THREE STOOGES POI TON

MOVED To Thc

BENNY GOODMAN & MIS SWING BAND LOUELLA PARSONS JOHNNIE DAVIS GLENDA FARRELL

DICK POWELL ROSEMARY LANE HUCK HERBERT

and THE HOLLYWOOD HOTEL PROGRAM

SEATS

After P. M.

BALCONY

30¢c «

BALCONY SEATS 30 After Cc a P. M.

SONJA HENIE DON AMECHE

MARCH OF TIME

Wi Offers uncensored - 7 i

Nazi Expose films! pa RN INE

REDRIC MARCH TEV ATT5:

| Dance

pe Hawaiian music, but I can’t say.” Harold Saturday Cork’s

Sunday SKY Orchestra HARBOR

60¢ couple before 9:30: %0c cou20 te 12:00: 50c couple after 12:00. Sun. 35¢ couple before 95:13

Sat. ple 9: 50¢ Couple After 9:13 || One Block South Municipal Airport.

At Your Neighborhood Theater

== MARTENS CONCERTS, INC.™

FIFTH CONCERT OF SERIES

ENGLISH - Sun. Aft. Feb. 6 VRONSKY

and

BABIN

Brilliant Young Russian Pianists in Program for Two Pianos

VARIATIONS on a theme of H y BRAHMS. ati FANTASY—RACHMANINOFF. EPIGRAPHES—DEBUSSY. THREE STUDIES—BABIN. POLOVTSIAN DANCES— “PRINCE IGOR"— BORODIN—BABIN. SEATS ON SALE MARTENS OFFICE. Room 201, 33 Monument Circle $1.10, $2.20, $2.75, $3.30, Tax Incl

Reservations

12% In Company-—Sympheny

Being Received

Orchesira—1 Beautiful Ballets

BALLET RUSSE

February 16—Murat Theater Seats—S$1.10, $1.65, $2.20, $2.75, $3.30.

Mail Orders to Indianapolis

Junior Chamber of Commerce

| ENGLISH’ & SEATS NOW ON SALE

From Broadway It Comes—the Key-Hole Hit of the Year

GEORGE ABBOTT PRODUCTION

IOHN

SERVICE

PAYS Thurs. Feb. 3

MURRAY and ALLEN BORETZ

NIGHTS: $1.10; 2nd

Sat. WN

Orch. $2.75, $2.20; Balc., $1.65, Balc.,, 55¢ (All prices incl. tax.)

Matinee, 55¢ to $1.65

CORNELIA 0

“EDN

MAIL ORDERS - NOW

Orch. $2.20; Bale. $1.85,

CHARLIE McCARTHY Says:

“Funny enough to make a house detective laugh.”

ONE NIGHT ONLY—MON., FEB. 1. DIRECT FROM HER NEW YORK AND CHICAGO TRIUMPHS

IN HER FIRST FULL-LENGTH PLAY

AER OWN DRAMATIZATION OF THE NOVEL BY MARGARET AYER BARNES Settings by Donald Oenslager—Becore by Elliott Jacoby

TIS SKINNER A HIS WIFE”

WEST SIDE : speedway City Double Feature

Speedway Roscoe Karnes “PARTNERS IN CRIME” “OLD WYOMING TRAIL” Sun. Double Feature—Pat O’Brien “SUBMARINE D-1” Ian Hunter “52D STREET”

Howa r d Howard & Blaine

Double Feature Marian Marsh “SATURDAY’S HEROES” “WHERE TRAILS DIVIDE” Sun. Double Feature—Loretia Young “SECOND HONEYMOON” Spencer Tracy “BIG CITY”

STATE 302 W. 10th St.

Double Feature Bette Davis “THAT CERTAIN WOMAN” “ROARIN’ LEAD” Double Feature—Robt. Montgomery “LIVE, LOVE AND LEARN” “HOOSIER SCHOOLBOY”

W. Wash. & Belmont Double Feature

Belmont Wheeler & Woolsey

“ON AGAIN, OFF AGAIN” “Wallaby Jim of the Islands” Sun. Double Feature—Glenda Farrell

“THE ADVENTUROUS BLONDE” Jeanette MacDonald “FIREFLY”

DAI SY 2540 W. Mich. St.

Double Feature “SHE ASKED FOR IT”

Wm. Gargan “BOOTS OF DESTINY” Sun. Double Feature—June Travis “OVER THE GOAL” . Frances Farmer “EBB TIDE” ; SOUTH SIDE

Fountain Square

Double Feature Glenda Farrell “ADVENTUROUS BLONDE” “OVER THE GOAL” Sun. Double Feature—Fred Astaire “DAMSEL IN DISTRESS” «THERE GOES THE GROOM”

Sa # d i AV Fountain Square on an ers Poiin Special Double Feature Shirley Temple Jean Hersholt “HEIDI”

Gene Stratton Porter's “MICHAEL O'HALLORAN”

Beech Grove Double Feature Irene Dunne

“HIGH, WIDE AND HANDSOME” “BOSS OF LONELY VALLEY” Sun. Double Feature—Robt. Montgomery “LIVE, LOVE AND LEARN” “FIT FOR A KING” pecial Feature

Ava lon Robert Taylor

Eleanor Powell—Judy Garland “BROADWAY MELODY OF 1938” Sun. Double Feature—Marian Marsh

Pigs & Churchman

$1.10; Gal. 5%; Inel. Tax

“SATURDAY'S HEROES” ICE”

a By

SOUTH SIDE . 1105 S. Meridian Double Feature

O ri en ta Loretta Young

«SECOND HONEYMOON” “SATURDAY’S HEROES” Sun. Double Feature—Eddie Cantor «ALI BABA GOES TO TOWN” “PROUBLE AT MIDNIGHT”

East at Lincoln Double Feature

Li ncol n John Barrymore

“Bulldog Drummond Comes Back” “RIDERS OF THE ROCKIES” Sun. Double Feature—Wm. Gargan “SHE ASKED FOR IT” Joel McCrea “DEAD END”

New Garfield :

2203 Shelby George O'Brien “HOLLYWOOD COWBOY” Dick Powell “VARSITY SHOW”

Sun. Double Feature—Tyrone Power

“SECOND HONEYMOON” Jane Withers “45 FATHERS”

NORTH SIDE Noble & Mass. Double Feature

MECCA lie

“THEODORA GOES WILD” “ONE-MAN JUSTICE” Sun. Double Feature—Joe Penner “LIFE OF THE PARTY” “FLIGHT FROM GLORY”

Double Feature

S t ra tfo rd Joan Crawford

“BRIDE WORE RED” “SONG OF THE CITY” gun. Double Feature—Jack Holt “OUTLAWS OF THE ORIENT” Geo. O'Brien “WINDJAMMER” 2351 Station St.

Double Feature

DREAM month

“THAT CERTAIN WOMAN" “HERE'S FLASH CASEY” Sun. Double Feature—Barton MacLane “WINE, WOMEN AND HORSES” Dick Powell “VARSITY SHOW” Double Feature

RI TZ Wm. Gargan

“BEHIND THE MIKE” Jane Withers “45 FATHERS” Sun. Double Feature—Lionel Barrymore “NAVY BLUE AND GOLD” “SWING IT, PROFESSOR” Double Feature

Hol lywoo Buck Jones “LAW FOR TOMBSTONE”

“WINE, WOMEN AND HORSES”

Sun. Double Feature—Jack Oakie “FIGHT FOR YOUR LADY” -

19th & College

Illinois and 84th

1500 Roosevelt

“GET ALONG LITTLE DOGIE” | Sun. Matinee—l5¢ till 2:45

NORTH SIDE Central at Fall Crk. | Double Feature

Za ri Nn g Mischa Auer

“MERRY-GO-ROUND OF 1938” Gary Cooper “SOULS AT SEA” All Next Week—Lew Ayres “HOLD EM, NAVY” Ginger Rogers “STAGE DOOR”

C nema 16th & Delaware

Double Feature Warner Oland «CHAN ON BROADWAY” “ALCATRAZ ISLAND” Sun. Double Feature-—Jean Parker “LIFE BEGINS WITH LOVE” Greta Garbo “CONQUEST”

Continuous from 1:30 Double Feature

U ptown Claire Trevor

“BIG TOWN GIRL” “FIGHT FOR YOUR LADY”

Sun. Double Feature—Scott Colton “ALL-AMERICAN SWEETHEART” Jeanette MacDonald “FIREFLY” t. CL Double Feature

. : . Sit . C a | r Leslie Howard

“IT'S LOVE I'M AFTER” “IT’S ALL YOURS” Sun. Double Feature—Franchot Tone “BETWEEN TWO WOMEN" Pat O'Brien “SUBMARINE D-1” Double Feature

Ta bot t John Boles

«FIGHT FOR YOUR LADY” Greta Garbo “CONQUEST” Sun. Double Feature—Warner Baxter “YOGUES OF 1938” “IT'S LOVE I'M AFTER” Double Feature

R EX George Murphy

“LLONDON BY NIGHT” Geo. O'Brien “WINDJAMMER” gun. Double Feature—Loretta Young “WIFE, DOCTOR AND NURSE” Shirley Temple “HEIDI” Sunday Show Starts 1PM oo

Garrick 30th and lllinois

Double Feature Jack Holt “OUTLAWS OF THE ORIENT” “IT CAN'T LAST FOREVER” Sun. Double Feature—Joe Penner “LIFE OF THE PARTY” «COUNSEL FOR CRIME” ~ EAST SIDE -

42nd & College

& Ft. Wayne

Talbott & 22nd

“30th at Northwestern

™ ~ | us E. Washingtos Double Feature

B JOU Edward Arnold

«TOAST OF NEW YORK” “MELODY OF THE PLAINS” Sun. Double Feature—Paul Kelly «JOIN THE MARINES” Movita “PARADISE ISLE”

™ 2030 E. 10th St. Double Feature

Pa rker Errol Flynn “THE PERFECT SPECIMEN" «L,OVE ON THE AIR” ‘Sun. Double Feature—Ronald Colman

“PRISONER OF ZENDA”

Dick Merrill “ATLANTIC Fugu

EAST SIDE

RIVOLI 3155 E. 10th St.

Doors Open 5:45 Claire Trevor “BIG TOWN GIRL” Pat O’Brien “SUBMARINE D-1* EXTRA! Last Show Tonight Only! Robt. Taylor—Loretta Young Patsy Kelly—Basil Rathbone “PRIVATE NUMBER” Sun. Double Feature—Lionel Barrymore “NAVY BLUE AND GOLD" Ginger Rogers “STAGE DOOR”

Tacoma 2442 E. Wash. St,

Double Feature Madeleine Carroll “IT'S ALL YOURS” “WEST OF SHANGHAI” Double Feature—Barbara Stanwyck “STELLA DALLAS” “LIFE OF THE PARTY” Double Feature

Tuxedo Ann Sothern

“DANGER—LOVE AT WORK” Smith Ballew “WESTERN GOLD” Sun. Double Feature—Irene Dunne “THE AWFUL TRUTH” Jane Withers “45 FATHERS” ; 5307 E. Wash. St. RVI NG Double Feature Bert Lahr “MERRY-GO-ROUND OF 1958” Zane Grey's “FORLORN RIVER” Sun. Double Feature—Iirene Dunne “THE AWFUL TRUTH” “FORTY NAUGHTY GIRLS” Donhle Feature

Hami ton Alice Brady

“MERRY-GO-ROUND OF 1938” Smith Ballew “WESTERN GOLD” EXTRA! Walt Disney's ACADEMY AWARD REVUE Sun. Double Feature—Irene Dunne “THE AWFUL TRUTH" “HOLD EM, NAVY” Extra “Coronation” in Technicolor Double Feature

GO L D E N Para‘hy Lamour

“JUNGLE PRINCESS” Gary Cooper “THE PLAINSMAN"

Sun.

4020 E. New York

er 2116 E. 10th St.

6116 E. Wash.

Double Featire-—B-rhara “STELLA DALLAS” «THE PERFECT SPECIMEN"

Emerson 4630 E. 10th

Doérs Open 5:15 First City Showings 1. Jack Holt “Trapped by G-Men” 2. Wheeler & Woolsey “ON AGAIN, OFF AGAIN” 3. Laurel & Hardy “BLOTTO”

Starts Tomorrow—Irene Dunne

“THE AWFUL TRUTH” Jane Withers “45 FATHERS”

Strand 1382 E. Wash. 8

Tonight & Tomorrow Special Double Feature Katherine Hepburn Ginter Rogers “STAGE DOOR”

Ian Hunter--Pat Patterson

«52d STREET” Double Feature

Paramount ou joi “LARCENY ON THE AIR” “DEVIL'S SADDLE LEGION” Sun. Double Feature—Eddie Cantor «ALI BABA GOES TO TOWN" “WIFE, DOCTOR AND NURSE* u

Stanwyck

‘11 E. Wash.